Mostrando postagens com marcador Andrew Davis. Mostrar todas as postagens
Mostrando postagens com marcador Andrew Davis. Mostrar todas as postagens

2.3.22

CHARLES IVES : Symphonies Nº. 1 & 2 (Andrew Davis) (2015) SACD / FLAC (image+.cue), lossless

Charles Ives composed his first two symphonies between 1897 and 1902, but they weren't performed until a half-century later, when Leonard Bernstein premiered the Symphony No. 2 in 1951, and Richard Bales conducted the Symphony No. 1 in 1953. The contrasts between the two symphonies are striking, since the First was a student work, composed in emulation of the European tradition, while the Second was more idiosyncratic in the use of hymn tunes, folk songs, and other Americana, all developed in a freewheeling manner that reflected Ives' eclectic musical upbringing. This 2015 hybrid SACD by Andrew Davis and the Melbourne Symphony Orchestra is a straightforward presentation of both works, side-by-side, and their differences are highlighted in the styles of playing. Because the First is a late Romantic symphony, it receives a rather serious and earnest interpretation, yet this piece isn't quite convincing because it seems too much like a pastiche of Dvorák and Tchaikovsky, and Ives' personality is barely perceptible. The performance of the Second is much more in keeping with Ives' character, and the playing is as jaunty and fresh as the previous performance was brooding and sentimental. Davis and the orchestra are committed in both of these performances, though it doesn't take close listening to tell which of the two symphonies they more enjoyed playing. by Blair Sanderson  

Charles Ives (1874-1954)

Symphony No. 1    (39:56)
Symphony No. 2    (37:15)

Orchestra – Melbourne Symphony Orchestra
Conductor – Andrew Davis

CHARLES IVES : A Symphony "New England Holidays" • Three Places in New England • Central Park in the Dark • The Unanswered Question (Andrew Davis) (2015) SACD / FLAC (image+.cue), lossless

It used to be that the majority of good Ives recordings were American, and it was thought that you had to be American to really catch the complex web of vernacular musical references on which Ives' music rests. But it's a rare nonspecialist American listener today who will identify all the 19th century hymns and band tunes that go by, and this highly successful recording by Sir Andrew Davis and the Melbourne Symphony Orchestra tackles a different difficulty with Ives: the problem of balance and clarity in his large orchestral scores. The conductor's note by Davis is worth the price of admission here, as when he points to a passage in the first movement of the Symphony: New England Holidays (sample track one) where Ives realized the difficulty of hearing a solo Jew's harp and suggested instead "half a dozen to a hundred of them." Co-starring with Davis is the Chandos engineering team, working in a couple of different Australian halls. The performances of the Holidays Symphony and the rare large version of the Orchestral Set No. 1: Three Places in New England (generally known simply by its subtitle) are rich indeed, tapestries of orchestral detail that give you the feeling this is how Ives wanted the music to be heard. And the two shorter works, presented here as Ives intended them, as entr'actes, are equally good: the final The Unanswered Question, with an impressively hushed quality throughout (putting quite the demands on the unidentified trumpeter), is a standout reading of this popular work. Strongly recommended. by James Manheim  

Charles Ives (1874-1954)

A Symphony: New England Holidays    (39:04)
Central Park In The Dark    8:07
Orchestral Set No. 1: Three Places In New England    (19:43)
The Unanswered Question    5:02

Orchestra – Melbourne Symphony Orchestra
Conductor – Andrew Davis

CHARLES IVES : Symphony No. 3 "The Camp Meeting" • Symphony No. 4 • Orchestral Set No. 2 (Sir Andrew Davis) (2017) SACD | FLAC (image+.cue), lossless

With this release, Sir Andrew Davis and the Melbourne Symphony Orchestra round out their Ives cycle in superb form. Recordings of Ives, unlike Gershwin, by groups outside of the U.S. may still be comparatively rare, but Davis has nailed the essential diverse, dense networks of Ives' language, assisted by new performing editions and by excellent Chandos engineering in two different Melbourne venues, thereby keeping the multiple strands of the music clear. Sample the first movement of the Symphony No. 3 ("The Camp Meeting"), where Davis gives some lyricism to the chains of thirds that make up much of the material, and correctly sees them as a quiet pastoral foil to the more public marches and hymn tunes that come later. The Symphony No. 4 has a visionary sweep here that it attains in few other recordings, and part of the reason is the dreamy tones coaxed from the Melbourne Symphony Chorus by chorus master Anthony Pasquill. You get a star (or near-star) pianist in the Fourth Symphony here, Jean-Efflam Bavouzet, which is unusual. But Davis has the music under enough control to bring the piano unusually far forward in the music, and to open up a whole new set of internal relationships in the work. The Orchestral Set No. 2, with its depiction of a crowd in New York hearing the news of the sinking of the Lusitania, is also haunting and seems to acquire new relevance. This is an absolutely top-notch Ives recording. James Manheim  

Charles Ives (1874-1954)

1-3 Orchestral Set No.2     (17:39)
4-6 Symphony No.3 'The Camp Meeting'    (21:09)
7-10 Symphony No.4    (31:51)

Orchestra – Melbourne Symphony Orchestra
Chorus Master – Jonathan Grieves-Smith (1-3)
Conductor [Assistant] – Brett Kelly (1-3)
Piano – Jean-Efflam Bavouzet (7-10)
Conductor – Andrew Davis

31.12.20

BIRTWISTLE : Panic; Earth Dances (1996) APE (image+.cue), lossless

Tracklist:

1     Panic 18:17
    Conductor – Andrew Davis
Drums [Drum Kit] – Paul Clarvis
Orchestra – BBC Symphony Orchestra
Saxophone – John Harle
2     Earth Dances 36:42
Conductor – Christoph von Dohnányi
Orchestra – The Cleveland Orchestra

RAGTIME BLUES GUITAR — Complete Recorded Works In Chronological Order 1927-1930 | DOCD-5062 (1991) RM | FLAC (tracks+.cue), lossless

The emphasis is on inventive blues/ragtime guitarists on this CD. First there is a previously unreleased alternate take of Blind Blake playi...