HENRY "RED" ALLEN AND HIS ORCHESTRA – 1937-1941 | The Chronogical Classics – 628 (1992) FLAC (tracks+.cue), lossless

The final of the five Classics CDs that document the early recordings of trumpeter Henry "Red" Allen covers music from three very different bands. Allen is first heard singing and playing trumpet on eight pop tunes he uplifts with a recording group in 1937 that features altoist Tab Smith. Allen also plays four Dixieland standards with a hot septet in 1940 that includes trombonist Benny Morton, clarinetist Edmond Hall and pianist Lil Armstrong. The final eight numbers (four of which were previously unreleased) showcases his regular band from 1941 (with trombonist J.C. Higginbottham and clarinetist Edmond Hall) really romping through some hard-swinging performances, including "K.K. Boogie" and a two-part version of "Sometimes I'm Happy." All five of these Classics CDs are easily recommended; this is one of the better ones. Scott Yanow
Tracklist + Credits :

BENNY GOODMAN AND HIS ORCHESTRA – 1940-1941 | The Classics Chronological Series – 1154 (2000) FLAC (tracks+.cue), lossless

The second Benny Goodman & His Orchestra (the one he organized after taking a few months off to partly recover from sciatica) is heard on this CD during their first recordings. Cootie Williams and Jimmy Maxwell are in the trumpet section, trombonist Lou McGarity and tenor saxophonist Georgie Auld have solo space, bassist Artie Bernstein drives the rhythm section, and Helen Forrest takes some fine vocals. Eddie Sauter's often-radical arrangements (including "Benny Rides Again," "Taking a Chance on Love," "Superman," and "Moonlight on the Ganges") really challenge the clarinetist and are quite often classic. In addition, an excellent small-group date with Williams, Auld, pianist Ken Kersey, and Charlie Christian includes "Breakfast Feud," "I Can't Give You Anything but Love," and "Gilly." Scott Yanow
Tracklist + Credits :

TRUMMY YOUNG – 1944-1946 | The Classics Chronological Series – 1037 (1998) FLAC (tracks+.cue), lossless

Compare Trummy Young's vocal on Jimmie Lunceford's "Easy Street," or the songs he sang in front of his own All-Stars in 1945 (see Classics 888) with the infrequently heard speech and singing voice of Lester Young. Trummy had a high, smooth delivery that sounded quite similar to Lester's speaking tone as heard on live broadcasts and Prez's outrageously naughty improvised singing on his Verve recording of "It Takes Two to Tango." These men had a lot in common. They both hung out with Billie Holiday, not as her boyfriends but as pals, drinking and smoking companions who could be trusted. The fundamental common denominator was: hipness. Trummy and Prez were definitively hip. They both eased into early modern jazz without any problems whatsoever. Trummy's activity during the mid-'40s is outlined in detail by this core sample of rare recordings. Listen to Trummy's passionate singing on "Talk of the Town," a shaming and blaming exercise that could never have been written by a woman. Rather than merely hassling his ex, Trummy seems to be demonstrating the loneliness that all people have in common. "Hollywood" is a jam, but the band on "Good 'n Groovy" is considerably tougher. Ike Quebec, for example, sounds as truculent as a truckload of nails. Buck Clayton's been lifting weights. It's 1945 and the music is changing. There's bop in the air, and R&B is everywhere. The phrase "Rattle and Roll" describes a throw of the dice but the music is about carousing and getting into harmless trouble. "I'm Living for Today" is Trummy's ode to feeling good and refusing to worry about anything. Keynote recording artist Kenny Kersey drives "Behind the Eight Bar" with exceptionally fine boogie piano, and the band rocks out. Just in case you thought "Four or Five Times" was antiquated, check out Trummy's ultra cool version with lyrics describing DTs and military insubordination, a special treat for the V-Disc audience. A fabulous five-minute "Tea for Two" boils over largely because Roy Eldridge puts it in the broiler. Some of the white singers included in this part of the chronology sound terribly square. The hip antidote to the white vocal group billed as the Holidays can be found on "Tidal Wave" (no relation to the Fletcher Henderson tune), which is a big-band boppish feature for Herbie Fields, who disturbs the peace using both alto and tenor saxophones. The Hot Record Society proceedings of Trummy Young's Big Seven, like most of the material brought out on HRS, have plenty of solid solos based upon original compositions of inconsistent creative merit. George Johnson's "Frutie Cutie" and "Johnson Rock" are simple melodies designed for uncomplicated jamming. On the other hand, "Blues Triste" and "Lucky Draw," composed by pianist Jimmy Jones, are beautiful, elegant mood pieces, every bit cool as Trummy and Prez and Lady Day. arwulf arwulf  
Tracklist & Credits : 

ANDY KIRK AND HIS CLOUDS OF JOY – 1940-1942 | The Classics Chronological Series – 681 (1993) FLAC (tracks+.cue), lossless

The Andy Kirk Orchestra was going through some major changes during the period covered by this CD. Tenor star Dick Wilson died prematurely; pop singer Pha Terrell had left; pianist and chief arranger Mary Lou Williams departed in early 1942 (Ken Kersey was her replacement on piano); and such interesting younger players as trumpeters Harold "Shorty" Baker and Howard McGhee and Al Sears on tenor gave the group a slightly different sound. Actually, the music on this CD (late-period swing) is consistently on a higher level than on most of the previous CDs in the Classics series. Highlights include "The Count," "Hey Lawdy Mama," "Boogie Woogie Cocktail" (featuring Kersey) and Howard McGhee's recording debut on the exciting "McGhee Special." Scott Yanow
Tracklist :
1    Midnight Stroll 3:19
 Sammy Lowe
Vocals – June Richmond
2    Little Miss    3:12
 Ned Washington
3    The Count    3:09
 Tom Gordon
4    Twelfth Street Rag    2:55
 Euday L. Bowman
5    (Ev'rything Happened) When I Saw You 3:06
 Mueller Johnson
Vocals – Henry Wells
6    If I Feel This Way Tomorrow (Then It's Love) 2:59
Vocals – Henry Wells
7    Or Have I 2:50
 Sam H. Stept
Vocals – Henry Wells
8    Cuban Boogie Woogie 2:19
Lake / La Vere
Vocals – June Richmond
9    A Dream Dropped In 3:05
 Marty Symes
Vocals – Henry Wells
10    Is It A Sin (My Loving You?) 3:04
 Marcus Carcus
Vocals – Henry Wells
11    Ring Dem Bells    2:49
 Duke Ellington / Irving Mills
12    Big Time Crip 2:58
 Wells / Mary Lou Williams
Vocals – Orchestra
13    47th Street Jive 3:11
 Roosevelt Sykes
Vocals – June Richmond
14    I'm Misunderstood 3:20
Grouya
Vocals – Henry Wells
15    No Answer 2:47
Wood / Hoffman / Siegler
Vocals – Henry Wells
16    Hey Lawdy Mama (Meet Me In The Bottom) 2:56
Easton
Vocals – June Richmond
17    Boogie Woogie Cocktail 2:46
Arranged By – Kenny Kersey
18    Ride On, Ride On 2:25
Tolbert
Vocals – June Richmond
19    McGhee Special 2:58
Arranged By – Howard McGhee
20    Worried Life Blues (Someday Baby) 2:27
 Henry Nemo
Vocals – Floyd Smith
21    Take It And Git 3:13
Chapman / Chapman / Green / Marshall
Vocals – Orchestra
22    Hip Hip Hooray 2:58
Nemo / Ebbins
Vocals – June Richmond
23    Unlucky Blues 2:50
Feather / Feather
Vocals – June Richmond
Credits :    
Alto Saxophone – Ben Smith (tracks: 16 to 23), Earl Miller (tracks: 12 to 15)
Bass – Booker Collins
Clarinet, Alto Saxophone – Rudy Powell (tracks: 1 to 11)
Clarinet, Alto Saxophone, Baritone Saxophone – John Harrington
Clarinet, Tenor Saxophone – Dick Wilson (tracks: 1 to 15), Edward Inge
Directed By – Andy Kirk
Drums – Ben Thigpen
Guitar, Electric Guitar – Floyd Smith
Piano – Kenny Kersey (tracks: 16 to 23), Mary Lou Williams (tracks: 1 to 15)
Tenor Saxophone – Al Sears (tracks: 16 to 23)
Trombone – Henry Wells (tracks: 1 to 15), Milton Robinson (tracks: 16 to 23), Ted Donnelly
Trumpet – Clarence Trice (tracks: 1 to 15), Harold Baker (tracks: 1 to 15), Harry Lawson, Howard McGhee (tracks: 16 to 23), Johnny Burris (tracks: 16 to 23) 

PETE BROWN – 1942-1945 (1998) The Classics Chronological Series – 1029 | FLAC (tracks), lossless

Alto saxophonist Pete Brown has been showing up on Keynote and Savoy reissues for years, but seldom if ever has there been an entire package devoted to recordings made under his name. The Classics Chronological series has accomplished many impressive feats, but this disc deserves special attention. Brown brought excitement and sonic ballast to nearly every band he ever sat in with. His works with John Kirby and especially Frankie Newton are satisfying, but this CD contains the very heart of Brown's artistry. It opens with "Cannon Ball," a boogie-woogie from 1942 sung by Nora Lee King. This relatively rare Decca recording features Dizzy Gillespie, Jimmy Hamilton, and Sammy Price, the pianist with whom Brown would make outstanding music a bit further on down the road. Similarly rare and even more captivating are two extended jams recorded in Chicago in April of 1944. Brown's quartet on this date consisted of electrically amplified guitarist Jim Daddy Walker, bassist John Levy, and drummer Eddie Nicholson. "Jim's Idea" and "Pete's Idea" are groove exercises, vamping struts built on hot riffs. Brown's sax tone usually had an attractive bite to it. His facility was comparable to that of Earl Bostic, even bordering at times on the gritty intensity of Charlie Parker. Pete Brown was first and foremost a relentless straight-ahead jammer who made his most stunning moves in a series of Kansas City-style blues and boogie jams. The Savoy session of July 11, 1944, epitomizes this "Mr. Hyde" aspect of the saxophonist. Four Keynote sides recorded eight days later are just as lively. "That's My Weakness Now" is light years away from the Paul Whiteman/Bix Beiderbecke version (with silly vocal trio) recorded in June of 1928. Trumpeter Joe Thomas was a perfect accomplice on this date, and the rhythm section of Kenny Kersey, Milt Hinton, and J.C. Heard made this the most artistically accomplished band that Brown ever led. Beginning with the exciting "Boot Zoot," the remaining 11 tracks are all mid-'40s swing-to-bop jams with steady R&B overtones. Guitarists Herman Mitchell, Al Casey, and Bill Moore keep things sounding contemporary for the mid-'40s. "That's the Curfew" has a melodic line similar to Fats Waller's "Dry Bones." Brown actually sings on his own laid-back "Sunshine Blues," an offshoot of "Trouble in Mind" using that famous line "The sun's gonna shine in my back door someday." arwulf arwulf
Tracklist
1    Pete Brown And His Band–    Cannon Ball 2:46
 Nora Lee King / Clarence Williams
Vocals – Nora Lee King
2    Pete Brown Quartet–    Jim's Idea    4:07
3    Pete Brown Quartet–    Pete's Idea    4:24
 Pete Brown
4    Pete Brown Quintette–    Ooh-Wee    2:44
5    Pete Brown Quintette–    Bellevue For You    2:43
 Pete Brown
6    Pete Brown Quintette–    Pete Brown's Boogie (P.B. Boogie)    2:56
 Pete Brown
7    Pete Brown Quintette–    Moppin' The Blues    2:59
 Pete Brown
8    Pete Brown All Star Quintet–    It All Depends On You    4:24
Lew Brown / Buddy DeSylva / Ray Henderson
9    Pete Brown All Star Quintet–    That's My Weakness Now    4:06
 Bud Green / Sam H. Stept
10    Pete Brown All Star Quintet–    It's The Talk Of The Town    4:33
 Jerry Livingston / Al J. Neiburg / Marty Symes
11    Pete Brown All Star Quintet–    I May Be Wrong    4:00
 Harry Ruskin / Henry Sullivan
12    Pete Brown's Band–    Boot Zoot    2:59
 Pete Brown
13    Pete Brown's Band–    It's Great    3:03
 Pete Brown
14    Pete Brown's Band–    Lazy Day    3:06
 Pete Brown
15    Pete Brown's Band–    Sunshine Blues 3:07
 Pete Brown
Vocals – Pete Brown
16    Pete Brown's Sextette–    Fat Man's Boogie (Big Boy Boogie)    2:53
 Pete Brown
17    Pete Brown's Sextette–    That's The Curfew    2:42
 Pete Brown
18    Pete Brown's Sextette–    Midnite Blues    2:57
 Pete Brown
19    Pete Brown's Sextette–    That's It    2:43
 Pete Brown
20    Pete Brown's Sextette–    Just Plain Shuffle    2:56
 Pete Brown
21    Pete Brown's Sextette–    Pushin' The Mop    2:47
 Pete Brown
22    Pete Brown's Sextette–    Back Talk Boogie    2:38
 Pete Brown
Credits :    
Alto Saxophone – Pete Brown
Bass – Al Hall (tracks: 12 to 15), Al Matthews (tracks: 4 to 7, 16 to 22), Charlie Drayton (tracks: 1), John Levy (tracks: 2, 3), Milt Hinton (tracks: 8 to 11)
Clarinet – Jimmy Hamilton (tracks: 1)
Drums – Eddie Nicholson (tracks: 2 to 7, 12 to 15), J.C. Heard (tracks: 8 to 11), Ray Nathan (tracks: 1, 16 to 22)
Guitar – Al Casey (tracks: 4 to 7, 16 to 19), Bill Moore (tracks: 20 to 22), Herman Mitchell (tracks: 12 to 15), Jim Daddy Walker (tracks: 2, 3)
Piano – Kenny Kersey (tracks: 8 to 11), Kenny Watts (tracks: 4 to 7, 12 to 15), Ray Parker (5) (tracks: 16 to 22), Sam Price* (tracks: 1)
Trumpet – Dizzy Gillespie (tracks: 1), Ed Lewis (tracks: 16 to 22), Joe Thomas (4) (tracks: 8 to 11)