FRANKIE "Half-Pint" JAXON — Complete Recorded Works In Chronological Order Volume 3 · 1937-1940 (1994) FLAC (tracks+.cue), lossless

After cutting records with the Harlem Hamfats in Chicago during the years 1937 and 1938, Frankie "Half Pint" Jaxon made his final recordings in New York City in 1939 and 1940 with bands that included trumpeters Jonah Jones and Henry "Red" Allen, Ellingtonians Barney Bigard and Wellman Braud, and veteran pianist Lil Hardin Armstrong. Although Half Pint's old-time sense of humor is fully present with songs like "They Put the Big Britches on Me," "Take Off Them Hips," "Turn Over," "Let Me Ride Your Train," "You Know Jam Don't Shake," and "You Can't Put That Monkey on My Back," he came across more smoothly backed by some of the Apple's best instrumentalists playing Harlem-styled swing. The highly sexualized "She Loves So Good" is an update of a profoundly lewd and libidinous original that Half Pint recorded a few years earlier with Tampa Red's Hokum Jug Band, along with a steamily erotic version of Leroy Carr's "How Long, How Long Blues." The third and last volume in Document's chronological history of Frankie Jaxon also contains a boogie-woogie adaptation of Half Pint's theme song, "Fan It," which was fast becoming a hit for artists as diverse as Woody Herman and Bill Boyd's Cowboy Ramblers. Jaxon is said to have quit performing in 1941, whereupon he secured a steady job as a United States government worker in the Pentagon. Transferred to Los Angeles in 1944, he either died there shortly afterwards or survived all the way into 1970, depending upon which biographical sources you wish to believe. When in 1994 Document reissued no less than 69 recordings by this amazing entertainer, few people realized what a precious gift had been bestowed upon an unsuspecting public. Watch out for Half Pint, this little guy is dynamite. His sense of humor and passionate delivery is likely to grow on you. arwulf arwulf

Tracklist :
1.    Prince Budda And His Boys–    When A Woman Gets The Blues 3:00
Acoustic Bass – Unknown Artist
Guitar – Unknown Artist
Piano – Unknown Artist
Vibraphone – Prince Budda
Vocals – Frankie "Half-Pint" Jaxon
2.    Frankie (Half Pint) Jaxon* And The Harlem Hamfats–    She Loves So Good 2:44
Acoustic Bass – John Lindsay
Clarinet – Odell Rand
Drums – Fred Flynn
Guitar – Joe McCoy
Guitar, Mandolin – Charlie McCoy 
Piano – Horace Malcolm
Trumpet – Herb Morand
Vocals – Frankie "Half-Pint" Jaxon
3.    Frankie (Half Pint) Jaxon* And The Harlem Hamfats–    Riff It 2:37
Acoustic Bass – John Lindsay
Clarinet – Odell Rand
Drums – Fred Flynn
Guitar – Joe McCoy
Guitar, Mandolin – Charlie McCoy 
Piano – Horace Malcolm
Trumpet – Herb Morand
Vocals – Frankie "Half-Pint" Jaxon
4.    Frankie (Half Pint) Jaxon* And The Harlem Hamfats–    Some Sweet Day 2:46
Acoustic Bass – John Lindsay
Clarinet – Odell Rand
Drums – Fred Flynn
Guitar – Joe McCoy
Guitar, Mandolin – Charlie McCoy 
Piano – Horace Malcolm
Trumpet – Herb Morand
Vocals – Frankie "Half-Pint" Jaxon
5.    Frankie (Half Pint) Jaxon* And The Harlem Hamfats–    I'm Gonna Steal You 2:31
Acoustic Bass – John Lindsay
Clarinet – Odell Rand
Drums – Fred Flynn
Guitar – Joe McCoy
Guitar, Mandolin – Charlie McCoy 
Piano – Horace Malcolm
Trumpet – Herb Morand
Vocals – Frankie "Half-Pint" Jaxon
6.    Frankie (Half Pint) Jaxon And The Harlem Hamfats–    I Knocks Myself Out 2:54
Acoustic Bass – John Lindsay
Clarinet – Odell Rand
Drums – Fred Flynn
Guitar – Joe McCoy
Guitar, Mandolin – Charlie McCoy 
Piano – Horace Malcolm
Trumpet – Herb Morand
Vocals – Frankie "Half-Pint" Jaxon
7.    Frankie (Half Pint) Jaxon* And The Harlem Hamfats–    They Put The Big Britches On Me 2:34
Acoustic Bass – John Lindsay
Clarinet – Odell Rand
Drums – Fred Flynn
Guitar – Joe McCoy
Guitar, Mandolin – Charlie McCoy 
Piano – Horace Malcolm
Trumpet – Herb Morand
Vocals – Frankie "Half-Pint" Jaxon
8.    Frankie (Half Pint) Jaxon–    Don't Pan Me (Please Don't Talk About Me When I'm Gone) 2:44
Acoustic Bass – Wellman Braud
Clarinet – Barney Bigard
Drums – Sid Catlett
Piano – Lil Armstrong
Vocals – Frankie "Half-Pint" Jaxon
9.    Frankie (Half Pint) Jaxon*–    Callin' Corrine 2:50
Acoustic Bass – Wellman Braud
Clarinet – Barney Bigard
Drums – Sid Catlett
Piano – Lil Armstrong
Vocals – Frankie "Half-Pint" Jaxon
10.    Frankie (Half Pint) Jaxon–    You Can't Put That Monkey On My Back 2:40
Acoustic Bass – Wellman Braud
Clarinet – Barney Bigard
Drums – Sid Catlett
Piano – Lil Armstrong
Vocals – Frankie "Half-Pint" Jaxon
11.    Frankie (Half Pint) Jaxon*–    Fan It Boogie Woogie 2:26
Acoustic Bass – Wellman Braud
Clarinet – Barney Bigard
Drums – Sid Catlett
Piano – Lil Armstrong
Vocals – Frankie "Half-Pint" Jaxon
12.    Frankie (Half Pint) Jaxon–    When They Play Them Blues 2:43
Acoustic Bass – Wellman Braud
Clarinet – Rupert Cole
Piano – Lil Armstrong
Trumpet – Henry "Red" Allen
Vocals – Frankie "Half-Pint" Jaxon
Washboard – Walter Martin 
13.    Frankie (Half Pint) Jaxon*–    Something's Goin' On Wrong 2:36
Acoustic Bass – Wellman Braud
Clarinet – Rupert Cole
Piano – Lil Armstrong
Trumpet – Henry "Red" Allen
Vocals – Frankie "Half-Pint" Jaxon
Washboard – Walter Martin 
14.    Frankie (Half Pint) Jaxon–    Wasn't It Nice 3:03
Acoustic Bass – Wellman Braud
Clarinet – Rupert Cole
Piano – Lil Armstrong
Trumpet – Henry "Red" Allen
Vocals – Frankie "Half-Pint" Jaxon
Washboard – Walter Martin
15.    Frankie (Half Pint) Jaxon*–    You Know Jam Don't Shake 2:40
Acoustic Bass – Wellman Braud
Clarinet – Rupert Cole
Piano – Lil Armstrong
Trumpet – Henry "Red" Allen
Vocals – Frankie "Half-Pint" Jaxon
Washboard – Walter Martin 
16.    Frankie (Half Pint) Jaxon*–    Let Me Ride Your Train 2:27
Acoustic Bass – Wellman Braud
Clarinet [possibly] – Fess Williams
Clarinet [probably] – Rupert Cole
Piano – Lil Armstrong
Trumpet – Jonah Jones
Vocals – Frankie "Half-Pint" Jaxon
Washboard – Walter Martin 
17.    Frankie (Half Pint) Jaxon*–    Be Your Natural Self 2:22
Acoustic Bass – Wellman Braud
Clarinet [possibly] – Fess Williams
Clarinet [probably] – Rupert Cole
Piano – Lil Armstrong
Trumpet – Jonah Jones
Vocals – Frankie "Half-Pint" Jaxon
Washboard – Walter Martin 
18.    Frankie (Half Pint) Jaxon*–    Turn Over 2:42
Acoustic Bass – Wellman Braud
Clarinet [possibly] – Fess Williams
Clarinet [probably] – Rupert Cole
Piano – Lil Armstrong
Trumpet – Jonah Jones
Vocals – Frankie "Half-Pint" Jaxon
Washboard – Walter Martin 
19.    Frankie (Half Pint) Jaxon*–    Take Off Them Hips 2:33
Acoustic Bass – Wellman Braud
Clarinet [possibly] – Fess Williams
Clarinet [probably] – Rupert Cole
Piano – Lil Armstrong
Trumpet – Jonah Jones
Vocals – Frankie "Half-Pint" Jaxon*
Washboard – Walter Martin 
20.    Frankie (Half Pint) Jaxon*–    Gimme A Pig's Foot And A Bottle Of Beer 2:28
Acoustic Bass – Wellman Braud
Clarinet [possibly] – Fess Williams
Clarinet [probably] – Rupert Cole
Piano – Lil Armstrong
Trumpet – Jonah Jones
Vocals – Frankie "Half-Pint" Jaxon
Washboard – Walter Martin 
21.    Frankie (Half Pint) Jaxon–    You Can't Tell 2:52
Acoustic Bass – Wellman Braud
Clarinet [possibly] – Fess Williams
Clarinet [probably] – Rupert Cole
Piano – Lil Armstrong
Trumpet – Jonah Jones
Vocals – Frankie "Half-Pint" Jaxon
Washboard – Walter Martin 

CARL MARTIN + TENNESSE CHOCLATE DROPS + LOUIE BLUIE & TED BOGAN 1930-1936 + WILLIE "61" BLACKWELL - 1941 Complete Recorded Works In Chronological Order | DOCD-5229 (1994) FLAC (tracks+.cue), lossless

The first in Document's exhaustive series of everything Carl Martin recorded, this release covers Martin's first recordings, covering 1930-1936. Recorded in his twenties, Martin sounds young, but confident enough to give real personality to compositions such as "Crow Jane" and "Good Morning Judge." Presented in a scholarly manner such as this, Martin's earliest recordings are still a joy, although the sound quality is naturally a problem in places. Although perhaps not quite as revelatory as his later recordings, especially the performances toward the end of his career, these important cuts contain many minor revelations and are necessary for any devotee of prewar blues.  Thomas Ward
Tracklist :
1.    Tennessee Chocolate Drops–    Knox County Stomp 2:52
Double Bass – Roland Armstrong 
Guitar – Carl Martin
Violin – Howard Armstrong
2.    Tennessee Chocolate Drops–    Vine Street Drag 2:40
Double Bass – Roland Armstrong 
Guitar – Carl Martin
Violin – Howard Armstrong
3.    Louie Bluie And Ted Bogan–    State Street Rag 2:44
Guitar – Ted Bogan
Mandolin – Louie Bluie
4.    Louie Bluie And Ted Bogan–    Ted's Stomp 2:41
Guitar – Ted Bogan
Violin – Louie Bluie
5.    Carl Martin–    You Can Go Your Way 2:43
Vocals, Guitar – Carl Martin
6.    Carl Martin–    Kid Man Blues 2:46
Vocals, Guitar – Carl Martin
7.    Carl Martin–    Farewell To You Baby
Double Bass – Roland Armstrong 
Vocals, Guitar – Carl Martin
8.    Carl Martin–    You Can't Play Me Cheap 2:54
Double Bass – Roland Armstrong 
Vocals, Guitar – Carl Martin
9.    Carl Martin–    Badly Mistreated Man 3:07
Double Bass – Roland Armstrong 
Vocals, Guitar – Carl Martin
10.    Carl Martin–    Good Morning, Judge 2:51
Double Bass – Roland Armstrong 
Vocals, Guitar – Carl Martin
11.    Carl Martin–    Crow Jane
Vocals, Guitar – Carl Martin
12.    Carl Martin–    Old Time Blues
Vocals, Guitar – Carl Martin
13.    Carl Martin–    That New Kind Of Stuff 2:58
Vocals, Guitar – Carl Martin
14.    Carl Martin–    Joe Louis Blues 2:44
Guitar [possibly] – Willie Bee James
Vocals, Guitar – Carl Martin
15.    Carl Martin–    Let's Have A New Deal 2:43
Guitar [possibly] – Willie Bee James
Vocals, Guitar – Carl Martin
16.    Carl Martin–    I'm Gonna Have My Fun (When I Get My Bonus) 3:26
Guitar [possibly] – Charlie McCoy 
Piano – Chuck Segar
Vocals – Carl Martin
17.    Carl Martin–    High Water Flood Blues 3:04
Guitar – Unknown Artist
Piano – Unknown Artist
Tenor Saxophone – Unknown Artist
Vocals – Carl Martin
18.    Willie "61" Blackwell–    She's Young And Wild 3:15
Vocals, Guitar – Willie "61" Blackwell
Washtub Bass – Alfred Elkins
19.    Willie "61" Blackwell–    Noiseless Motor Blues 3:20
Vocals, Guitar – Willie "61" Blackwell
Washtub Bass – Alfred Elkins
20.    Willie "61" Blackwell–    Don't Misuse Me, Baby 3:17
Vocals, Guitar – Willie "61" Blackwell
Washtub Bass – Alfred Elkins
21.    Willie "61" Blackwell–    Bald Eagle Blues 3:24
Vocals, Guitar – Willie "61" Blackwell
Washtub Bass – Alfred Elkins
22.    Willie "61" Blackwell–    Four O'Clock Flower Blues 3:09
Vocals, Guitar – Willie "61" Blackwell
Washtub Bass – Alfred Elkins
23.    Willie "61" Blackwell–    Chalk My Toy 3:09
Vocals, Guitar – Willie "61" Blackwell
Washtub Bass – Alfred Elkins
24.    Willie "61" Blackwell–    Machine Gun Blues 3:06
Vocals, Guitar – Willie "61" Blackwell
Washtub Bass – Alfred Elkins
25.    Willie "61" Blackwell–    Rampaw Street Blues 3:09
Vocals, Guitar – Willie "61" Blackwell
Washtub Bass – Alfred Elkins

MARTHA COPELAND — Complete Recorded Works In Chronological Order Volume 1 · 1923-1927 | DOCD-5372 (1995) FLAC (tracks+.cue), lossless

During a five-year stretch beginning in 1923, blues woman Martha Copeland recorded about three dozen titles for the OKeh, Victor, and Columbia labels. Virtually all of these were reissued by Document during the 1990s. Vol. 1 of her complete works contains 23 tunes dating from September 1923 to August 1927. Because the second volume was filled out with recordings by Irene Scruggs, the first installment stands as the definitive Copeland collection. Her accompanists during this period included pianists Eddie Heywood, Sr., Cliff Jackson, Phil Worde, Louis Hooper, and Porter Grainger, in addition to cornetists Bubber Miley and Louis Metcalf, violinist Bert Howell, and banjoist Buddy Christian. On "Hard Headed Mama" and "When the Wind Make Connection with Your Dry Goods" she is joined by comedic vocalist Sidney Easton. When Copeland switched from OKeh to Columbia in September 1926, she was persuaded to cover Victoria Spivey's very first recorded song, "Black Snake Blues," which Spivey had waxed four months earlier for OKeh. Copeland recorded it again in February 1927 as "The Black Snake Moan," whereupon Blind Lemon Jefferson cut his own cover using Copeland's title almost exactly one month later. For those who really love blues from this time period, the link between these three amazing musicians may serve as an inspiration to obtain the complete works of all three artists as reissued by Document. arwulf arwulf
Tracklist :
1.        The Down So Long Blues    3:15
2.        The Pawn Shop Blues    3:02
3.        Daddy, You've Done Put That Thing On Me    2:47
4.        The Penetrating Blues    3:21
5.        Black Snake Blues    3:03
6.        Papa If You Can't Do Better (take 2)    3:01
7.        Papa If You Can't Do Better (take 3)    2:59
8.        On Decoration Day (They'll Know Where To Bring Your Flowers To)    3:06
9.        Fortune Teller Blues    3:06
10.        When The Wind Make Connection With Your Dry Goods    2:35
11.        Hard Headed Mama    3:04
12.        I Don't Care Who Ain't Got Nobody    2:46
13.        Stole My Man Blues     3:22
14.        The Black Snake Moan    3:02
15.        Mine's Just As Good As Yours    2:54
16.        Soul And Body (He Belongs To Me)    2:40
17.        Sorrow Valley Blues    2:54
18.        Dyin' Crap-Shooter's Blues    3:13
19.        Mr. Brakes-man (Let Me Ride Your Train)    2:57
20.        Police Blues    2:56
21.        Skeleton Key Blues    2:40
22.        Hobo Bill    3:19
23.        Nobody Rocks Me Like My Baby Do    3:03
Credits : 
Banjo – Buddy Christian (tracks: 22, 23)
Clarinet – Bob Fuller (tracks: 18, 19), Ernest Elliott (tracks: 18, 19)
Compilation Producer – Johnny Parth
Cornet – Louis Metcalf (tracks: 16, 17)
Liner Notes – John Wilby
Piano – Cliff Jackson (tracks: 5 to 9), Eddie Heywood (2) (tracks: 1 to 4), Louis Hooper (tracks: 14 to 17), Phil Worde (tracks: 10 to13), Porter Grainger (tracks: 18 to 23)
Remastered By – Gerhard Wessely
Trumpet – Bubber Miley (tracks: 8, 9)
Violin – Bert Howell (tracks: 10 to 12)
Vocals – Martha Copeland, Sidney Easton (tracks: 10, 11)
Whistle [Police Whistle] – Unknown Artist (tracks: 20)

MARTHA COPELAND — Complete Recorded Works In Chronological Order Volume 2 · 1927-1928 + IRENE SCRUGGS — The Remaining Titles 1926-1930 | DOCD-5373 (1995) FLAC (tracks+.cue), lossless

One of many early blues and jazz women who were overshadowed and ultimately eclipsed by Ma Rainey, Ethel Waters, and Bessie Smith, Martha Copeland made about three dozen recordings during the 1920s that were reissued seven decades later on two CDs by the Document label. The second volume traces her Columbia recording activity from October 1927 to August 1928. Her little backing group, billed as her Smokey City Trio on December 6, 1927, was named after Copeland's home town of Pittsburgh, PA. "Wylie Avenue Blues" refers to the main drag in the Lower Hill District where the city's African-American population was concentrated. Her pianists during this period were Porter Grainger (tracks one through six); Rube Bloom (on "I Can't Give You Anything But Love" and "My Daddy Can't Do Nothin' Bad"); James P. Johnson (on "Somethin' Goin' on Wrong" and "Desert Blues"); and J.C. Johnson, who is joined by cornetist Bubber Miley on "Mama's Well Has Done Gone Dry" and "I Ain't Your Hen Mister Fly Rooster." The second half of this compilation holds a smattering of records cut by St. Louis blues woman Irene Scruggs between April 1926 and August 1930. On "Home Town Blues" and "Sorrow Valley Blues," Scruggs was backed by King Oliver's Dixie Syncopators, a rough-edged little group that included trombonist Kid Ory and clarinetist Albert Nicholas; at the same session, Oliver's band backed Georgia Taylor as she sang "Jackass Blues." Scruggs is heard with guitarist Lonnie Johnson on tracks 15 and 16, and the disc closes with five titles recorded for Gennett in Richmond, IN, at the end of the summer of 1930. Anyone seeking more recordings by Irene Scruggs ought to investigate her collaborations with Blind Blake and Little Brother Montgomery, all dating from 1930. arwulf arwulf
Tracklist :
1.    Martha Copeland–    Shootin' Star Blues 2:44
Clarinet – Bob Fuller
Piano – Porter Grainger
Vocals – Martha Copeland
2.    Martha Copeland–    Good Time Mama Blues
Clarinet – Bob Fuller
Piano – Porter Grainger
Vocals – Martha Copeland
3.    Martha Copeland, Acc. Her Smokey City Trio–    Wylie Avenue Blues 2:40
Alto Saxophone – Andrew Mead
Piano – Porter Grainger
Violin – Ralph Jones 
Vocals – Martha Copeland
4.    Martha Copeland, Acc. Her Smokey City Trio–    Everybody Does It Now 3:02
Alto Saxophone – Andrew Mead
Piano – Porter Grainger
Violin – Ralph Jones 
Vocals – Martha Copeland
5.    Martha Copeland–    Bank Failure Blues 2:53
Piano – Porter Grainger
Vocals – Martha Copeland
6.    Martha Copeland–    Second-Hand Daddy 2:42
Piano – Porter Grainger
Vocals – Martha Copeland
7    Martha Copeland–    I Can't Give You Anything But Love 3:16
Cornet – Irving Peskin
Piano – Rube Bloom
Vocals – Martha Copeland
8.    Martha Copeland–    My Daddy Can't Do Nothin' Bad 3:04
Cornet – Irving Peskin
Piano – Rube Bloom
Vocals – Martha Copeland
9.    Martha Copeland–    Somethin' Goin' On Wrong 3:25
Clarinet – Clarence Adams
Piano – James P. Johnson
Vocals – Martha Copeland
10.    Martha Copeland–    Desert Blues 3:13
Clarinet – Clarence Adams
Piano, Speech – James P. Johnson
Vocals – Martha Copeland
11.    Martha Copeland–    Mama's Well Has Done Gone Dry 3:03
Cornet – Bubber Miley
Piano – J.C. Johnson
Vocals – Martha Copeland
12.    Martha Copeland–    I Ain't Your Hen Mister Fly Rooster 2:45
Cornet – Bubber Miley
Piano – J.C. Johnson
Vocals – Martha Copeland
13.    Irene Scruggs–    Home Town Blues 2:46
Alto Saxophone [Prob.] – Billy Paige
Banjo – Bud Scott
Clarinet, Soprano Saxophone – Albert Nicholas
Cornet – King Oliver
Drums – Paul Barbarin
Piano – Luis Russell
Trombone – Kid Ory
Vocals – Irene Scruggs
14.    Irene Scruggs–    Sorrow Valley Blues (C-230) 2:34
Alto Saxophone [Prob.] – Billy Paige
Banjo – Bud Scott
Clarinet, Soprano Saxophone – Albert Nicholas
Cornet – King Oliver
Drums – Paul Barbarin
Piano – Luis Russell
Trombone – Kid Ory
Vocals – Irene Scruggs
15.    Irene Scruggs–    Lonesome Valley Blues 3:17
Guitar – Lonnie Johnson 
Piano – DeLoise Searcy
Vocals – Irene Scruggs
16.    Irene Scruggs–    Sorrow Valley Blues (80820) 3:10
Guitar – Lonnie Johnson 
Piano – DeLoise Searcy
Vocals – Irene Scruggs
17.    Dixie Nolan - Johnnie Hardge–    Worried Love - Part 1 2:55
Guitar – Unknown Artist, Unknown Artist
Vocals – Irene Scruggs
Vocals, Piano [Prob.] – Johnny Hodges 
18.    Dixie Nolan - Johnnie Hardge–    Worried Love - Part 2 2:57
Guitar – Unknown Artist, Unknown Artist
Vocals – Irene Scruggs
Vocals, Piano [Prob.] – Johnny Hodges 
19.    Irene Scruggs–    You've Got What I Want 2:51
Piano [Poss.] – J. Norman Ebron
Vocals – Irene Scruggs
20.    Irene Scruggs–    I Want You To Give Me Some 2:57
Guitar – Unknown Artist
Piano [Poss.] – J. Norman Ebron
Vocals – Irene Scruggs
21.    Irene Scruggs–    My Back To The Wall 2:48
Guitar – Unknown Artist
Vocals – Irene Scruggs
22.    Irene Scruggs–    Borrowed Love 2:44
Guitar – Unknown Artist
Vocals – Irene Scruggs
23.    Irene Scruggs–    The Voice Of The Blues 2:52
Guitar – Unknown Artist
Vocals – Irene Scruggs

MAGGIE JONES — Complete Recorded Works In Chronological Order Volume 1 · 1923-1925 (1995) DOCD-5348 | FLAC (tracks+.cue), lossless

Collecting up all of Maggie Jones' earliest recordings from August 1923 to April 1925, this 24-track compilation features her in a variety of settings. Starting out with simple piano accompaniment from Don Redman or Fletcher Henderson, her later sides in the set find her working with fuller combos counting up at various times contributions from Louis Armstrong and guitarists Sam Clark and Roy Smeck. Taken from rarer-than-rare original 78s in fairly battered shape, two of the tracks have skips in them that no amount of noise reduction can fix. A seasoned theater performer, Jones had a classic blues style that wears well. Here's where her story begins. Cub Koda

Tracklist :
1.    Fae Barnes–    Do It Long Time Papa    2:54
2.    Fae Barnes–    I Just Want A Daddy    3:03
3.    Maggie Jones–    You Can't Do What My Last Man Did    2:39
4.    Maggie Jones–    Don't Never Tell Nobody What Your Good Man Can Do    2:41
5.    Fae Barnes–    You Don't Know My Mind (take 1)    3:00
6.    Fae Barnes–    You Don't Know My Mind (take 3)    3:02
7.    Fae Barnes–    Good-Bye Blues (take 1)    3:05
8.    Fae Barnes–    Good-Bye Blues (take 2)    2:58
9.    Maggie Jones–    Four Flushing Papa (What Kind A Man Is You)    3:11
10.    Maggie Jones–    Jealous Mama Blues    3:09
11.    Maggie Jones–    Box Car Blues    3:03
12.    Maggie Jones–    Western Union Blues    3:00
13.    Maggie Jones–    Poor House Blues    3:01
14.    Maggie Jones–    Anybody Here Want To Try My Cabbage    3:14
15.    Maggie Jones–    Thunderstorm Blues    2:57
16.    Maggie Jones–    If I Lose, Let Me Lose (Mamma Don't Mind)    3:13
17.    Maggie Jones–    Screamin' The Blues    3:13
18.    Maggie Jones–    Good Time Flat Blues    3:05
19.    Maggie Jones–    You May Go, But You'll Come Back Some Day    3:00
20.    Maggie Jones–    Early Every Morn' (I Want My Lovin')    3:02
21.    Maggie Jones–    Dangerous Blues    3:07
22.    Maggie Jones–    Suicide Blues    3:05
23.    Maggie Jones–    Undertaker's Blues    3:12
24.    Maggie Jones–    North Bound Blues    3:09
Credits :
Compilation Producer – Johnny Parth
Cornet – Louis Armstrong (tracks: 13 to 20)
Effects – Unknown Artist (tracks: 15)
Guitar – Alabama Joe (J. M. "Doc" Miller Or Roy Smeck) (tracks: 21, 22), Sam Clark (tracks: 5 to 8)
Liner Notes – John Wilby
Piano – Donald M. Redmond (Don Redman?) (tracks: 1, 2), Fletcher Henderson (tracks: 3, 4, 11 to 20, 23, 24), Lemuel Fowler (tracks: 9, 10)
Remastered By – Gerhard Wessely
Trombone – Charlie Green (tracks: 11, 12, 23, 24)
Vocals – Maggie Jones