Aram Khachaturian (1903-1978)
1-5 Masquerade Suite (18:02)
Dmitry Kabalevsky (1904-1987)
6-15 The Comedians, Op. 26 (14:54)
Conductor – Kiril Kondrashin
Orchestra – RCA Victor Symphony Orchestra
3.4.22
KHACHATURIAN : Masquerade Suite • KABALEVSKY : The Comedians (Kirill Kondrashin) (2003) APE (image+.cue), lossless
29.3.22
ARAM KHACHATURIAN : Solo Piano Works (Armen Bhabakanian) (2007) 4CD / FLAC (tracks+.cue), lossless
Aram Khachaturian (1903-1978)
CD1
1-9 Symphonic Pictures For Piano Solo
(Arr. Armen Babakhanian)
10-13 Little Suite From Spartacus
(Arr. Armen Babakhanian)
CD2
1 Valse-Caprice In C-Sharp Minor (1926) 2:43
2 Toccata In E-Flat Minor (1932) 4:59
3-9 Seven Recitatives And Fugues (1966)
CD3
1 Dance In G Minor For Piano (1926) 1:48
2 Poem In C-Sharp Minor For Piano (1927) 9:26
3-6 Sonata In E-Flat Major (1961)
CD4
1-10 Children's Album, Book I, For Piano (1947)
11-19 Children's Album, Book II, For Piano (1964-65)
20-22 Sonatina In C Major (1958)
Piano – Armen Babakhanian
28.3.22
KHACHATURIAN • PENDERECKI : Cello Concertos (Astrig Siranossian) (2018) 24bits-96hz / FLAC (tracks), lossless
KABALEVSKY • KHACHATURIAN • GLAZUNOV : Violin Concertos (David Oistrakh) (2003) MONO / FLAC (image+.cue), lossless
IBERT • KHACHATURIAN : Flute Concertos (Emmanuel Pahud, David Zinman) (2003) FLAC (image+.cue), lossless
KHACHATURIAN • ZAKARIAN • SHARAFYAN : Armenian Rhapsody (Chaushian, Topchjan) (2011) FLAC (image+.cue), lossless
Cellist Alexander Chaushian is a wonderful artist with excellent technique and musicianship, conveying a wide range of emotions and styles of music. The Armenian Philharmonic Orchestra under the baton of Eduard Topchjan is an excellent accompaniment to the cellist, equally capable of evoking many emotions through their technically solid and artistically superior musicianship. Arguably the most enjoyable work on the album is Khachaturian's Concerto-Rhapsody, with its lush orchestral beginning that gives way to a cello solo which is rather like, unusually, a cadenza at the beginning of the work. One hears a distinctly non-European tonality (somewhat like Indian classical music) with haunting melodies and a repeated, pleading motif throughout the work. It is emotionally stirring, and both the orchestra and soloist bring out strong dynamic and stylistic contrasts. The orchestra manages to play precisely, and yet the sound is still lyrical and smooth. Chaushian is as agile as a violinist, for he makes the cello seem effortless. Suren Zakarian's piece for cello and chamber orchestra is quite a contrast to Khachaturian's. From the beginning, with its long, tense, highly vibrated notes, the listener is unclear about the tonality. It's almost disconcerting, even after the orchestra enters. The orchestra plays a drone tone behind the cello, and sometimes this is quite a trial to hear. Zakarian is working with tone colors and moods, alternating passages where the cello is allowed to sing out (this is quite nice to hear), and low, murky, dark passages. This is no reflection on the musicians, but rather a comment on the accessibility of the piece. The same could be said for moments in Vache Sharafyan's Suite for cello and orchestra, where sometimes the cello line is so entwined with the orchestra in the first movement that it is hard to hear, and it can sound rather cacophonous. However, the second movement features light, ethereal strings and a liquid, singing cello, and the third movement, a Sarabande, allows the cello to become impassioned and then dramatically drops into silence. The final piece on the album, Krunk (Crane), is fascinating; it introduces the woodwind instrument called the duduk. The entrancing, mysterious beginning creates a sense of melancholy that pervades the work, and the three voices intertwine so smoothly, shimmering. So while some of the music may not be to everyone's taste, it is still a wonderful album with unquestionably excellent musicians showcasing the best of their culture. by V. Vasan
Aram Khachaturian
1-3 Concerto-Rhapsody, For Cello And Orchestra (25:52)
Suren Zakarian
4 Monograph, For Cello And Chamber Orchestra (17:16)
Vache Sharafyan
5-8 Suite For Cello And Orchestra (22:24)
Komitas (Soghomon Gevorki Soghomonyan)
9 Krunk = Crane, For Duduk, Cello And Piano 5:25
Arranged By, Piano – Vache Sharafyan
Duduk – Emmanuel Hovhannisyan
KABALEVSKY : Cello Concerto Nr. 2 • KHACHATURIAN : Cello Concerto • RACHMANINOV : Vocalise (Ashkenazy, Lidström) (1996) FLAC (image+.cue), lossless
1-5 Concerto No.2 for Cello and Orchestra, Op.7710:27
Aram Khachaturian (1903-1978)
6-8 Concerto In E Minor For Cello And Orchestra (1946)
Sergei Rachmaninoff (1873-1943)
9 Vocalise, Op.34 No.14
(transcribed For Cello And Piano)
Cello – Mats Lidström
Conductor – Vladimir Ashkenazy
Orchestra – Göteborgs Symfoniker
BORIS TCHAIKOVSKY : Symphony Nr. 2 • KHACHATURIAN : Ode To Lenin, Song-Poem, Sabre-Dance (1994) APE (image+.cue), lossless
Boris Tchaikovsky (1925–1996)
1-3 Symphony No. 2
Conductor – Kirill Kondrashin
Orchestra – Moscow Philharmonic Orchestra
Aram Khachaturian (1903-1978)
4 Ode In Memory Of Lenin
Orchestra – Bolshoi Theatre Orchestra
5 Song-Poem For Violin And Piano
Piano – Naum Walter
Violin – Leonid Kogan
6 Sabre-Dance From Gayaneh
Piano – Mytnik
Violin – Leonid Kogan
KHACHATURIAN : Spartacus, Gayneh • GLAZUNOV : The Seasons Op. 67 (Khatchaturian, Ansermet) (2000) FLAC (image+.cue), lossless
KHACHATURIAN : The Gayne Ballet (Loris Tjeknavorian) 2CD (1995) FLAC (tracks+.cue), lossless
Tracklist 1 :
The Gayaneh Ballet (Complete)*
1 Introduction And russian Dance 4:39
2 Dance Of The Young Kurds 3:50
3 Gathering Of The Cotton 4:51
4 Mountaineer's Dance 1:42
5 Dance Of Welcome 3:27
6 Gayaneh's Adagio 4:23
7 Noune's Variation 1:31
8 Dance Of THe Old Men An Carpet Weavers 3:50
9 Lullaby (Berceuse) 5:49
10 Ayshe's Awakening And Dance 6:48
11 The Embroidering Of The Carpets 4:24
12 Fire 5:09
13 Lezghinka 2:35
Percussion – Tristan Fry
14 Lyrical Duet 5:05
Cornet – John Wilbraham
15 Gayaneh And Ghiko 8:41
16 Armen's Variation 2:00
17 Scene 1:57
Bassoon – Martin Gratt
Violin – Sidney Sax
18 Gayaneh's Variation And Dance Finale 4:52
Harp – Marie Goossens
Tracklist 2 :
1 Introduction To Act IV 8:51*
Clarinet – Tom Kelly
Horn – James Brown
Oboe – David Theodore
2 Dance Of The Rose Maidens 2:09
3 Sabre Dance 2:22
4 Introduction And Dance Of the Elders 5:39
5 Gopak 3:03
6 Final Scene 1:47
Selections From "Spartacus"**
7 Scene And Dance With Crotalums 4:24
8 Dance Of The Gaditanian Maidens And Victory Of Spartacus 6:26
9 Adagio Of Spartacus And Phrygia 9:53
10 Aegina's Variation And Bacchanale 3:15
11- 15 Masquerade Suite**
16 Russian Fantasy
Orchestra – National Philharmonic Orchestra*
The London Symphony Orchestra**
Conductor – Loris Tjeknavorian
26.3.22
KHACHATURIAN : Khachaturian Conducts Khachaturian 1 (2010) FLAC (image+.cue), lossless
Aram Khachaturian (1903-1978)
1-4 Symphony No. 2 in E minor "The Bell Symphony"
5 Three fragments from the ballet Gayane,
6 Adagio from the ballet Spartacus
7 Lezginka from the ballet Gayane
Recorded live at the great Hall of Moscow
Conservatory on 02/15/1977
Orchestra - USSR State Symphony Orchestra
Condutor - Aram Khachaturian
KHACHATURIAN : Khachaturian Conducts Khachaturian 2 (2010) FLAC (image+.cue), lossless
PROKOFIEV : Scythian Suite; Lieutenant Kijé • KHACHATURIAN : Gayaneh (Hermann Scherchen) (2002) FLAC (image+.cue), lossless
Sergey Prokofiev (1891-1953)
1-4 Scythian Suite, for orchestra, Op. 20 [21:10]
5-9 Lieutenant Kijé, film score and suite for orchestra, Op. 60 [21:29]
Orchestra – Vienna Symphony Orchestra
Condutor - Hermann Scherchen
Aram Khatchaturian (1859-1935)
10-15 Gayaneh [19:50]
Orchestra – Vienna State Opera Orchestra
Condutor - Hermann Scherchen
SIBELIUS, KHACHATURIAN : Violin Concertos (Krivine, Khachatryan) (2003) FLAC (tracks+.cue), lossless
NEMANJA RADULOVIC - Journey East (2014) FLAC (tracks), lossless
Serbian violinist Nemanja Radulovic, long flying hair and all, evokes the spirit and sound of the central European violinists of a hundred years ago. On this collection of pieces, mostly associated with Slavic lands (John Williams' Theme from Schindler's List makes a fascinating exception), he takes new chances, and they pay off big time. Radulovic has developed a vigorously rhythmic style that can build up a good deal of momentum in a piece like the opening Hungarian Dance No. 1 of Brahms, and he effectively alternates these with pieces that lay on the sentiment. What's new here is that Radulovic has reached out and gotten the music he needs from other genres, from unusual sources, and from a variety of ensembles. There are several arrangements by Yvan Cassar that make a wonderful effect. Sample the violin-and-small ensemble version of Khachaturian's Sabre Dance (track 4) for a bit of pure excitement that someone might have come up with in an old Viennese cafe in 1900, but probably not since then. Radulovic draws on some Serbian film soundtracks and on original compositions. He employs not only his usual backing group Les Trilles du Diable, but also a slightly larger string group called Double Sens and, on several tracks, the Deutsches Symphonie-Orchester Berlin. The musicians back up Radulovic's fiery effects, and the result is perhaps the most colorful and exciting exotic violin recitals in many years. Bravo! by James Manheim
Tracklist :
Hungarian Dance
Composed By – Johannes Brahms
1 No. 1 in G minor 3:12
2 Songs My Mother Taught Me 3:17
Composed By – Antonín Dvořák
Swan Lake
Composed By – Pyotr Ilyich Tchaikovsky
3 Russian Dance 4:20
Gayaneh
Composed By – Aram Khatchaturian
4 Sabre Dance 2:56
5 Vatra Suze 3:16
Composed By – Sonia Kalajic
6 Pašona Kolo 2:42
Traditional
Masquerade
Composed By – Aram Khatchaturian
7 Nocturne 3:38
Gadfly Suite
Composed By – Dmitri Shostakovich
8 Romance 4:15
Love For Three Oranges Suite
Composed By – Sergei Prokofiev
9 March 1:34
10 Schindler's List: Theme 3:50
Composed By – John Williams
11 Niška Banja 2:20
Traditional
12 Petrijin Venac: Theme 4:18
Composed By – Zoran Simjanović
13 Ojo Je Muški Svet 4:19
Composed By – Dejan "Leopold" Sparavalo, Emir Kusturica
14 Csárdás 4:45
Composed By – Vittorio Monti
15 Zajdi, Zajdi, Jasno Sonce 5:37
Composed By – Aleksandar Sarijevski
Credits :
Cimbalom – Ludovit Kovac
Conductor – Michail Jurowski
Ensemble – Double Sens, Les Trilles Du Diable
Orchestra – Deutsches Symphonie-Orchester Berlin
Percussion – Nicolas Montazaud
Piano – Laure Favre-Kahn
Technician [Piano] – Vincent Guyon
Violin – Nemanja Radulović
Vocals – Ksenija Milošević
ZURICH ENSEMBLE - Scheherazade (2014) FLAC (image+.cue), lossless
25.3.22
MIKHAIL SIMONYAN - Two Soul (London Symphony Orchestra, Kristjan Järvi) (2011) FLAC (image+.cue), lossless
Two Souls. An ideal title for the debut recording album of a young violinist whose heritage draws from Armenian and American backgrounds. To highlight these two divergent cultural influences, violinist Mikhail Simonyan has chosen the violin concertos of Aram Khachaturian and Samuel Barber. The flamboyantly virtuosic Khachaturian concerto is punched out with authoritative bravura, gripping power of tone, and a musical excitement that keeps listeners rapt from start to finish. Making this particular recording even noteworthy is the new cadenza that Simonyan commissioned in an effort to highlight the distinctively Armenian musical idiom. Simonyan's heritage truly emerges throughout the hauntingly beautiful cadenza, contrasting marvelously with the concerto's many aggressive moments. Deutshe Grammophon's sound in this concerto appropriately highlights the edgy, gritty tone that Simonyan produces and is nicely balanced with the superb playing by the London Symphony Orchestra under Kristjan Järvi. This same close sound does not serve the Barber concerto quite as well. A bit more warmth and softness would have greatly helped the first and second movements. Simonyan makes the curious choice to tone down the frenetic nature of the Presto Finale, opting for a slower, more deliberate tempo that doesn't make for quite as exciting a finish as this talented young violinist is capable of. by Mike D. Brownell
Aram Khatchaturian (1859-1935)
1-3 Concerto for Violin and Orchestra
Samuel Barber (1910-1981)
4-6 Concerto for Violin and Orchestra, Op. 14
7 Adagio for Strings, Op. 11
Violin – Mikhail Simonyan
Conductor – Kristjan Järvi
Orchestra – London Symphony Orchestra
ARAM & KAREN KHACHATURIAN : Music for Violin and Piano (Kosemyan-Mnatsakanyan) (2018) FLAC (tracks), lossless
1-3 Violin Sonata In G Minor Op. 1
Karen Khachaturian
4 "Sabre Dance" From "Gayane" Ballet
Aram Khachaturian
Transcription By – J. Heifetx
5 "Dance"
Aram Khachaturian
6 "Lullaby" From "Gayane" Ballet
Aram Khachaturian
7 "Ayesha's Dance" From "Gayane" Ballet
Aram Khachaturian
Transcription By – J. Heifetz
8 "Song-Poem" (In Honor Of Ashugs)
Aram Khachaturian
Arranged By – R. Kosemyan
9 "Adagio" From "Spartacus" Ballet
Transcription By – H. Smbatyan
10 "Andante Sostenuto" From Violin Concerto
Aram Khachaturian
Piano – Natalya Mnatsakanyan
Violin – Ruben Kosemyan
JAMES GALWAY - James Galway plays Khachaturian (1985) FLAC (image+.cue), lossless
Aram Khatchaturian (1859-1935)
1-3 Concerto For Flute And Orchestra
4 Spartacus: Adagio Of Spartacus And Phrygia*
5 Waltz From 'Masquerade'*
6 Sabre Dance From 'Gayaneh'*
Conductor – Myung-Whun Chung
Flute – James Galway
Orchestra – The Royal Philharmonic Orchestra
Transcription By [For Flute And Orchestra] – James Galway*
KHACHATURIAN : Film Music • Pepo, Undying Flame, Secret Mission, Admiral Ushakov, Prisoner No. 217 (Loris Tjeknavorian) (1997) APE (image+.cue), lossless
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