Mostrando postagens com marcador Bessie Tucker. Mostrar todas as postagens
Mostrando postagens com marcador Bessie Tucker. Mostrar todas as postagens

17.2.25

TOO LATE, TOO LATE BLUES — Newly Discovered Titles & Alternate Takes ★ Volume 1 • 1926-1944 | DOCD-5150 (1993) RM | FLAC (tracks+.cue), lossless

This CD initiated a logical series for the Document label. The company's goal of reissuing every single prewar recording has resulted in hundreds of valuable CDs being reissued. Inevitably, there were new discoveries of music after the fact, so this series consists of previously unreleased titles, alternate takes, and discoveries. Vol. 1 has selections from Blind Blake ("Early Morning Blues"), Blind Lemon Jefferson ("Lock Step Blues" and "Hangman's Blues"), George "Bullet" Williams, Bessie Tucker, the Memphis Jug Band, Willie Baker, Rev. D.C. Rice, Charlie Spand, Robert Peeples, Charley Patton (an alternate of "I Shall Not Be Moved"), Big Bill Broonzy, Frank Brasswell, Memphis Minnie, the team of Kansas City Kitty & Georgia Tom Dorsey, Bo Carter, Joe McCoy, Kokomo Arnold (a test pressing of his famous "Milk Cow Blues"), Little Buddy Doyle, and Lonnie Johnson. More general blues collectors should explore the more obvious releases first, but specialists will find these 26 performances (and those in later CDs included in this series) to be quite fascinating. Scott Yanow

Abridged from this album’s original booklet notes. Document strives to preserve and present each artist’s oeuvre in a concise, logical format that will make it available for further enjoyment and study for many years to come. Inevitably, however, some items do turn up and become available to Document after (or perhaps even because) the major alcum issue is released. It is only then that some collectors realize what rare and unusual items they already have in their collections, and they make them available for Document to share with the larger community. This issue, then, acts as a clearing house to preserve and expand on what has previously been available, and also can serve as a sampler of artists that have been featured. These additional items fall into several main categories. The Rev. D. C. Rice test pressing was one I had a dub of for some ten years, but I realized only in hindsight that it was not generally known to exist. When I sent it to Document, it turned out that technical limitations (absolute album playing time) precluded its earlier use in any case, but this is a case of better late than never. I think it was Bob Dixon who pointed out this fact of life for the compiler; as soon as the work is completed as much and as well as possible, in come the corrections and additions to keep him humble and constantly on the lookout for more. Some of these are items that have only been found in the last year or so. One of these Big Bill’s is a case in point, having been picked up in a lot that was brought in “off the street” for disposal. Richard Hite sold the 78 to Pete Wielan who made it available. Mike Kirsling has made available items that he found in the great Paramount test lot of several years ago, but which he retained. Now they will be available. Several items have been tracked down via the Rarest 78’s column in 78 Quarterly. Those we’ve been able to contact have been most generous and forthcoming to help make this (and, indeed, the whole series in general) as complete and good sounding as it is. As for the question of alternate takes, Document has been including them when they are aurally different. The Charley Patton -2 included here is an exception – not noticeably different to our ears, but a better copy in any case. Some of these alternates come to our attention aurally, as in the case of Memphis Minnie‘s Reachin’ Pete, of which only one take was thought to exist. So we know for sure that some people at least listen to these issues with intense concentration. No doubt there are interesting stories behind each item presented here, but here are included the newly found, newly recognized, and newly offered items and the background of only a few of them. In conclusion, we dedicate this issue to you, the listener, who makes this task of retrieval, preservation and presentation such a labor of love for us all. DOCD-5150
Tracklist :
1    Blind Blake–    Early Morning Blues (3057-2)    2:57
2    Blind Lemon Jefferson–    Lock Step Blues (20750)    3:05
3    Blind Lemon Jefferson–    Hangman's Blues (20751-2)    3:04
4    George "Bullet" Williams–    Frisco Leaving Birmingham (Take 3)    2:52
5    Bessie Tucker–    My Man Has Quit Me (Take 2) 3:08
Piano – K.D. Johnson
6    Memphis Jug Band–    Stealin' Stealin' (Take 3) 3:07
Vocals [Group Vcl] – Memphis Jug Band
7    Willie Baker–    Weak-Minded Woman (14782 - Test)    3:04
8    Rev. D.C. Rice–    Will They Welcome Me There? (Test) 3:17
Mandolin – Unknown Artist
Piano – Unknown Artist
Tambourine – Unknown Artist
Triangle – Unknown Artist
Trombone – Unknown Artist
Trumpet – Unknown Artist

9    Charlie Spand–    Levee Camp Man (Breakdown) (Take 6 - Test)    1:31
10    Charlie Spand–    Mississippi Blues (Take V6 - Test)    2:49
11    Robert Peeples–    Worry Blues (Test)    2:39
12    Charley Patton–    I Shall Not Be Moved (Take 2)    3:02
13    Big Bill–    Bow Leg Baby 2:38
Piano – Georgia Tom Dorsey
14    Frank Brasswell–    Mountain Jack Blues (16575) 2:26
Piano – Unknown Artist
15    Memphis Minnie–    Memphis Minnie-Jitis Blues (Take B) 3:15
Guitar – Kansas Joe McCoy
16    Kansas City Kitty & Georgia Tom–    Do It Some More    3:11
17    Kansas City Kitty & Georgia Tom–    Knife Man Blues    3:11
18    Bo Carter–    New Auto Blues    3:02
19    Big Bill–    Worried In Mind Blues    3:00
20    Joe McCoy–    Meat Cutter Blues (Alternate Take) 3:08
Guitar [Possibly] – Charlie McCoy
21    Joe McCoy–    What's The Matter With You? 2:55
Piano – Jimmie Gordon
22    Memphis Minnie–    Reachin' Pete (Take B)    3:10
23    Kokomo Arnold–    Milk Cow Blues – No. 5 (Test)    2:44
24    Memphis Minnie–    Running And Dodging Blues (Take 2 - Test) 2:43
Bass [String Bass, Probably] – Ransom Knowling
Clarinet – Arnett Nelson
Piano – Blind John Davis

25    Little Buddy Doyle–    Slick Capers Blues (Test) 2:35
Harmonica [Probably] – Walter Horton
26    Lonnie Johnson–    The Victim Of Love 3:10
Bass [String Bass] – Ransom Knowling
Piano – Blind John Davis

20.4.20

BESSIE TUCKER — Complete Recorded Works In Chronological Order (1928-1929) DOCD-5070 (1991) FLAC (tracks+.cue), lossless

Document's Complete Recorded Works (1928-1929) is an exhaustive overview of Bessie Tucker's known recordings, compiled from a pair of late-'20s sessions and including no less than seven alternate takes (each presented right next to the original). This reliance on exact sequencing, along with the poor fidelity and a large number of performances, are enough to make this of limited interest to casual listeners. Since this is the only Bessie Tucker collection in print, however, it's the best place to find classic recordings like "Penitentiary" and "Fryin' Pan Skillet Blues." Thom Owens
 
Abridged from this album’s original booklet notes. Bessie Tucker first recorded in Memphis, Tennessee on August 28, 1928. From the sole surviving picture of her, she would appear to have been a young woman at the time, slim and fine featured. To all outward appearance, here is a genteel “high yellow” indeed. However, once you hear her voice, immediately there is a marked difference from what you would have expected. A sombre, even somewhat dangerous aura comes immediately to the forefront. Moans, songs of travel, jail, fights with men, women and knowledge of the police are brought forward in a manner that could be artistry of the highest level, or otherwise mere brutal honesty – telling the stories she knew in song directly, personally, and immediately. If you listen with the latter assumptions, this initial session has a slice of life quality seldom equaled in the blues. Bessie Tucker was never found by researchers, either. Paul Oliver came closest when he interviewed Whistlin’ Alex Moore in 1960. Asking about Bessie Tucker and Ida May Mack, Oliver’s response from Moore was “They’re tough cookies, don’t mess with them.” So perhaps they were still alive in Dallas as late as 1960, but thirty years later no further information has been found. However, at long last we do have Bessie Tucker’s legacy gathered together in one spot, and that is perhaps as it should be. Now she can be enjoyed and remembered at the height of her considerable talents. DOCD-5070
Tracklist
1 Bessie's Moan 3:28
2 The Dummy 3:32
3 Fort Worth And Denver Blues [Take 1] 3:22
4 Fort Worth And Denver Blues [Take 2] 3:26
5 Penitentiary [Take 1] 3:32
6 Penitentiary [Take 2] 3:32
7 Fryin' Pan Skillet Blues [Take 1] 3:27
8 Fryin' Pan Skillet Blues [Take 2] 3:26
9 My Man Has Quit Me 3:13
10 Got Cut All To Pieces [Take 1] 3:26
11 Got Cut All To Pieces [Take 2] 3:24
12 Black Name Moan 3:22
13 Better Boot That Thing [Take 1] 2:43
14 Better Boot That Thing [Take 2] 2:44
15 Katy Blues [Take 1] 3:13
16 Katy Blues [Take 2] 3:00
17 Mean Old Jack Stropper Blues [Take 1] 3:11
18 Mean Old Jack Stropper Blues [Take 2] 3:01
19 Old Black Mary 3:14
20 Key To The Bushes Blues 2:54
21 Bogy Man Blues 2:46
22 Mean Old Master Blues 3:06
23 Whistling Woman Blues 3:18
24 T.B. Moan 3:15

MARGARET WHITING — Sings the Jerome Kern Song Book (1960-2002) RM | Serie : LP Reproduction | FLAC (tracks+.cue), lossless

Given Margaret Whiting's limitations as a stylist, you certainly wouldn't expect an album of Jerome Kern-penned Broadway standards t...