Mostrando postagens com marcador Etta Jones. Mostrar todas as postagens
Mostrando postagens com marcador Etta Jones. Mostrar todas as postagens

11.4.24

ETTA JONES | HOUSTON PERSON — Don't Misunderstand (2007) WV (image+.cue), lossless

Tracklist :
1    Blue Monk 8:40
Composed By – Thelonious Monk
2    Don't Misunderstand 3:51
Composed By – Gordon Parks
3    Exactly Like You 5:25
Lyrics By – Dorothy Fields
Music By – Jimmy McHugh

4    Ain't Misbehavin' 4:18
Lyrics By – Andy Razaf
Music By – Fats Waller, Harry Brooks

5    I Saw Stars 4:02
Composed By – Al Goodhart, Al Hoffman, Maurice Sigler
6    I'm Glad There Is You 7:32
Composed By – Jimmy Dorsey, Paul Madeira Mertz
7    Bluesology 10:18
Composed By – Milt Jackson
8    Are You Real 9:21
Composed By – Benny Golson
Credits :
Drums – Frankie Jones
Organ – Sonny Phillips
Tenor Saxophone, Producer [CD Produced By] – Houston Person
Vocals – Etta Jones (tracks: 2 to 5)

31.12.23

RAY BROWN TRIO — Some of My Best Friends Are ... Singers (1998) FLAC (image+.cue), lossless

What does a bass player do when he's recording an album as a leader? Surely not an hour's worth of bass solos! Ray Brown solved the bass player's dilemma with a series of recordings under the Some of My Best Friends Are... heading. This 1998 release is the third in the series, following the earlier Some of My Best Friends Are...Piano Players and Some of My Best Friends Are...Sax Players, and it's a gem. Featuring a sextet of fine vocalists, ranging from the well-established to the unknown, this CD is a class act from beginning to end. The rising jazz vocal superstar of the late '90s, Diana Krall, is showcased to great effect on "I Thought About You" and "Little Boy." Well-established female vocal veterans Etta Jones, Dee Dee Bridgewater, and Marlena Shaw deliver superb performances, soulfully giving master lessons in the art of singing. The lone male singer spotlighted here, Kevin Mahogany, wraps his smooth baritone around the ballad "Skylark," and swings gently on "The Party's Over."

The one unknown in this collection is Oregonian Nancy King. This veteran of the San Francisco and Pacific Northwest scenes shows she has a fine way with a ballad on "But Beautiful," and scats her way across the upbeat Brown original "The Perfect Blues," that closes this set. Both of these songs also feature Antonio Hart's alto saxophone. In addition to Brown's trio mates Geoff Keezer and Gregory Hutchinson, musical support includes guitarist Russell Malone on two tracks and tenor saxman Ralph Moore cooking alongside Bridgewater on "Cherokee." Jim Newsom   Tracklist & Credits :

21.7.23

EARL HINES – 1949-1952 | The Classics Chronological Series – 1288 (2003) FLAC (tracks+.cue), lossless

This disc begins with five excellent recordings that Earl Hines made for the Royal Jazz label in Paris. These joyous, optimistic trio renderings of "Honeysuckle Rose" and "Fine and Dandy" were part of a sizable bundle of great music recorded on November 4, 1949, the balance of which occupies the final eight tracks of Classics 1120. Two days later, Hines created three interesting piano solos for Royal: a relaxed revisit with Maceo Pinkard's old-fashioned love song "Sugar," a tough and powerful remake of "Boogie Woogie on the St. Louis Blues," and "Singing for My French Brothers," during which the pianist scats amiably. In July of 1950, Hines recorded eight outstanding trio performances to be issued on Columbia's newly developed long-playing 33-and-1/3-rpm format. The combination of Hines with bassist Al McKibbon and the impeccable J.C. Heard was remarkably fruitful. "These Foolish Things" seems to unfold as gradually as the dawn, "Velvet Moon" and "When I Dream of You" are slow and reflective, and the rest of this trio's work swings marvelously. "Diane" develops something like a Cuban rhythm halfway through, then prances the rest of the way home. In December of 1952 Hines was able to wax seven sides for the D'Oro label, which was created especially to record the Earl Hines Sextet, with a front line of trumpeter Jonah Jones, trombonist Bennie Green, and Aaron Sachs, who played clarinet and tenor sax. Vocalists heard here are Helen Merrill (this was her very first appearance on record), Lonnie Sattin (who bellows and croons like an Eckstine caricature), and a soulful Etta Jones (who has a lot of fun hollering "Stop"). Hines himself sings over a rhumba called "Ella's Fella," and "Whirl on a Whirl" also has a bit of that rhythmic Caribbean energy running through it. "Green's Corner" -- which in fact uses the bridge from "Love Is Just Around the Corner" -- is a friendly study for trumpet, tenor sax, and trombone with rhythm accompaniment, including brief solos from bassist Tommy Potter and Earl "Fatha" Hines. arwulf arwulf
Tracklist :

20.7.23

PETE JOHNSON – 1944-1946 | The Classics Chronological Series – 933 (1997) FLAC (image+.cue), lossless

The third "complete" Pete Johnson CD put out by the European Classics label features the great boogie-woogie pianist in three different settings. There are eight formerly rare piano solos from 1944 that cover a variety of moods, five selections with a hot Kansas City octet which includes trumpeter Hot Lips Page, tenorman Budd Johnson and two vocals from the young Etta Jones, and eight intriguing numbers in which Johnson is gradually joined by an additional musician on each track. "Page Mr. Trumpet" is an exciting outing for Hot Lips, and the other top players include clarinetist Albert Nicholas, trombonist J.C. Higginbotham and tenorman Ben Webster. A particularly exciting release. Scott Yanow
Tracklist + Credits :

15.5.23

BARNEY BIGARD – 1944 | The Classics Chronological Series – 896 (1996) FLAC (tracks+.cue), lossless

Barney Bigard is one of the great jazz clarinetists. Although most famous for playing in Duke Ellington's band, Bigard performed with a host of lesser bandleaders, giving a series of distinctive, lyrical performances with each. 1944 collects Bigard's performances with the Capitol International Jazzmen, Zutty Singleton's bands, and his time with Roger Kay. Although not as consistently revelatory as his playing with the Duke, these sessions show Bigard to be a master of his instrument, displaying fabulous technique and great lyricism throughout. The Classics label has done a fine job at remastering, and the excellent liner notes round off a nice package. Thomas Ward
Tracklist + Credits :

14.7.21

ETTA JONES - Don't Go to Strangers (1960-2006) RVG REMASTERS / FLAC (tracks+.cue), lossless

Don't Go to Strangers was Etta Jones' first album for the independent jazz label Prestige when it was released in 1960 (having been recorded in a single session on June 21 of that year), and although Jones had been releasing records since 1944, including a dozen sides for RCA in 1946 and an album for King Records in 1957, she was treated as an overnight sensation when the title tune from the album went gold, hitting the Top 40 on the pop charts and reaching number five on the R&B charts. An elegant ballad on an album that had several of them, including the masterful "If I Had You" and a marvelous reading of "All the Way," a song usually identified with Frank Sinatra, "Don't Go to Strangers" featured Jones' airy, bluesy phrasing and uncanny sense of spacing, and was very much a jazz performance, making its success on the pop charts all the more amazing. Listen to Jones' restructuring of the melody to the opening track, the old chestnut "Yes Sir, That's My Baby," to hear a gifted jazz singer sliding and shifting the tone center of a song like a veteran horn player, all the while leaving the melody still recognizable, but refreshing it until it stands revealed anew. Apparently there were no additional tracks cut at the session, since bonus material has never surfaced on any of the album's subsequent reissues, although that's hardly a problem, because as is, Don't Go to Strangers is a perfect gem of a recording. by Steve Leggett  
Tracklist:
1 Yes, Sir That's My Baby 4:23
Written-By – Gus Kahn, Walter Donaldson
2 Don't Go To Strangers 3:51
Written-By – Arthur Kent, David Mann, Redd Evans
3 I Love Paris 4:01
Written-By – Cole Porter
4 Fine And Mellow 5:52
Written-By – Billie Holiday
5 Where Or When 3:41
Written-By – Rodgers & Hart
6 If I Had You 3:51
Written-By – James Campbell, Reginald Connelly, Ted Shapiro
7 On The Street Where You Live 3:45
Written-By – Al Lerner, Frederick Loewe
8 Something To Remember You By 3:45
Written-By – Schwartz & Dietz
9 Bye Bye Blackbird 3:16
Written-By – Mort Dixon, Ray Henderson
10 All The Way 4:39
Written-By – Sammy Cahn & Jimmy Van Heusen
Credits:
Bass – George Duvivier
Drums – Roy Haynes
Flute, Tenor Saxophone – Frank Wess
Guitar – Skeeter Best
Piano – Richard Wyands
Recorded By [Recording] – Rudy Van Gelder
Vocals – Etta Jones

ETTA JONES - Lonely and Blue (1962-1992) RM / FLAC (image+.cue), lossless

Singer Etta Jones often recalls late-period Billie Holiday and Dinah Washington on her CD reissue of Lonely and Blue. The first 11 songs find her accompanied by tenor-saxophonist Budd Johnson on four of the songs, guitarist Wally Richardson on seven, and the Patti Bown Trio throughout; the final three numbers (bonus tracks), are actually from a date led by tenor great Gene Ammons and are among the highlights of this set. But overall, despite some fine performances (particularly "You Don't Know My Mind" and "Trav'lin Light"), Jones' lack of individuality at that point in time makes this CD of less importance than her later sets for Muse. by Scott Yanow
Tracklist :
1     I'll Be There 2:55
Howard Cook
2     In the Dark 2:55
Lillian "Lil" Green
3     Out in the Cold Again 3:16
Bobby Bloom / Rube Bloom / Ted Koehler
4     I'm Pulling Through 3:37
Arthur Herzog, Jr. / Irene Kitchings
5     My Gentleman Friend 2:20
Arnold B. Horwitt / Richard Lewine
6     I Wonder 3:20
Cecil Gant / Budd Johnson / Raymond Leveen
7     You Don't Know My Mind 3:51
Clarence Williams    
8     Gee Baby, Ain't I Good to You 3:09
Andy Razaf / Don Redman
9     Good-For-Nothin' Joe 3:50
Rube Bloom / Ted Koehler
10     I Miss You So 3:26
Jimmy Henderson / Sid Robin / Sydney Robin / Bertha Scott
11     Trav'lin' Light 3:43
Johnny Mercer / Jimmy Mundy / Trummy Young
- Bonus Tracks -
12     But Not for Me 4:28
George Gershwin / Ira Gershwin
13     If You're But a Dream 4:22
Nat Bonx / Jack Fulton / Moe Jaffe
14     Cool Cool Daddy 4:50
Traditional
Credits :
Bass – Art Davis (faixas: 3, 5, 8, 11), George Duvivier (faixas: 1, 2, 4, 6, 7, 9, 10)
Drums – Ed Shaughnessy
Engineer – Rudy Van Gelder
Guitar – Wally Richardson (faixas: 1, 2, 4, 6, 7, 9, 10)
Piano – Patti Bowen
Tenor Saxophone – Budd Johnson (faixas: 3, 5, 7, 10)
Vocals – Etta Jones

ETTA JONES - My Mother's Eyes (1977-2003) FLAC (tracks+.cue), lossless

Although by the mid-1970s she had already been a professional singer for 30 years, Etta Jones was in reality just entering her musical prime. Having developed her individuality gradually through the years, she was heard at her very best during her long string of Muse recordings. On this fine date, Jones is joined by her husband (tenor saxophonist Houston Person) and an oversized rhythm section that features keyboardist Sonny Phillips and guitarist Jimmy Ponder. Among the highlights are "The Way You Look Tonight," "Don't Misunderstand," "You Do Something to Me" and "This Girl's In Love With Me." by Scott Yanow
Tracklist :
1     The Way You Look Tonight 4:50
Dorothy Fields / Jerome Kern
2     Don't Misunderstand 6:12
Gordon Parks
3     Be My Love 5:50
Nicholas Brodszky / Sammy Kahn
4     You Do Something to Me 4:44
Cole Porter
5     My Mother's Eyes 5:49
Abel Baer / Louis Wolfe Gilbert
6     This Girl's in Love With You 3:59
Burt Bacharach / Hal David
7     Gloomy Sunday 4:38
László Jávor / Rezsö Seress
Credits :
Bass – Rufus Reid
Congas, Percussion – Lawrence Killian
Drums – Idris Muhammad
Engineer – Rudy Van Gelder
Guitar – Jimmy Ponder
Keyboards – Sonny Phillips
Producer, Tenor Saxophone – Houston Person
Vibraphone – George Devens
Vocals – Etta Jones

ETTA JONES - Sugar (1990) FLAC (tracks+.cue), lossless

Etta Jones' long string of recordings during the final part of her career for Muse and High Note are some of the most rewarding of her life. Her voice was naturally not as youthful as earlier and her range gradually shrunk, but she was very soulful and had a way of wailing out notes that made each song her own. On Sugar, the first four numbers have her joined by a rhythm section that is hurt slightly by Horace Ott's dated-sounding keyboards. The other four numbers have more suitable accompaniment by pianist Stan Hope. However tenor saxophonist Houston Person is a consistent force throughout and Etta Jones is heard in prime form on both dates. Notable highlights include vocal duets with Earl Coleman ("This Is Always") and Della Griffin ("Side by Side"). by Scott Yanow
Tracklist :
1     Sugar 4:36
S. Mitchell , E. Alexander , M. Pinkard   
2     So I Love You 6:02
J.C. Coates
3     That's All There Is to That 4:42
Clyde Otis / Kelly Owens
4     All the Way 6:18
Sammy Cahn / James Van Heusen
5     He's Funny That Way 4:20
Neil Moret (Chas. N. Daniels) / Richard A. Whiting
6     Blow Top Blues 5:55
Leonard Feather
7     This Is Always 5:07
Mack Gordon / Harry Warren
8     Side by Side 4:45
H. Woods
Vocals, Guest [Special Guest] – Della Griffin
Credits :
Arranged By [Arrangements], Keyboards – Horace Ott (faixas: 1 to 4)
Arranged By [Arrangements], Piano – Stan Hope (faixas: 5 to 8)
Bass – Peter Martin Weiss (faixas: 5 to 8), Wilbur Bascomb (faixas: 1 to 4)
Congas, Percussion – Ralph Dorsey
Drums – Bertel Knox (faixas: 5 to 8), Cecil Brooks III (faixas: 1 to 4)
Engineer – Rudy Van Gelder
Guitar – Randy Johnston
Producer, Tenor Saxophone – Houston Person
Vibraphone – George Devens
Vocals – Etta Jones 

e.s.t. — Retrospective 'The Very Best Of e.s.t. (2009) FLAC (tracks+.cue), lossless

"Retrospective - The Very Best Of e.s.t." is a retrospective of the unique work of e.s.t. and a tribute to the late mastermind Esb...