Mostrando postagens com marcador Motown. Mostrar todas as postagens
Mostrando postagens com marcador Motown. Mostrar todas as postagens

21.12.17

STEVIE WONDER - With a Song in My Heart [1963] MOTOWN

Having tried to turn Little Stevie Wonder into Big Ray Charles, then broken him through with "Fingertips, Pt. 2," Motown then gave us "Steve Wonder, Lounge Lizard." At least, that's what you'd think listening to this string-filled crooning session, in which the 13-year-old earnestly makes his way through the likes of Johnny Mercer's "Dream," "Get Happy," "Without A Song," and other supper club standards. Berry Gordy's wish for all his artists may have been to play the Copacabana, but this one was far below the legal drinking age, and, although Wonder brought his usual willingness to the project, it was years beyond his abilities. by William Ruhlmann
Tracklist
1 With A Song In My Heart 3:12
2 When You Wish Upon A Star 2:59
3 Smile 3:20
4 Make Someone Happy 4:04
5 Dream 2:11
6 Put On A Happy Face 2:37
7 On The Sunny Side Of The Street 4:00
8 Get Happy 2:14
9 Give Your Heart A Chance 2:16
10 Without A Song 4:14

STEVIE WONDER - With a Song in My Heart 
[1963] MOTOWN / CBR320 / scan

2.12.17

LITTLE STEVIE WONDER - Tribute to Uncle Ray [1962]

 "Little Stevie Wonder, Tamla's 11-year-old musical genius, is blind, a similarity he shares with a famed musician and vocalist of today," shamelessly announce the liner notes of this album. Unfortunately, Wonder at 11 does not share much of Ray Charles's vocal abilities, even when he is singing Charles' songs (others are "originals in the style of his idol") and, since he doesn't play on the record, there's no similarity there either. Today, listening to a child emote his way through songs like "Drown In My Own Tears" is a curiosity at best, and the album is only for hardcore Wonder fanatics. by William Ruhlmann
Tracklist  
1 Hallelujah I Love Her So
Written-By – Ray Charles
2 Ain't That Love
Written-By – Ray Charles
3 Don't You Know
Written-By – Ray Charles
4 The Masquerade
Written-By – Rubel, Migidson
5 Frankie & Johnny
Arranged By – Clarence Paul
6 Drown In My Own Tears
Written-By – Henry Glover
7 Come Back Baby
Written-By – Ray Charles
8 Mary Ann
Written-By – Ray Charles
9 Sunset
Written-By – Paul, Judkins
10 My Baby's Gone
Written-By – Berry Gordy, Jr.
STEVIE WONDER - Tribute to Uncle Ray 
[1962] MOTOWN / CBR320 / scan

11.11.17

TAMMI TERRELL - Irresistible [1968]

 Tammi Terrell had a sexy, hypnotic voice and alluring sensibility that not only made her an ideal partner for Marvin Gaye, but could have resulted in substantial impact as a solo singer. This album includes her finest solo single, "I Can't Believe You Love Me," and some other interesting numbers, although Terrell never received any songs for herself that matched what she did with Gaye.  by Ron Wynn
Tracklist  
A1 I Can't Believe You Love Me 2:32
Written-By – J. Bristol, H. Fuqua
A2 That's What Boys Are Made For 2:58
Written-By – G. Gordy, H. Fuqua
A3 Come On And See Me 2:20
Written-By – J. Bristol, H. Fuqua
A4 What A Good Man He Is 2:59
Written-By – A. Cleveland, Wm. Robinson
A5 Tears At The End Of A Love Affair 2:57
Written-By – H. Fuqua, J. Bristol, S. Moy
A6 This Old Heart Of Mine (Is Weak For You) 2:28
Written-By – Holland, Dozier, Holland, Moy
B1 He's The One I Love 2:35
Written-By – William Robinson
B2 Can't Stop Now (Love Is Calling) 2:40
Written-By – J. Dean, Wm. Weatherspoon, S. McMullen
B3 Just Too Much To Hope For 2:54
Written By – J. Bristol, W. Jackson, C. Wilson, H. Fuqua
Written-By – C. Wilson, J. Bristol, H. Fuqua, W. Jackson
B4 Hold Me Oh My Darling 2:58
Written-By – Harvey Fuqua
B5 I Can't Go On Without You 2:35
Written-By – H. Fuqua, J. Bristol, S. Moy

TAMMI TERRELL - Irresistible
 [1968] MOTOWN / LP / FLAC

STEVIE WONDER - The Jazz Soul of Little Stevie [1962] MOTOWN

 Stevie Wonder's debut album, released when he was 11, is still an amazing musical document, showcasing his skills as a percussionist (drums and bongos), chromatic harmonica player, keyboardist (piano and organ), and composer -- and he was prodigious in all four categories. All of these skills are highlighted throughout this record, and Wonder's youthful, exuberant voice had a maturity suggesting that greatness was around the corner. Perhaps most surprising to contemporary listeners will be the emphasis on instrumentals, which made this a fairly unusual album by Motown standards to begin with. Apart from a few shouts in the background in some of the more free-form tracks, there's not a vocal to be heard here, yet the sounds are rich and diverse enough that one never misses them. What's more, a lot of what's here is extremely sophisticated instrumental music for its time, and the "jazz" reference in the title is not a matter of optimistic convenience or self-aggrandizement -- a lot of this is legitimate jazz. by Bruce Eder

Tracklist  
1 Fingertips 2:55
Bongos – Little Stevie
2 Square 2:59
Harmonica – Little Stevie
3 Soul Bongo 2:17
Bongos – Little Stevie
4 Manhattan At Six 3:44
Drums – Little Stevie
5 Paulsby 2:44
Organ, Harmonica – Little Stevie
6 Some Other Time 5:07
Harmonica – Little Stevie
7 Wondering 2:49
Organ – Little Stevie
8 Session Number 112 3:15
Piano, Harmonica – Little Stevie
9 Bam 3:33
Harmonica – Little Stevie

STEVIE WONDER - The Jazz Soul of Little Stevie 
Motown [1962] CBR320 / scan

20.9.17

MARVIN GAYE - What's Going On (Deluxe Edition) 2CD [2001]

What's Going On is not only Marvin Gaye's masterpiece, it's the most important and passionate record to come out of soul music, delivered by one of its finest voices, a man finally free to speak his mind and so move from R&B sex symbol to true recording artist. With What's Going On, Gaye meditated on what had happened to the American dream of the past -- as it related to urban decay, environmental woes, military turbulence, police brutality, unemployment, and poverty. These feelings had been bubbling up between 1967 and 1970, during which he felt increasingly caged by Motown's behind-the-times hit machine and restrained from expressing himself seriously through his music. Finally, late in 1970, Gaye decided to record a song that the Four Tops' Obie Benson had brought him, "What's Going On." When Berry Gordy decided not to issue the single, deeming it uncommercial, Gaye refused to record any more material until he relented. Confirmed by its tremendous commercial success in January 1971, he recorded the rest of the album over ten days in March, and Motown released it in late May. Besides cementing Marvin Gaye as one of the most important artists in pop music, What's Going On was far and away the best full-length to issue from the singles-dominated Motown factory, and arguably the best soul album of all time.
Conceived as a statement from the viewpoint of a Vietnam veteran (Gaye's brother Frankie had returned from a three-year hitch in 1967), What's Going On isn't just the question of a baffled soldier returning home to a strange place, but a promise that listeners would be informed by what they heard (that missing question mark in the title certainly wasn't a typo). Instead of releasing listeners from their troubles, as so many of his singles had in the past, Gaye used the album to reflect on the climate of the early '70s, rife with civil unrest, drug abuse, abandoned children, and the spectre of riots in the near past. Alternately depressed and hopeful, angry and jubilant, Gaye saved the most sublime, deeply inspired performances of his career for "Mercy Mercy Me (The Ecology)," "Inner City Blues (Make Me Wanna Holler)," and "Save the Children." The songs and performances, however, furnished only half of a revolution; little could've been accomplished with the Motown sound of previous Marvin Gaye hits like "Stubborn Kind of Fellow" and "Hitch Hike" or even "I Heard It Through the Grapevine." What's Going On, as he conceived and produced it, was like no other record heard before it: languid, dark, and jazzy, a series of relaxed grooves with a heavy bottom, filled by thick basslines along with bongos, conga, and other percussion. Fortunately, this aesthetic fit in perfectly with the style of longtime Motown session men like bassist James Jamerson and guitarist Joe Messina. When the Funk Brothers were, for once, allowed the opportunity to work in relaxed, open proceedings, they produced the best work of their careers (and indeed, they recognized its importance before any of the Motown executives). Bob Babbitt's playing on "Inner City Blues (Make Me Wanna Holler)" functions as the low-end foundation but also its melodic hook, while an improvisatory jam by Eli Fountain on alto sax furnished the album's opening flourish. (Much credit goes to Gaye himself for seizing on these often tossed-off lines as precious; indeed, he spent more time down in the Snakepit than he did in the control room.) Just as he'd hoped it would be, What's Going On was Marvin Gaye's masterwork, the most perfect expression of an artist's hope, anger, and concern ever recorded. Allmusic
Tracklist
Original LP Release (May 21 1971)

1-1 What's Going On 3:53
1-2 What's Happening Brother 2:44
1-3 Flyin' High (In The Friendly Sky) 3:49
1-4 Save The Children 4:03
1-5 God Is Love 1:42
1-6 Mercy Mercy Me (The Ecology) 3:13
1-7 Right On 7:32
1-8 Wholy Holy 3:08
1-9 Inner City Blues (Make Me Wanna Holler) 5:27

Original Detroit Mix (April 5 1971)
1-10 What's Going On 4:08
1-11 What's Happening Brother 2:43
1-12 Flyin' High (In The Friendly Sky) 3:49
1-13 Save The Children 4:01
1-14 God Is Love 1:47
1-15 Mercy Mercy Me (The Ecology) 3:04
1-16 Right On 7:32
1-17 Wholy Holy 3:07
1-18 Inner City Blues 
(Make Me Wanna Holler) 5:33

The Foundation
1-19 What's Going On 
(Rhythm And Strings Mix) 3:50

Live At The Kennedy Center (May 1 1972)
2-1 Sixties Medley - That's The Way Love Is / 
You / I Heard It Through The Grapevine 
/ Little Darling (I Need You) / 
You're All I Need To Get By / 
Ain't Nothing Like The Real Thing / 
Your Precious Love / 
Pride And Joy / Stubborn Kind Of Fellow 13:23
2-2 Right On 7:33
2-3  Wholy Holy 3:32
2-4 Inner City Blues 
(Make Me Wanna Holler) 9:06
2-5 What's Going On 5:42
2-6 What's Happening Brother 2:55
2-7 Flyin' High (In The Friendly Sky) 3:51
2-8 Save The Children 4:22
2-9 God Is Love 1:43
2-10  Stage Dialogue 2:35
2-11 Inner City Blues 
(Make Me Wanna Holler) (Reprise) 5:12
2-12 What's Going On (Reprise) 4:01

Original Single Versions
2-13 What's Going On 3:54
2-14 God Is Love 2:48
2-15 Sad Tomorrows 2:22

In The Meantime...
2-16 "Head Title" Aka Distant Lover 4:08
CBR320/scan

TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 9 • 1938-1939 | DOCD-5209 (1993) RM | FLAC (tracks+.cue), lossless

One of the greatest slide guitarists of the early blues era, and a man with an odd fascination with the kazoo, Tampa Red also fancied himsel...