GEORGIA WHITE — Complete Recorded Works In Chronological Order Volume 1 · 1930-1936 (1994) DOCD-5301 | RM | FLAC (tracks), lossless

The first inkling that most people in the late 20th century had about Georgia White was an LP of reissued titles that appeared in the 1970s on the Rosetta label. Some of her party-oriented songs also resurfaced on various Stash collections, linking her in the minds of many listeners with that jolly substance abuse anthem "The Stuff Is Here." During the 1990s, Blues Collection issued a 25-track sampler and Document Records reissued every recording known to have been made by her during the 1930s and early '40s. The first of four volumes dedicated to this fine vocalist focuses mainly upon the earliest records released under her name. Her first recording was made in Chicago in May 1930 with New Orleans clarinetist Jimmie Noone and his Apex Club Orchestra. Having this tidbit at the beginning of her complete recorded works on Document constitutes a sweet treat, especially as the song she sings is a staple of Depression-era pop music at its most auto-suggestive; "When You're Smiling, the Whole World Smiles with You" is usually associated with vaudevillian Ted Lewis, Louis Armstrong when he sang in front of a big band in the early '30s, or that great interpreter of Tin Pan Alley love songs, Billie Holiday. When she began recording regularly for Decca in 1935, Georgia White distinguished herself with a refreshingly honest delivery that combined elements of blues, barrelhouse, and swing in a manner that was earthier, lustier, and less mainstream than had been possible or permissible with the confectionary "get happy" melody she sang with Noone in 1930. Throughout most of the performances reproduced here, White is heard accompanying herself on the piano and singing her own compositions with occasional covers like Victoria Spivey's "You Done Lost Your Good Thing Now" and the punchy "There Ain't Gonna Be No Doggone Afterwhile," a friction-inducing number attributed to Charlie Burse of the Memphis Jug Band and soon to be covered by Decca's Fats Waller emulator Bob Howard. The last four tracks of White's first volume on Document introduce three men who would stick around and accompany her for the next couple of years: pianist and composer Richard M. Jones and bassist John Lindsay (both of New Orleans, LA) and guitarist "Banjo" Ikey Robinson of Dublin, VA. To inaugurate their first session together, White chose to revisit her own "Dupree Blues" and Lil Johnson's "Hot Nuts," to premiere her own Fats Waller-like swing tune "It Must Be Love," and to grind out "Daddy Let Me Lay It on You" to the tune of "Baby Don't You Tear My Clothes." arwulf arwulf
Tracklist :
1.    When You're Smiling, The Whole World Smiles With You 2:47
Alto Saxophone, Baritone Saxophone – Eddie Pollack
Band – Jimmie Noone's Apex Club Orchestra
Banjo, Guitar – Wilbur Gorham
Brass Bass – Bill Newton 
Clarinet – Jimmie Noone
Drums – Johnny Wells
Piano – Zinky Cohn
Vocals – Georgia White
2.    Dupree Blues 2:59
Guitar [Poss.] – Ikey Robinson
Vocals, Piano [Prob.] – Georgia White
3.    Dallas Man (Lost Lover Blues) 3:12
Guitar [Poss.] – Ikey Robinson
Vocals, Piano [Prob.] – Georgia White
4.    Your Worries Ain't Like Mine 2:45
Guitar [Poss.] – Ikey Robinson
Vocals, Piano [Prob.] – Georgia White
5.    You Done Lost Your Good Thing Now 3:06
Guitar [Poss.] – Ikey Robinson
Vocals, Piano [Prob.] – Georgia White
6.    Honey Dripper Blues 2:58
Guitar [Poss.] – Willie Bee (James)
Vocals, Piano [Prob.] – Georgia White
7.    Freddie Blues 2:35
Guitar [Poss.] – Willie Bee (James)
Vocals, Piano [Prob.] – Georgia White
8.    Easy Rider Blues 2:46
Guitar [Poss.] – Willie Bee (James)
Vocals, Piano [Prob.] – Georgia White
9.    Graveyard Blues 2:33
Guitar [Poss.] – Willie Bee (James)
Vocals, Piano [Prob.] – Georgia White
10.    Your Worries Ain't Like Mine - No. 2 2:47
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
11.    You Done Lost Your Good Thing Now - No. 2 2:59
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
12.    Can't Read, Can't Write 2:53
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
13.    Tell Me Baby 2:45
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
14.    There Ain't Gonna Be No Doggone Afterwhile 2:57
Double Bass – Unknown Artist
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
15.    Someday, Sweetheart 3:07
Double Bass – Unknown Artist
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
16.    River Blues 2:43
Double Bass – Unknown Artist
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
17.    If You Can't Get Five, Take Two (Take A) 2:55
Double Bass – Unknown Artist
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
18.    If You Can't Get Five, Take Two (Take B) 2:51
Double Bass – Unknown Artist
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
19.    Rattlesnakin' Daddy 2:28
Double Bass – Unknown Artist
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
20.    Get 'Em From The Peanut Man (Hot Nuts) 2:43
Double Bass – Unknown Artist
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
21.    New Dupree Blues 3:01
Double Bass – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
22.    Daddy Let Me Lay It On You 2:41
Double Bass – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
23.    New Hot Nuts 2:52
Double Bass – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
24.    It Must Be Love 2:34
Double Bass – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
 

GEORGIA WHITE — Complete Recorded Works In Chronological Order Volume 2 · 1936-1937 (1994) DOCD-5302 | RM | FLAC (tracks), lossless

Georgia White was one of Chicago's very best barrelhouse blues singers during the 1930s and early '40s. The second volume of her complete recorded works as compiled by Document in the '90s contains 23 sides recorded in 1936 and 1937 with rhythm accompaniment by pianist Richard M. Jones, guitarist Ikey Robinson, and bassist John Lindsay. Hopefully the second edition of this disc, which came out in 2005, opens with a cleaner sounding copy of "I Just Want Your Stingaree." The 78 rpm platter used for this 1996 edition is slightly marred by a rough start, with the needle sounding like it had trouble getting squarely settled in the groove. This is a pity, as "Stingaree" is one of White's charmingly smutty originals. Other delights in this category are "I'll Keep Sittin' on It" (which was successfully revived years later by Ruth Brown) and a cheerful, naughty bounce with the refrain: "Was I drunk? Was he handsome? Did my mama give me hell?" Cutting loose and partying down were staple themes in White's working repertoire. She clearly enjoyed handling material like Ma Rainey's "Moonshine Blues" and the rocking "Little Red Wagon," which was popularized by Count Basie as "Your Red Wagon." Richard M. Jones was an excellent accompanist, and several of his compositions appear on this collection. They are "Black Rider," "Walking the Street," "When My Love Comes Down," and "Trouble in Mind" which appears thrice as "Trouble in Mind," "New Trouble in Mind," and the upbeat "Trouble in Mind Swing." arwulf arwulf
Tracklist :
1.        I Just Want Your Stingaree    2:34
2.        Black Rider    2:24
3.        I'll Keep Sittin' On It    2:54
4.        Pigmeat Blues    2:37
5.        Trouble In Mind    2:31
6.        Was I Drunk?    2:48
7.        No Second Hand Woman    2:41
8.        Sinking Sun Blues    2:33
9.        Little Red Wagon    2:37
10.        Dan The Back Door Man    2:48
11.        Your Hellish Ways    2:29
12.        Marble Stone Blues    2:32
13.        You Don't Know My Mind    2:50
14.        When My Love Comes Down    2:53
15.        Walking The Street    2:30
16.        Grandpa And Grandma    2:27
17.        I'm So Glad I'm 21 Today    2:30
18.        Toothache Blues    2:42
19.        Mistreated Blues    3:08
20.        New Trouble In Mind    2:58
21.        Trouble In Mind Swing    2:35
22.        Moonshine Blues    2:49
23.        Biscuit Roller    2:41
Credits : 
Compiled By, Producer – Johnny Parth
Double Bass – John Lindsay
Guitar [Prob.] – Charlie McCoy (tracks: 6 to 8), Ikey Robinson (tracks: 1 to 5, 9 to 23)
Liner Notes – Colin J. Bray
Piano – Richard M. Jones
Remastered By – Gerhard Wessely
Vocals – Georgia White

GEORGIA WHITE — Complete Recorded Works In Chronological Order Volume 3 · 1937-1939 (1994) DOCD-5303 | RM | FLAC (tracks), lossless

Throughout the late 1930s Georgia White made a whole lot of swinging blues records for the Decca label with instrumental accompaniments by pianists Richard M. Jones and Sammy Price, guitarists Lonnie Johnson, and Teddy Bunn and bassist John Lindsay. Volume three in her complete recorded works on Document provides access to 22 titles cut between October 1937 and May 1939. White was keenly aware of the tradition within which she was operating, and chose her material wisely, reviving old favorites like W.C. Handy's "Careless Love," Porter Grainger's "'Tain't Nobody's Bizness If I Do," and Perry Bradford's "Crazy Blues" and "Fare Thee Honey Fare Thee Well" which were both premiered in 1920 by Mamie Smith. What you get on this disc constitutes some of White's very best performances on record. Her backup musicians swing hard with a boogie-woogie beat whenever necessary, and she expresses herself powerfully on "Strewin' Your Mess," "Holding My Own," "The Blues Ain't Nothin' But...???," and "The Stuff Is Here," a lively tea pad tune that has been reissued on a brimming handful of party blues collections ever since its rediscovery during the '70s by the producers of the Stash record label. The relaxed and very sensual "Rock Me Daddy" has a beautiful solo by an unidentified alto saxophonist, while "Alley Boogie" (attributed to both White and her contemporary, Lucille Bogan) cooks to a jelly like there's no tomorrow. arwulf arwulf
Tracklist :
1.    Georgia Man 2:41
Bass [String Bass] – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
2.    All Night Blues 3:03
Bass [String Bass] – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
3.    Away All The Time 2:42
Bass [String Bass] – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
4.    The Stuff Is Here 2:51
Bass [String Bass] – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
5.    Strewin' Your Mess 2:35
Bass [String Bass] – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
6.    Fare Thee Honey Fare Thee Well 2:43
Bass [String Bass] – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
7.    Careless Love 3:07
Alto Saxophone [Prob.] – Edgar Saucier
Drums – Unknown Artist
Guitar [Prob.] – Lonnie Johnson 
Piano – Richard M. Jones
Vocals – Georgia White
8.    Rock Me Daddy 3:06
Alto Saxophone [Prob.] – Edgar Saucier
Drums – Unknown Artist
Guitar [Prob.] – Lonnie Johnson 
Piano – Richard M. Jones
Vocals – Georgia White
9.    Red Cap Porter 2:38
Alto Saxophone [Prob.] – Edgar Saucier
Drums – Unknown Artist
Guitar [Prob.] – Lonnie Johnson 
Piano – Richard M. Jones
Vocals – Georgia White
10.    Alley Boogie 2:31
Drums – Unknown Artist
Guitar [Prob.] – Lonnie Johnson 
Piano – Richard M. Jones
Vocals – Georgia White
11.    I'm Blue And Lonesome 2:36
Bass [String Bass] – Unknown Artist
Guitar – Lonnie Johnson 
Vocals, Piano – Georgia White
12.    Almost Afraid To Love 2:59
Bass [String Bass] – Unknown Artist
Guitar – Lonnie Johnson 
Vocals, Piano – Georgia White
13.    Too Much Trouble 2:29
Bass [String Bass] – Unknown Artist
Guitar – Lonnie Johnson 
Vocals, Piano – Georgia White
14.    Crazy Blues 2:38
Bass [String Bass], Drums – Unknown Artist
Guitar – Lonnie Johnson
Vocals, Piano – Georgia White
15.    'Tain't Nobody's Business If I Do 2:41
Bass [String Bass], Drums – Unknown Artist
Guitar – Lonnie Johnson 
Vocals, Piano – Georgia White
16.    Holding My Own 2:57
Bass [String Bass], Drums – Unknown Artist
Guitar – Lonnie Johnson 
Vocals, Piano – Georgia White
17.    The Blues Ain't Nothin' But...??? 2:35
Bass [String Bass] – John Lindsay
Electric Guitar – Lonnie Johnson 
Vocals – Georgia White
18.    Dead Man's Blues 2:43
Bass [String Bass] – John Lindsay
Electric Guitar – Lonnie Johnson 
Vocals – Georgia White
19.    Love Sick Blues 2:58
Bass [String Bass] – John Lindsay
Electric Guitar – Lonnie Johnson 
Vocals – Georgia White
20.    My Worried Mind Blues 2:42
Bass [String Bass] – John Lindsay
Electric Guitar – Lonnie Johnson 
Vocals – Georgia White
21.    The Way I'm Feelin' 3:11
Bass [String Bass] – John Lindsay
Guitar – Teddy Bunn
Piano – Sammy Price
Vocals – Georgia White
22.    Married Woman Blues 3:14
Bass [String Bass] – John Lindsay
Guitar – Teddy Bunn
Piano – Sammy Price
Vocals – Georgia White 

GEORGIA WHITE — Complete Recorded Works In Chronological Order Volume 4 · 1939-1941 (1994) DOCD-5304 | RM | FLAC (tracks), lossless

The fourth and final volume of Georgia White's complete recorded works as compiled and reissued by Document during the 1990s is packed with 24 titles recorded for the Decca label in Chicago and New York between May 1939 and March 1941. During this period she collaborated with pianist Blind John Davis, bassist John Lindsay, and guitarist Teddy Bunn, often singing at a relaxed and perhaps more traditionally staid pace than was customary for this often spunky vocalist, although "Hydrant Love" and "Do It Again" do have a bit of a kick to them. Wesley Wilson's "Take Me for a Buggy Ride" was solidly identified with Bessie Smith when White recorded it just a couple of years after the death of the Empress, and "'Tain't Nobody's Fault But Yours" is one of several Porter Grainger compositions linking White with her predecessors in the grand tradition of female blues. On "Panama Limited" she sounds more than a little like Victoria Spivey. The bands backing her on the second half of this collection included trumpeter Jonah Jones, clarinetist Fess Williams, pianist Lil Hardin Armstrong, bassist Milt Hinton, and drummer Walter Martin -- real swing musicians, whose participation successfully undermines the artificially imposed boundaries between blues and jazz. This remarkable vocalist deserves much more recognition than has ever come her way, and one can only hope that careful remastering, judicious marketing, and growing interest among youthful listeners will serve her memory with the respect that she deserves. arwulf arwulf
Tracklist :
1.        How Do You Think I Feel    2:56
2.        Fire In The Mountain    3:04
3.        When The Red Sun Turns To Gray    3:01
4.        Hydrant Love    2:35
5.        Do It Again    2:54
6.        Beggin' My Daddy    2:28
7.        What Have You Done To Me?    2:41
8.        Take Me For A Buggy Ride    2:36
9.        Furniture Man    3:06
10.        I'm Doing What My Heart Says Do    2:30
11.        You Got To Drop The Sack    2:21
12.        'Tain't Nobody's Fault But Yours    2:25
13.        Worried Head Blues    2:26
14.        Jazzin' Babies Blues    2:55
15.        Papa Pleaser    2:45
16.        Sensation Blues    2:44
17.        Late Hour Blues    2:37
18.        Panama Limited Blues    2:41
19.        You Ought To Be Ashamed Of Yourself    2:48
20.        Mail Plane Blues    2:32
21.        Mama Knows What Papa Wants When Papa's Feeling Blue    2:25
22.        Come Around To My House    2:37
23.        Territory Blues    2:21
24.        When You're Away    2:49
Credits : 
Alto Saxophone – Unknown Artist (tracks: 9 to 13)
Clarinet – Fess Williams (tracks: 14 to 19)
Compiled By, Producer – Johnny Parth
Double Bass – John Lindsay (tracks: 1 to 3), Unknown Artist (tracks: 20 to 24)
Double Bass [Prob.] – Milt Hinton (tracks: 4 to 8)
Drums – Unknown Artist (tracks: 9 to 13), Walter Martin (tracks: 14 to 19)
Guitar – Teddy Bunn (tracks: 1 to 8), Unknown Artist (tracks: 20 to 24)
Liner Notes – Colin J. Bray
Music Librarian [Original Recordings From The Collections Of] – Bob Graf, Daniel Gugolz, Johnny Parth, Roger Misiewicz, Tom Tsotsi, Werner Benecke 
Piano – Georgia White (tracks: 14 to 24), Sammy Price (tracks: 1 to 8)
Piano [Prob.] – Georgia White (tracks: 9 to 13)
Remastered By – Gerhard Wessely
Trumpet – Jonah Jones (tracks: 14 to 19)
Vocals – Georgia White 

BUMBLE BEE SLIM — Complete Recorded Works In Chronological Order Volume 1 · 1931-1934 | DOCD-5261 (1994) FLAC (tracks+.cue), lossless

The first of nine releases devoted to Slim's music. As with many Document releases, the sound is pretty uneven. But considering that "Rough Rugged Road Blues," and recorded in October of 1931, was one of the last sides ever issued by Paramount, and that no copies were known to exist until 1992, one has to live with the considerable surface noise on that number, and on "Honey Bee Blues," and the even worse sound on "Stumbling Block Blues" and "Yo Yo String Blues" (on which one can barely tell that a song is there beneath the scratchiness). "Chain Gang Bound," by comparison, sounds almost like a modern recording, despite dating from exactly the same era. The six Paramount sides here are the only recordings here on which Slim played his own guitar, and his style is clean and engaging, with some very deft slide playing in evidence. The other cuts, mostly for Vocalion, generally sound considerably better and were recorded with piano accompaniment, or a band with piano and guitars, and they have a more sophisticated urban sound, anticipating R&B more than they resemble Slim's earlier rural-style songs. His vocals are also considerably more expressive and show a far greater range. Slim's Vocalion debut, "Greasy Greens" and "I'm Waiting On You," cut in New York, are remarkable performances for 1932. His subsequent sides were all cut in Chicago, and are more readily identifiable with that city's then-burgeoning blues tradition -- none of the Chicago sides are quite as unexpected as the four New York sides, but they're all eminently listenable. The eight sides cut by Bumble Bee Slim & His Three Sharks -- a pretty fair band featuring piano, guitar, and mandolin -- features "Someday Things Will Be Breaking My Way," a song more familiar to modern listeners as "Sitting On Top of the World" and immortalized by Albert King and Cream. "Runnin' Drunk Blues" is a delightful, sprightly rag; and on the latest songs on this volume, the guitar returns to the fore, most notably on "Dead and Gone Mother," which features three guitars. Bruce Eder
Tracklist :
1.    Bumble Bee Slim–    Rough Rugged Road Blues 3:11
Vocals, Guitar – Bumble Bee Slim
2.    Bumble Bee Slim–    No Woman No Nickel 3:27
Vocals, Guitar – Bumble Bee Slim
3.    Bumble Bee Slim–    Stumbling Block Blues 2:43
Vocals, Guitar – Bumble Bee Slim
4.    Bumble Bee Slim–    Chain Gang Bound 3:33
Vocals, Guitar – Bumble Bee Slim
5.    Bumble Bee Slim–    Yo Yo String Blues 3:24
Vocals, Guitar – Bumble Bee Slim
6.    Bumble Bee Slim–    Honey Bee Blues 3:18
Vocals, Guitar – Bumble Bee Slim
7.    Bumble Bee Slim–    Greasy Greens 2:54
Guitar – Willie B. James
Piano – Myrtle Jenkins
Vocals – Bumble Bee Slim
Vocals [Male] – Unknown Artist
8.    Bumble Bee Slim–    I'm Waitin' On You 2:58
Guitar – Willie B. James
Piano – Myrtle Jenkins
Vocals – Bumble Bee Slim
9.    Bumble Bee Slim–    B And O Blues 3:01
Guitar – Willie B. James
Piano – Myrtle Jenkins
Vocals – Bumble Bee Slim
10.    Bumble Bee Slim–    Queen Bee Blues 3:15
Guitar – Willie B. James
Piano – Myrtle Jenkins
Vocals – Bumble Bee Slim
11.    Amos Easton–    M And O Blues - Part I 3:03
Piano [Prob.] – Georgia Tom Dorsey
Vocals – Bumble Bee Slim
12.    Amos Easton–    M And O Blues - Part II 2:31
Piano [Prob.] – Georgia Tom Dorsey
Vocals – Bumble Bee Slim
13.    Bumble Bee Slim And His Three Sharks–    Someday Things Will Be Breaking My Way 3:09
Guitar [Poss.] – Ted Bogan
Mandolin [Prob.] – Howard Armstrong
Piano [Poss.] – Jimmie Gordon
Vocals – Bumble Bee Slim
14.    Bumble Bee Slim And His Three Sharks–    Baby So Long 2:55
Guitar [Poss.] – Ted Bogan
Mandolin [Prob.] – Howard Armstrong
Piano [Poss.] – Jimmie Gordon
Vocals – Bumble Bee Slim
15.    Bumble Bee Slim And His Three Sharks–    Lost Confidence Blues 3:20
Guitar [Poss.] – Ted Bogan
Mandolin [Prob.] – Howard Armstrong
Piano [Poss.] – Jimmie Gordon
Vocals – Bumble Bee Slim
16.    Bumble Bee Slim And His Three Sharks–    The New B And O Blues 3:18
Guitar [Poss.] – Ted Bogan
Mandolin [Prob.] – Howard Armstrong
Piano [Poss.] – Jimmie Gordon
Vocals – Bumble Bee Slim
17.    Bumble Bee Slim And His Three Sharks–    Wrecked Life Blues 2:57
Guitar [Poss.] – Ted Bogan
Mandolin [Prob.] – Howard Armstrong
Piano [Poss.] – Jimmie Gordon
Vocals – Bumble Bee Slim
18.    Bumble Bee Slim And His Three Sharks–    Runnin' Drunk Blues 3:10
Guitar [Poss.] – Ted Bogan
Mandolin [Prob.] – Howard Armstrong
Piano [Poss.] – Jimmie Gordon
Vocals – Bumble Bee Slim
19.    Bumble Bee Slim And His Three Sharks–    East St. Louis Blues 3:09
Clarinet – Unknown Artist
Guitar [Poss.] – Ted Bogan
Mandolin [Prob.] – Howard Armstrong
Piano [Poss.] – Jimmie Gordon
Vocals – Bumble Bee Slim
20.    Bumble Bee Slim And His Three Sharks–    Busy Devil 3:12
Clarinet – Unknown Artist
Guitar [Poss.] – Ted Bogan
Mandolin [Prob.] – Howard Armstrong
Piano [Poss.] – Jimmie Gordon
Vocals – Bumble Bee Slim
21.    Amos–    Squalling Panther Blues 3:21
Guitar – Unknown Artist, Unknown Artist
Piano – Unknown Artist
Vocals – Bumble Bee Slim
22.    Amos–    Sail On, Little Girl, Sail On 3:17
Guitar – Unknown Artist, Unknown Artist
Piano – Unknown Artist
Vocals – Bumble Bee Slim
23    Amos–    Dead And Gone Mother 2:59
Guitar – Unknown Artist, Unknown Artist, Unknown Artist
Vocals – Bumble Bee Slim