TOMMY DORSEY AND HIS ORCHESTRA – 1936-1937 | The Classics Chronological Series – 916 (1996) FLAC (tracks), lossless

The fourth installment in the Classics Tommy Dorsey chronology opens with the Dorsey Orchestra's last seven recordings of 1936. Fortified with trumpeter Max Kaminsky, tenor saxophonist Bud Freeman, guitarist Carmen Mastren, and master percussionist Dave Tough, this was a particularly fine band. Their instrumental rendition of Fats Waller's "Keepin' Out of Mischief Now" is one of Dorsey's all-time greatest recorded achievements. At her best, Edythe Wright sang a bit like Lee Wiley, and therefore her voice might grow on you if you sit still for it. This is more than can be said for either Jack Leonard or the goofy trio billed as the Three Esquires. Beginning on January 7, 1937, Dorsey hit the jackpot when he hired trumpeter Bunny Berigan, a man who had spent most of the first half of the 1930s backing up pop vocalists like Chick Bullock. The pleasant instrumentals on this disc all went over well with the record-buying public. Will Hudson's "Mr. Ghost Goes to Town" and something called "Who'll Buy My Violets?" are catchy tunes that benefit from the absence of vocalists. "Melody in F" receives a bouncy treatment that would certainly have startled its composer, Anton Grigorevich Rubinstein. Nikolai Rimsky-Korsakov's "Song of India" was a smash hit for Dorsey, who was now commercially clambering to the top of the heap. Yet his really big hit of 1937 was gleaned not from classical Russian composers but was filched from musicians of color in Philadelphia. Dorsey's famous version of Irving Berlin's "Marie" was based on a group vocal arrangement that originated in the mind of a banjoist, guitarist, vocalist, and arranger by the name of Steve Washington, a remarkable individual who had risen to prominence in the jazz world as a member of the Washboard Rhythm Kings. Washington died of pneumonia in January 1936. A few months later his arrangement of "Marie" was being performed at Nixon's Grand Theater in Philadelphia by the Sunset Royal Serenaders, an Afro-American jazz orchestra led at that time by trombonist Doc Wheeler. Dorsey was in the audience one night. He memorized the routine and used it in January 1937 to make a record that ended up earning him enormous quantities of money. This sort of racially informed cultural larceny would soon occur again as Glenn Miller scored his all-time biggest cash money hit by swiping "In the Mood" from Edgar Hayes. arwulf arwulf      Tracklist + Credits :

TOMMY DORSEY AND HIS ORCHESTRA – 1937 | The Classics Chronological Series – 955 (1997) FLAC (tracks), lossless

This fifth installment in the Classics Tommy Dorsey chronology presents recordings he made with the Dorsey Orchestra and the Clambake Seven during the spring of 1937. These ensembles benefited greatly from the presence of certain outstanding players. Bunny Berigan is heard on the first three tracks, but left the band soon thereafter to form his own orchestra. He would return briefly to work for Dorsey again in 1940. Speaking of brilliant musicians with tragically alcoholic temperaments, master percussionist Dave Tough stuck with this band for what was for him a remarkable stretch of uninterrupted professional involvement. Tommy Dorsey sold a lot of records during the mid- and late '30s. One thing hasn't changed very much since then: the public's interest in singers. Dorsey employed crooner Jack Leonard and a perky, interesting chanteuse named Edythe Wright, who seems to have had fun with the lyrics to "Jammin'," sounding almost as hip as Ivie Anderson. Instrumentally, this tune lives up to its name. Wright also did well with "The Milkman's Matinee," Dorsey's apparent attempt to elbow in on Charlie Barnet's turf. Bud Freeman, Pee Wee Erwin, and Johnny Mince turn in perfectly handsome solos on this curious number originally designed as a theme song for Stan Shaw's late-night radio show on WNEW. Dorsey also wisely chose to render a number of instrumentals to vary his recorded repertoire. Continuing to contribute to the popularity of European classical melodies arranged for jazz orchestra, he served up "Liebestraum" by Franz Liszt, Felix Mendelssohn's "Spring Song," and "Blue Danube" by Johann Strauss. Other intriguing performances heard here without vocalists are the popular Gypsy tune "Dark Eyes," "Twilight in Turkey" by Raymond Scott, "Nola" by Felix Arndt, and "Satan Takes a Holiday" by Larry Clinton. A delightfully warm and kicky "Stop, Look and Listen," representing one of the jazziest items in the entire Dorsey discography, swings for a full five and a half minutes. arwulf arwulf      Tracklist :

GLENN MILLER AND HIS ORCHESTRA – 1935-1938 | The Classics Chronological Series – 1377 (2004) FLAC (tracks+.cue), lossless

This is the first volume in the Classics Glenn Miller chronology. It presents his earliest sessions as a leader, beginning with a very handsome session for Columbia that took place on April 25, 1935. The presence of trumpeter Bunny Berigan, clarinetist Johnny Mince, tenor saxophonist Eddie Miller, pianist Claude Thornhill, a well-behaved string quartet, and Miller's own buttery sounding trombone make this a surprisingly charming little date. The first two titles have vocals by Smith Ballew. "In a Little Spanish Town" and the excellent "Solo Hop" are swinging instrumentals propelled by drummer Ray Bauduc; these very danceable stomps clearly prefigure Glenn Miller's later achievements as a successful purveyor of big-band swing music. The second date in Miller's complete chronological recordings took place on March 22, 1937. Recorded for the Decca label, these tracks have all the qualities that would distinguish Glenn Miller's band during its wartime heyday. Without downplaying vocalists Doris Kerr, Jack Lathrop, and the Tune Twisters, let it be said that the instrumentals "Peg O' My Heart" and "I'm Sitting on Top of the World" are the cream of the crop. Miller's tenure with Brunswick records began on June 9, 1937 with four more exceptionally fine instrumental dance numbers. Over the next 11 months, Miller would feature a steady stream of good vocalists (Kathleen Lane, Gail Reese, and Ray Eberle) while fortifying the band with outstanding musicians like Dick McDonough, Charlie Spivak, Sterling Bose, Pee Wee Erwin, Hal McIntyre, Irving Fazola, and Tex Beneke. Even as Glenn Miller's later recordings seem always to attract more attention, these early sides illustrate what a solid leader, arranger, and soloist he was fairly early on in the game, before he became one of the most popular bandleaders in the country. arwulf arwulf   Tracklist :

FRANKIE TRUMBAUER AND HIS ORCHESTRA – 1932-1936 | The Chronogical Classics – 1275 (2002) FLAC (tracks+.cue), lossless

The 1930s recordings of C-melody saxophonist Frankie Trumbauer are fairly obscure, particularly compared to his classic 1927-29 collaborations with Bix Beiderbecke. This set starts with a couple sessions from 1932 that feature a large ensemble mostly taken from the Paul Whiteman Orchestra. A couple of interesting medleys benefit from fine arrangements and the band also sounds strong on "Business in Q" and "The Newest St. Louis Blues." There are two sessions from 1934 that feature trumpeter Charlie Teagarden and trombonist Jack Teagarden (who sings "Emaline" and "'Long About Midnight") and includes a version of Beiderbecke's "In a Mist." The other session from 1934 has spots for trumpeter Bunny Berigan and clarinetist Artie Shaw while the numbers from 1936 again include both Charlie and Jack Teagarden. The material is pretty jazz-oriented and some of the other memorable tracks are "China Boy," "Breakin' in a Pair of Shoes" and "Somebody Loves Me." This is excellent music that serves as a transition between the classic jazz of the 1920s and swing. Scott Yanow  
Tracklist + Credits :

FATS WALLER – 1937 | The Classics Chronological Series – 838 (1995) FLAC (tracks+.cue), lossless

1937 was an excellent year for Fats Waller, and volume twelve in his complete recordings as reissued in 1995 by the Classics Chronological Series focuses upon a relatively small portion of the year in question. Consisting of records cut between March 18 and June 11, 1937, this particular stash of goodies is remarkably satisfying, especially as 10 of the 22 performances are instrumental, which is an unusually high percentage given the fact that the men at Victor records exploited Waller's vocal talents with a vengeance once it became clear that his unorthodox delivery sold a lot of records. Waller the singer is at his very best on "Spring Cleaning," "You've Been Reading My Mail," "To a Sweet and Pretty Thing" and "Sweet Heartache"; he handles "Old Plantation" with dignity and ends it with a decisive invitation to "Drop the plow!" The wordless renditions of "Boo-Hoo," "The Love Bug Will Bite You," and the bluesy "San Anton" are remarkably satisfying. Fats Waller and His Rhythm as heard here included trumpeter Herman Autrey, reedman Gene Sedric, guitarist Al Casey, bassist Charles Turner, and drummer Wilmore Slick Jones, who takes a tidy vibraphone solo on the group's four-and-one-half-minute treatment of Waller's "Honeysuckle Rose." The other version of "Honeysuckle," backed with a superb take on the "Blues," comes from a "Jam Session at Victor" whereby Waller sat in with trumpeter Bunny Berigan, trombonist Tommy Dorsey, guitarist supreme Dick McDonough, and one of Eddie Condon's preferred drummers, George Wettling. This then is an invigorating ride through nearly three months of studio recording activity in the fast life of Thomas Fats Waller, and anyone lucky enough to glimpse a copy ought to pounce on it at once. arwulf arwulf
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RED NORVO AND HIS ORCHESTRA – 1933-1936 | The Classics Chronological Series – 1085 (1999) FLAC (tracks), lossless

Aside from a handful of early pioneers such as Harry A. Yerkes, Charles Hamilton Green, and Jimmy Bertrand, Red Norvo was the first person to regularly play jazz on the xylophone. He also led the way in presenting that kind of music on vibraphone and marimba. This first volume of his complete recordings in chronological order documents Norvo's outstanding experiments in chamber jazz and small group swing during the years 1933-1935. Also covered in detail is the next phase of Norvo's career, as he led a big band either graced with or encumbered by jazz/pop vocalists. The first two sessions, recorded for the Brunswick label during the spring and autumn of 1933, resulted in four pieces unlike anything else being presented to the public at that time. "Knockin' On Wood" and "Hole in the Wall" are zippy features for xylophone with support from clarinetist Jimmy Dorsey and a sympathetic trio of pianist Fulton McGrath, guitar virtuoso Dick McDonough, and bassist Artie Bernstein. "Dance of the Octopus" and Bix Beiderbecke's "In a Mist" are rendered by a quartet that positively glows with the fascinating combination of Norvo's sublime marimba and Benny Goodman's colorful bass clarinet. The Swing Septet sessions of 1934 are remarkable for the combined presence of four men remembered today for having helped to shape the course of musical history by leading their own swing bands during the 1930s and '40s: Teddy Wilson, Artie Shaw, Charlie Barnet, and Red Norvo. The lineup on the following session -- apparently Norvo's only date as a leader during the year 1935 -- is every bit as formidable, as Bunny Berigan and Chu Berry appear alongside Wilson, Bernstein, George Van Eps, and Gene Krupa. These first 12 tracks are worth the price of admission. A 13th selection, "Gramercy Square," is an instrumental sweet serenade with richly rumbling reeds behind the xylophone. Its original flip side, "Decca Stomp," is a smooth but caffeinated foxtrot, correctly appraised in the liner notes as a premonition of what John Kirby's Sextet would be playing by the end of the decade. But something has surely changed -- these sessions from January of 1936 were a turning point as Norvo now began leading a semi-sweet jazz orchestra gilded at first with weirdly chosen vocalists. The trio heard singing "Polly Wolly Doodle" also tried to handle "The Wedding of Jack and Jill" but this is terminally cute stuff, strangely disconcerting after all of the honest jazz heard earlier in the chronology. Things get even more bizarre with Mae Questal -- the original voice of Popeye's Olive Oyl -- squealing and giggling as she sings "The Music Goes 'Round and Around" in her overgrown little girl's voice. This Betty Boop routine actually works better than her attempt at presenting "The Broken Record," a clever song re-creating the exact pace of a skipping 78-rpm platter. While Wingy Manone's rendition of this song is charming [see Classics 828], Questal's alarming hiccup effect is distracting at best. Finally, six melodies recorded in February 1936 and subsequently issued on the Champion label are deadened by trumpeter Stew Pletcher's attempts at romantic vocalizing. If only he'd kept his horn glued to his lips, these would have been pleasant instrumentals, but there's nothing that can be done about it now. arwulf arwulf
Tracklist + Credits :

MILDRED BAILEY – 1932-1936 | The Classics Chronological Series – 1080 (1999) FLAC (tracks), lossless

Two dozen recordings made by Bailey between 1932 and 1936 form this important chapter in the chronological review of her best work. This is right at the time she left Paul Whiteman's band and started recording on her own, often in the company of top-notch jazz artists like the Dorsey Brothers, Bunny Berigan, Teddy Wilson, Johnny Hodges, Artie Shaw, and future husband Red Norvo. As always, Bailey's timing is impeccable, her intonation nigh perfect, and the songs -- even the poppier offerings -- all swing like crazy. Cub Koda
Tracklist + Credits :

BENNY GOODMAN AND HIS ORCHESTRA – 1931-1933 | The Classics Chronological Series – 719 (1993) FLAC (tracks+.cue), lossless

The first half of this chronological release of Benny Goodman's 1931-1933 recordings is comprised of dance band performances from 1931 -- 12 selections with vocals from Paul Small, Smith Ballew, and Dick Robertson that have little to recommend them except excellent musicianship. The jazz content is pretty low and even Goodman is not heard from much. This is from the era when the clarinetist earned his employment as a studio musician. The final ten numbers are from 1933 and are of greater interest. Trombonist/singer Jack Teagarden is well featured on six songs, Billie Holiday makes her hesitant recording debut on "Your Mother's Son-in-Law" and "Riffin' the Scotch," and there are some fine solos along the way by both Jack and Charlie Teagarden, pianist Joe Sullivan, and Goodman. This is still Benny Goodman pre-history, for he would not attempt to lead a big band until 1934. Scott Yanow
Tracklist + Credits :

BENNY GOODMAN AND HIS ORCHESTRA – 1935 | The Classics Chronological Series – 769 (1994) FLAC (tracks+.cue), lossless

This CD traces the evolution of Benny Goodman's orchestra from the beginning of 1935 when they were comparatively unknown to the beginning of July when they were on the brink of success, even though Benny Goodman was no longer appearing on the Let's Dance radio series and was about to embark on a risky cross-country trip. Singer Helen Ward, drummer Gene Krupa, and trumpeter Pee Wee Erwin were the key voices (along with the clarinetist/leader) at the beginning of the year, but by the time the band recorded the last eight numbers on this disc, Bunny Berigan was Benny Goodman's star trumpeter. His solos on "King Porter Stomp" and "Sometimes I'm Happy" (along with Fletcher Henderson's swinging arrangements) would make Goodman a major star. Berigan also has hot spots on "Blue Skies" and "Jingle Bells." Swing was almost ready to catch on big. Scott Yanow
Tracklist + Credits :

BENNY GOODMAN AND HIS ORCHESTRA – 1935-1936 | The Classics Chronological Series – 789 (1994) FLAC (tracks+.cue), lossless

After a historic up-and-down, cross-country trip to Los Angeles, Benny Goodman & His Orchestra became a sensation, launching the swing era. This set has the first selections by the Benny Goodman Trio (featuring the clarinetist with pianist Teddy Wilson and drummer Gene Krupa) and the initial big band recordings after Benny Goodman was crowned the king of swing, including his closing theme song, "Goodbye," "When Buddha Smiles," "Stompin' at the Savoy," and "Goody Goody" (Helen Ward's biggest hit). The next few years found Benny Goodman at the top of the music world. Scott Yanow
Tracklist + Credits :

BENNY GOODMAN AND HIS ORCHESTRA – 1938-1939 | The Classics Chronological Series – 990 (1998) FLAC (tracks), lossless

To a certain extent, Benny Goodman & His Orchestra were treading water during this period. Harry James and Teddy Wilson both departed to lead their own bands in early 1939 and Goodman's renditions of Fletcher Henderson arrangements, although still swinging, became more predictable than earlier. His band's music was excellent, but no longer leading the way. However, this CD still has many musical high points, including "Bach Goes to Town," "Undecided," "Blue Lou," and a Ziggy Elman/Martha Tilton hit in "And the Angels Sing." A rare quintet set on December 29, 1938 (with bassist John Kirby joining Goodman, Hampton, Wilson, and drummer Buddy Schutz), resulted in the two-part "Pick-a-Rib" and a classic rendition of "I Cried for You," and lyricist Johnny Mercer helps out with a couple vocals with the big band. Scott Yanow
Tracklist + Credits :

BUNNY BERIGAN AND HIS BOYS – 1935-1936 | The Classics Chronological Series – 734 (1993) FLAC (tracks+.cue), lossless

Bunny Berigan began his prime stretch of solo recordings with this collection of songs cut between 1935-1936. Berigan still worked as a sideman for the likes of Benny Goodman during this period, and he even did some session and film work, but it is his own material which has solidified his reputation as a top figure of the big band era. And while later sides from 1937-1939 would trump some of the ones included here, this collection still brims over with exciting and tight material from a variety of Berigan contingents. In addition to his first stab at "I Can't Get Started" (somewhat inferior to the classic version from 1937), Berigan is featured on a bevy of small group and a large ensemble highlights, like "Chicken and Waffles" and "Blues." There's also a clutch of songs cut under pianist and Goodman-alum Frank Froeba's leadership, which spotlight the pleasant-enough vocal talents of Midge Williams and Chris Bullock. Also on hand, jazz royalty like Artie Shaw, Cozy Cole, Eddie Condon, and Bud Freeman. A fine mix from Berigan's early heyday. Stephen Cook  
Tracklist :
1    Bunny Berigan And His Blue Boys–    You Took Advantage Of Me 3:24
Written-By – Rodgers - Hart
2    Bunny Berigan And His Blue Boys–    Chicken And Waffles 3:00
Written-By – Berigan
3    Bunny Berigan And His Blue Boys–    I'm Coming Virginia 2:44
Written-By – Heywood
4    Bunny Berigan And His Blue Boys–    Blues 3:00
Written-By – Berigan
5    Bunny Berigan And His Boys–    It's Been So Long 2:45
Written-By – Adamson, Donaldson
6    Bunny Berigan And His Boys–    I'd Rather Lead A Band 2:00
Written-By – Berlin
7    Bunny Berigan And His Boys–    Let Yourself Go 2:00
Written-By – Berlin
8    Bunny Berigan And His Boys–    Swing, Mister Charlie 3:06
Vocals – Chick Bullock
Written By – Robinson - Taylor - Brooks
9    Bunny Berigan And His Boys–    A Melody From The Sky 1:58
Vocals – Chick Bullock
Written-By – Alter, Mitchell
10    Bunny Berigan And His Boys–    I Can't Get Started 3:22
Vocals – Bunny Berigan
Written-By – Ira Gershwin, Vernon Duke
11    Bunny Berigan And His Boys–    A Little Bit Later On 2:50
Vocals – Chick Bullock
Written-By – Neiburg, Levinson
12    Bunny Berigan And His Boys–    Rhythm Saved The World 1:50
Vocals – Chick Bullock
Written-By – Cahn, Chaplin
13    Frank Froeba And His Swing Band–    Just To Be In Caroline 2:59
Vocals – Tempo King
Written By – Hines - Carpenter - Dunlap
Written-By – Carpenter, Hines
14    Frank Froeba And His Swing Band–    'Tain't Nobody's Biz'ness What I Do 2:29
Vocals – Tempo King
Written By – Brown - Sampsel - Markowitz
15    Bunny Berigan And His Boys–    I Nearly Let Love Go Slipping Thru' My Fingers 1:47
Written-By – Woods
16    Bunny Berigan And His Boys–    But Definitely 2:09
Written-By – Revel, Gordon
17    Bunny Berigan And His Boys–    If I Had My Way 2:03
Written-By – Kendis, Klein
18    Bunny Berigan And His Boys–    When I'm With You 2:45
Vocals – Chick Bullock
Written-By – Revel, Gordon
19    Frank Froeba And His Swing Band–    Whatcha Gonna Do When There Ain't No Swing? 3:16
Vocals – Midge Williams
Written-By – Neiburg, Levinson
20    Frank Froeba And His Swing Band–    Organ Grinder's Swing 3:08
Vocals – Midge Williams
Written-By – De Lange, Hudson
21    Frank Froeba And His Swing Band–    Rhythm Lullaby 2:59
Vocals – Midge Williams
Written By – Jenkins
22    Frank Froeba And His Swing Band–    It All Begins And Ends With You 3:12
Vocals – Midge Williams
Written By – Klages - Froeba - Palmer
Written-By – Froeba, Klages
Credits :    
Bass – Artie Bernstein (tracks: 13, 14), Artie Shapiro (tracks: 19 to 22), Grachan Moncur (tracks: 1 to 4), Mort Stuhlmaker (tracks: 5 to 12, 15 to 18)
Clarinet – Artie Shaw (tracks: 9, 10), Joe Marsala (tracks: 5 to 8, 13, 14, 19 to 22), Paul Ricci (tracks: 11, 12), Slats Long (tracks: 15 to 18)
Clarinet, Alto Saxophone – Edgar Sampson (tracks: 1 to 4)
Clarinet, Tenor Saxophone – Eddie Miller (tracks: 1 to 4)
Drums – Cozy Cole (tracks: 9 to 12, 15 to 22), Dave Tough (tracks: 5 to 8), Maurice Purtill (tracks: 13, 14), Ray Bauduc (tracks: 1 to 4)
Guitar – Bobby Bennett (tracks: 19 to 22), Clayton Duerr (tracks: 13, 14), Dave Barbour (tracks: 5 to 8), Eddie Condon (tracks: 9 to 12, 15 to 18)
Piano – Cliff Jackson (tracks: 1 to 4), Frank Froeba (tracks: 13, 14, 19 to 22), Joe Bushkin (tracks: 5 to 12, 15 to 18)
Tenor Saxophone – Art Drelinger (tracks: 19 to 22), Bud Freeman (tracks: 5 to 8), Forrest Crawford (tracks: 5 to 12), Herbie Haymer (tracks: 13, 14)
Trombone – Jack Lacey (tracks: 15 to 18)
Trumpet – Bunny Berigan

BUNNY BERIGAN AND HIS ORCHESTRA – 1936-1937 | The Classics Chronological Series – 749 (1994) FLAC (tracks+.cue), lossless

These 23 Berigan sides chronicle a time when the trumpeter was in between being a sideman and putting together his own band. After scoring several solo triumphs with Tommy Dorsey's outfit in 1937 ("Marie," "Song of India"), Berigan organized a mid-sized combo which included such standouts as tenor saxophonist George Auld, pianist Joe Bushkin, and drummer George Wettling. The heyday to come, with Buddy Rich behind the drum kit and a signature reading of "I Can't Get Started," were still about a year off. In the meantime, Berigan and company made out fine with a mix of tight arrangements and the maestro's top-notch solo work. This Classics disc features a sampling of those small group recordings ("All God's Chillun' Got Rhythm," "Swanee River"), plus some of Berigan's first sides with his big band. In spite of a few questionable transfers here and there, the disc has good sound quality throughout. Be that as it may, this installment in Classics' chronological series is still best suited for seasoned Berigan fans. Stephen Cook  
Tracklist :
1     That Foolish Feeling 2:47
Harold Adamson / Jimmy McHugh
Vocals – Art Gentry
2     Where Are You? 3:08
Harold Adamson / Jimmy McHugh
Vocals – Art Gentry    
3     In a Little Spanish Town 2:42
Sam M. Lewis / Mabel Wayne / Joe Young
4     The Goona Goo 2:50
Fred E. Ahlert / Harry Reser / Joe Young
Vocals – Art Gentry    
5     Who's Afraid of Love? 2:47
Sidney Mitchell / Lew Pollack
Vocals – Art Gentry    
6     One in a Million 2:40
Sidney Mitchell / Lew Pollack
Vocals – Art Gentry
7     Blue Lou 2:46
Irving Mills / Edgar Sampson
8     I'm Gonna Kiss Myself Goodbye 2:27
Mack Gordon
Vocals – Johnny Hauser    
9     Big Boy Blue 2:13
Dan Howell / Jack Lawrence / Peter Tinturin
Vocals – Johnny Hauser
10     Dixieland Shuffle 2:54
Bob Haggart / Gil Rodin    
11     Let's Do It (Let's Fall in Love) 3:10
Cole Porter
12     You Can't Run Away from Love Tonight 3:00
Al Dubin / Harry Warren
Vocals – Carol McKay
13     'Cause My Baby Says It's So 2:48
Al Dubin / Harry Warren
Vocals – Bunny Berigan
14     Carelessly 3:06
Norman Ellis / Nick A. Kenny
Vocals – Carol McKay
15     All Dark People Are Light on Their Feet 2:22
Lorenz Hart / Richard Rodgers
Vocals – Ford Leary    
16     The First Time I Saw You 2:16
Allie Wrubel
Vocals – Ford Leary    
17     Love Is a Merry-Go-Round 3:00
Rube Bloom / Johnny Mercer
Vocals – Sue Mitchell     
18     The Image of You 2:50
Fred E. Ahlert / Joe Young
Vocals – Sue Mitchell     
19     I'm Happy, Darling, Dancing With You 2:59
Fred E. Ahlert / Joe Young
Vocals – Sue Mitchell
20     Swanee River 2:20
Stephen Foster
21     All God's Chillun Got Rhythm 2:20
Walter Jurmann / Gus Kahn / Bronislaw Kaper
Vocals – Ruth Bradley
22     The Lady from Fifth Avenue 2:26
Teddy Powell / Walter Samuels / Leonard Whitcup
Vocals – Ruth Bradley
23     Let's Have Another Cigarette 2:39
Herbert Magidson / Allie Wrubel
Vocals – Ruth Bradley

BUNNY BERIGAN AND HIS ORCHESTRA – 1937 | The Classics Chronological Series – 766 (1994) FLAC (tracks+.cue), lossless

1937 was the year Bunny Berigan went out on his own as a bandleader. He had cut his teeth with Tommy Dorsey and Benny Goodman, before paving the way to his own big band career with some small group sessions in 1936. On the heels of several if these combo dates, Berigan teamed up with such stellar players as tenor saxophonist George Auld, trombonist Sonny Lee, drummer George Wettling, and clarinetist Joe Dixon to begin one of the more overlooked swing outfits of the late '30s. While not always on par with such highly original groups as those led by Ellington, Lunceford, and Goodmam, Berigan's band did deliver over 100 quality sides for RCA between 1937-1939. This Classics roundup focuses on that monumental first year, with such highlights as "I Can't Get Started," "Frankie and Johnny," "Mahogany Hall Stomp," and "Black Bottom." For fans looking to follow Berigan's chronological trail, do yourself a favor and start out of sequence with this collection. Stephen Cook  
Tracklist :
1     Roses in December 3:10
George Jessel / Herbert Magidson / Ben Oakland
2     Mother Goose 3:01
Shank
3     Frankie and Johnny 2:45
Traditional
4     Mahogany Hall Stomp 2:29
Spencer Williams
5     Let 'Er Go 3:17
Larry Clinton    
6     Turn on That Red-Hot Heat (Burn Your Blues Away) 3:19
Louis Alter / Paul Francis Webster
7     I Can't Get Started 4:40
Vernon Duke / Ira Gershwin    
8     The Prisoner's Song 4:06
Guy Massey    
9     Why Talk About Love? 2:48
Sidney Mitchell / Lew Pollack
10     Caravan 3:27
Duke Ellington / Irving Mills / Juan Tizol
11     A Study in Brown 3:04
Larry Clinton
12     Sweet Varsity Sue 2:30
Sam M. Lewis / Charles Tobias
13     Gee, But It's Great to Meet a Friend 2:24
Fred Fisher
14     Ebb Tide 3:05
Ralph Rainger / Leo Robin    
15     Have You Ever Been in Heaven? 3:07
Jack Lawrence / Peter Tinturin
16     Mama, I Wanna Make Rhythm 2:45
Richard Byron / Jerome Jerome / Walter Kent
17     I'd Love to Play a Love Scene (Opposite You) 2:50
18     I Want a New Romance 3:01
Burton Lane
19     Miles Apart 2:50
Mack David    
20     A Strange Loneliness 2:54
Johnny Burke / Sammy Mysels    
21     In a Little Spanish Town 3:10
Sam M. Lewis / Mabel Wayne / Joe Young
22     Black Bottom 3:19
Lew Brown / Buddy DeSylva / Ray Henderson

BUNNY BERIGAN AND HIS ORCHESTRA – 1937-1938 | The Classics Chronological Series – 785 (1994) FLAC (tracks+.cue), lossless

Tracklist :
1    Trees 3:17
Rasbach / Arranged By – Abe Osser
2    Russian Lullaby     3:04
Berlin
3    Can't Help Lovin' That Man     2:35
Kern / Hammerstein
4    Piano Tuner Man 3:31
Rose / Duke
Vocals – Gail Reese
5    Heigh-Ho (The Dwarfs' Marching Song) 2:43
Churchill / Morey
Vocals – Gail Reese
6    A Serenade To The Stars 3:14
Adamson / McHugh
Vocals – Gail Reese
7    Outside Of Paradise 2:57
Tinturin / Lawrence
Vocals – Gail Reese
8    Down Stream 3:20
Lawrence / Nieson / Milton
Vocals – Gail Reese
9    Sophisticated Swing 3:30
Hudson / Parish
Vocals – Gail Reese
10    Caravan Lovelight In The Starlight 3:04
Freed / Hollander
Vocals – Gail Reese
11    Rinka Tinka Man 3:15
Shelton
Vocals – Gail Reese
12    An Old Straw Hat 3:16
Gordon / Revel
Vocals – Gail Reese
13    I Dance Alone 2:45
Kessler / Sillman
Vocals – Gail Reese
14    Never Felt Better, Never Had Less 3:13
Baer / Heff
Vocals – Ruth Gaylor
15    I've Got A Guy 3:01
Sunshine
Vocals – Ruth Gaylor
16    Moonshine Over Kentucky 3:00
Mitchell / Pollack
Vocals – Ruth Gaylor
17    Round The Old Deserted Farm 3:21
Robison
Vocals – Ruth Gaylor
18    Azure     3:15
Duke Ellington
19    Somewhere With Somebody Else 2:55
Leslie / Burke
Vocals – Dick Wharton
20    It's The Little Things That Count 3:23
Gillespie / Simmons
Vocals – Ruth Gaylor
21    Wacky Dust 2:52
Adams / Levant
Vocals – Ruth Gaylor
22    The Wearin' Of The Green 3:31
Arranged By – Joe Lippman
Credits :    
Bass – Hank Wayland
Clarinet, Alto Saxophone – Joe Dixon, Mike Doty
Drums – Dave Tough (tracks: 4 to 13), George Wettling (tracks: 1 to 3), Johnny Blowers (tracks: 14 to 22)
Guitar – Dick Wharton (tracks: 14 to 22), Tom Morgan (5) (tracks: 1 to 13)
Piano – Fulton McGrath (tracks: 4 to 7), C. Graham Forbes (tracks: 8 to 13), Joe Bushkin (tracks: 19 to 22), Joe Lippman* (tracks: 1 to 3, 14 to 18)
Tenor Saxophone – Clyde Rounds, George Auld
Trombone – Al George (tracks: 1 to 18), Nat Lobovsky (tracks: 14 to 22), Ray Conniff (tracks: 19 to 22), Sonny Lee (tracks: 1 to 13)
Trumpet – Bunny Berigan, Irving Goodman, Steve Lipkins

BUNNY BERIGAN AND HIS ORCHESTRA – 1938 | The Classics Chronological Series – 815 (1995) FLAC (tracks), lossless

Here's the Berigan band arguably at its peak, taking the music of Bix Beiderbecke to the next level, almost making these sides a case study in "what would Bix have sounded like had he lived and worked with a big band"? Although sides like "The Pied Piper" and "Ten Easy Lessons' feature vocals by Ruth Gaylor (herself a knockoff of Benny Goodman vocalist Helen Ward), instrumentals like "Jelly Roll Blues," "In a Mist," and "Livery Stable Blues," stress the Bix connection and bring these tunes into the big band age. On all but four tracks, the drumming chores are handled by a young Buddy Rich, swinging the band for all he's worth. Cub Koda
Tracklist :
1    The Pied Piper 3:30
Bernard Arnold / Jack Gould
2     Tonight Will Live 3:04
Agustín Lara / Ned Washington
3     (A Sky of Blue and You) And So Forth 3:02
Joseph M. Davis / Howard Johnson
4     (How to Make Love in) Ten Easy Lessons 3:25
George Bailey / Mark Fisher
5     When a Prince of a Fella Meets Cinderella 3:21
James Van Heusen
6     Livery Stable Blues 3:24
Marvin Lee / Ray Lopez / Alcide "Yellow" Nunez
7     Let This Be a Warning to You 3:02
Mack David
8     Why Doesn't Somebody Tell Me These Things? 2:50
Jim Eaton / Terry Shand
9     High Society 2:43
Walter Melrose / Porter Steele
10     Father, Dear Father 2:47
Dacosta / McCarthy
11     Simple and Sweet 3:12
Abel Baer / Green Baer / Bud Green
12     Button, Button (Who's Got the Button?) 2:41    
13     I Won't Tell a Soul (I Love You) 3:10
Hughie Charles / Ross Parker
14     Rockin' Rollers' Jubilee 2:30
Joe Davis    
15     Sobbin' Blues 3:18
Vic Berton / Victor Burton / Art Kassel
16     I Cried for You 3:15
Gus Arnheim / Arthur Freed / Abe Lyman
17     Jelly Roll Blues 3:21
Jelly Roll Morton
18     'Deed I Do 2:49
Walter Hirsch / Fred Rose
19     In a Mist 3:07
Bix Beiderbecke
20     Flashes 2:47
Bix Beiderbecke
21     Davenport Blues 3:17
Bix Beiderbecke    
22     Candlelights 3:10
Bix Beiderbecke

BUNNY BERIGAN – 1938-1942 | The Classics Chronological Series – 844 (1995) FLAC (tracks+.cue), lossless

After the banner years of 1937-1938, Bunny Berigan's output took a serious downturn. Due to his alcoholism and bad management decisions, he had to break up his band and rejoin Tommy Dorsey's group in order to make a living. Berigan did rebound long enough to form his last band, which only survived until he passed away in 1942 at the age of 33. This Classics disc -- the last of several charting Berigan's career -- takes in the 1940-1942 last stand, along with a few sides from 1938. While there are some quality songs here, the majority of the disc is disappointing, especially alongside earlier triumphs like "I Can't Get Started" and Berigan's Ellington and Bix Beiderbecke covers. Stalwarts like tenor saxophonist George Auld, drummer Buddy Rich, and trombonist Ray Conniff add some spark, but for the most part the tunes lumber along. Best left for completists. Stephen Cook
Tracklist :
1     In the Dark 2:43
Bix Beiderbecke
2     Walkin' the Dog 3:03
Shelton Brooks
3     Patty Cake, Patty Cake (Baker Man) 3:27
J.C. Johnson / Andy Razaf / Fats Waller     
4     Jazz Me Blues 3:12
Tom Delaney    
5     Ya Had It Comin' to Ya 3:24
Alan Jay Lerner / Ben Oakland
6     There'll Be Some Changes Made 3:01
Billy Higgins / W. Benton Overstreet    
7     Little Gate's Special 3:02
Ray Conniff
8     Gangbusters' Holiday 3:17
Ray Conniff    
9     Peg O' My Heart 2:54
Alfred Bryan / Fred Fisher
10     Night Song 3:02
Juan Tizol    
11     Ain't She Sweet 2:35
Milton Ager / Jack Yellen
12     Ay Ay Ay 3:25    
Perez / Freire   
13     I Got It Bad (And That Ain't Good) 3:12
Duke Ellington / Paul Francis Webster
14     The White Cliffs of Dover 3:29
Nat Burton / Walter Kent    
15     'Tis Autumn 3:18
Henry Nemo    
16     Two in Love 2:32
Spencer Williams    
17     Skylark 2:44
Hoagy Carmichael / Johnny Mercer    
18     My Little Cousin 2:50
Steve Prizant / Arthur Schwartz    
19     Somebody Else Is Taking My Place 2:26
Bob Ellsworth / Richard Howard / Russ Morgan    
20     Me and My Melinda 3:10
Irving Berlin

BOB HOWARD AND HIS ORCHESTRA – 1935-1936 | The Classics Chronological Series – 1121 (2000) | FLAC (tracks+.cue), lossless

Bob Howard recorded frequently for Decca during 1935-1938. The Decca label was hoping that his jivey vocal records would duplicate the commercial success of Fats Waller's Rhythm sides for Victor, but Howard remained comparatively obscure. For this classics chronological study, Howard leads six band dates which find his vocals accompanied by such notable swing players as trumpeter Bunny Berigan (who is on eight songs), clarinetists Cecil Scott and Artie Shaw, trombonist Benny Morton, pianists Frank Froeba and Frank Signorelli, and the team of trumpeter Eddie Farley and trombonist Mike Riley. Among the tunes are "Lost My Rhythm, Lost My Music, Lost My Girl," "It's Written in the Stars," "You Hit the Spot," "Spreadin' Rhythm Around," and "Wake Up and Sing." Concluding this CD are four medleys (two or three songs apiece) featuring Howard as a pianist (accompanied by drummer Ronnie Gubertini) recorded in London. Overall, this is one of the best of the Bob Howard collections. Scott Yanow  
Tracklist :
1     Lost My Rhythm, Lost My Music, Lost My Girl 3:07
Brown / Maxwell / Akst
2     I'm Painting the Town Red 2:35
Charles Newman / Sam H. Stept / Charles Tobias
3     It's Funny What a Kiss Can Do 2:28
Unknown Blues Band
4     Sugar Plum 3:02
Arthur Johnson / Arthur Johnston / Gus Kahn
5     It's Written in the Stars 2:35
Jack Little / Fred Rose
6     Give Me a Break, Baby 2:33
Unknown Blues Band
7     Whose Big Baby Are You? 2:50
Ted Koehler / Jimmy McHugh
8     Much Too Much 3:01
Unknown Blues Band
9     Garbo Green 2:29
Fred Fisher
10     You Hit the Spot 2:35
Mack Gordon / Harry Revel
11     Spreadin' Rhythm Around 2:47
Ted Koehler / Jimmy McHugh
12     Wake Up and Sing 2:32
Unknown Blues Band
13     If Love Is Blind 2:38
Cahn / Chaplin / Raye
14     The Best Things Happen at Night 2:35
Unknown Blues Band
15     Public Weakness No. 1 2:56
Fred Rose
16     Let's Not Fall in Love 2:32
Unknown Blues Band
17     Swing It, Bob, Pt. 1: Intro. I Ain't Got Nobody/I Can't Give You ... 2:53
Dorothy Fields / Jimmy McHugh
18     Swing It, Bob, Pt. 2: Intro. Some of These Days/Limehouse ... 2:25
Brooks / Braham / Furber     
19     Swing It, Bob, Pt. 3: Intro. Solitude/Nobody's Sweetheart/St. ... 3:01
Eddie DeLange / Duke Ellington / Irving Mills
20     Swing It, Bob, Pt. 4: Intro. Chinatown My Chinatown/Tiger Rag 2:52
Schwartz / La Rocca

ETHEL WATERS – 1931-1934 | The Classics Chronological Series – 735 (1993) FLAC (image+.cue), lossless

Ethel Waters was one of the very few Black performers who was able to keep working in music during the early years of the Depression; in fact her fame grew during the period covered by this excellent CD from Classics' Complete series. Among her backup musicians on these consistently excellent sides are violinist Joe Venuti, the Dorsey Brothers, trumpeter Bunny Berigan, trombonist Jack Teagarden, clarinetist Benny Goodman members of the Chick Webb big band and the entire Duke Ellington orchestra (the latter on "I Can't Give You Anything but Love" and "Porgy"). Highpoints include the Ellington tracks, "St. Louis Blues" (with The Cecil Mack Choir), the original version of "Stormy Weather," "A Hundred Years from Today" and a remake of "Dinah." Highly recommended as are all of the Ethel Waters Classics discs. Scott Yanow
Tracklist :
1 River, Stay 'Way from My Door 3:00 
Mort Dixon / Harry Woods
2 Shine on Harvest Moon 2:58 
Nora Bayes / Jack Norworth
3 I Can't Give You Anything But Love 3:03 
Dorothy Fields / Jimmy McHugh
4 Porgy 3:09 
Dorothy Fields / Jimmy McHugh
5 St. Louis Blues 3:24
W.C. Handy
6 Stormy Weather 3:09 
Harold Arlen / Ted Koehler
7 Love Is the Thing 3:15
Ned Washington / Victor Young
8 Don't Blame Me 3:13 
Dorothy Fields / Jimmy McHugh / David Raksin / F. Wess
9 Shadows on the Swanee 2:59 
Johnny Burke / Harold Spina / Joe Young
10 Heat Wave 2:58 
Irving Berlin
11 Harlem on My Mind 3:26 
Irving Berlin
12 I Just Couldn't Take It, Baby 2:54 
Mann Holiner / Alberta Nichols
13 A Hundred Years from Today 2:45 
Ned Washington / Joseph Young / Victor Young
14 Come up and See Me Sometime 3:08 
Louis Alter
15 You've Seen Harlem at Its Best 2:56 
Dorothy Fields / Jimmy McHugh
16 Miss Otis Regrets 3:02 
Cole Porter
17 Dinah 2:43 
Harry Akst / Sam M. Lewis / Joe Young
18 When It's Sleepy Time Down South 2:43 
Clarence Muse / Otis Rene / Leon René
19 Moonglow 3:19 
Eddie DeLange / Will Hudson / Irving Mills
20 Give Me a Heart to Sing To 3:18 
Ned Washington / Joe Young
21 I Ain't Gonna Sin No More 3:06
Herbert Magidson
22 Trade Mark 3:01 
Sidney Easton
23 You're Going to Leave the Old Home, Jim 3:03
Traditional
Credits :
Larry Binyon – Clarinet, Sax (Tenor)
Jimmy Dorsey – Clarinet, Sax (Alto)
Tommy Dorsey – Drums, Guitar, Piano, Trombone, Violin
 Duke Ellington – Director, Piano
Benny Goodman – Clarinet, Piano, Sax (Tenor), Viola, Violin
Harry Hoffman, Lou Kosloff, Walter Edelstein – Violin
Art Karle – Sax (Tenor)
Stan King, Gene Krupa, Chauncey Morehouse – Drums
John Kirby, Artie Bernstein – Bass
Manny Klein – Clarinet, Trombone, Trumpet
Dick McDonough, John Trueheart – Guitar
Edgar Sampson – Sax (Alto), Violin
Joe Steele, Joe Sullivan, Joe Meresco, Fulton McGrath – Piano
Jack Teagarden, Sandy Williams, Joe "Tricky Sam" Nanton, Lawrence Brown – Trombone
Joe Venuti – Guitar, Piano, Violin
Ethel Waters – Vocals
Arthur Whetsol, Cootie Williams, Shirley Clay, Freddie Jenkins, Taft Jordan, Charlie Teagarden, Bunny Berigan, Sterling Bose – Trumpet
Elmer "Skippy" Williams – Sax (Tenor)

BUD FREEMAN – 1928-1938 | The Classics Chronological Series – 781 (1994) FLAC (tracks+.cue), lossless

Bud Freeman was virtually the only key tenor saxophonist of the 1928-35 period who did not sound heavily influenced by Coleman Hawkins. Freeman, whose style fell between Dixieland and swing and who has long had a distinctive sound, is heard on this Classics CD at the head of several classic groups. There are two titles from 1928 with an octet also including obscure trumpeter Johnny Mendel, pianist Dave North, drummer Gene Krupa and (on "Can't Help Lovin' That Man") singer Red McKenzie. While those performances have early examples of Freeman's style, the tenor's sound was very much formed by the time of the 1935 sextet date with the brilliant trumpeter Bunny Berigan; Bud and Bunny made for an exciting team. The bulk of this CD features Freeman in prime form jamming in a trio with pianist Jess Stacy and drummer George Wettling; these versions of "You Took Advantage of Me," "I Got Rhythm," "Keep Smiling at Trouble" and "My Honey's Loving Arms" are definitely classics. Also on this CD are five numbers on which Freeman leads an all-star octet also including cornetist Bobby Hackett, clarinetist Pee Wee Russell, Stacy and Eddie Condon. Although this music has been reissued in many different settings through the years, it is certainly essential (in one form or another) to all historical jazz collections. Scott Yanow  
Tracklist :
1    Bud Freeman And His Orchestra–    Craze-O-Logy 2:55
Written-By – Freeman
2    Bud Freeman And His Orchestra–    Can't Help Lovin' Dat Man 3:20
Vocals – Red McKenzie
Written-By – Kern
3    Bud Freeman And His Windy City Five–    What Is There To Say? 3:27
Written-By – Harburg, Duke
4    Bud Freeman And His Windy City Five–    The Buzzard 3:07
Written-By – Freeman
5    Bud Freeman And His Windy City Five–    Tillie's Downtown Now 3:18
Written-By – Freeman
6    Bud Freeman And His Windy City Five–    Keep Smilin' At Trouble 3:09
Written-By – Jolson, De Sylva
7    Bud Freeman Trio–    You Took Advantage Of Me 2:50
Written-By – Rogers-Hart
8    Bud Freeman Trio–    Three's No Crowd 1:55
Written-By – Freeman, Wettling, Stacy
9    Bud Freeman Trio–    I Got Rhythm 2:48
Written-By – Gershwin
10    Bud Freeman Trio–    Keep Smilin' At Trouble 2:49
Written-By – Jolson, De Sylva, Gensler
11    Bud Freeman Trio–    At Sundown 2:55
Written-By – Donaldson
12    Bud Freeman Trio–    My Honey's Lovin' Arms 2:59
Written-By – Ruby, Meyer
13    Bud Freeman Trio–    I Don't Believe It 2:57
Written-By – Freeman
14    Bud Freeman And His Gang–    Tappin' The Commodore Till 2:45
Written-By – The Bunch
15    Bud Freeman And His Gang–    Memories Of You 3:13
Written-By – Razaf, Blake
16    Bud Freeman And His Gang–    "Life" Spears A Jitterbug 2:50
Written-By – King, Gabler
17    Bud Freeman And His Gang–    What's The Use? 3:16
Written-By – Newman, Jones
18    Bud Freeman Trio–    Three Little Words 2:56
Written-By – Kalmar, Ruby
19    Bud Freeman Trio–    Swingin' Without Mezz 3:07
Written-By – Anderson, Gabler
20    Bud Freeman Trio–    The Blue Room 3:02
Written-By – Rodgers-Hart
21    Bud Freeman Trio–    Exactly Like You 2:44
Written-By – McHugh-Fields
22    Minerva Pious And Bud Freeman–    Private Jives 5:05
Written-By – De Vries
Credits :    
Alto Saxophone – Dave Matthews (tracks: 14 to 17)
Banjo – Norman Foster (tracks: 1, 2)
Bass [String Bass] – Artie Shapiro (tracks: 14 to 17), Grachan Moncur (tracks: 3 to 6), John Mueller* (tracks: 1, 2)
Clarinet – Bud Freeman (tracks: 4, 5), Bud Jacobson (tracks: 1, 2), Pee Wee Russell (tracks: 14 to 17)
Cornet – Bobby Hackett (tracks: 14 to 17)
Drums – Cozy Cole (tracks: 3 to 6), Dave Tough (tracks: 14, 15), Gene Krupa (tracks: 1, 2), George Wettling (tracks: 7 to 13, 18 to 21), Marty Marsala (tracks: 16, 17)
Guitar – Eddie Condon (tracks: 3 to 6, 14 to 17)
Piano – Claude Thornhill (tracks: 3 to 6), Dave North (tracks: 1, 2), Jess Stacy (tracks: 7 to 13, 14 to 21)
Speech – Bud Freeman (tracks: 22), Minerva Pious (tracks: 22)
Tenor Saxophone – Bud Freeman (tracks: 1 to 21)
Trombone – Floyd O'Brien (tracks: 1, 2)
Trumpet – Bunny Berigan (tracks: 3 to 6), Johnny Mendel (tracks: 1, 2)
Trumpet, Piano – Joe Bushkin (tracks: 22)