COLEMAN HAWKINS - 1945 | The Classics Chronological Series – 926 (1997) FLAC (tracks+.cue), lossless

 Covering in detail a timeline from January 1944 to October 1945, this chapter in the Classics Coleman Hawkins chronology presents recordings he made for the Asch, Selmer, Capitol, Super Disc and V-Disc labels during what was an exciting and transitional period in the evolution of jazz. During the '40s Hawkins was deliberately aligning himself with young and innovative players; four of the sessions feature trumpeter Howard McGhee and pianist Sir Charles Thompson; bassist Oscar Pettiford was also an integral part of Hawk's mid-'40s West Coast band. Lush ballads and upbeat jam structures make for excellent listening throughout. Hawk is also heard sitting in with drummer Sid Catlett's all-stars, leading a quintet with the great Art Tatum at the piano, and working up his own extended set of "Variations" for solo tenor saxophone. While some commentators have focused unnecessary attention upon all-too-human drawbacks like Howard McGhee's addictions and occasional bouts of quarreling between Pettiford and Sir Charles, the music contained in this compilation stands squarely in its own light, unsullied by gossip or untoward circumstances.  arwulf arwulf     Tracklist + Credits :

ILLINOIS JACQUET – 1945-1946 | The Chronogical Classics – 948 (1997) FLAC (tracks+.cue), lossless

Although the Delmark label has done a fine job of reissuing Illinois Jacquet's Apollo recordings, a genuine understanding of this exciting music requires a more systematic appraisal of the recorded evidence. Being able to digest an entire segment of Jacquet's career, with the recordings chronologically arranged and garnished with complete discographical information, is a major treat for anyone wishing to place the music in context. This also expands the picture well beyond Apollo to include material recorded for the Philo, Savoy, and ARA labels, and clears up a few mysteries regarding personnel. The first four tracks were recorded in July of 1945 and set a standard for modern jump music combining elements that would soon be tagged as bebop and R&B. The steamy "Flying Home" was carefully arranged to fit on two sides of a 10" 78-rpm record. "Uptown Boogie" features pianist Sir Charles Thompson bolstered by excellent rhythmic support from drummer Johnny Otis. Illinois himself was always a commanding presence whether laying down a cool blues, smoothing out a ballad, or applying a blowtorch to one of his rowdy jump tunes. Trumpeter Russell Jacquet is heard singing the only two vocal tracks on the entire album, "Throw It Out of Your Mind Baby" and "Wondering and Thinking of You." The two Apollo sessions from August 1945 are driven by the pulsing bass of young Charles Mingus, Bill Doggett's double-fisted piano, and some feisty drumming by Al "Cake" Wichard. For a precious glimpse into the developing ballad philosophy of Mr. Mingus, listen carefully to his accompaniment behind Jacquet's passionate sax on "Memories of You" and "Ghost of a Chance." Ming walks briskly through "Bottoms Up," a rocking re-bop dance with howling horns and strutting rhythm. "Merle's Mood" seems to have been based upon "Paper Moon," and Mingus crowds the microphone to provide extra pushes during Bill Doggett's "What's This." Two sides waxed for ARA at the end of the same month and issued as by the Jacque Rabbits are graced with the return of Sir Charles, whose composition "Ladies Lullaby" is actually another jump tune fortified with bop ideas. "Illinois Stomp" is a very sophisticated bounce. The closing eight tracks were originally issued bearing the Savoy label, and feature trumpeter Emmett Berry, an interesting blend with the salty and often florid Mr. Jacquet. (The last three selections in fact were issued under the name of Emmett Berry's Hot Six.) "Don't Blame Me" is one of this saxophonist's great triumphs of ballad artistry. The spicy "Jumpin' Jacquet" is driven by rhythm guitarist Freddie Green, bassist John Simmons, and master percussionist Shadow Wilson, while Berry percolates using a mute. "Blue Mood" is a meditative masterpiece. Every single track on this CD is strongly presented and well worth experiencing again and again, with best wishes for loosening up, nodding your head, popping your fingers, and cracking a smile. arwulf arwulf     Tracklist :

ILLINOIS JACQUET – 1951-1952 | The Chronogical Classics – 1376 (2004) FLAC (tracks+.cue), lossless

This fourth installment in the Classics Illinois Jacquet chronology contains some of his very best recordings from the early '50s, originally released on the Mercury and Clef labels. The first three tracks were recorded in Los Angeles on January 18, 1951, with excellent support from pianist Carl Perkins, guitarist Oscar Moore, bassist Red Callender, and master percussionist J.C. Heard. The next session took place in New York four months later with an equally outstanding group composed of Hank Jones on piano and celeste, guitarist John Collins, bassist Gene Ramey, and the mighty Art Blakey inside of the drums. The ballads are superb, the ambling grooves irresistible, and "Cotton Tail" is taken to the verge of a nice rolling boil. "Weary Blues" is not the famous old-time stomp by Artie Matthews but rather a relaxed original ambulation in blue, quite soulful and dignified. Its flip side, simply entitled "Groovin'," is a case study in jamming with all five burners lit. The next three tracks were recorded on March 21, 1952, using what was essentially the Count Basie Orchestra with John Acea at the 88s. Jacquet rolls along in front of this steamy 14-piece band, sounding completely at home and in command. This outstanding compilation closes with eight tracks recorded in July and December of 1952. On the July date, Jacquet's remarkable rhythm section consisted of Hank Jones, Freddie Green, Ray Brown, and Jimmy Crawford, augmented with Count Basie himself at the organ. The December band was an amazing variation on the previous ensemble: Hank Jones now played the organ with Sir Charles Thompson sitting in on piano along with guitarist Joe Sinacore, bassist Al Lucas, and ace drummer Shadow Wilson. Given the excellence of each and every performance, the jaw-dropping collective personnel, and the overall striking artistic integrity of the featured tenor saxophonist, this CD belongs among the very best recordings by this artist or anyone else who had a hand in the development of early modern jazz. arwulf arwulf       Tracklist + Credits :

BUCK CLAYTON – 1953, Vol. 2 | The Chronogical Classics – 1427 (2006) FLAC (tracks+.cue), lossless

This fourth volume in the Classics Buck Clayton chronology is mainly devoted to the excellent music he recorded in Paris during the first two weeks of November 1953. Much different from the old-fashioned jazz he blew with Mezz Mezzrow during the same tour, this material represents a fresh, modern approach to the traditions Clayton had helped to establish with (and without) Count Basie during the 1930s and '40s. Tracks one through five showcase informal jam bands co-led by Clayton and drummer Gerard Pochonet. There are several fine soloists featured here, including electrically amplified guitarist Jean-Pierre Sasson, clarinetist and baritone saxophonist Michel de Villers, trombonist Benny Vasseur, and pianist Andre Persiani. That's a short list -- these pleasantly loose blowing sessions involved some of the top jazz musicians available in Paris at that time. Back in New York and recording for Columbia on December 14 and December 16, 1953, Clayton led a ten-piece group that was essentially the Count Basie Orchestra with Sir Charles Thompson at the piano. Three extended romps close out this highly rewarding segment of the Buck Clayton story: "Lean Baby," a sultry blues by Billy May, cruises at a relaxed lope for eight-and-a-half minutes; the great Kansas City swing anthem "Moten Swing" rolls for twelve-and-a-half minutes, and a cool "Sentimental Journey" stretches out for nearly 14 minutes. Excellent music, superbly rendered. arwulf arwulf  
Tracklist :

LIONEL HAMPTON AND HIS ORCHESTRA – 1940-1941 | The Chronogical Classics – 624 (1992) FLAC (tracks+.cue), lossless

In the period covered by this disc, Lionel Hampton led the last of his swing-era all-star sessions, left Benny Goodman's orchestra, and formed his own exciting big band. "Flying Home" was still in the near future, but there are a fair number of exciting selections on this transitional disc. Hampton's vibes are heard featured with the Nat King Cole Trio on four numbers (two of which also have the Hampton River Boys taking vocals) and the vibraphonist also jams with the 1941 version of the Spirits of Rhythm. After leaving Goodman, Hampton at first led a few small-group dates that included musicians drawn from his orchestra, including altoist/clarinetist Marshall Royal, pianist Sir Charles Thompson, and trumpeter Karl George. The big band's first, mostly uneventful session concludes this interesting disc. Scott Yanow
Tracklist + Credits :

ELLA FITZGERALD – 1947-1948 | The Classics Chronological Series – 1049 (1999) FLAC (tracks+.cue), lossless

This segment of the Classics Ella Fitzgerald chronology focuses upon the recordings she made for the Decca label between March 1947 and November 1948. Most of these sides include polished group background vocals, generating a certain campy slickness that some listeners might find overly affected. This kind of ensemble singing rose to prominence with Tommy Dorsey and Glenn Miller and manifested itself throughout the late '40s and early '50s, even popping up in the form of the Dave Lambert Singers behind Charlie Parker. Bop scatting at times like a Roman candle, Ella sounds fully in command, a seasoned improviser well on the way to stylistic maturity. Nothing interferes with her honeyed, seamless delivery, not even the Andy Love Quintet, the Song Spinners, or the Day Dreamers. The collective instrumental personnel includes bassists Bob Haggart and Ray Brown, trumpeter Idrees Sulieman, saxophonists Illinois Jacquet and Ernie Caceres, organist Sir Charles Thompson, pianist Hank Jones, and drummer J.C. Heard. Ella imitates a Slam Stewart bass solo on "Oh, Lady Be Good" and tears up "How High the Moon" in a manner that would serve her well for the rest of her illustrious career. A fascinating chunk of history is here to be savored. Just don't be surprised if a mixed choir begins hooting and harmonizing behind Ella Fitzgerald. arwulf arwulf  
Tracklist :

COLEMAN HAWKINS - 1945 {CC, 926} (1997) FLAC (tracks+.cue), lossless

Covering in detail a timeline from January 1944 to October 1945, this chapter in the Classics Coleman Hawkins chronology presents recordings he made for the Asch, Selmer, Capitol, Super Disc and V-Disc labels during what was an exciting and transitional period in the evolution of jazz. During the '40s Hawkins was deliberately aligning himself with young and innovative players; four of the sessions feature trumpeter Howard McGhee and pianist Sir Charles Thompson; bassist Oscar Pettiford was also an integral part of Hawk's mid-'40s West Coast band. Lush ballads and upbeat jam structures make for excellent listening throughout. Hawk is also heard sitting in with drummer Sid Catlett's all-stars, leading a quintet with the great Art Tatum at the piano, and working up his own extended set of "Variations" for solo tenor saxophone. While some commentators have focused unnecessary attention upon all-too-human drawbacks like Howard McGhee's addictions and occasional bouts of quarreling between Pettiford and Sir Charles, the music contained in this compilation stands squarely in its own light, unsullied by gossip or untoward circumstances. arwulf arwulf  
Tracklist :
1     All the Things You Are 2:58
Jerome Kern    
2     Step on It 3:08     
Unknown Artist    
3     Riding on 52nd Street 2:51    
Unknown Artist    
4     Memories of You 2:57
Eubie Blake / Andy Razaf    
5     Out to Lunch 2:54
Jimmy Davis / Joe Davis / Walter Thomas    
6     In the Hush of the Night 2:57
Dorsey, Davis, Dorsey
7     Look Out Jack! 2:47
Jimmy Davis / Irene Higginbotham    
8     Every Man for Himself 2:52
Jimmy Davis / Walter Thomas    
9     I'm Yours 3:29
Johnny Green / E.Y. "Yip" Harburg    
10     Under a Blanket of Blue 3:10
Jerry Livingston / Al J. Neiburg / Marty Symes    
11     Beyond the Blue Horizon 2:58
W. Frank Harling / Richard A. Whiting    
12     A Shanty in Old Shanty Town 2:58
Jack Little / Little Jack Little / John Siras / Joe Young / Joseph Young    
13     My Man 3:14
Jacques Charles / Channing Pollack / Albert Willemetz / Maurice Yvain    
14     El Salon de Gutbucket 2:59
Charlie Shavers    
15     Embraceable You 3:02
George Gershwin    
16     Undecided 3:05     
Sydney Robin / Charlie Shavers    
17     Recollections 2:54
Walter Thomas    
18     Drifiting on a Reed 3:04
Charlie Parker    
19     Flyin' Hawk 2:50
Walter Thomas    
20     On the Bean 2:41
Walter Thomas    
21     Sportsman's Hop 3:00     
Sir Charles Thompson    
22     Bean Stalking 3:08
Coleman Hawkins / Erskine Hawkins    
23     Ready for Love 2:59
Howard McGhee    

Credits :
Alto Saxophone – Hilton Jefferson (pistas: 18 to 21)
Bass – Eddie Robinson (pistas: 1 to 3), Johnny Simmons (pistas: 14 to 21), Oscar Pettiford (pistas: 6 to 13)
Drums – Denzil Best (pistas: 1 to 3, 6 to 17), Sid Catlett (pistas: 18 to 21)
Guitar – Allan Reuss (pistas: 6 to 17)
Piano – Billy Taylor (pistas: 18 to 21), Sir Charles Thompson (pistas: 1 to 3, 6 to 17)
Tenor Saxophone – Coleman Hawkins
Trombone – Tyree Glenn (pistas: 18 to 21), Vic Dickenson (pistas: 10 to 13)
Trumpet – Dick Vance (pistas: 18 to 21), Howard McGhee (pistas: 1 to 3, 6 to 17)
Vibraphone [Uncredited] – Tyree Glenn (pistas: 20, 21)
Vocals – Matthew Meredith (pistas: 19)
Written-By – Hawkins (pistas: 2 to 5, 7, 9, 10, 14, 15)

COLEMAN HAWKINS - Hollywood Stampede (1945-1989) FLAC (tracks), lossless

Hawkins led one of his finest bands in 1945, a sextet with the fiery trumpeter Howard McGhee that fell somewhere between small-group swing and bebop. This CD contains all of that group's 12 recordings, including memorable versions of "Rifftide" and "Stuffy"; trombonist Vic Dickenson guests on four tracks. This CD concludes with one of Hawkins' rarest sessions, an Aladdin date from 1947 that finds the veteran tenor leading a septet that includes 20-year-old trumpeter Miles Davis. Scott Yanow
Tracklist :
1     April in Paris 2'54
Vernon Duke / E.Y. "Yip" Harburg
2     Rifftide 2'52
Coleman Hawkins
3     Stardust 3'11
Hoagy Carmichael / Mitchell Parish
4     Stuffy 3'00
Coleman Hawkins
5     Hollywood Stampede 3'07
Coleman Hawkins
6     I'm Through With Love 3'11
Gus Kahn / Fud Livingston / Matty Malneck
7     What Is There to Say? 3'17
Vernon Duke / E.Y. "Yip" Harburg
8     Wrap Your Troubles in Dreams (And Dream Your Troubles Away) 3'04
Harry Barris / Ted Koehler / Billy Moll
9     Too Much of a Good Thing 2'50
Coleman Hawkins
10     Bean Soup 3'04
Coleman Hawkins
11     Someone to Watch over Me 2'46
George Gershwin / Ira Gershwin
12     It's the Talk of the Town 3'04
Jerry Livingston / Al J. Neiburg / Marty Symes
13     Isn't It Romantic? 3'04
Lorenz Hart / Richard Rodgers
14     Bean-A-Re-Bop 2'30
Coleman Hawkins / Hank Jones
15     The Way You Look Tonight 2'46
Dorothy Fields / Jerome Kern
16     Phantomesque 2'53
Coleman Hawkins
Credits :
Tracks 1-4: Los Angeles, February 23, 1945
Howard McGhee: t
Coleman Hawkins: ts
Sir Charles Thompson: p
Allan Reuss: g
Oscar Pettiford:b
Denzil Best: d
Tracks 5-8: Los Angeles, March 2, 1945
Same as above, except Vic Dickenson: tb is added.
"Rifftide" from the same session was unissued but a tape exists.
Tracks 9-12: Los Angeles, March 9, 1945
Same as tracks 1-4, except John Simmons replaces Pettiford.
Tracks 13-16: NYC, June, 1947
Miles Davis: t
Kai Winding: tb
Howard Johnson: as
Coleman Hawkins: ts
Hank Jones: p
Curly Russell: b
Max Roach: d
Digital transfers: Ron McMaster

SIR CHARLES THOMPSON AND THE HAWK - For the Ears (1999) FLAC (tracks+.cue), lossless

Although Vanguard gives Coleman Hawkins co-billing on this 1999 reissue, the tenor titan is actually heard on only five of its12 John Hammond-produced selections (which were recorded in 1954, 1955 and 1956). But with or without the mighty Hawk, the material finds Sir Charles Thompson in good to excellent form. In the 1950s, Thompson fluctuated between swing and bop, and For The Ears reflects his passion for both. The CD also reflects Thompson's love of Count Basie. Although the pianist was quite recognizable himself, Basie was always his primary influence--and the Count's influence comes through on hard-swinging uptempo numbers like "Dynaflow" and "Ready for Freddie" as well as the ballads "Under the Sweetheart Tree" and "It's the Talk of the Town" (both of which remind us how seductive and alluring Hawkins' ballad playing could be). Four of the songs, including "Love for Sale" and "Stompin' at the Savoy, " come from a drumless 1956 trio date with guitarist Skeeter Best and bassist Aaron Bell. Opting for variety, For The Ears paints an appealing picture of Thompson's Vanguard output. Alex Henderson  
Tracklist :
1    Fore! 6'55
Alto Saxophone – Earl Warren
Bass – Aaron Bell
Drums – Osie Johnson
Guitar – Steve Jordan
Piano – Sir Charles Thompson
Tenor Saxophone – Coleman Hawkins
Trombone – Benny Morton
Trumpet – Emmett Berry
2    Ready For Freddie 2:57
Alto Saxophone – Earl Warren
Bass – Aaron Bell
Drums – Osie Johnson
Guitar – Steve Jordan
Piano – Sir Charles Thompson
Tenor Saxophone – Coleman Hawkins
Trombone – Benny Morton
Trumpet – Emmett Berry
3    It's The Talk Of The Town 4:36
Alto Saxophone – Earl Warren
Bass – Aaron Bell
Drums – Osie Johnson
Guitar – Steve Jordan
Piano – Sir Charles Thompson
Tenor Saxophone – Coleman Hawkins
Trombone – Benny Morton
Trumpet – Emmett Berry
4    Dynaflow 4:51
Alto Saxophone – Earl Warren
Bass – Aaron Bell
Drums – Osie Johnson
Guitar – Steve Jordan (3)
Piano – Sir Charles Thompson
Tenor Saxophone – Coleman Hawkins
Trombone – Benny Morton
Trumpet – Emmett Berry
5    Oh Joe! 6:21
Alto Saxophone – Pete Brown
Bass – Gene Ramey
Drums – Osie Johnson
Piano – Sir Charles Thompson
Trombone – Benny Powell
Trumpet – Joe Newman
6    Best By Test 2:50
Bass – Aaron Bell
Guitar – Skeeter Best
Piano – Sir Charles Thompson
7    Love For Sale 6:24
Bass – Aaron Bell
Guitar – Skeeter Best
Piano – Sir Charles Thompson
8    Stompin' At The Savoy 3:14
Bass – Aaron Bell
Guitar – Skeeter Best
Piano – Sir Charles Thompson
9    Hey There 5:13
Bass – Aaron Bell
Guitar – Skeeter Best
Piano – Sir Charles Thompson
10    For The Ears 11:17
Alto Saxophone – Pete Brown
Bass – Gene Ramey
Drums – Osie Johnson
Piano – Sir Charles Thompson
Trombone – Benny Powell
Trumpet – Joe Newman
11    Bop This 3:45
Alto Saxophone – Pete Brown
Bass – Gene Ramey
Drums – Osie Johnson
Piano – Sir Charles Thompson
Trombone – Benny Powell
Trumpet – Joe Newman
12    Under The Sweetheart Tree 5:23
Alto Saxophone – Earl Warren
Bass – Aaron Bell
Drums – Osie Johnson
Guitar – Steve Jordan
Piano – Sir Charles Thompson
Tenor Saxophone – Coleman Hawkins
Trombone – Benny Morton
Trumpet – Emmett Berry