SARA MARTIN — In Chronological Order Volume 2 (1923-1924) DOCD-5396 (1995) FLAC (tracks+.cue), lossless

Based on the music that Sara Martin recorded at the beginning of her career (and released on Vol. 1 of this four-CD series), she was primarily a superior vaudevillian performer. However, Vol. 2 shows that Martin was actually an even better blues singer. In general, the material that she recorded had improved by mid 1923, as had her singing, and there are many gems among the 23 songs included on this disc. Martin is accompanied on the first seven selections by pianist Clarence Williams, is joined on four numbers by small groups led by Williams (and including cornetist Tom Morris and soprano saxophonist Sidney Bechet), is backed by pianist Porter Grainger on six songs and then, most intriguingly, performs duets with Sylvester Weaver (heard on two numbers apiece on guitar and banjo). Other than the band numbers, the focus throughout is mostly exclusively on the singer who is heard in prime form on such tunes as "New Orleans Hop Scop Blues," "Mistreated Mama Blues," "Slow Down Sweet Papa, Mama's Catching Up with You" and "Everybody's Got the Blues." Formerly rare music that is both historical and quite strong for the period. Scott Yanow
Tracklist :
1.    Sara Martin–    Ye Shall Reap Just What You Sow  2:48
Piano – Clarence Williams
2.    Sara Martin–    New Orleans Hop Scop Blues 2:52
Piano – Clarence Williams
3.    Sara Martin–    Uncle Sam Blues  3:04
Piano – Clarence Williams
4.    Sara Martin–    Sweet Man Was The Cause Of It All  2:51
Piano – Clarence Williams
5.    Sara Martin–    Sympathizing Blues 3:01
Piano – Clarence Williams
6.    Sara Martin–    Mistreated Mama  3:05
Piano – Clarence Williams
7.    Sara Martin–    Runnin' 'Round With The Blues  3:07
Piano – Clarence Williams
8.    Sara Martin And Clarence Williams' Blue Five–    Blind Man Blues 3:06 
Banjo – Buddy Christian
Cornet – Tom Morris
Orchestra – Clarence Williams' Blue Five
Piano – Clarence Williams
Soprano Saxophone – Sidney Bechet
Trombone – John Mayfield 
9.    Sara Martin, Clarence Williams' Blue Five–    Atlanta Blues 2:52
Banjo – Buddy Christian
Cornet – Tom Morris
Orchestra – Clarence Williams' Blue Five
Piano – Clarence Williams
Soprano Saxophone – Sidney Bechet
Trombone – John Mayfield 
10.    Sara Martin–    My Good Man's Blues (Mahalia's Blues) 2:47
Piano – Porter Grainger
11.    Sara Martin–    Jelly's Blues  3:22
Piano – Porter Grainger
12.    Sara Martin–    Troubled Blues 2:56
Piano – Porter Grainger
13.    Sara Martin–    I'm Satisfied  2:43
Piano – Porter Grainger
14.    Sara Martin–    Blue Gum Blues  2:57
Piano – Porter Grainger
15.    Sara Martin–    Slow Down Sweet Papa Mama's Catching Up With You 3:01
Piano – Porter Grainger
16.    Sara Martin–    Graveyard Dream Blues 3:08
Accompanied By – Clarence Williams' Harmonizing Four
Banjo – Buddy Christian
Cornet – Tom Morris
Piano – Clarence Williams
Soprano Saxophone – Sidney Bechet
17.    Sara Martin–    A Green Gal Can't Catch On (Blues) 3:38
Accompanied By – Clarence Williams' Harmonizing Four
Banjo – Buddy Christian
Cornet – Tom Morris
Piano – Clarence Williams
Soprano Saxophone – Sidney Bechet
18.    Sara Martin–    Longing For Daddy Blues 3:03
Guitar – Sylvester Weaver
19.    Sara Martin–    I've Got To Go And Leave My Daddy Behind 2:40
Guitar – Sylvester Weaver
20.    Sara Martin–    Roamin' Blues 2:56
Guitar – Sylvester Weaver
21.    Sara Martin–    Good-Bye Blues 3:12
Guitar – Sylvester Weaver
22.    Sara Martin–    Everybody's Got The Blues 3:19
Banjo – Sylvester Weaver
23.    Sara Martin–    My Man Blues 3:19
Banjo – Sylvester Weaver
Credits : 
Vocals – Sara Martin
Compilation Producer – Johnny Parth
Liner Notes – Pen Bogert
Remastered By – Gerhard Wessely 

SARA MARTIN — In Chronological Order Volume 3 (1924-1925) DOCD-5397 (1995) FLAC (tracks+.cue), lossless

The third of four Document CDs that reissue all of the classic blues singer Sara Martin recordings (except for a few numbers with famous musicians that have been reissued elsewhere) has the bulk of her 1924-25 performances. Martin is heard in several different settings: duets with guitarist Sylvester Weaver, small group dates with Clarence Williams, duets with Williams or pianist Lemuel Fowler and backing by a violin-guitar-banjo trio. Sara Martin's voice and emotional range grew gradually throughout the '20s and such numbers as "Got to Leave My Home Blues," "Some Blues," "I'd Rather Be Blue Than Green," "I Can Always Tell When a Man Is Treatin' Me Cool" and "Mournful Blues" are among the finest recordings of her career.  Scott Yanow
Tracklist :
1.    Pleading Blues    3:05
2.    Every Woman Needs A Man    3:07
3.    Got To Leave My Home Blues    2:41
4.    Poor Me Blues    2:41
5.    If I Don't Find My Brown I Won't Be Back At All (take A)    2:52
6.    Too Late Now To Get Your Baby Back    3:04
7.    He's Never Gonna Throw Me Down  3:04
Orchestra – Clarence Williams' Harmonizers
8.    What Kinda Man Is You    3:08
9.    Some Blues (No Name Blues)    3:12
10.    Old Fashioned Sara Blues    2:48
11.    Sobbin' Hearted Blues    3:00
12.    I'd Rather Be Blue Than Green    2:58
13.    Cage Of Apes    2:32
14.    Things Done Got Too Thick    2:51
Orchestra – Clarence Williams' Blue Five
15.    Eagle Rock Me, Papa  2:48
Orchestra – Clarence Williams' Blue Five
16.    Can't Find Nobody To Do Like My Old Daddy Do    2:31
17.    I'm Sorry Blues    3:01
18.    Daddy, Ease This Paine Of Mine    2:28
19.    Strange Lovin' Blues    2:56
20.    I Can Always Tell When A Man Is Treatin' Me Cool    3:09
21.    Down At The Razor Ball    2:38
22.     Mournful Blues    3:20
23.     Georgia Stockade Blues    2:54
24.     I'm Gonna Hoodoo You  3:04
Orchestra – Clarence Williams' Blue Five
Credits : 
Alto Saxophone – Unknown Artist (tracks: 14, 15, 24)
Banjo – Buddy Christian (tracks: 14, 15), Charles Washington (tracks: 16 to 20)
Banjo [Prob.] – Buddy Christian (tracks: 24)
Compilation Producer – Johnny Parth
Cornet – ... Thomas (tracks: 24), June Clark (tracks: 21 to 23), Tom Morris (tracks: 7), Unknown Artist (tracks: 14, 15)
Guitar – Sylvester Weaver (tracks: 1 to 5, 16 to 20)
Liner Notes – Pen Bogert
Piano – Clarence Williams (tracks: 6, 7, 10 to 15, 21 to 24), Lemuel Fowler (tracks: 8, 9)
Soprano Saxophone [Poss.] – Ernest Elliott (tracks: 7)
Trombone – Charlie Irvis (tracks: 7), Unknown Artist (tracks: 14, 15)
Trombone [Poss.] – Charlie Irvis (tracks: 24)
Trombone [Prob.] – Jimmy Harrison (tracks: 21 to 23)
Violin – E. L. Coleman (tracks: 19, 20)
Vocals – Clarence Williams (tracks: 24), Sara Martin

SARA MARTIN — In Chronological Order Volume 4 (1925-1928) DOCD-5398 (1995) FLAC (tracks+.cue), lossless

It is ironic that so many classic female blues singers recorded a ton of material between 1921 and 1924 and, when the recording techniques had advanced greatly and the musicianship of their accompaniments had vastly improved, the vocalists had much less opportunity to be documented. Sara Martin recorded three CDs worth of material during 1922-1925, and then just 23 tunes during the three years covered by this CD. Martin was at her best during the latter period, but she only had three recording sessions in 1926, one in 1927, and three in 1928 before her recording career came to an end. She was accompanied by many impressive players during this era including several groups led by Clarence Williams (which had such musicians as King Oliver, Charlie Irvis, Bubber Miley, and Benny Waters), Richard M. Jones' Jazz Wizards, the piano of Eddie Heywood on two duets, and three numbers with Harry's Happy Four, a hot quartet consisting of Harry Cooper and Louis Metcalf on cornets, pianist Earres Prince, and banjoist Bernard Addison. The diverse material is highlighted by "What More Can a Monkey Woman Do," a hot version of "Yes, Sir, That's My Baby," a rare vocal version of "The Last Time" (recorded two years later by Louis Armstrong's Savoy Ballroom Five), "What's the Matter Now," "Late Last Night," "Cushion Foot Stomp," and "Death Sting Me Blues." Vintage blues completists will want all four of the Sara Martin CDs, but others who just want a sampling of her best work are advised to get Vol. 4 and Vol. 3 first. Scott Yanow
Tracklist :
1.    Your Going Ain't Giving Me The Blues  3:11
Alto Saxophone – Unknown Artist
Banjo [Prob.] – Buddy Christian
Cornet – ... Thomas
Orchestra – Clarence Williams' Blue Five
Piano, Vocals – Clarence Williams
Trombone [Poss.] – Charlie Irvis
Vocals – Sara Martin
2.    What More Can A Monkey Woman Do  2:58
Alto Saxophone – Unknown Artist
Banjo [Prob.] – Buddy Christian
Cornet – ... Thomas
Orchestra – Clarence Williams' Blue Five
Piano – Clarence Williams
Trombone [Poss.] – Charlie Irvis
Vocals – Sara Martin
3.    Some Of These Mornings  3:07
Banjo – Bernard Addison
Cornet – Harry Cooper, Louis Metcalf
Orchestra – Harry's Happy Four
Piano – Earres Prince
Vocals – Sara Martin
4.    Yes, Sir, That's My Baby  3:09
Banjo – Bernard Addison
Cornet – Harry Cooper, Louis Metcalf
Orchestra – Harry's Happy Four
Piano – Earres Prince
Vocals – Sara Martin
5.    Alabamy Bound  2:43
Banjo – Bernard Addison
Cornet – Harry Cooper, Louis Metcalf
Orchestra – Harry's Happy Four
Piano – Earres Prince
Vocals – Sara Martin
6.    That Dance Called Messin' Around  3:19
Piano – Eddie Heywood
Vocals – Sara Martin
7.    The Last Time  2:38
Piano – Eddie Heywood 
Vocals – Sara Martin
8.    What's The Matter Now?  3:11
Alto Saxophone – Unknown Artist
Banjo – Unknown Artist
Brass Bass [Poss.] – Cyrus St. Clair
Cornet – Unknown Artist
Orchestra – Clarence Williams' Blue Five
Piano – Clarence Williams
Trombone – Unknown Artist
Vocals – Sara Martin
9.    I Want Every Bit Of It I Don't Like It Second Hand  2:29
Alto Saxophone – Unknown Artist
Banjo – Unknown Artist
Brass Bass [Poss.] – Cyrus St. Clair
Cornet – Unknown Artist
Orchestra – Clarence Williams' Blue Five
Piano – Clarence Williams
Trombone – Unknown Artist
Vocals – Sara Martin
10.    Brother Bem  3:05
Alto Saxophone [Poss./Or] – Don Redman, Otto Hardwicke
Banjo – Unknown Artist
Brass Bass [Poss.] – Cyrus St. Clair
Cornet – Bubber Miley
Orchestra – Clarence Williams' Blue Five
Piano – Clarence Williams
Trombone – Unknown Artist
Vocals – Sara Martin
11.    The Prisoner's Blues  2:44
Alto Saxophone [Poss./Or] – Don Redman, Otto Hardwicke
Banjo – Unknown Artist
Brass Bass [Poss.] – Cyrus St. Clair
Cornet – Unknown Artist
Orchestra – Clarence Williams' Blue Five
Piano – Clarence Williams
Trombone – Unknown Artist
Vocals – Sara Martin
12.    Careless Man Blues  3:05
Alto Saxophone [Poss./Or] – Don Redman, Otto Hardwicke
Banjo – Unknown Artist
Brass Bass [Poss.] – Cyrus St. Clair
Cornet – Bubber Miley
Orchestra – Clarence Williams' Blue Five
Piano – Clarence Williams
Trombone – Unknown Artist
Vocals – Sara Martin
13.    How Could I Be Blue  2:44
Alto Saxophone [Poss./Or] – Don Redman, Otto Hardwicke
Banjo – Unknown Artist
Brass Bass [Poss.] – Cyrus St. Clair
Cornet – Bubber Miley
Orchestra – Clarence Williams' Blue Five
Piano – Clarence Williams
Trombone – Unknown Artist
Vocals – Sara Martin
14.    Late Last Night  2:29
Clarinet, Alto Saxophone – Artie Starks
Cornet [Poss.] – Shirley Clay
Drums – Cliff Jones
Orchestra – Richard M. Jones' Jazz Wizards
Piano – Richard M. Jones
Tenor Saxophone [Prob.] – Barney Bigard
Vocals – Sara Martin
15.    Some Sweet Day  2:26
Clarinet, Alto Saxophone – Artie Starks
Cornet [Poss.] – Shirley Clay
Drums – Cliff Jones
Orchestra – Richard M. Jones' Jazz Wizards
Piano – Richard M. Jones
Tenor Saxophone [Prob.] – Barney Bigard
Vocals – Sara Martin
16.    Cushion Foot Stomp  3:10
Alto Saxophone – Arville Harris
Brass Bass – Cyrus St. Clair
Clarinet – Ben Waters
Orchestra – Clarence Williams' Blue Five
Piano – Clarence Williams
Trombone – Charlie Irvis
Vocals – Sara Martin
17.    Take Your Black Bottom Outside
Alto Saxophone – Arville Harris
Brass Bass – Cyrus St. Clair
Clarinet – Ben Waters
Orchestra – Clarence Williams' Blue Five
Piano – Clarence Williams
Trombone – Charlie Irvis
Vocals – Sara Martin
18.    Hole In The Wall  2:55
Brass Bass – Cyrus St. Clair
Clarinet – Arville Harris
Cornet – Ed Allen, King Oliver
Orchestra – Clarence Williams And His Orchestra
Piano – Clarence Williams
Trombone – Ed Cuffee
Vocals – Sara Martin
19.    Don't Turn Your Back On Me  2:47
Brass Bass – Cyrus St. Clair
Clarinet – Arville Harris
Cornet – Ed Allen, King Oliver
Orchestra – Clarence Williams And His Orchestra
Piano – Clarence Williams
Trombone – Ed Cuffee
Vocals – Sara Martin
20.    Death Sting Me Blues  2:43
Brass Bass – Cyrus St. Clair
Clarinet – Arville Harris
Cornet – King Oliver
Orchestra – Clarence Williams And His Orchestra
Piano – Clarence Williams
Trombone – Unknown Artist
Vocals – Sara Martin
21.    Mean Tight Mama  2:56
Brass Bass – Cyrus St. Clair
Cornet – King Oliver
Orchestra – Clarence Williams And His Orchestra
Piano – Clarence Williams
Trombone – Unknown Artist
Vocals – Sara Martin
22.    Mistreating Man Blues 2:44
Brass Bass – Cyrus St. Clair
Cornet – King Oliver
Orchestra – Clarence Williams And His Orchestra
Piano – Clarence Williams
Trombone – Unknown Artist
Vocals – Sara Martin
23.    Kitchen Man Blues  2:31
Brass Bass – Cyrus St. Clair
Cornet – King Oliver
Orchestra – Clarence Williams And His Orchestra
Piano – Clarence Williams
Trombone – Unknown Artist
Vocals – Sara Martin 

SPLECKLED RED — Complete Recorded Works 1929-1938 In Chronological Order + Bonus Tracks | DOCD-5205 (1993) FLAC (tracks+.cue), lossless

Speckled Red is a name that appears in blues and boogie-woogie piano collections alongside Cow Cow Davenport, Roosevelt Sykes, Romeo Nelson, Will Ezell, Montana Taylor, and Clarence "Pinetop" Smith. In 1994, all of his early recordings were compiled onto one compact disc by Document, a noble gesture that made these historic performances readily available worldwide for the first time. Rufus Perryman was born in Monroe, LA in 1892, the son of a blacksmith and ultimately one of 16 children. Albinism, the source of Rufus' professional nickname, ran in the family to some degree, for his little brother William (19 years his junior) was similarly complected and eventually became world famous as Piano Red. Rufus grew up in Hampton, GA, played church organ as a boy, fell under the influence of a Floridian pianist named Seminole, and then spent a lot of time in Detroit and Memphis, gigging at cat houses, clubs, and parties. He joined the Red Rose Minstrels in 1928, and while touring with that troupe, met Hudson Whittaker (Tampa Red) and Jim Jackson. Speckled Red's recording debut was as a sideman on "Jim Jackson's Jambouree"; he cut his first records under his own name at the Peabody Hotel in Memphis in September of 1929. Red's most famous recording, "The Dirty Dozen" derived from a traditional African-American insult ritual (still alive and well decades later and immortalized in Eminem's movie Eight Mile); one theory states that it was originally a send-up of a religious catechism. Naturally, Red's recorded version was much less abrasive and obscene than what was usually heard in person. This very successful record spawned a sequel at his second recording session, which took place in Chicago in April 1930. He wouldn't record again until December of 1938 when he cut 12 titles for Bluebird in Aurora Illinois with guitarist Robert Lee McCoy and mandolinist Willie Hatcher. If, as the discographies say, Sonny Boy Williamson was present on "You Got to Fix It," he was doing something other than blowing into the mouth organ. Unable to earn a stable livelihood as a recording musician, Rufus worked for years as a shipping clerk. This excellent compilation closes with three unaccompanied solos he recorded for the small-time Tone record company in St. Louis in September 1956. By then he was enjoying a comeback that would take him to California, London, and Copenhagen. Document's survey of these early recordings may serve as the ideal prologue to his final albums which were largely produced in Europe. Rufus "Speckled Red" Perryman succumbed to cancer in November 1973. His body was laid to rest in St. Louis. arwulf arwulf
Tracklist :
1.    Speckled Red–    House Dance Blues
Piano, Vocals – Speckled Red
2.    Speckled Red–    The Dirty Dozen
Piano, Vocals – Speckled Red
3.    Speckled Red–    Wilkins Street Stomp
Piano – Speckled Red
4.    Speckled Red–    The Dirty Dozen -- No. 2
Piano, Vocals – Speckled Red
5.    Speckled Red–    We Got To Get That Fixed
Piano, Vocals – Speckled Red
6.    Speckled Red–    Speckled Red's Blues
Piano, Vocals – Speckled Red
7.    Speckled Red–    The Right String -- But The Wrong Yo-Yo
Piano, Vocals – Speckled Red
8.    Speckled Red–    Lonesome Mind Blues
Piano, Vocals – Speckled Red
9.    Speckled Red–    Welfare Blues
Guitar – Robert Lee McCoy
Mandolin – Willie Hatcher
Piano, Vocals – Speckled Red
10.    Speckled Red–    Down On The Levee
Guitar – Robert Lee McCoy
Mandolin – Willie Hatcher
Piano, Vocals – Speckled Red
11.    Speckled Red–    Do The Georgia
Guitar – Robert Lee McCoy
Mandolin – Willie Hatcher
Piano, Vocals – Speckled Red
12.    Speckled Red–    Early In The Morning
Guitar – Robert Lee McCoy
Mandolin – Willie Hatcher
Piano, Vocals – Speckled Red
13.    Speckled Red–    Take It Easy
Guitar – Robert Lee McCoy
Mandolin – Willie Hatcher
Piano, Vocals – Speckled Red
14.    Speckled Red–    Try Me One More Time
Guitar – Robert Lee McCoy
Mandolin – Willie Hatcher
Piano, Vocals – Speckled Red
15.    Speckled Red–    Louise Baltimore Blues
Guitar – Robert Lee McCoy
Mandolin – Willie Hatcher
Piano, Vocals – Speckled Red
16.    Speckled Red–    What Makes You Treat Me Mean?
Guitar – Robert Lee McCoy
Mandolin – Willie Hatcher
Piano, Vocals – Speckled Red
17.    Speckled Red Trio–    St. Louis Stomp
Guitar – Robert Lee McCoy
Mandolin – Willie Hatcher
Piano – Speckled Red
18.    Speckled Red–    You Got To Fix It
Guitar – Robert Lee McCoy
Harmonica – Sonny Boy Williamson
Mandolin – Willie Hatcher
Piano, Vocals – Speckled Red
19.    Willie Hatcher–    They're Mean To Me
Guitar – Robert Lee McCoy
Harmonica – Sonny Boy Williamson
Piano – Speckled Red
Vocals, Mandolin – Willie Hatcher
20.    Willie Hatcher–    So Unkind
Guitar – Robert Lee McCoy
Harmonica – Sonny Boy Williamson
Piano – Speckled Red
Vocals, Mandolin – Willie Hatcher
– BONUS TRACKS (1956) –   
21.    Speckled Red–    Dad's Piece
Piano, Vocals – Speckled Red
22.    Speckled Red–    Oh, Red
Piano, Vocals – Speckled Red
23.    Speckled Red–    Early In The Morning
Piano, Vocals – Speckled Red 

 

ROSA HENDERSON — Complete Recorded Works In Chronological Order Volume 1 (1923) DOCD-5401 (1995) FLAC (tracks+.cue), lossless

All of classic blues singer Rosa Henderson's recordings are available on four CDs from the Austrian Document label. The first volume mostly has Henderson accompanied by pianist Fletcher Henderson (no relation), with one number apiece with sidemen from Henderson's early band and the Virginians. The young tenor Coleman Hawkins pops up on "It Won't Be Long Now," while cornetist Thomas Morris and pianist Louis Hooper help out on two numbers. None of the 22 songs on this CD became hits but quite a few are memorable, including "I Ain't No Man's Slave," "So Long to You and the Blues," "He May Be Your Dog But He's Wearing My Collar," and "Got the World in a Jug, the Stopper's in My Hand." Scott Yanow
Tracklist :
1.    I'm Broke Fooling With You  3:15
Piano – Unknown Artist
Vocals – Rosa Henderson
2.    I Ain't No Man's Slave  3:16
Piano – Unknown Artist
Vocals – Rosa Henderson
3.    Good Woman's Blues  3:10
Piano – Wendell P. Talbert
Vocals – Rosa Henderson
4.    I'm Broke Fooling With You  3:01
Piano – Wendell P. Talbert
Vocals – Rosa Henderson
5.    Where (Can That Somebody Be)  2:52
Piano – Fletcher Henderson
Vocals – Rosa Henderson
6.    Down South Blues  3:09
Piano – Fletcher Henderson
Vocals – Rosa Henderson
7.    Afternoon Blues  3:09
Piano – Fletcher Henderson
Vocals – Rosa Henderson
8.    I Need You  3:15
Piano – Fletcher Henderson
Vocals – Rosa Henderson
9.    Midnight Blues (A Wee Hour Chant)  3:08
Alto Saxophone – Don Redman
Banjo – Charlie Dixon
Bass Saxophone – Coleman Hawkins
Clarinet – Edgar Campbell 
Cornet [Either/Or] – Elmer Chambers, Howard Scott 
Piano – Fletcher Henderson
Trombone – Teddy Nixon
Vocals – Rosa Henderson
10.    So Long To You And The Blues  3:26
Piano – Fletcher Henderson
Vocals – Rosa Henderson
11.    If You Don't Give Me What I Want (I'll Get It Somewhere Else)  3:10
Piano – Fletcher Henderson
Vocals – Rosa Henderson
12.    Low-Down Papa (Sweet Mamma's Blues)  3:02
Piano – Fletcher Henderson
Vocals – Rosa Henderson
13.    Struttin' Blues  3:08
Alto Saxophone – Don Clark, Hale Byers
Banjo – Mike Pingitore
Brass Bass – Jack Barsby
Clarinet – Ross Gorman
Cornet – Frank Siegrist, Henry Busse
Orchestra – The Virginians
Piano – Ferdie Grofe
Trombone – Sammy Lewis
Vocals – Rosa Henderson
14.    It Won't Be Long Now  3:06
Piano – Fletcher Henderson
Tenor Saxophone – Coleman Hawkins
Vocals – Rosa Henderson
15.    Every Woman's Blues (12070)  2:55
Piano – Fletcher Henderson
Vocals – Rosa Henderson
16.    Every Woman's Blues (12071)  2:49
Piano – Fletcher Henderson
Vocals – Rosa Henderson
17.    I Want My Sweet Daddy Now  3:15
Piano – Fletcher Henderson
Vocals – Rosa Henderson
18.    He May Be Your Dog But He's Wearing My Collar  3:06
Piano – Fletcher Henderson
Vocals – Rosa Henderson
19.    Got The World In A Jug (The Stopper's In My Hand)  3:10
Piano – Fletcher Henderson
Vocals – Rosa Henderson
20.    When You Walked Out (Someone Else Walked Right In)  3:15
Piano – Fletcher Henderson
Vocals – Rosa Henderson
21.    He's Never Gonna Throw Me Down 2:54
Piano – Louis Hooper
Vocals – Rosa Henderson
22.    Every Day Blues  2:43
Piano – Louis Hooper
Vocals – Rosa Henderson