DON REDMAN AND HIS ORCHESTRA – 1936-1939 | The Chronogical Classics – 574 (1991) FLAC (tracks+.cue), lossless

The third in the series of Don Redman Classics CDs finds the innovative arranger adjusting to the swing era. His big band is heard on sessions cut for ARC in 1936 ("Bugle Call Rag" is excellent), Variety in 1937 (including a previously unreleased "Swingin' With the Fat Man"), and Bluebird during 1938-39 (including "I Got Ya," "Down Home Rag" and "Milenberg Joys"). A lot of interesting names passed through the band during this era, including trumpeter Sidney DeParis, trombonist Quentin Jackson and singer Laurel Watson, and there is some pleasing music despite a fair amount of vocals. This series ended before Redman's last two big band sessions, but those have often been made available by RCA/Bluebird. The first CD in Classics' Redman series is the most essential. Scott Yanow
Tracklist + Credits :

PETE JOHNSON – 1939-1941 | The Classics Chronological Series – 665 (1992) FLAC (tracks+.cue), lossless

Born in Kansas City, Pete Johnson began his musical career as a drummer but soon learned how to massage a piano under the tutelage of his uncle Charles "Smash" Johnson. During the early 1930s, Pete worked overtime performing as a solo act in his hometown. For those who have a healthy appetite for piano blues and boogie-woogie, you're not going to find anyone more authentically rooted in the Kansas City tradition. This portion of the Pete Johnson chronology begins with four sides cut for the Blue Note label in December of 1939. The "Holler Stomp" is an exceptionally fine accelerated romp for unaccompanied piano. Everything you need to know about the real boogie-woogie is contained in this red-hot four-minute performance. It defines the entire genre. Continuing the rapid pace, "Barrelhouse Breakdown" is performed by Johnson's Blues Trio, with Abe Bolar's superb string bass and the guitar of Ulysses Livingston. The trio eases into blue relaxation with "Kansas City Farewell," a very cool stroll during which the musicians make good use of the four full minutes allowed by 12" 78 rpm records. "You Don't Know My Mind" is a fundamental blues for solo piano, every bit as rich and rewarding as its flip side, the "Holler Stomp." Never chained to one label for very long, Johnson switched to Decca Records during the following year, knocking off a pair of solo boogies in August and the "627 Stomp," possibly the greatest ensemble record of his entire career, on November 11, 1940. The front line of Hot Lips Page with reedmen Eddie Barefield, Don Stovall and Don Byas was perfectly supported by Johnson's ace rhythm section, notably driven by legendary percussionist A.G. Godley. The flip side, "Piney Brown Blues," was issued under the heading of Joe Turner and His Fly Cats. Johnson and Turner's partnership dated back to the early 1930s, when Joe was locally famous as a singing bartender. What we have in "Piney Brown" is the keystone of Turner's entire recording career. 1941 found Johnson recording a stack of piano duets for Victor with the amazing Albert Ammons. Additional friction was supplied by percussionist Jimmie Hoskins. If Godley is more your speed, "Death Ray Boogie" opens four additional trio sides for Decca from May of 1941. Nestled between three excellent studies in boogie rhythm, "Just for You" offers a rare glimpse at Pete Johnson's way of handling a simple love song. He sounds in fact more than a little like Fats Waller. It is a small romantic islet floating in the middle of an ocean swarming with blues and boogies. arwulf arwulf
Tracklist + Credits :

ELLA FITZGERALD – 1941-1944 | The Classics Chronological Series – 840 (1995) FLAC (tracks+.cue), lossless

This Classics CD traces Ella Fitzgerald's recordings from the beginning of her solo career. Having finally broken up the Chick Webb ghost orchestra, Ella mostly recorded ballads during her first few years as a solo artist; her jazz and scat singing would develop much more quickly starting in 1945. On some selections she is joined by a mundane vocal group called the Four Keys, but her three collaborations with the Ink Spots (particularly "Cow Cow Boogie" and "Into Each Life Some Rain Must Fall") are quite delightful. Other highpoints from this release (which finds Ella at 24 to 27 years old) include "This Love of Mine," "My Heart and I Decided" and "I'm Confessin'." Scott Yanow
Tracklist :

BILLY TAYLOR – 1945-1949 | The Classics Chronological Series – 1137 (2000) FLAC (tracks+.cue), lossless

Many jazz fans don't realize how long ago Billy Taylor began his career; this French anthology assembles five separate sessions that he led as a young man between 1945 and 1949, as well as one date as a sideman. In 1945 he shows the influence of both Art Tatum and Teddy Wilson in the lightly swinging take of "Night and Day," while his campy approach to "Alexander's Ragtime Band" is rather refreshing. His lyrical solo interpretation of "The Very Thought of You" from 1946 demonstrates his considerable growth as a pianist. Taylor also wrote seven of the songs, which include two versions of his easygoing "Stridin' Down the Champs-Elysees," the flashy blues "Well Taylor-Ed," and two rare vocals by Taylor on the Nat King Cole-like "I Don't Ask Questions, I Just Have Fun" and "So You Think You're Cute." The four tracks featuring Taylor as a sideman in the Walter Thomas Orchestra find him pretty much relegated to a supporting role, although the presence of Doc Cheatham, Eddie Barefield, and Hilton Jefferson makes the music of interest. But Taylor's quintet session with the infrequently recorded tenor saxophonist John Hardee (who is in great form) is hampered somewhat by the unnecessary addition of organist Milt Page, who proves to be more of a distraction with his uninspired playing. Because so much of the valuable material within this collection has been next to impossible to find, it will be of significant interest to fans of Billy Taylor. Ken Dryden  
Tracklist + Credits :

HORACE HENDERSON AND HIS ORCHESTRA – 1940 + FLETCHER HENDERSON AND HIS ORCHESTRA – 1941 | The Classics Chronological Series – 648 (1992) FLAC (tracks+.cue), lossless

 Horace Henderson spent most of his career in the shadow of his brother Fletcher, even though he was actually a superior pianist and a comparable arranger. Other than an all-star session that he headed in 1933, Horace did not make his first recordings as a leader until 1940, when he led a regular (if short-lived) big band. Five sessions resulted in 21 titles, all of which are included on this very enjoyable CD. Most notable among Henderson's sidemen are trumpeter Emmett Berry, tenorman Elmer Williams, and Ray Nance (shortly before he joined Duke Ellington) on trumpet, violin, and the vocal to "They Jittered All the Time." This excellent swing CD, which has plenty of "killer dillers," is rounded off by a four-song session by Fletcher Henderson's 1941 big band, cut shortly before it broke up. Recommended. Scott Yanow
Tracklist + Credits :

BENNIE MOTEN's KANSAS CITY ORCHESTRA – 1930-1932 | The Classics Chronological Series – 591 (1991) FLAC (tracks+.cue), lossless

The final of the four "complete" Bennie Moten Classics CDs, which contain all of the orchestra's recordings except for a dozen alternate takes, has the band's final selections from 1930 (including some vocals by Jimmy Rushing) and then all of the music from Moten's classic final session of Dec. 13, 1932. With trumpeter Hot Lips Page, trombonist Dan Minor, Eddie Durham (the main arranger) on trombone and guitar, baritonist Jack Washington, Ben Webster on tenor, bassist Walter Page and pianist Count Basie, the orchestra at times almost sounds like the Count Basie big band of 1937. "Toby," the original version of "Moten Swing," "The Blue Room," "Milenberg Joys," "Lafayette" and "Prince of Wails" are among the many memorable selections. Highly recommended. Scott Yanow
Tracklist :
1    The Count    3:10
 Tom Gordon
2    Liza Lee 3:01
 Bud Green / Sam H. Stept
Vocals – Jimmy Rushing
3    Get Goin' (Get Ready To Love) 3:00
 Tot Seymour
Vocals – Jimmy Rushing
4    Professor Hot Stuff    3:21
 Count Basie / Eddie Durham / Bennie Moten
5    When I'm Alone 3:15
 Bennie Moten / Jimmy Rushing
Vocals – Jimmy Rushing
6    New Moten Stomp    2:52
 Bennie Moten
7    As Long As I Love You (Jeanette) 3:07
 Bennie Moten / L. Wood
Vocals – Jimmy Rushing
8    Somebody Stole My Gal 3:02
 Leo Wood
Vocals – Count Basie
9    Now That I Need You 3:00
 Count Basie / Bennie Moten / Pinetop Smith
Vocals – Jimmy Rushing
10    Bouncin' Round    3:08
 Bennie Moten
11    Ya Got Love 3:14
 Al Goodhart / Al Hoffman / Oliver Nelson
Vocals – Jimmy Rushing
12    I Wanna Be Around My Baby All The Time 2:55
 George W. Meyer / Joe Young
Vocals – Jimmy Rushing
13    Toby    3:24
 Eddie Barefield / Bennie Moten
14    Moten Swing    3:18
 Bennie Moten
15    The Blue Room    3:18
 Lorenz Hart / Richard Rodgers
16    Imagination 3:25
 B. Russell
Vocals – The Sterling Russell Trio
17    New Orleans 2:59
 Hoagy Carmichael
Vocals – Jimmy Rushing
18    The Only Girl I Ever Loved 3:10
 Bobby Ziegler
Vocals – The Sterling Russell Trio
19    Milenberg Joys    2:45
 Walter Melrose / Jelly Roll Morton
20    Lafayette    2:45
 Count Basie / Eddie Durham
21    Prince Of Wails    2:49
 Elmer Schoebel
22    Two Times 3:07
Sauberg
Credits :    
Banjo – Leroy Berry (tracks: 1 to 21)
Bass [String] – Walter Page (tracks: 13 to 22)
Brass Bass – Vernon Page (tracks: 1 to 12)
Clarinet, Alto Saxophone – Eddie Barefield (tracks: 13 to 22)
Clarinet, Alto Saxophone, Baritone Saxophone – Jack Washington (tracks: 1 to 21)
Clarinet, Soprano Saxophone, Alto Saxophone – Harlan Leonard (tracks: 1 to 12)
Clarinet, Tenor Saxophone – Woody Walder (tracks: 1 to 12)
Directed By – Bennie Moten
Drums – Willie McWashington
Piano – Count Basie
Piano Accordion, Piano – Ira "Buster" Moten (tracks: 1 to 12)
Tenor Saxophone – Ben Webster (tracks: 13 to 21)
Trombone – Dan Minor (tracks: 13 to 21), Thamon Hayes (tracks: 1 to 12)
Trombone, Guitar – Eddie Durham
Trumpet – Booker Washington (tracks: 1 to 12), Ed Lewis (tracks: 1 to 12), Oran "Hot Lips" Page, Joe Keyes (tracks: 13 to 21), Dee Stewart (tracks: 13 to 21)

CAB CALLOWAY AND HIS ORCHESTRA – 1932 | The Classics Chronological Series – 537 (1990) FLAC (image+.cue), lossless

The third of 12 Cab Calloway CDs put out by Classics (which on a whole reissues the master takes of all of the popular singer's recordings from 1930-42) covers a busy six-month period. His big band (which tended to be greatly overshadowed) was actually quite excellent with good soloists in trumpeter Lammar Wright, clarinetist Eddie Barefield, Walter Thomas on tenor and pianist Bennie Payne, but of course Calloway was the main star. Highlights of this very enjoyable set include "Old Yazoo," "Reefer Man," "Old Man of the Mountain," "You Gotta Ho-De-Ho," "I've Got the World on a String," the bizarre "Dixie Doorway," "Beale Street Mama" and "The Man from Harlem." Many of the titles on this rewarding release had never been reissued before, making the Classics series a collection worth picking up in a hurry before they disappear. Scott Yanow
Tracklist :
1     How Come You Do Me Like You Do? 2:52
Gene Austin / Roy Bergere
2     Old Yazoo 2:57
Fats Waller
3     Angeline 2:49
D. Browne / Fats Waller
4     I'm Now Prepared to Tell the World It's You 2:51
Andy Razaf / Fats Waller
5     Swanee Lullaby 2:38
Ted Koehler / Morris White
6     Reefer Man 2:56
Andy Razaf / J. Russel Robinson    
7     Old Man of the Mountain 2:51
William J. Hill / Victor Young
8     You Gotta Ho-De-Ho (To Get Along With Me) 3:07
D. Browne / John Robinson
9     Strange as It Seems 3:16
Andy Razaf / Fats Waller
10     This Time, It's Love 2:27
Edgar Hayes / Ted Koehler
11     Git Along 2:40
Lovie Austin
12     Hot Toddy 2:37
Benny Carter
13     I've Got the World on a String 3:08
Harold Arlen / Ted Koehler
14     Harlem Holiday 2:48
Harold Arlen / Ted Koehler
15     Dixie Doorway 2:58
Mitchell Parish / Frank Perkins
16     Wah-Dee-Dah 3:00
Irving Mills / John Robinson / Ned Washington
17     Sweet Rhythm 2:49
Sidney Bechet / Leroy Maxey
18     Beale Street Mama 3:06
J. Russel Robinson / John Robinson / Roy Turk
19     That's What I Hate About Love 3:10
Harold Arlen / Ted Koehler
20     The Man from Harlem 3:04
Will Hudson
21     I Gotta Right to Sing the Blues 3:12
Harold Arlen / Ted Koehler
22     My Sunday Gal 2:55
Duke Ellington / Mitchell Parish / Frank Perkins
23     Eadie Was a Lady 2:49
Nacio Herb Brown / Buddy DeSylva / Richard A. Whiting
24     Gotta Go Places and Do Things 2:42
Jeanne Burns 

CAB CALLOWAY AND HIS ORCHESTRA – 1932-1934 | The Classics Chronological Series – 544 (1990) FLAC (image+.cue), lossless

The Depression may have been at its height during the two years covered by this Classics CD (the fourth in their series of 12 complete Cab Calloway sets), but there was nothing depressed about Calloway's often-jubilant vocals, the playing of his vastly underrated orchestra or the infectious (and sometimes) crazy lyrics. Trumpeter Lammar Wright, clarinetist Eddie Barefield and Walter Thomas on tenor contribute some fine solos but the focus is very much on the leader's vocals and he is in peak form on such songs as "The Lady with the Fan," "Harlem Camp Meeting," "Kickin' the Gong Around," "'Long About Midnight" and "Margie" (even if "Chinese Rhythm" is rather absurd). This easily recommended set also has a remake of "Minnie the Moocher" and an all-star recording of "Doin' the New Lowdown" with The Mills Brothers and Don Redman's Orchestra. Scott Yanow
Tracklist :
1    Cab Calloway And His Orchestra–    Hot Water 2:54
Arranged By – Will Hudson
Written-By – Hudson
2    Don Redman And His Orchestra–    Doin' The New Low-Down 3:06
Alto Saxophone – Don Redman, Edward Inge, Rupert Cole
Arranged By – Don Redman, Horace Henderson
Banjo, Guitar – Talcott Reeves
Brass Bass, Double Bass – Bob Ysaguirre
Clarinet – Edward Inge, Rupert Cole
Drums, Vibraphone – Manzie Johnson
Piano – Horace Henderson
Tenor Saxophone – Robert Carroll
Trombone – Benny Morton, Claude Jones, Fred Robinson
Trumpet – Langston Curl, Shirley Clay, Sidney De Paris
Vocals – Cab Calloway, Don Redman, The Mills Brothers
Written-By – Fields-McHugh
3    Cab Calloway And His Cotton Club Orchestra–    Evenin' 2:44
Written-By – White, Parrish
4    Cab Calloway And His Cotton Club Orchestra–    Harlem Hospitality
Written-By – Arlen, Van Heusen
5    Cab Calloway And His Cotton Club Orchestra–    The Lady With The Fan 3:14
Written-By – Brackman, Calloway, Burns
6    Cab Calloway And His Cotton Club Orchestra–    Harlem Camp Meeting 3:06
Written-By – White
7    Cab Calloway And His Cotton Club Orchestra–    Zaz Zuh Zaz 3:24
Chorus – Cab Calloway
Written-By – Calloway, White
8    Cab Calloway And His Cotton Club Orchestra–    Father's Got His Glasses On 3:07
Arranged By – Will Hudson
Written-By – Swayzee
9    Cab Calloway And His Cotton Club Orchestra–    Minnie The Moocher 3:33
Written-By – Calloway, Mills
Written-By [Uncredited] – Clarence Gaskill
10    Cab Calloway And His Cotton Club Orchestra–    The Scat Song 2:45
Written-By – Calloway
Written-By [Uncredited] – Frank Perkins, Mitchell Parish
11    Cab Calloway And His Cotton Club Orchestra–    Kickin' The Gong Around 3:21
Written-By – Arlen, Koehler
12    Cab Calloway And His Cotton Club Orchestra–    There's A Cabin In The Cotton 3:28
Written-By – Perkins, Parrish
13    Cab Calloway And His Cotton Club Orchestra–    I Learned About Love From Her 3:02
Written-By – Calloway
14    Cab Calloway And His Cotton Club Orchestra–    Little Town Gal 3:10
Written-By – Burns
15    Cab Calloway And His Cotton Club Orchestra–    'Long About Midnight 3:02
Written-By – Hill, Mills
16    Cab Calloway And His Cotton Club Orchestra–    Moon Glow 3:04
Written-By – Hudson
17    Cab Calloway And His Cotton Club Orchestra–    Jitter Bug 3:09
Written-By – Calloway, Swayzee
18    Cab Calloway And His Cotton Club Orchestra–    Hotcha Razz-Ma-Tazz 3:12
Written-By – Razaf, Mills, Hudson
19    Cab Calloway And His Cotton Club Orchestra–    Margie 3:07
Written-By – Davis, Conrad, Robinson
20    Cab Calloway And His Cotton Club Orchestra–    Emaline 2:50
Written-By – Perkins, Parrish
21    Cab Calloway And His Orchestra–    Chinese Rhythm 2:49
Written-By – Calloway, White
22    Cab Calloway And His Orchestra–    Moonlight Rhapsody 3:24
Written-By – Hudson
23    Cab Calloway And His Orchestra–    Avalon 3:28
Written-By – Jolson, Rose
Written-By [Uncredited] – Buddy G. De Sylva
Credits :    
Alto Saxophone – Andrew Brown (tracks: 1, 3 to 23), Arville Harris (tracks: 1, 3 to 23), Eddie Barefield (tracks: 1, 3 to 23)
Banjo – Morris White (tracks: 1, 3 to 14)
Baritone Saxophone – Andrew Brown (5) (tracks: 1, 3 to 23), Eddie Barefield (tracks: 1, 3 to 23)
Bass Clarinet – Andrew Brown (tracks: 1, 3 to 23)
Celesta, Piano – Bennie Payne (tracks: 1, 3 to 23)
Clarinet – Arville Harris (tracks: 1, 3 to 23), Eddie Barefield (tracks: 1, 3 to 23), Walter Thomas (tracks: 1, 3 to 23)
Directed By – Cab Calloway
Double Bass – Al Morgan (tracks: 1, 3 to 23)
Drums – Leroy Maxey (tracks: 1, 3 to 23)
Flute, Tenor Saxophone – Walter Thomas (tracks: 1, 3 to 23)
Guitar – Morris White (tracks: 1, 3 to 23)
Trombone – De Priest Wheeler* (tracks: 1, 3 to 23), Harry White (tracks: 1, 3 to 23)
Trumpet – Doc Cheatham (tracks: 1, 3 to 23), Edwin Swayzee (tracks: 1, 3 to 23), Lammar Wright (tracks: 1, 3 to 23)
Vocals – Cab Calloway (tracks: 3 to 15, 17 to 23)

BUDD JOHNSON – 1944-1952 (2003) The Classics Chronological Series – 1307 | FLAC (tracks+.cue), lossless

One thing about these chronological compilations: if the featured musician only rarely acted as a bandleader, what listeners get is a core sample of nearly every recording date he happened to be in on. In the case of Texas tenor Budd Johnson, the people at Classics decided to begin his story with sessions waxed when he was 34 years of age and had been making records as a sideman for more than ten years. This is a pity, as a thorough survey could have begun with his bizarre vocal on Louis Armstrong's "Sweet Sue" (1933), then sampled his work with Lionel Hampton and Earl Hines, up through 1943. That would have lent context and background to this grab bag of primal bebop and R&B, designated as "the first volume of the recordings of Budd Johnson." Nevertheless, this segment of Johnson's career is exciting and full of surprises. Clyde Hart's Hot Seven, recording for Savoy in December of 1944, included legendary trumpeter Benny Harris and the wild alto sax of Herbie Fields. A Manor date led by squealing trumpeter Al Killian is extra solid due to the presence of Ellington's baritone, Harry Carney, who seems to enjoy weaving a bit of thunder into an already smoking ensemble. J.C. Heard & His Cafe Society Orchestra deliver four very concise, classy studies in boppish swing. George Treadwell's muted trumpet is notably attractive, and Johnson is able to shout or soothe as needed. James Charles Heard was a discerning artist, and his band's interpretation of Ellington's "Azure" is breathtakingly lovely. Of the three sides recorded in March of 1946 for the Hot Record Society by trombonist Dicky Wells & His Big Seven, "Bed Rock" is the cooker, but is somewhat upstaged by "Opera in Blue," a rhapsody built entirely around Johnson's lyrically inspired tenor.
Johnson led his own session in June of 1947 for the obscure Cyclone label. Included here are apparently the only two surviving sides. The tenor is very expressive on "My Heart's Doin' Time (For You)," and Mary Stafford belts out a smart little piece of blues on the flip side. A few months later, crooner Leslie Scott fronted a band with strings and a handful of jazz musicians, including drummer Denzil Best and a very sensuously laid-back Johnson. These sentimental numbers are oddly comforting, and fortunately the strings are not obtrusive. Johnson seems to have specialized in getting signed with small-time labels. In February 1951, working for Faith Records, he can be heard leading an all-star ensemble including Howard McGhee, J.J. Johnson, Cecil Payne, Kenny Drew, Oscar Pettiford, and Kansas Fields. Freddie Jackson sings a tough take on the blues called "Sometime I Feel Like Leaving Home," the band bounces through something called "Grooving in Birdland," and Johnson completely dominates the ballad "Talk of the Town." In March of 1952, Budd Johnson's All-Stars backed vocalist Johnny King on a pair of Louis Jordan-style numbers issued on the MGM label. The leader adapted unflinchingly to every stylistic trend during these years, always delivering gutsy, substantial solos. Here is an intriguing glimpse of one working tenor's professional evolution during a period notable for its many cultural transitions. arwulf arwulf   
Tracklist :
1    Clyde Hart's Hot Seven–    Smack That Mess 3:02
Vocals – Joe Gregory
2    Clyde Hart's Hot Seven–    Dee Dee's Dance    3:00
3    Clyde Hart's Hot Seven–    Little Bennie (King Kong)    2:40
4    Clyde Hart's Hot Seven–    Shoot The Arrow To Me Cupid    3:02
5    Al Killian And His Orchestra–    You're The One    3:00
6    Al Killian And His Orchestra–    Goin' Down     2:40
7    J.C. Heard And His Orchestra–    The Walk    3:00
8    J.C. Heard And His Orchestra–    Heard But Not Seen    2:38
9    J.C. Heard And His Orchestra–    Azure    2:49
10    J.C. Heard And His Orchestra–    Bouncing For Barney    2:54
11    Dickie Wells' Big Seven–    Bed Rock    2:50
12    Dickie Wells' Big Seven–    Opera In Blue    2:59
13    Dickie Wells' Big Seven–    Drag Nasty - The Walk    2:49
14    Budd Johnson–    My Heart's Doing Time    2:43
15    Budd Johnson–    I Just Can't Find That Kind 2:47
Vocals – Mary Stafford
16    Leslie Scott And His Orchestra–    So Long 3:11
Vocals – Leslie Scott
17    Leslie Scott And His Orchestra–    Blue And Sentimental 3:01
Vocals – Leslie Scott
18    Budd Johnson's All Stars–    Sometime I Feel Like Leaving Home 3:09
Vocals – Freddy Jackson
19    Budd Johnson's All Stars–    Grooving In Birdland    3:08
20    Budd Johnson's All Stars–    I'm All Alone 3:07
Vocals – Charlie Singleton
21    Budd Johnson's All Stars–    Talk Of The Town    2:52
22    Johnny King With Budd Johnson And His All Stars–    Where Were You ?    2:09
23    Johnny King With Budd Johnson And His All Stars–    Way Downtown At The Bottom Of The Hill    2:25
Credits
Alto Saxophone – George Dorsey (tracks: 14 to 15), Herbie Fields (tracks: 1 to 4), Hilton Jefferson (tracks: 22 to 23)
Baritone Saxophone – Cecil Payne (tracks: 18 to 23), Cecil Scott (tracks: 11 to 13), Harry Carney (tracks: 5 to 6)
Bass – Al McKibbon (tracks: 7 to 13), Joe Shulman (tracks: 5 to 6), Milt Hinton (tracks: 22 to 23), Oscar Pettiford (tracks: 1 to 4, 18 to 21), Trigger Alpert (tracks: 16 to 17)
Clarinet – Eddie Barefield (tracks: 14 to 15)
Clarinet, Alto Saxophone – Aaron Sachs (tracks: 5 to 6)
Directed By, Piano – Luther Henderson (tracks: 16 to 17)
Drums – Denzil Best (tracks: 1 to 4, 16 to 17), George Jones (tracks: 5 to 6), J.C. Heard (tracks: 7 to 13), Kansas Fields (tracks: 18 to 21), Kelly Martin (tracks: 22 to 23)
Guitar – Chuck Wayne (tracks: 1 to 4), Herman Mitchell (tracks: 16 to 17)
Piano – Billy Taylor (tracks: 22 to 23), Clyde Hart (tracks: 1 to 4), Jimmy Jones (tracks: 7 to 13), Kenny Drew (tracks: 18 to 21), Marty Napoleon (tracks: 5 to 6)
Tenor Saxophone – Budd Johnson, Charlie Singleton (tracks: 18 to 21)
Trombone – Dickie Harris (tracks: 7 to 10), Dicky Wells (tracks: 11 to 13), J.J. Johnson (tracks: 18 to 21), Trummy Young (tracks: 5 to 6)
Trumpet – Al Killian (tracks: 5 to 6), Little Benny Harris (tracks: 1 to 4), George Treadwell (tracks: 7 to 13), Howard McGhee (tracks: 18 to 21), Joe Newman (tracks: 22 to 23)