Another fine Webster release on Verve that sees the tenor great once
again backed by the deluxe Oscar Peterson Trio. In keeping with the high
standard of their Soulville collaboration of two years prior, Webster
and the trio -- Peterson is joined by bassist Ray Brown and drummer Ed
Thigpen -- use this 1959 date to conduct a clinic in ballad playing. And
while Soulville certainly ranks as one of the tenor saxophonist's best
discs, the Ben Webster Meets Oscar Peterson set gets even higher marks
for its almost transcendent marriage of after-hours elegance and
effortless mid-tempo swing -- none of Webster's boogie-woogie piano work
to break up the mood here. Besides reinvigorating such lithe strollers
as "Bye Bye Blackbird" (nice bass work by Brown here) and "This Can't Be
Love," Webster and company achieve classic status for their
interpretation of the Sinatra gem "In the Wee Small Hours of the
Morning." And to reassure Peterson fans worried about scant solo time
for their hero, the pianist lays down a healthy number of extended runs,
unobtrusively shadowing Webster's vaporous tone and supple phrasing
along the way. Not only a definite first-disc choice for Webster
newcomers, but one of the jazz legend's all-time great records. Stephen Cook
Tracklist :
1 The Touch Of Your Lips 6:10
Written-By – Noble
2 When Your Lover Has Gone 3:50
Written-By – Swan
3 Bye Bye Blackbird 6:35
Written-By – Dixon, Henderson
4 How Deep Is The Ocean (How High Is The Sky) 2:30
Written-By – Berlin
5 In The Wee Small Hours Of The Morning 3:06
Written-By – Hilliard, Mann
6 Sunday 3:55
Written-By – Krueger, Conn, Styno, Miller
7 This Can't Be Love 9:45
Written-By – Rodgers/Hart
Credits :
Bass – Ray Brown
Drums – Ed Thigpen
Piano – Oscar Peterson
Tenor Saxophone – Ben Webster
1.7.24
BEN WEBSTER | OSCAR PETERSON — Ben Webster Meets Oscar Peterson (1959) Two Version (1997, RM | Serie Verve Master Edition) + (2011, RM | SACD, Hybrid | Serie Verve Reissues) APE (image+.cue), lossless & FLAC (tracks+.cue), lossless
21.12.23
OLIVER NELSON'S BIG BAND — Live from Los Angeles (1968-2005) RM | Serie LP Reproduction | FLAC (tracks+.cue), lossless
Oliver Nelson's live recordings don't seem as sharp as his studio stuff. Good playing, though, from a good group of West Coasters, but nothing exciting happens. Douglas Payne Tracklist & Credits :
30.11.23
KENNY DREW TRIO — Your Soft Eyes (1982) FLAC (tracks+.cue), lossless
Pianist Kenny Drew is accompanied by fellow expatriate drummer Ed
Thigpen and the talented young bassist Mads Vinding on these 1981
sessions. The leader continued to grow as a player during his years
living in Europe, evolving from a strong bop pianist into something
more. He opens "Alone Together" with a tense, evocative solo before
returning to familiar territory as the rhythm section joins him. His
sprightly, brisk take of "How Are Things in Glocca Mora" is a nice
change from the usual arrangements, with Vinding's walking bass
prominent in the mix. The leader's two originals include the snappy
"Evening in the Park" and the lush, intimate ballad "Your Soft Eyes."
This rewarding CD seems to have been deleted from Soul Note's catalog,
so it is well worth tracking down. Ken Dryden
Tracklist :
1 Forgotten But Not Gone 3:52
Ernie Wilkins
2 Alone Together 9:50
Howard Dietz / Arthur Schwartz
3 Your Soft Eyes 5:06
Kenny Drew
4 Evening in the Park 5:18
Kenny Drew
5 How Are Things in Glocca Morra? 7:36
E.Y. "Yip" Harburg / Burton Lane
6 Mads' Blues
Kenny Drew
Credits :
Double Bass – Mads Vinding
Drums – Ed Thigpen
Piano – Kenny Drew
JUTTA HIPP — Jutta Hipp at the Hickory House, Vol. 1 (1956-2007) RM | MONO | Serie Blue Note RVG Edition | FLAC (image+.cue), lossless
At the Hickory House is a thoroughly appealing collection of lightly
swinging small-combo jazz that draws equally from hard bop and
soul-jazz. There's a soulful lilt to Jutta Hipp's playing that keeps it
engaging and enjoyable. The rhythm section of Peter Ind (bass) and Ed
Thigpen (drums) largely stay out of the way, letting Hipp dictate the
tempo and mood of the pieces, and she has a knack for creating
infectious, swinging interpretations of jazz and pop standards that are
enjoyable and easy to listen to. Vol. 1 contains such staples as "Dear
Old Stockholm," "Billie's Bounce," "Mad About the Boy," "Ain't
Misbehavin'" and "These Foolish Things," all of which are performed with
verve and style, making the record a wonderful little gem. Stephen Thomas Erlewine
Tracklist :
1 Take Me In Your Arms 4:38
Written-By – Markush
2 Dear Old Stockholm 4:38
Traditional
3 Billie's Bounce 4:02
Written-By – Charlie Parker
4 I'll Remember April 3:47
Written-By – Raye, De Paul
5 Lady Bird 3:50
Written-By – Tadd Dameron
6 Mad About The Boy 3:40
Written-By – Noel Coward
7 Ain't Misbehavin' 4:59
Written-By – Razaf, Waller, Brooks
8 These Foolish Things 3:58
Written-By – Marvell, Strachey
9 Jeepers Creepers 3:48
Written-By – Warren, Mercer
10 The Moon Was Yellow 4:54
Written-By – Leslie, Ahlert
Credits :
Bass – Peter Ind
Drums – Ed Thigpen
Piano – Jutta Hipp
Recorded By [Recording By], Remastered By – Rudy Van Gelder
JUTTA HIPP — Jutta Hipp at the Hickory House, Vol. 2 (1956-2007) RM | MONO | Serie Blue Note RVG Edition | FLAC (image+.cue), lossless
Jutta Hipp at the Hickory House, Vol. 2 has the same infectious spirit
and sense of fun as the first volume. Taken from the same date, this
ten-track album features such standards as "Moonlight in Vermont,"
"After Hours," "If I Had You" and "My Heart Stood Still," all of which
are given swinging, spirited interpretations by Hipp and her rhythm
section of bassist Peter Ind and drummer Ed Thigpen. As with the first
volume of At the Hickory House, Vol. 2 is another thoroughly enjoyable
set of swinging soul-jazz and should appeal to fans of Horace Silver and
the Three Sounds. Stephen Thomas Erlewine
Tracklist :
1 Gone With the Wind 4:50
Herbert Magidson / Allie Wrubel
2 After Hours 4:40
Erskine Hawkins / Avery Parrish
3 The Squirrel 3:46
Tadd Dameron
4 We'll Be Together Again 3:15
Carl Fischer / Frankie Laine
5 Horacio 3:20
Jutta Hipp
6 I Married an Angel 4:24
Lorenz Hart / Richard Rodgers
7 Moonlight in Vermont 3:24
John Blackburn / Karl Suessdorf
8 Star Eyes/If I Had You/My Heart Stood Still 4:01
Gene DePaul / Don Raye
9 If I Had You 3:54
Jimmy Campbell / Reginald Connelly / Ted Shapiro
10 My Heart Stood Still 4:21
Lorenz Hart / Richard Rodgers
Credits :
Bass – Peter Ind
Drums – Ed Thigpen
Piano – Jutta Hipp
Remastered By, Recorded By – Rudy Van Gelder
6.3.23
LEE KONITZ - Move (1994) Unofficial Release | FLAC (tracks+.cue), lossless
Lee Konitz has recorded often during his career, but many of the tracks within this CD may be fairly rare. The first eight songs are from two 1956 studio dates in Germany with either Hans Koller on tenor sax and a rotating cast of one or two baritone saxophonists, including Lars Gullin, Willi Sanner, and Rudi Sehring. With the exception of "I'm Getting Sentimental Over You" in which Konitz is the only reed player, the material sticks to originals by either pianist Roland Kovac, Gullin, or the leader; though the music is pleasant, none of the tunes are particularly memorable. Better is a 1958 New York session with Warne Marsh on tenor sax, pianist Billy Taylor, mellophonist Don Elliott, and guitarist Mundell Lowe covering lively takes of "Move" and "Subconscious Lee," Konitz's well-known reworking of "What Is This Called Love?" The last three tracks with Niels Pedersen and Alan Dawson are of historical interest. A very brief but wild interpretation of "What's New" is mainly a feature for Pedersen's extended bass solo; while Konitz invites Evans to join them on stage for a rather choppy "How Deep Is the Ocean," which features a terrific introduction by the pianist, and the more accessible "Beautiful Love." Like most Moon CDs the sound is rather erratic, with the live tracks showing lots of tape hiss and a fair amount of distortion. But both Konitz and Evans fans should consider adding this now out-of-print release to their collections. Ken Dryden
Tracklist :
1 East Of Eden 4:02
2 Stephany 5:01
3 Late Summer 7:02
4 En Rodage 3:58
5 Ablution 4:00
6 Variations No.8 From "Passacaglia" 3:04
7 I'm Getting Sentimental Over You 2:50
8 Lee-La-Lu 5:00
9 Move 3:09
10 Subconscious Lee 2:33
11 What's New 2:30
12 How Deep Is The Ocean? 7:28
13 Beautiful Love 3:38
Credits :
Alto Saxophone – Lee Konitz (pistas: 1 to 3, 6 to 13)
Baritone Saxophone – Lars Gullin (pistas: 4, 5), Lee Konitz (pistas: 4, 5), Willi Sanner (pistas: 1, 2, 8)
Bass – Eddie Safranski (pistas: 9, 10), Johnny Fischer (pistas: 1 to 8), Niels-Henning Ørsted Pedersen (pistas: 11 to 13)
Drums – Alan Dawson (pistas: 11 to 13), Ed Thigpen (pistas: 9, 10), Karl Sanner (pistas: 3 to 8), Rudi Sehring (pistas: 1, 2)
Guitar – Mundell Lowe (pistas: 9, 10)
Mellophone – Don Elliott (pistas: 9, 10)
Piano – Bill Evans (pistas: 11 to 13), Billy Taylor (pistas: 9, 10), Roland Kovac (pistas: 1 to 8)
Tenor Saxophone – Hans Koller (pistas: 1 to 3, 6, 8), Warne Marsh (pistas: 9, 10)
Notas.Tracks 1 to 8 Lee Konitz Ensemble, Kohln, Germany, January 17 & 21, 1956
Tracks 9 to 10 Lee Konitz/Warne Marsh Ensemble, New York, 1958
Tracks 11 to 13 Lee Konitz Trio special guest Bill Evans, Stockholm, Sweden, 1966
17.10.22
JUTTA HIPP - Jutta Hipp with Zoot Sims (1956-2008) RM | MONO | RVG Edition | FLAC (image+.cue), lossless
Jutta Hipp, a talented German pianist, came to the United States in the mid-'50s and quickly gained some attention. However, she was soon criticized for sounding too close to Horace Silver and, after recording this final Blue Note album, she gradually dropped out of music. Reissued in 1996 on CD with two extra selections, Hipp's boppish music on the set is very enjoyable and swinging. Oddly enough, she does not sound at all like Silver on the date, making one wonder why she soon left the jazz world. Teamed up with great tenor Zoot Sims (who dominates the music), somewhat hesitant trumpeter Jerry Lloyd (who briefly came out of retirement), bassist Ahmed Abdul-Malik, and drummer Ed Thigpen, Hipp sounds excellent on a couple of basic originals and such standards as "Violets for Your Furs," "Almost Like Being in Love," and J.J. Johnson's "Wee Dot." This formerly rare set is well worth picking up by straight-ahead jazz collectors. Scott Yanow
Tracklist :
1 Just Blues 8:44
Zoot Sims
2 Violets for Your Furs 6:10
Tom Adair / Matt Dennis
3 Down Home 6:44
Jerry Lloyd
4 Almost Like Being in Love 6:17
Alan Jay Lerner / Frederick Loewe
5 Wee-Dot 7:30
J.J. Johnson / L. Parker
6 Too Close for Comfort 6:50
Jerry Bock / Larry Holofcener / George David Weiss
- BONUS TRACKS -
7 These Foolish Things 6:10
Written-By – Link, Marvell, Strachey
8 S' Wonderful 5:54
Written-By – George Gershwin, Ira Gershwin
Credits :
Bass – Ahmed Abdul-Malik
Drums – Ed Thigpen
Piano – Jutta Hipp
Recorded By, Remastered By – Rudy Van Gelder
Tenor Saxophone – Zoot Sims
Trumpet – Jerry Lloyd
14.10.22
ZOOT SIMS WITH THE KENNY DREW TRIO - Zoot Sims In Copenhagen (1978-1995) RM | Original Master Recording, Ultradisc II | 24Kt Gold Plated | FLAC (tracks+.cue), lossless
Formerly put out by Storyville, this audiophile CD reissue features the great Zoot Sims performing in a quartet with bassist Niels-Henning Ørsted Pedersen and two notable expatriates: pianist Kenny Drew and drummer Ed Thigpen. Sims, who doubles here on soprano, is in typically swinging form on such numbers as "Too Close for Comfort," "In a Mellowtone," an extended, nearly ten-minute rendition of "All the Things You Are," and "It's All Right with Me." The supporting rhythm section is perfect for this style of music, and Sims is heard throughout in prime form. Scott Yanow
Tracklist :
1 Too Close for Comfort 7:27
Jerry Bock / Larry Holofcener / George David Weiss
2 (I Wonder) Where Our Love Has Gone 7:17
Buddy Johnson
3 In a Mellow Tone 5:12
Duke Ellington / Milt Gabler
4 I Got It Bad (And That Ain't Good) 2:14
Duke Ellington / Paul Francis Webster
5 Caravan 6:32
Duke Ellington / Irving Mills / Juan Tizol
6 Softly, As in a Morning Sunrise 7:33
Oscar Hammerstein II / Sigmund Romberg
7 All the Things You Are 9:57
Oscar Hammerstein II / Jerome Kern
8 I'll Remember April 8:46
Gene DePaul / Patricia Johnston / Don Raye
9 Morning Fun 4:49
Al Cohn / Zoot Sims
10 In the Middle of a Kiss 7:42
Sam Coslow
11 It's All Right with Me 8:15
Cole Porter
Credits :
Bass – Niels-Henning Ørsted Pedersen
Drums – Ed Thigpen
Piano – Kenny Drew
Soprano Saxophone, Tenor Saxophone – Zoot Sims
14.9.22
BENNY CARTER QUARTET - Summer Serenade (1980-1986) FLAC (tracks+.cue), lossless
Benny Carter has recorded so many excellent swing sessions throughout his lengthy career that it is very difficult to pick out the best ones; there's too much competition. This quartet date for the Danish Storyville label matches his alto with pianist Kenny Drew, bassist Jesper Lundgaard and drummer Ed Thigpen for four of Carter's originals and three standards. As a bonus, Richard Boone sings the good-humored "All That Jazz." Scott Yanow
Tracklist :
1 (Back Home Again In) Indiana 5:08
James F. Hanley / Ballard MacDonald
2 Almost Like Being in Love 7:22
Alan Jay Lerner / Frederick Loewe
3 Summer Serenade 4:15
Benny Carter
4 All That Jazz 5:03
Benny Carter / John Kander / Al Stillman
5 Blue Star 8:06
Benny Carter
6 When Lights Are Low 6:01
Benny Carter / Spencer Williams
7 Taking a Chance on Love 8:20
Vernon Duke / Ted Fetter / John Latouche
Credits :
Alto Saxophone – Benny Carter
Bass – Jesper Lundgaard
Drums – Ed Thigpen
Piano – Kenny Drew
Vocals – Richard Boone (pistas: 4)
17.8.22
JOHNNY GRIFFIN QUARTET - Blues for Harvey (1973-1990) FLAC (tracks+.cue), lossless
Johnny Griffin is heard in a pair of dates recorded in 1972 at Jazzhus Montmartre in Copenhagen, joined by fellow American expatriates Kenny Drew and Ed Thigpen, along with bassist Mads Vinding. Most of this album is devoted to Griffin's originals. His piercing, extended blues "That Party Upstairs" is followed by a somber ballad "Alone Again" (not the bland Gilbert O'Sullivan pop hit "Along Again (Naturally)," as listed in some discographies). His remake of his early composition "Soft and Furry" features Vinding's delightful arco bass in octave unison with Griffin's tenor sax. The furious uptempo "Blues for Harvey" gives way to a turbulent pair of choruses of Thelonious Monk's "Rhythm-A-Ning." There are some exciting moments, but overall, this live record falls just a bit short of essential for hard bop fans. Ken Dryden
Tracklist :
1 That Party Upstairs 14'42
Johnny Griffin
2 Alone Again 8'42
Johnny Griffin
3 Sound Track Blues 6'13
Johnny Griffin
4 Theme 0'26
Traditional
5 Soft and Furry 11'34
Johnny Griffin
6 Blues for Harvey 12'53
Johnny Griffin
7 Rhythm-A-Ning (Theme) 2'36
Thelonious Monk / Traditional
Credits :
Bass – Mads Vinding
Drums – Ed Thigpen
Piano – Kenny Drew
Tenor Saxophone – Johnny Griffin
31.7.22
ART FARMER QUINTET - Manhattan (1985) FLAC (tracks+.cue), lossless
Art Farmer added a bit of a different twist for these 1981 studio sessions, including baritone saxophonist Sahib Shihab with him in the front line, along with fellow expatriate Americans Kenny Drew (piano) and Ed Thigpen (drums), plus bassist Mads Vinding. Drew contributed the first two songs, including the boisterous mid-tempo opener "Context" and the brisk blues "Blue Wail," both top-notch features for Farmer and Shihab. The intricate take of Charlie Parker's "Passport" and Bennie Wallace's inventive "Back Door Beauty" find Shihab switching to soprano sax. The only standard is a lush take of "Manhattan," showcasing the leader's lyrical flugelhorn. This release is a little short by CD standards, clocking under 40 minutes, but it will be of great interest to fans of Art Farmer. Ken Dryden
Tracklist :
1 Context 6'53
Kenny Drew
2 Blue Wail 5'06
Kenny Drew
3 Manhattan 6'50
Lorenz Hart / Richard Rodgers
4 Passport 6'48
Charlie Parker
5 Arrival 6'51
Horace Parlan
6 Back Door Beauty 6'17
Bennie Wallace
Credits :
Bass – Mads Vinding
Drums – Ed Thigpen
Flugelhorn – Art Farmer
Piano – Kenny Drew
Soprano Saxophone, Baritone Saxophone – Sahib Shihab
13.9.21
CHET BAKER - Chet Baker Introduces Johnny Pace Accompanied By The Chet Baker Quintet (1958-1990) RM / FLAC (tracks+.cue), lossless
The liner notes begin with this sentence: "It's hard to think of this
album as anything short of the first major step towards real success for
the exciting and appealing young singer being introduced here." Oh,
well. The fact that Pace ended up, at best, a minor footnote in jazz
history doesn't detract at all from the significant pleasures to be had
on his 1958 debut. Supported by the Chet Baker Quintet (which at this
point included flutist Herbie Mann, pianist Joe Berl, bassist Jimmie
Burke, and, depending on the recording date, either Ed Thigpen or Philly
Joe Jones on drums), Pace delivers a winning program of standards in a
style that owes an obvious debt to Frank Sinatra, but distinguishes
itself by means of fruitier tone and an occasionally pronounced vibrato.
His renditions of "The Way You Look Tonight" and "It Might as Well Be
Spring" are both completely charming, and the band supports him
beautifully -- special kudos go to Mann, whose dry, swinging flute tone
complement's Pace's voice perfectly. Recommended. by Rick Anderson
Tracklist :
1 All or Nothing at All 3:21
Arthur Altman / Jack Lawrence
2 Crazy She Calls Me 4:13
Bob Russell / Carl Sigman
3 The Way You Look Tonight 3:15
Dorothy Fields / Jerome Kern
4 This Is Always 3:38
Mack Gordon / Harry Warren
5 When the Sun Comes Out 4:04
Harold Arlen / Ted Koehler
6 What Is There to Say? 3:41
Vernon Duke / E.Y. "Yip" Harburg
7 Ev'rything I've Got 2:44
Lorenz Hart / Richard Rodgers
8 We Could Make Such Beautiful Music Together 3:15
Henry Manners / Robert Sour
9 It Might as Well Be Spring 3:53
Oscar Hammerstein II / Richard Rodgers
10 Yesterdays 5:00
Otto Harbach / Jerome Kern
Credits :
Bass – Jimmie Burke
Drums – Philly Joe Jones (faixas: 1, 2, 9), Ed Thigpen (faixas: 3 to 8, 10)
Flute – Herbie Mann
Piano – Joe Berle
Trumpet – Chet Baker
Vocals – Johnny Pace
15.7.21
BLOSSOM DEARIE - Once Upon a Summertime (1958-1992) APE (image+.cue), lossless
Vocalist Blossom Dearie's Summetime is a low-key collection of
chamber-jazz arranged for a small trio. Working with guitarist Mundell
Lowe, bassist Ray Brown, and drummer Ed Thigpen, Dearie sings the
material with a gentle conviction; she may never sound passionate, but
she never sounds like she doesn't care. The result is a pleasant record,
that might never be a compelling listen, but it's never a bad one. by Thom Owens
Tracklist :
1 Tea for Two 3:20
Irving Caesar / Vincent Youmans
2 The Surrey with the Fringe on Top 4:16
Oscar Hammerstein II / Richard Rodgers
3 Moonlight Saving Time 1:59
Irving Kahal / Harry Richman
4 It Amazes Me 4:16
Cy Coleman / Carolyn Leigh
5 If I Were a Bell 3:05
Frank Loesser
6 We're Together 2:02
Steve Allen / Don Elliott
7 Teach Me Tonight 2:38
Sammy Cahn / Gene DePaul
8 Once Upon a Summertime 2:43
Eddie Barclay / Michel Legrand / Eddy Marnay / Johnny Mercer
9 Down with Love 1:39
Harold Arlen / E.Y. "Yip" Harburg / Burton Lane
11 Doop-Doo-De-Doop (A Doodlin' Song) 2:15
Cy Coleman / Carolyn Leigh
12 Our Love Is Here to Stay 3:10
George Gershwin / Ira Gershwin
Credits :
Bass – Ray Brown
Drums – Ed Thigpen
Guitar – Mundell Lowe
Piano, Vocals – Blossom Dearie
BLOSSOM DEARIE - Blossom Dearie Sings Comden and Green (1959-2001) RM / FLAC (image+.cue), lossless
Buoyed by the success of Ella Fitzgerald's songbook series, Verve
executive Norman Granz suggested to one of his other artists, Blossom
Dearie, that she tackle the canon of lyricists Betty Comden and Adolph
Green. But while Ella's acrobatic voice proved more than a match for any
brand of songwriter (especially heavyweights like Gershwin, Porter, and
Berlin), Dearie's porcelain vocals and restrained theatrics didn't
immediately leap to mind when thinking of Comden and Green's exuberant
material. Still, Blossom Dearie Sings Comden and Green is an interesting
songbook, a collection of ten standards done Dearie's way, like no
other. Usually accompanied just by bassist Ray Brown and drummer Ed
Thigpen, she exercises a great deal of restraint for the usually
confident "Just in Time." When the same technique is applied to "Dance
Only With Me," however, losing just a few steps of the song's waltz
tempo proves nearly fatal. Also, Dearie's voice isn't as strong as on
her earlier records; perhaps the slight drop in songwriting quality is
as much to blame as vocal strain. The date does pick up when Kenny
Burrell arrives for the second side (he provides a deft accompaniment to
"The Party's Over" and "Lonely Town"), though as darling as Dearie's
voice is, the similarity of the material drags down even the
sprightliest songbird. by John Bush
Tracklist:
1 Lucky to Be Me 4:02
Leonard Bernstein / Betty Comden / Adolph Green
2 Just in Time 3:33
Betty Comden / Adolph Green / Jule Styne
3 Some Other Time 3:57
Leonard Bernstein / Betty Comden / Adolph Green
4 Dance Only with Me 2:58
Betty Comden / Adolph Green / Jule Styne
5 I Like Myself 3:31
Betty Comden / Adolph Green / André Previn
6 The Party's Over 4:22
Betty Comden / Adolph Green / Jule Styne
7 How Will He Know 2:54
Betty Comden / Adolph Green / Jule Styne
8 It's Love 2:50
Leonard Bernstein / Betty Comden / Adolph Green
9 Hold Me, Hold Me, Hold Me 3:25
Betty Comden / Adolph Green / Jule Styne
10 Lonely Town 3:33
Leonard Bernstein / Betty Comden / Adolph Green
Credits:
Bass – Ray Brown
Drums – Ed Thigpen
Guitar – Kenny Burrell (tracks: 6 to 10)
Lyrics By [All Lyrics By] – Betty Comden And Adolph Green
Producer [Original Recordings Produced By] – Norman Granz
Vocals, Piano – Blossom Dearie
BLOSSOM DEARIE - My Gentleman Friend (1959-2003) RM / FLAC (image+.cue), lossless
The most expressive of jazz vocalists, Blossom Dearie's first three
records for Verve -- all masterpieces -- displayed an artist with an
uncommon ability to transfer a well-worn standard into a new song,
usually informed by her light touch with piano and voice as well as her
delightful coquette persona. My Gentleman Friend, her final full-length
for the label, suffers only in comparison to her previous work; with
fewer all-time standards available from her performing repertoire,
Dearie was forced to resort to a few French titles and many middle-rank
or then-current standards. It doesn't come as a surprise, then, that the
song with the most compositional weight -- George and Ira Gershwin's
"Someone to Watch Over Me" -- is the highlight. Dearie gracefully
tiptoes through the classic, her reading rosy and meditative. Another
Gershwin tune, "Little Jazz Bird," leads off the record with Dearie
affecting her usual blend of warmth and insouciance. Aside from those
two, the rest of the material is Blossom by numbers: simply average,
forgettable songs given solid readings. The backing very nearly makes up
for the lack of great compositions -- Dearie leads a quartet comprising
her piano, Kenny Burrell on guitar, Ray Brown on bass, and Ed Thigpen
on drums. by John Bush
Tracklist:
1 Little Jazz Bird 3:43
George Gershwin / Ira Gershwin
2 Gentleman Friend 3:49
Arnold B. Horwitt / Richard Lewine
3 It's Too Good to Talk About Now 3:09
Cy Coleman / Carolyn Leigh
4 Chez Moi 3:09
Jean Féline / Paul Misraki / Bruce Sievier
5 You Fascinate Me So 3:33
Cy Coleman / Carolyn Leigh
6 You've Got Something I Want 2:37
7 Boum 2:10
Charles Trénet
8 L' Étang 2:27
Paul Misraki
9 Hello Love 2:51
10 Someone to Watch Over Me 5:57
George Gershwin / Ira Gershwin
Credits:
Bass – Ray Brown
Drums – Ed Thigpen
Flute – Bobby Jaspar (tracks: 4, 7, 8)
Guitar – Kenny Burrell
Piano – Blossom Dearie (tracks: 1 to 5, 7 to 10)
Producer [Original Recordings Produced By] – Norman Granz
Vocals – Blossom Dearie
10.7.21
HELEN HUMES - On The Sunny Side of the Street (1974-1993) FLAC (image+.cue), lossless
Several major jazz personalities are heard on this Black Lion reissue
CD, recorded live at the 1974 Montreux Jazz Festival. The fine singer
Helen Humes sticks to standards and blues while accompanied by either
Earl Hines or Jay McShann on piano, tenor-saxophonist Buddy Tate,
bassist Jimmy Woode and drummer Ed Thigpen. Although Hines and McShann
are not the ideal accompanists, Humes fares quite well, winning the
audience over with her enthusiasm and sincerity. by Scott Yanow
Tracklist:
1 Alright, Okay, You Win 5:08
Mayme Watts / Sidney Wyche
2 If I Could Be With You One Hour Tonight 4:30
Henry Creamer / James P. Johnson
3 Ain't Nobody's Business 6:35
Porter Grainger / Everett Robbins
4 Kansas City 4:52
Jerry Leiber / Mike Stoller
5 I'm Satisfied 3:43
Duke Ellington / Mitchell Parish
6 Blue Because Of You 4:55
Charles Carpenter / Louis Dunlap / Quinn Wilson
7 On The Sunny Side Of The Street 3:58
Dorothy Fields / Jimmy McHugh
8 I Got It Bad And That Ain't Good 6:02
Duke Ellington / Paul Francis Webster
Credits:
Bass – Jimmy Woode
Drums – Ed Thigpen
Lead Vocals – Helen Humes
Piano – Earl Hines (tracks: 5-8), Jay McShann (tracks: 1-4)
Producer – Alan Bates
Tenor Saxophone – Buddy Tate
18.7.20
JOHN COLTRANE AND PAUL QUINICHETTE - Cattin' with Coltrane and Quinichette (1957-1995) RM / MONO / FLAC (image+.cue), lossless
This mid-'90s DCC Jazz edition of the John Coltrane (tenor sax)/Paul Quinichette (tenor sax) title Cattin' with Coltrane and Quinichette (1958) contains the same excellent remastering and bonus tracks as its standard silver pressing -- without the superfluous expense of a 24-karat gold disc. Audiophile pressing or naught, what remains as the centerpiece are the selections that the co-leads cut during a mid-May 1957 session with Mal Waldron (piano), plus a rhythm section consisting of Julian Euell (bass) and Ed Thigpen (drums). Waldron -- who penned all the album's originals -- proves why he is one of the best composer/arrangers for Coltrane. His stylish tickling of the 88s sets the pace with a stealthy and sinister platform for Coltrane's bluesy blowing, followed by Quinichette's exceedingly soulful solo. "Sunday" exemplifies why Quinichette was considered as a sonic successor to Lester Young. Both of the primary constituents put forth much of their respective selves, with Quinichette's reserved and thoughtful input balancing Coltrane's inspired torrent of notes. Somewhat darker in tone, "Anatomy" is a springboard for indulging the development of singular and personable statements from Coltrane and company. Another key component to Cattin' is the unification of Quinichette and Coltrane on "Vodka." The pair is joined by Waldron for a few energetic and lyrical submissions before converging for a sublime conclusion that will make enthusiasts pine for more. In terms of the extras, "Green Is Blue," "You Belong to Me," and "Birdland Jump" are all credited to the Paul Quinichette Quintet and do not feature Coltrane. by Lindsay Planer
Tracklist:
1 Cattin' 7:20
Written-By – Mal Waldron
2 Sunday 7:00
Written-By – Cohn, Krueger, Stein, Miller
3 Exactly Like You 6:45
Written-By – Fields-McHugh
4 Anatomy 8:50
Written-By – Mal Waldron
5 Vodka 9:04
Written-By – Mal Waldron
- Special Bonus Tracks -
6 Tea For Two 8:04
Written-By – Caesar, Youmans
Paul Quinichette Quintet/ Unreleased Tracks From August 14, 1952
7 Studio Chatter & Green Is Blue 3:31
Written-By – Freddie Green
8 You Belong To Me 3:01
Written-By – King, Stewart
9 Birdland Jump 2:47
Written-By – Joe "King" Oliver, Walter Melrose
Credits:
Bass – Gene Ramey (tracks: 7 to 9), Julian Euell (tracks: 1 to 6)
Drums – Ed Thigpen (tracks: 1 to 6), Gus Johnson (tracks: 7 to 9)
Guitar – Freddie Green (tracks: 7 to 9)
Piano – Kenny Drew (tracks: 7 to 9), Mal Waldron (tracks: 1 to 6)
Tenor Saxophone – John Coltrane (tracks: 1, 2, 4, 5), Paul Quinichette
23.3.20
BILLY TAYLOR TRIO - My Fair Lady Loves Jazz (1957-1994) FLAC (image+.cue), lossless
Recorded at a time when My Fair Lady was a big Broadway hit (but a few years before it became a film), this CD reissue brings back one of the very best jazz interpretations of the classic score. The focus throughout is on the Billy Taylor trio (which included bassist Earl May and drummer Ed Thigpen), but Quincy Jones' arrangements for the seven horns are quite memorable. There is room for short solos from such players as trumpeter Ernie Royal, trombonist Jimmy Cleveland, altoist Anthony Ortega, and baritonist Gerry Mulligan, and their presence clearly inspires pianist Taylor to some of his finest playing. Highly recommended. by Scott Yanow
Tracklist:
1. Show Me 4:49
2. I've Grown Accustomed To Her Face 3:45
3. With A Little Bit Of Luck 4:34
4. The Rain In Spain 3:06
5. Get Me To The Church On Time 4:19
6. Wouldn't It Be Loverly ? 5:03
7. I Could Have Danced All Night 4:04
8. On The Street Where You Live 3:44
30.1.18
ED THIGPEN – Out of the Storm (1966-1998) RM | Verve Elite Edition | FLAC (tracks+.cue), lossless
Tracklist :
1 Cielito Lindo 4:35
2 Cloud Break (Up Blues) 1:45
3 Out Of The Storm 7:20
4 Harper (From The Warner Bros. Motion Picture "Harper") 2:30
5 Elbow And Mouth 6:32
6 Heritage 5:10
7 Struttin' With Some Barbecue 4:15
Credits :
Bass – Ron Carter
Drums – Ed Thigpen
Engineer – Rudy Van Gelder
Guitar – Kenny Burrell
Piano – Herbie Hancock
Producer – Creed Taylor
Trumpet – Clark Terry
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ESBJÖRN SVENSSON TRIO — Winter In Venice (1997) FLAC (tracks+.cue), lossless
Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...