HANK MOBLEY - The Flip (1969-2003) RM | FLAC (tracks+.cue), lossless

While not as groundbreaking as A Caddy For Daddy, Dippin' or Soul Station, Flip is nonetheless a solid hard groove date for Mobley, who wrote all five of its selections. Flip is Mobley's second-to-last date, and he cut the session in a Paris studio with trombonist Slide Hampton, trumpeter Dizzy Reece, pianist Vince Benedetti, Philly Joe Jones on drums, and a young French bassist named Alby Cullaz. All but Cullaz and Reece were expatriated Americans. (Reece came to Paris from New York, but is Jamaican). The title track opens the set and it lays deep in the soul-jazz cut, tempered by hard bop sensibilities: the solos by Reece, Hampton, and Mobley are top-notch, but it is Benedetti's muscular comping and blues-wailing piano that drives the tune. "Feelin Folksy," means in an African way, with its beautifully crafted and lively minor key melody that touches upon South African township musics and the lyrical harmonic assertions put forth by Abdullah Ibrahim (then known as Dollar Brand). But the personality of the tune, with its gloriously bluesy swing, is all Mobley. The head features all three horns in striated harmony, playing the section with long, loping notes that get shorter as they dissolve into the solos. "Snappin Out," with its Brazilian samba-derived rhythm, is a knotty groover full of loping changes and a killer Slide Hampton solo. But the choruses are pure Mobley fire. In all, Flip is a very worthwhile side to add to the Mobley shelf. But hurry, being part of the Blue Note Connoisseur series with its fantastic sonic reproduction has its downside -- titles featured in it go out of print quickly -- even if they deserve to be continually available.
|This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa'|
Tracklist :
1     The Flip 9:02
Hank Mobley    
2     Feelin' Folksy 8:29
Hank Mobley    
3     Snappin' Out 7:14
Hank Mobley    
4     18th Hole 6:00
Hank Mobley    
5     Early Morning Stroll 6:53
Hank Mobley    
Credits :
Bass – Alby Cullaz
Drums – Philly Joe Jones
Mastered By [In 24-bit] – Ron McMaster
Piano – Vince Benedetti
Tenor Saxophone – Hank Mobley
Trombone – Slide Hampton
Trumpet – Dizzy Reece

VICTOR FELDMAN - Suite Sixteen (1958-1991) RM / APE (image+.cue), lossless

This interesting set features Victor Feldman shortly before he left England for the United States. Feldman, mostly heard on vibes but also making strong appearances on piano and drums, heads several groups filled with English All-Stars, including such notable musicians as trumpeters Jimmy Deuchar and Dizzy Reece, tenors Ronnie Scott and Tubby Hayes, and pianist Tommy Pollard. The music is boppish with some surprises in the consistently swinging arrangements, giving one a definitive look at Victor Feldman near the beginning of his  by Scott Yanow
Tracklist:
1 Cabaletto 2:52
2 Elegy 3:32
3 Suite Sixteen 8:45
4 Sonar 6:40
5 Big Top 3:38
6 Duffle Coat 5:18
7 Brawl For All 4:16
8 Sunshine On A Dull Day 5:51
9 Maenya 3:49
Credits:
Alto Saxophone – Derek Humble (tracks: 3,4,7,8)
Baritone Saxophone – Harry Klein (tracks: 1,2,5,9)
Bass – Eric Peter (tracks: 3), Lennie Bush (tracks: 1,2,4 to 9)
Congas – Victor Feldman (tracks: 9)
Drums – Phil Seamen (tracks: 1,2,5,9), Tony Crombie (tracks: 3,4,6,7,8,), Victor Feldman (tracks: 1)
French Horn – John Burden (tracks: 1,2,5,9)
Piano – Norman Stenfalt (tracks: 1,2,5,9), Terry Pollard (tracks: 1 to 6, 8,9), Victor Feldman (tracks: 7)
Tenor Saxophone – Ronnie Scott (tracks: 1,2,5,9), Tubby Hayes (tracks: 1,2,5,9)
Trumpet – Dizzy Reece (tracks: 1,2,4,5,7,8,9), Jimmy Deuchar (tracks: 1,2,4,5,7,8,9)
Vibraphone – Victor Feldman (tracks: 2 to 6, 8)