Mostrando postagens com marcador Jerry Bergonzi. Mostrar todas as postagens
Mostrando postagens com marcador Jerry Bergonzi. Mostrar todas as postagens

3.4.26

JERRY BERGONZI — Vertical Reality (1994) FLAC (tracks+.cue), lossless

Noted educator and saxophonist Jerry Bergonzi put together an all-star cast for Vertical Reality, sharing the frontline with guitarist Mike Stern. The title of the album may refer to the nature of Bergonzi's playing and arranging in general; his emphasis is on the vertical, harmonic nature of each tune rather than singable lines and enduring melodies. The presence of Stern (five tracks), as well as the strong supporting cast including Andy LaVerne (piano, four tracks), George Mraz (bass), and Billy Hart (drums), all truly make an impact on this recording. Bergonzi is far subtler and more effective in his approach here, creating accessible post-bop while leaving considerable improvisational space for each of the players. Vertical Reality is split between Bergonzi originals and standards principally arranged by LaVerne. Highlights include a hard-edged, Stern-dominated version of Bergonzi's "Jones" and swinging interpretations of "On Green Dolphin Street" and "Lover Man." This is a recommended Bergonzi release. Brian Bartolini
Tracklist  :
1.     Yesterdays  6:50
Written-By – Kern, Harbach
2.     Loud-Zee  6:03
Written-By – Bergonzi
3.     On Green Dolphin Street  6:06
Written-By – Kaper, Washington
4.     Jab  6:44
Written-By – Bergonzi
5.     Lover Man  7:47
Written-By – Davis, Sherman, Ramirez
6.     Jones  7:53
Written-By – Bergonzi
7.     Fall  7:28
Written-By – Shorter
8.     Windows  5:40
Written-By – Corea
Credits :
Bass – George Mraz
Drums – Billy Hart
Guitar – Mike Stern
Piano, Producer – Andy LaVerne
Saxophone – Jerry Bergonzi
 

27.6.24

JERRY BERGONZI — Tenor Talk (2008) APE (image+.cue), lossless

Jerry Bergonzi focuses primarily on his potent originals during this quartet session issued in 2008. Joined by pianist Renato Chicco, bassist Dave Santoro, and drummer Andrea Michelutti, the tenor saxophonist's loping "Hank" (a tribute to Hank Mobley that he previously recorded in an entirely different setting) settles into a comfortable groove, with the band working together rather than settling for tenor plus rhythm section. "Girl Idlig" is named for Bergonzi's daughter, a hip breezy tune that has the spirit of Bill Evans running through it, a piece likely to become an enduring part of the tenorist's live repertoire. "Soul Mission" is a lighthearted work, with Michelutti switching to brushes, while the hypnotic "Splurge" is a twisting post-bop vehicle that was inspired by Joe Henderson's "Inner Urge." The Caribbean-flavored rhythm of "Left of Memory" utilizes the changes of the standard "You'd Be So Nice to Come Home To," with Bergonzi wailing and Chicco adding an inventive solo. The one standard, George Gershwin's "Who Cares," is the CD's opening track, a pep-filled workout featuring Bergonzi's explosive tenor powered by his driving rhythm section. Ken Dryden
Tracklist :
1    Who Cares?    6:49
G. Gershwin / I. Gershwin
2    Hank    8:01
 Jerry Bergonzi
3    Girl Idlig    9:12
 Jerry Bergonzi
4    Soul Mission    7:10
 Jerry Bergonzi
5    Splurge    6:02
 Jerry Bergonzi
6    Wippin' And Waulpin'    8:30
 Jerry Bergonzi
7    Left Of Memory    6:49
 Jerry Bergonzi
Credits :
Bass – Dave Santoro
Drums – Andrea Michelutti
Piano – Renato Chicco
Tenor Saxophone, Producer, Arranged By – Jerry Bergonzi

2.12.18

EARTHA KITT — Thinking Jazz (1991) FLAC (tracks+.cue), lossless

Although not released until 2000, the tracks on Eartha Kitt's THINKING JAZZ were recorded at a studio session in 1991 and a German live date in September, 1992, towards the end of Kitt's self-imposed European exile. This is one of Kitt's most straightforwardly jazz-oriented albums, with none of her usual pop and cabaret overtones. The five-piece combo playing behind her-clarinet and tenor saxophone plus rhythm section-is tight and economical, and the arrangements give each member room to stretch out without dissolving into extended jams. Kitt's spectacular voice remains front and center throughout, although the instrumental "God Bless the Child" that provides the link between the studio and live material shows that even without her contributions, this would be a swinging album. "Life Made Me Beautiful At Forty" and a gentle "Night and Day" are among the highlights. AllMusic
Tracklist :
1.     Something May Go Wrong    4:54
Eartha Kitt / Joachim Kühn
2.     God Bless the Child    4:50
Billie Holiday / Arthur Herzog, Jr.
3.     You Can't Fool Me    2:31
Eartha Kitt / Rolf Kühn
4.     Empty House    5:35
Eartha Kitt / Joachim Kühn
5.     Night and Day    3:43
Cole Porter
6.     That Old Hotel    2:44
Eartha Kitt / Joachim Kühn
7     You'd Be So Nice to Come Home To    3:58
Cole Porter
8.     Smoke Gets in Your Eyes    4:47 
Otto Harbach / Jerome Kern
9     Life Made Me Beautiful at Forty    5:06
Eartha Kitt / Joachim Kühn
10.     God Bless the Child    4:48
Billie Holiday / Arthur Herzog, Jr.
  Eartha Kitt feat: Rolf Kühn

11.     Lullaby of Birdland    3:09
George Shearing / George David Weiss
12.     My Funny Valentine    3:29
Lorenz Hart / Richard Rodgers
13.     How Many Times    3:11
Eartha Kitt
Credits :
Bass – Jesper Lundgaard (tracks: 1-13)
Clarinet – Rolf Kühn (tracks: 1-13)
Drums – Daniel Humair (tracks: 1-13)
Lead Vocals – Eartha Kitt (tracks: 1-10, 12, 13)
Piano – Joachim Kühn (tracks: 1-13)
Tenor Saxophone – Jerry Bergonzi (tracks: 1-13)  

JEFF BECK — Wired (1976-2013) RM | Blu-spec CD2 | Serie Legacy Recordings | Two Version | FLAC (image+.tracks+.cue), lossless

Released in 1976, Jeff Beck's Wired contains some of the best jazz-rock fusion of the period. Wired is generally more muscular, albeit l...