BOULEZ : Rituel · Eclat · Multiples (Ensemble InterContemporain · BBC Symphony Orchestra · Pierre Boulez) (1990) FLAC (image+.cue), lossless

Tracklist & Credits :

ANTON WEBERN : Complete Webern (Pierre Boulez) 6xCD Box-Set (2000) APE (tracks+.cue), lossless

Those who are familiar with Pierre Boulez's earlier "Complete Webern" on Sony will notice that his new Deutsche Grammophon edition contains six discs to Sony's three. That's because Sony only included works for which Webern assigned opus numbers, plus the composer's Schubert and Bach arrangements. DG fleshes out the picture with all of Webern's posthumously published music, mostly dating from his apprentice years. Virtually all of these recordings already have been available. Discs one through three are given over to orchestral, choral, and chamber works with Boulez leading the Berlin Philharmonic, BBC Singers, and the Ensemble Intercontemporain. Soprano Christiane Oelze's survey of Webern's lieder with voice and piano occupies disc four, with the addition of three unreleased songs set to poems by Ferdinand Avenarius. On disc five, the Emerson Quartet plays all the string trio and quartet works. The final disc brings together the cello and piano music, the four pieces Op. 7 for violin and piano, and the piano works. Gianluca Cascioli's traversals of both 1906 movements for piano were previously released, while Krystian Zimerman recorded two tiny pieces and the Op. 27 Piano Variations especially for this collection.

We first encounter Webern writing music in a style that resembles Brahms with a little Grieg mixed in for good measure. Soon his harmonic palette blossoms with chromatic complexity and takes a refined turn during studies with Arnold Schoenberg. Finally, Webern's singular voice emerges by way of pocket pieces whose ascetic contours sport asymmetrical rhythms, canonic lines that leapfrog from instrument to instrument, and rigorously organized pitches. There's no filler, no fat, and every note counts.
Sometimes it's hard to grasp such fleeting, fragile, and texturally exposed music in a single hearing. When I hear a Webern work in concert, for instance, it's usually over before it begins. Imagine passing a Joan Miró painting while riding a bicycle and you'll understand what I mean. You need to find quiet listening space and know that you can play a movement or even a whole piece more than once.
Performing Webern well demands the utmost in precision and concentration, yet without negating the music's passionate undercurrents. Boulez has lived with this music a long time, and the refinement of his latest interpretations beggar description. The sonic advantages of the DG recordings play no small part, in that fine-tuned dyanmic adjustments at quiet levels can be heard with no compromise. The conductor's tempos have broadened since his 1967-72 recordings in the aforementioned Sony set, and instrumental balances are smoother, more blended than before. Yet the ferocity and edginess of the earlier versions haven't been superceded. Nor is the elemental force and dynamism of Dohnanyi's superb Cleveland Webern readings surpassed here.
No qualms, though, concerning Christiane Oelze, who negotiates Webern's treacherous, leaping lines as if they were nursery rhymes. Similarly, the Emersons leave no little detail unscrutinized, and make a lean contrast to the more opulent, aristocratic Quartetto Italiano Webern recordings from the 1970s. I'm sorry the not-so-famous Cascioli wasn't brought back to record the piano works assigned to the better-known Zimerman, whose mincing, overwrought Variations lack the grace and eloquence of Peter Serkin's recent Koch version.
An excellent booklet includes an introduction by Boulez, numerous photos of Webern at work and play, an informative essay by Paul Griffiths, a comprehensive Webern timeline, and complete texts and translations. Whatever reservations one might harbor about this or that individual performance, it is unlikely that this set as a whole will be surpassed in the near future. It belongs in every serious music library, private or public. by Jed Distler

CD1
Passacaglia . 5 Movements op. 5
6 pieces op. 6 fuga
german dances Inm smmerwind

CD2
5 pieces for orchestra
3 orchestral songs . symphony op. 21
cantatas . variations op. 30

CD3
piano quintet . lieder
5 pieces op.10 + quartet op. 22
concerto op. 24

CD4
lieder

CD5
works for string quartet & string trio

CD6
works for solo piano, violin & piano, cello & piano
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GYÖRGY LIGETI : Clear or Cloudy (Complete Recordings on Deutsche Grammophon) 4xCD (2006) APE (image+.cue), lossless

 Deutsche Grammophon's budget-priced, four-CD collection of all the works by György Ligeti in its catalog has many things to commend it, beginning with the title. Clear or Cloudy is a profoundly astute description of the composer's career, encompassing both the great sound clouds of his micropolyphonic work of the 1960s, such as Atmosphères, Volumina, Lux aeterna, and Lontano, and the crystalline clarity of his early years, demonstrated in Six Bagatelles for wind quintet and his first String Quartet, as well as in his Etudes pour piano and Piano Concerto from his final period.
The performances here are extraordinary, and some are legendary. In Volumina, Gerd Zacher wrings an incredible variety of sonic possibilities from the organ and shapes them into a chilling aural experience. Aventures and Nouvelles Aventures, with singers Jane Manning, Mary Thomas, and William Pearson and the Ensemble InterContemporain, led by Pierre Boulez, are especially assured, and lead the listener on a frightening, comic, cryptic emotional roller coaster ride. The radiant performances of Atmosphères and Lontano by Claudio Abbado and the Vienna Philharmonic make the most of the scores' glistening mysteries.
If this were intended as a survey of Ligeti's career, one could quibble over the omissions -- the Requiem; the Trio for horn, violin, and piano; and the fact that there are only two of the piano etudes -- but given the fact that it is a reissue of everything Deutsche Grammophon happened to have in its archive, it is a remarkably comprehensive and representative collection that offers a broad and detailed view of the composer's output. It's an ideal introduction to Ligeti for anyone coming to his remarkable work for the first time, and it is also expansive and diverse enough to interest those who are already fans. The set contains over five hours of music, and the program booklet includes an insightful essay by Paul Griffiths. Surprisingly, for a collection coming from so many recorded sources, the sound is consistently excellent, with the appropriate ambience and presence for the various works. by Stephen Eddins
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PIERRE BOULEZ – Boulez Conducts Stravinsky (2010) 6xCD BOX-SET | FLAC (image+.cue), lossless

The years have seen Pierre Boulez record for CBS, Erato, EMI, and Philips, among other labels, but his most consistent and critically praised work has appeared on Deutsche Grammophon, where he has conducted the Chicago Symphony Orchestra, the Cleveland Orchestra, the Berlin Philharmonic, and his own Ensemble InterContemporain in many successful performances. These ensembles are heard on this trimline, six-CD box set of Igor Stravinsky's major works, which brings together Boulez's recordings of L'oiseau de feu, Petrushka, Le Sacre du printemps, L'histoire du Soldat, the symphonies, concertos, and other works, recorded between 1980 and 1996. As one of the leading champions of modernism, first as a composer and essayist, then as a prominent conductor, Boulez is regarded as an authority on Stravinsky's oeuvre, and it is difficult to imagine many conductors who have a better understanding of the technical and stylistic issues that affect performances. Boulez is also famous for his precision and meticulousness, which make the details stand out clearly in the rhythmically complex and texturally dense orchestral scores of the ballets, and yet seem so delicate and exact in the concertos and pieces for smaller ensembles. That Boulez has inspired a devoted international following is beyond question, so this collection of some of his finest recordings will appeal to his admirers and the wider circle of Stravinsky fans. Blair Sanderson  

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PIERRE BOULEZ : Œuvres Complètes • Complete Works [2013] DG [13CD BOX SET] FLAC

Tracklist
Douze Notations, Pour Piano (10:43)
1-1 I. Fantasque - Modéré 1:00
1-2 II. Très Vif 0:22
1-3 III. Assez Lent 0:56
1-4 IV. Rythmique 0:31
1-5 V. Doux Et Improvisé 0:51
1-6 VI. Rapide 0:26
1-7 VII. Hiératique 1:25
1-8 VIII. Modéré Jusqu'à Très Vif 0:45
1-9 IX. Lointain - Calme 2:21
1-10 X. Mécanique Et Très Sec 0:20
1-11 XI. Scintillant 0:38
1-12 XII. Lent - Puissant Et Âpre 1:08
1-13 Sonatine, Pour Flûte Et Piano 11:32
1ère Sonate, Pour Piano (8:46)
1-14 1. Lent 4:11
1-15 2. Assez Large 4:35
Le Visage Nuptial, 3ème Version - Pour Soprano, Mezzo-Soprano, Chœur Et Orchestre (29:58)
1-16 Conduite 3:13
1-17 Gravité (L'Emmuré) 5:59
1-18 Le Visage Nuptial 12:42
1-19 Evadné 2:24
1-20 Post-Scriptum 5:40
2ème Sonate, Pour Piano (29:35)
2-1 1. Extrêmement Rapide 6:04
2-2 2. Lent 11:05
2-3 3. Modéré, Presque Vif 2:14
2-4 4. Vif 10:12
Livre Pour Quatuor, Version 1962 (41:25)
2-5 I a 3:37
2-6 I b 2:59
2-7 II 13:10
2-8 III a 4:45
2-9 III b 3:11
2-10 III c 2:25
2-11 V 4:22
2-12 VI 6:53
Structures Livre I, Pour Deux Pianos (14:21)
3-1 1a 3:07
3-2 1b 8:48
3-3 1c 2:11
Le Soleil Des Eaux, 4èmre Version 1965 - Pour Soprano, Chœur Mixte Et Orchestre (10:11)
3-4 Complainte Du Lézard Amoureux 4:15
3-5 Ma Sorgue (Chanson Pour Yvonne) 5:56
Le Marteau Sans Maître - Pour Voix D'Alto Et Six Instruments (38:32)
3-6 1. Avant L'Artisanat Furieux. Rapide 1:55
3-7 2. Commentaire I De Bourreaux De Solitude. Lent 4:31
3-8 3. L'Artisanat Furieux. Modéré Sans Rigueur 2:39
3-9 4. Commentaire II De Bourreaux De Solitude. Rapide 4:16
3-10 5. Bel Édifice Et Les Pressentiments - Version Première. Assez Vif 4:08
3-11 6. Bourreaux De Solitude. Assez Lent 5:03
3-12 7. Après L'Artisanat Furieux. Rapide 1:07
3-13 8. Commentaire III De Bourreaux De Solitude. Assez Lent 6:25
3-14 9. Bel Édifice Et Les Pressentiments - Double. Tempo Libre De Récit 8:28
Pli Selon Pli, Version Définitive 1989 - Pour Soprano Et Orchestre (69:51)
4-1 Don (Du Poème) : «Je T'Apporte L'Enfant D'Une Nuit D'Idumée» 15:10
4-2 Improvisation Sur Mallarmé I : «Le Vierge, Le Vivace Et Le Bel Aujourd'hui» 5:00
4-3 Improvisation Sur Mallarmé II : «Une Dentelle S'Abolit» 11:48
4-4 Improvisation Sur Mallarmé III : «A La Nute Accablante Tu» 21:09
4-5 Tombeau : «Un Peu Profond Ruisseau Calomnié La Mort» 16:17
3ème Sonate, Pour Piano (19:02)
5-1 Formant 2 : Trope. Parenthèse. Nettement Au-Dessous De Lent 2:33
5-2 Formant 2 : Trope. Glose. Lent 1:26
5-3 Formant 2 : Trope. Commentaire. Nettement Moins Lent 2:20
5-4 Formant 2 : Trope. Texte. Presque Lent 1:21
5-5 Format 3 : Constellation - Miroir. Mélange Points Et Bloc. Modéré/Vif 0:28
5-6 Format 3 : Constellation - Miroir. Points 3. Suspendu 1:43
5-7 Format 3 : Constellation - Miroir. Blocs II. Lent 3:24
5-8 Format 3 : Constellation - Miroir. Points 2. Suspendu 1:58
5-9 Format 3 : Constellation - Miroir. Blocs I. Vif 3:06
5-10 Format 3 : Constellation - Miroir. Points I. Suspendu 0:43
Structures Livre II, Pour Deux Pianos (22:06)
5-11 Chapitre I 9:00
5-12 Chapitre II (Pièces 1-2, Encarts 1-4, Textes 1-6) 13:06
5-13 Figures, Doubles, Prismes, 2ème Version 1968 - Pour Grand Orchestre 20:43
Eclat-Multiples (26:43)
6-1 Eclat, Pour Quinze Instruments 9:41
6-2 Multiples, Pour Vingt-Cinq Instruments 17:02
6-3 Domaines, Pour Clarinette Solo 14:51
Domaines, Pour Clarinette Et Groupes Instrumentaux (30:19)
6-4 Première Partie 15:40
6-5 Deuxième Partie 14:39
6-6 Improvisé - Pour Le Dr Kalmus - Pour Cinq Instruments 2:30
7-1 Cummings Ist Der Dichter, 2ème Version 1986 - Pour Seize Voix Solistes, Chœur Mixte Et Ensemble Instrumental 13:25
7-2 Livre Pour Cordes 10:39
7-3 Rituel In Memoriam Bruno Maderna 25:19
Messagesquisse, Sur Le Nom De Paul Sacher - Pour Violoncelle Solo Et Six Violoncelles (8:35)
7-4 Très Lent 3:03
7-5 Très Rapide 1:58
7-6 Sans Tempo, Libre 2:58
7-7 Aussi Rapide Que Possible 0:36
Notations I-IV Et VII, Pour Grand Orchestre (15:55)
7-8 I. Fantasque Et Modéré 2:43
7-9 VII. Hiératique - Lent 5:48
7-10 IV. Rythmique 1:40
7-11 III. Très Modéré 3:59
7-12 II. Très Vif - Strident 1:45
7-13 Memorial (…Explosante Fixe… Originel) - Pour Flûte Solo Et Huit Instruments 5:07
«…Explosante Fixe…», 4ème Version 1995 - Pour Ensemble Instrumental (36:43)
8-1 Transitoire VII - Interstitiel 1 - Transitoire V - Interstitiel 2 - Original 36:43
8-2 Anthèmes I, Pour Violon Solo 8:42
Anthèmes II, Pour Violon Et Dispositif Électronique (20:27)
8-3 Libre 0:43
8-4 I. Très Lent, Avec Beaucoup De Flexibilité - Libre 1:15
8-5 II. Rapide, Dynamique, Très Rythmique, Rigide - Libre 2:30
8-6 III. Lent, Régulier - Nerveux, Irrégulier - Libre 1:52
8-7 IV. Agité, Instable - Libre 2:06
8-8 V. Très Lent, Avec Beaucoup De Flexibilité - Subitement Nerveux Et Extrêmement Irrégulier - Libre 1:31
8-9 VI. 1. Allant, Assez Serré Dans Le Tempo 2:21
8-10 2. Calme, Régulier - Agité - Brusque 5:20
8-11 3. Calme, Sans Traîner, D'un Mouvement Très Régulier - Libre 2:49
Répons - Pour Six Solistes, Ensemble De Chambre, Sons Électroniques Et Électronique En Direct (42:33)
9-1 Introduction 6:26
9-2 Section 1 2:58
9-3 Section 2 2:05
9-4 Section 3 2:23
9-5 Section 4 5:36
9-6 Section 5 3:59
9-7 Section 6 5:23
9-8 Section 7 5:53
9-9 Section 8 3:12
9-10 Coda 4:34
Dialogue De L'Ombre Double, Pour Clarinette Solo (17:45)
9-11 Sigle Initial 1:05
9-12 Strophe I 2:03
9-13 Transition I À II 1:02
9-14 Strophe II 1:26
9-15 Strophe II À III 1:44
9-16 Strophe III 1:23
9-17 Strophe III À IV 0:50
9-18 Strophe IV 1:53
9-19 Strophe IV À V 0:26
9-20 Strophe V 1:07
9-21 Strophe V À VI 0:44
9-22 Strophe VI 1:36
9-23 Sigle Final 2:54
Dérive 1, Pour Six Instruments (5:47)
10-1 Très Lent, Immuable 5:47
Dérive 2, Pour Onze Instruments (43:59)
10-2 Très Rapide 43:59
11-1 Incise, Pour Piano, Version Définitive 2001 10:37
Sur Incises - Pour Trois Pianos, Trois Harpes, Trois Percussions (37:06)
11-2 Moment I 14:10
11-3 Moment II 22:56
11-4 Une Page D'Éphéméride, Pour Piano 5:05
Bonus : Enregistrements Historiques
Le Marteau Sans Maître - Pour Voix D'Alto Et Six Instruments (32:16)
12-1 1. Avant « L'Artisanat Furieux » 1:29
12-2 2. Commentaire I De « Bourreaux De Solitude » 3:40
12-3 3. « L'Artisanat Furieux » 2:03
12-4 4. Commentaire II De « Bourreaux De Solitude » 4:11
12-5 5. « Bel Édifice Et Les Pressentiments », Version Première 3:23
12-6 6. « Bourreaux De Solitude » 3:19
12-7 7. Après « L'Artisanat Furieux » 1:04
12-8 8. Commentaire I De « Bourreaux De Solitude » 5:47
12-9 9. « Bel Édifice Et Les Pressentiments », Double 7:20
Le Soleil Des Eaux, 2ème Version 1950 - Pour Solistes Et Orchestre (7:17)
12-10 Complainte Du Lézard Amoureux 3:43
12-11 La Sorgue (Chanson Pour Yvonne) 3:34
12-12 Sonatine, Pour Flûte Et Piano 11:44
Interview De Pierre Boulez Par Claude Samuel Réalisée En Octobre 2011, Paris, Ircam (59:31)
13-1 Partie 1 12:38
13-2 Partie 2 10:31
13-3 Partie 3 8:59
13-4 Partie 4 6:42
13-5 Partie 5 11:19
13-6 Partie 6 8:02
Credits
Baritone Vocals – Pierre Mollet (tracks: 12-10, 12-11)
Bass Clarinet – Alain Billard (tracks: 4-1 to 4-5)
Bassoon – Pascal Gallois (tracks: 4-1 to 4-5), Paul Riveaux (tracks: 10-2)
Cello – Alexis Descharmes (tracks: 4-1 to 4-5), Eric-Maria Couturier (tracks: 6-6, 10-1, 10-2), Jean-Guilhen Queyras (tracks: 4-1 to 4-5), Pierre Strauch (tracks: 4-1 to 4-5), Raphaël Chrétien (tracks: 4-1 to 4-5), Thomas Duran (tracks: 4-1 to 4-5)
Cello, Soloist – Jean-Guihen Queyras (tracks: 7-4 to 7-7)
Choir – BBC Singers (tracks: 1-16 to 1-20, 3-4, 3-5, 7-1)
Cimbalom – Michel Cerruti (tracks: 9-1 to 9-10)
Clarinet – Alain Billard (tracks: 6-6, 10-1), Alain Damiens (tracks: 4-1 to 4-5, 6-3, 9-11 to 9-23), André Trouttet (tracks: 4-1 to 4-5), Michel Portal (tracks: 6-4, 6-5)
Clarinet [Clarinette En La] – Jérôme Comte (tracks: 10-2)
Composed By – Pierre Boulez
Conductor – Diego Masson (tracks: 6-4, 6-5), Pierre Boulez (tracks: 1-16 to 1-20, 3-4 to 4-5, 5-13 to 6-2, 7-1 to 8-1, 9-1 to 9-10, 10-1, 10-2, 11-2, 11-3, 12-1 to 12-9), Roger Désormière (tracks: 12-10, 12-11)
Contrabass – Didier Meu (tracks: 4-1 to 4-5), Eric Chalan (tracks: 4-1 to 4-5), Frédéric Stochl (tracks: 4-1 to 4-5), Pierre Feyler (tracks: 4-1 to 4-5), Stephan Werner (tracks: 4-1 to 4-5), Titus Oppmann (tracks: 4-1 to 4-5)
Contralto Vocals – Elizabeth Laurence (tracks: 1-16 to 1-20), Jeanne Deroubaix (tracks: 12-1 to 12-9)
Cor Anglais – Didier Pateau (tracks: 10-2)
Ensemble – Ensemble Intercontemporain (tracks: 3-6 to 4-5, 6-1, 6-2, 6-6, 8-1, 9-1 to 9-10, 10-1, 10-2), Solistes De L'Ensemble Intercontemporain (tracks: 7-4 to 7-7, 7-13, 11-2, 11-3), Ensemble Musique Vivante (tracks: 6-4, 6-5), Quatuor Parisii (tracks: 2-5 to 2-12)
Flute – Claude Lefevbre (tracks: 4-1 to 4-5), Emmanuelle Ophèle (tracks: 4-1 to 4-5, 6-6), Magali Trouttet (tracks: 4-1 to 4-5), Sarah Louvion (tracks: 4-1 to 4-5), Severino Gazzelloni (tracks: 12-1 to 12-9, 12-12), Sophie Cherrier (tracks: 1-13, 7-13, 10-1)
Flute [Flûte En Sol] – Emmanuelle Ophèle (tracks: 3-6 to 3-17)
Flute [Flûte Midi], Soloist – Sophie Cherrier (tracks: 8-1)
French Horn – Jean-Christophe Vervoitte (tracks: 4-1 to 4-5), Jens McManama (tracks: 4-1 to 4-5, 10-1), Jérôme Rouillard (tracks: 4-1 to 4-5), Vladimir Dubois (tracks: 4-1 to 4-5)
Guitar – Anton Stingl (tracks: 12-1 to 12-9), Marie-Thérèse Ghirardi (tracks: 3-6 to 4-5)
Harp – Frédérique Cambreling (tracks: 4-1 to 4-5, 9-1 to 9-10, 10-2), Ghislaine Petit (tracks: 4-1 to 4-5), Serge Reynier (tracks: 4-1 to 4-5)
Harp [Harpes I, II Et III] – Frédérique Cambreling (tracks: 11-2, 11-3), Marianne Le Mentec (tracks: 11-2, 11-3), Sandrine Chatron (tracks: 11-2, 11-3)
Interviewee – Pierre Boulez (tracks: 13-1 to 13-6)
Interviewer – Claude Samuel (tracks: 13-1 to 13-6)
Lyrics By – René Char (tracks: 3-6 to 3-14, 12-1 to 12-9)
Mandolin – Christian Schneider (tracks: 4-1 to 4-5)
Marimba – Samuel Favre (tracks: 10-2)
Mezzo-soprano Vocals – Hilary Summers (tracks: 3-6 to 3-17)
Oboe – Didier Pateau (tracks: 4-1 to 4-5)
Orchestra – BBC Symphony Orchestra (tracks: 1-16 to 1-20, 3-4, 3-5, 5-13, 7-1, 7-3), Ensemble Modern Orchestra (tracks: 7-8 to 7-12), Orchestre National De La RTF (tracks: 12-10, 12-11), Orchestre Philharmonique De Vienne (tracks: 7-2)
Percussion – Andreï Karassenko (tracks: 4-1 to 4-5), Daniel Ciampolini (tracks: 4-1 to 4-5), David Dewaste (tracks: 4-1 to 4-5), Hervé Trovel (tracks: 4-1 to 4-5), Jean Batigne (tracks: 12-1 to 12-9), Jean-Philippe Cochenet (tracks: 4-1 to 4-5), Michel Cerutti, Vincent Bauer (tracks: 4-1 to 4-5)
Percussion [Percussions I, II Et III] – Daniel Ciampolini (tracks: 11-2, 11-3), Michel Cerutti (tracks: 11-2, 11-3), Vincent Bauer (tracks: 11-2, 11-3)
Piano – Alfons Et Aloys Kontarsky (tracks: 3-1 to 3-3), David Tudor (tracks: 12-12), Dimitri Vassilakis (tracks: 4-1 to 4-5, 10-1, 11-1), Florent Boffard (tracks: 5-11, 5-12), Hidéki Nagano (tracks: 4-1 to 4-5, 11-4), Maurizio Pollini (tracks: 2-1 to 2-4), Paavali Jumppanen (tracks: 5-1 to 5-10), Pierre-Laurent Aimard (tracks: 1-1 to 1-15, 5-11, 5-12), Sébastien Vichard (tracks: 6-6, 10-2)
Piano [Pianos I Et II] – Dimitri Vassilakis (tracks: 9-1 to 9-10), Florent Boffard (tracks: 9-1 to 9-10)
Piano [Pianos I, II Et III] – Dimitri Vassikalis (tracks: 11-2, 11-3), Florent Boffard (tracks: 11-2, 11-3), Hidéki Nagano (tracks: 11-2, 11-3)
Saxophone – Erwan Fagant (tracks: 4-1 to 4-5), Vincent David (tracks: 4-1 to 4-5)
Soprano Vocals – Christine Schäfer (tracks: 4-1 to 4-5), Irène Joachim (tracks: 12-10, 12-11), Phyllis Bryn-Julson (tracks: 1-16 to 1-20, 3-4, 3-5)
Supervised By [Edition Supervised By] – Pierre Boulez
Tenor Vocals – Joseph Peyron (tracks: 12-10, 12-11)
Trombone – Benny Sluchin (tracks: 4-1 to 4-5), Jérôme Naulais (tracks: 4-1 to 4-5)
Trombone [Contrabass] – Jean-Pierre Moutot (tracks: 4-1 to 4-5)
Trumpet – Antoine Curé (tracks: 4-1 to 4-5), Jean-Jacques Gaudon (tracks: 4-1 to 4-5)
Vibraphone – Claude Ricou (tracks: 12-1 to 12-9), Michel Cerutti (tracks: 10-1, 10-2), Vincent Bauer (tracks: 3-6 to 3-17, 9-1 to 9-10)
Viola – Benoît Marin (tracks: 4-1 to 4-5), Béatrice Gendek (tracks: 4-1 to 4-5), Christophe Desjardins (tracks: 4-1 to 4-5, 10-2), Emmanuel Witzthum (tracks: 4-1 to 4-5), Erwan Richard (tracks: 4-1 to 4-5), Odile Auboin (tracks: 3-6 to 4-5, 6-6), Serge Collot (tracks: 12-1 to 12-9), Stéphane Marcel (tracks: 4-1 to 4-5), Yaël Senamaud (tracks: 4-1 to 4-5)
Violin – Hae-Sun Kang (tracks: 4-1 to 4-5, 8-3 to 8-11, 10-1, 10-2), Jeanne-Marie Conquer (tracks: 4-1 to 4-5, 8-2), Marie-Violaine Cadoret (tracks: 4-1 to 4-5), Maryvonne Le Dizès (tracks: 4-1 to 4-5)
Xylophone [Xylorimba] – Georges Van Gucht (tracks: 12-1 to 12-9), Samuel Favre (tracks: 3-6 to 3-17)
Xylophone, Glockenspiel – Daniel Ciampolini (tracks: 9-1 to 9-10)

Pierre Boulez : Œuvres Complètes • Complete Works
[2013] DG [13CD BOX SET] FLAC / scans

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