10.11.24
NILS LANDGREN FUNK UNIT — 5000 Miles (1999) APE (image+.cue), lossless
Tracklist :
1 Da Fonk 4:48
Trumpet – Roy Hargrove
Vocals – MCP, NL
Vocals [Xtra] – JR, PRJ, RÖ, Siegfried Loch
Written-By – Magnum Coltrane Price
2 5000 Miles 8:12
Trumpet – Tim Hagans
3 Six Beauties On A Rooftop 5:39
Percussion – Åke Sundqvist
Trombone [Solo] – Fred Wesley
4 Sisters Of Arequipa 5:57
Flugelhorn – Roy Hargrove
Grand Piano, Synthesizer [Oberheim Obs] – ES
5 In A Fonky Mood 5:01
6 Stop By 4:31
Lead Vocals – MCP
Organ [Hammond] – RÖ
Vocals – NL
Written-By – Rashan Patterson
7 Roxane 5:31
Mixed By – Jan Ugand
Percussion – Åke Sundqvist
Trumpet, Flugelhorn – Till Brönner
Vocals – Viktoria Tolstoy
8 Professor Longhair 5:04
Bass [Accoustic] – Dan Berglund
9 Venus As A Boy 5:00
Flute [Chinese], Percussion [Mallets] – PRJ
Written-By – Björk
10 Nasty 5:22
Trombone – Fred Wesley
Trumpet – Tim Hagans
11 Glen & Steve 5:30
Credits :
Design [Cover] – Petra Horn
The Funk Unit :
Nils Landgren - Trombone & Vocals
Per Ruskträsk Johansson - Saxes & Wooden Flute
Robert Östlund - Guitars & Hammond Organ
Esbjörn Svensson - Fender Rhodes, Grand Piano & Keybords
Magnum Coltrane Price - Fender Bass & Vocals
Janne Robertson – Drums
Guest Unit:
Henrik Janson - Guitar
Johan Norberg - Sitar Guitar
Åke Sundqvist - Percussion
Magnus Öström - Percussion
Dan Berglund - Accoustic Bass
Special guests:
Don Alias - Percussion
Till Brönner - Fluegelhorn
Roy Hargrove - Trumpet and Fluegelhorn
Tim Hagans - Trumpet
Viktoria Tolstoy - Vocals
Fred Wesley (BMF) - T
22.6.24
ELVIN JONES — Merry Go Round (1972-2010) RM | Limited Edition | Serie Blue Note Best & More 1100 Encore – 178 | 24bits-192Hz | FLAC (tracks), lossless
Inexcusably, there are no date or personnel listings on this LP from Blue Note's declining years, but the music is generally quite worthwhile, if a bit eclectic. The personnel changes throughout the session, despite all the performances being apparently recorded on the same day. The great drummer Elvin Jones is joined by the reeds of David Liebman, Steve Grossman and Joe Farrell; baritonist Pepper Adams is also on two numbers, keyboardists Chick Corea and Jan Hammer generally alternate (although they both appear on a few tunes together), guitarist Yoshiaki Masuo has guest appearances on two songs, and most selections include bassist Gene Perla and percussionist Don Alias. The group mostly plays concise versions of band originals, including Corea's classic "La Fiesta." An interesting set, but Elvin Jones has recorded many more rewarding albums. Scott Yanow
Tracklist :
1 'Round Town 3:25
Composed By – Gene Perla
Soloist – David Liebman, Steve Grossman
2 Brite Piece 4:46
Composed By – David Liebman
Soloist – David Liebman, Jan Hammer
3 Lungs 2:22
Composed By – Jan Hammer
Soloist – Jan Hammer
4 A Time For Love 4:48
Composed By – Joe Farrell
Soloist – Chick Corea, Joe Farrell
5 Tergiversation 3:26
Composed By – Art Wiggens, Gene Perla
Soloist – Chick Corea, Jan Hammer
6 La Fiesta 6:05
Composed By – Chick Corea
Soloist – Chick Corea, Joe Farrell
7 The Children's Merry-Go-Round March 2:47
Composed By – Keiko Jones
Soloist – Elvin Jones
8 Who's Afraid... 4:21
Composed By – Frank Foster
Credits :
Acoustic Bass, Electric Bass [Fender] – Gene Perla
Alto Clarinet – Frank Foster (tracks: 8)
Baritone Saxophone – Pepper Adams (tracks: 7)
Congas – Don Alias (tracks: 1, 3, 5, 6)
Drums – Elvin Jones
Engineer – Rudy Van Gelder
Flute – Joe Farrell (tracks: 4, 7)
Guitar – Yoshiaki Masuo (tracks: 1, 4)
Piano, Electric Piano – Chick Corea (tracks: 4, 5, 6)
Piano, Electric Piano, Glockenspiel – Jan Hammer (tracks: 1, 2, 3, 5, 7)
Soprano Saxophone, Tenor Saxophone – David Liebman (tracks: 1, 2, 6 to 8), Joe Farrell (tracks: 2, 6, 8)
Tenor Saxophone – Steve Grossman (tracks: 1, 2, 6, 7)
12.6.24
CHARLIE MARIANO | JASPER VAN'T HOF | PHILIP CATHERINE ft. DON ALIAS — PORK PIE : Operanoia (1996) FLAC (tracks+.cue), lossless
1 Arthur Rainbow 5:07
Written-By – Philip Catherine
2 Hippie 4:56
Written-By – Jasper Van't Hof
3 Merci Afrique 7:37
Written-By – Philip Catherine
4 Candy Lip 6:03
Bass Guitar [Acoustic] – Nicolas Fiszman
Written-By – Charlie Mariano
5 Get Down 6:16
Written-By – Jasper Van't Hof
6 Ballade 4:59
Written-By – Charlie Mariano
7 Lazy Day 7:31
Written-By – Charlie Mariano
8 Operanoia 6:17
Written-By – Philip Catherine
9 Zulu Stomp 4:51
Written-By – Don Alias
10 The Quiet American 2:42
Written-By – Jasper Van't Hof
Credits
Choir [African] – Aline Bosuma (tracks: 3), Barli Baruti (tracks: 3), Sylvie Nawagadio (tracks: 3), Tanga Rema (tracks: 3), Viktor Kabwe (tracks: 3)
Guitar – Philip Catherine
Percussion, Drums – Don Alias
Piano, Keyboards – Jasper Van't Hof
Saxophone – Charlie Mariano
25.2.24
JOE FARRELL— Penny Arcade (1974-2011) FLAC (tracks+.cue), lossless
Joe Farrell gained his greatest fame with his popular string of CTI recordings. For this set, he performs three of his originals (none of which caught on), guitarist Joe Beck's "Penny Arcade," and a 13-minute version of Stevie Wonder's "Too High." Farrell (heard on tenor, soprano, flute and piccolo) is in excellent form, as are keyboardist Herbie Hancock, Beck, bassist Herb Bushler, drummer Steve Gadd and Don Alias on conga. As is true of his other CTI sets, this Joe Farrell effort expertly mixes together some slightly commercial elements and superior recording quality with strong solos. Scott Yanow
Tracklist :
1. Penny Arcade (Joe Beck) – 4:45
2. Too High (Stevie Wonder) – 13:15
3. Hurricane Jane (Joe Farrell) – 4:25
4. Cloud Cream (Joe Farrell) – 6:15
5. Geo Blue (Joe Farrell) – 7:30
Credits :
Joe Farrell – Tenor and Soprano Sax, Flute, Piccolo
Herbie Hancock – Piano
Joe Beck – Guitar
Steve Gadd- Drums
Herb Bushler – Bass
Don Alias – Conga
13.8.21
AIRTO MOREIRA - Samba de Flora (1989) 32bits-96Hz / FLAC (tracks+.cue), lossless
An effusively performed minor classic of Brazilian jazz fusion, percussionist Airto Moreira's 1988 album Samba de Flora found him diving into an organic mix of originals and covers alongside equally gifted collaborators including his wife vocalist Flora Purim, Argentine pianist Jorge Dalto, bassist Alphonso Johnson, percussionist Don Alias, Cuban conga player Cachete, and others. The album was originally released on the cult independent Montuno Records label, based out of the Record Mart record store located in the Times Square subway station. Founded by Latin music impresario Al Santiago in 1975, Montuno issued album after album documenting the exuberant music and musicians whom Latin fans -- and specifically Latin dance fans -- were digging in NYC in the '70s and '80s. The centerpiece of the album is the propulsive minor-key title track, which features Moreira on both percussion and vocals, leading his band through an absolutely infectious dancefloor banger. Following the songs' minute-long percussion intro, Moreira and his band erupt into a dynamic call-and-response verse that conjures images of stylish dancers coupled in a sweaty samba frenzy. Equally captivating is the group's buoyant reading of Hugo Fattoruso and Ruben Rada's "Dedos" featuring Purim's earthy, smiling vocals. Elsewhere, they offer a similarly sparkling rendition of George Duke's "Yanah Amina" and plunge into the electric guitar-tinged Tropicalia of "Latin Woman." Moreira also reveals a gift for elegiac balladry, showcasing his burnished baritone vocals on the yearning, spare piano numbers "Mulambo" and "La Puerta." As with many of the LPs released by Montuno, Samba de Flora is a warmly produced album with a vibrant live aesthetic that steams with the energy and passion of a concert given in the heat of a New York City summer. by Matt Collar
Tracklist :
1 Parana 4:26
Bass – Alphonso Johnson
Berimbau – Frank Colon
Drums, Percussion, Vocals – Airto Moreira
Guitar – Roland Bautista
Keyboards – Jorge Dalto
Percussion – Don Alias, Giovanni "Mañenguito" Hidalgo
Synthesizer – Kei Akagi
2 Samba de Flora 6:16
Tite Curet Alonso / Jorge Dalto
Bass – Michael Shapiro
Drums, Vocals – Airto Moreira
Keyboards – Jorge Dalto
Percussion – Angel "Cachete" Maldonado, Donald Alias*, Frank Colon, Giovanni "Mañenguito" Hidalgo
3 La Puerta 5:39
Luis Demetrio
Piano [Acoustic] – Jorge Dalto
Vocals – Airto Moreira
4 Dedos 5:22
Hugo Fattoruso / Ruben Rada
Bass – Alphonso Johnson
Bongos – Giovanni "Mañenguito" Hidalgo
Congas – Angel "Cachete" Maldonado
Drums, Percussion – Airto Moreira
Keyboards – Jorge Dalto
Synthesizer – Kei Akagi
Trombone – Raul De Souza
Trumpet – Jeff Elliott
Vocals – Flora Purim, Rafael José
5 Yanah Amina 3:22
George Duke
Backing Vocals – Jill Avery
Bass – Randy Tico
Drums, Percussion, Congas – Airto Moreira
Saxophone, Flute, Soloist – David Tolegian
Trumpet – Rolando Gingras
Trumpet, Flugelhorn, Soloist – Jeff Elliott
Vocals – Flora Purim
6 El Fiasco 5:56
Jeff Elliott
Bass – Randy Tico
Drums – Tony Moreno
Keyboards – Bruce Bigenho
Percussion – Luiz Muños
Percussion, Congas – Airto Moreira
Saxophone – David Tolegian
Trumpet – Jeff Elliott, Rolando Gingras
7 Mulambo 6:30
Public Domain / Jaime Florence / Augusto Mesquita
Piano [Acoustic] – Jorge Dalto
Vocals – Airto Moreira, Flora Purim
8 Latin Woman 5:24
Bass – Keith Jones
Drums – Tony Moreno
Guitar – Larry Nass
Horns – Jeff Elliott
Keyboards – Jorge Dalto
Percussion, Congas – Airto Moreira
Piccolo Flute – Joe Farrell
Vocals – Flora Purim
Larry Nass
2.7.21
CARLA BLEY — Fleur Carnivore (1989) FLAC (image+.cue), lossless
On Fleur Carnivore, pianist Carla Bley deftly integrates her beautiful melodies into five complex, yet effortless sounding pieces. Taken from 1988 live dates at Copenhagen's Montmartre club, Carnivore spotlights Bley's very accomplished big band, which includes, amongst several others, trumpeter Lew Soloff, alto saxophonist Wolfgang Pusching, trombonist Gary Valente, tenor saxophonist Andy Sheppard, and organist/harmonica player Karen Mantler (Bley's daughter). The title track is a romantically bittersweet ballad swinger, which includes impassioned solos from Pusching and Soloff, while, in nice contrast, there's the buoyant, Latin-tinged "Song of the Eternal Waiting of Canute," featuring rousing solos by Valente and tenor saxophonist Christof Lauer. In addition to these extended pieces, there is the suite composition, "The Girl Who Cried Champagne (Parts 1/2/3)." This breezily swinging bossa nova features meaty tenor work from Sheppard and a minimalist harmonic solo by Mantler. Rounding out the set are the whimsical "Ups and Downs" and the gospel R&B tune "Healing Power." Combining surprising arrangements and pop song melodies, Bley creates a unique jazz language, setting herself apart from both traditionalist bandleaders (Wynton Marsalis, Thad Jones) and more avant-garde stylists (Muhal Richard Abrams, George Russell). Fleur Carnivore is one of Bley's best titles and good place to start for newcomers. Stephen Cook
Tracklist :
1. Fleur Carnivore - 11:12
Carla Bley
2. Song of the Eternal Waiting of Canute - 9:48
Carla Bley
3. Ups and Downs - 7:05
Carla Bley
4. The Girl Who Cried Champagne Parts 1-3 - 17:15
Carla Bley
5. Healing Power - 10:27
Carla Bley
Personnel
Carla Bley - Piano
Lew Soloff, Jens Winther - Trumpet
Frank Lacy - French Horn, Flugelhorn
Gary Valente - Trombone
Bob Stewart - Tuba
Daniel Beaussier - Oboe, Flute
Wolfgang Puschnig - Alto Saxophone, Flute
Andy Sheppard - Tenor Saxophone, Clarinet
Christof Lauer - Tenor Saxophone, Soprano Saxophone
Roberto Ottini - Baritone Saxophone, Soprano Saxophone
Karen Mantler - Harmonica, Organ, Vibes, Chimes
Steve Swallow - Bass Guitar
Buddy Williams - Drums
Don Alias - Percussion
27.4.21
MIKE STERN - Time in Place (1989) FLAC (tracks+.cue), lossless
Guitarist Mike Stern's music has often been a little difficult to classify, featuring strong improvisations, the sound and power of rock, and elements of funk, R&B and sometimes pop. For his second recording as a leader, Stern is joined by either Bob Berg or Michael Brecker on tenor, keyboardist Jim Beard, electric bassist Jeff Andrews, drummer Peter Erskine and percussionist Don Alias; Don Grolnick sits in on organ during "No Notice." The music (seven Stern originals) ranges from the rhythmic to the more sophisticated and features plenty of the leader's high-powered guitar. by Scott Yanow
Tracklist:
1 Gossip 5:59
Mike Stern
2 Time In Place 6:49
Mike Stern
3 Before You Go 5:31
Mike Stern
4 No Notice 6:40
Mike Stern
5 After All 7:36
Mike Stern
6 Four Shades 5:04
Mike Stern
7 Chromazone 7:42
Mike Stern
Credits:
Drums – Peter Erskine
Electric Bass, Fretless Bass – Jeff Andrews
Guitar – Mike Stern
Keyboards – Jim Beard
Organ – Don Grolnick (tracks: 4)
Percussion – Don Alias
Producer – Steve Khan
Tenor Saxophone – Michael Brecker (tracks: 1, 7)
Tenor Saxophone, Soprano Saxophone – Bob Berg
MIKE STERN - Odds or Evens (1991) FLAC (tracks+.cue), lossless
This is a powerhouse date of high-powered fusion, mixing together the sound of rock with the musicianship and improvising of jazz. With the assistance of tenor saxophonist Bob Berg, keyboardist Jim Beard and a rhythm section, guitarist Stern jams through a set of originals that serve as jumping-off devices for fairly long solos. The musicians really stretch themselves within the idiom and even the quieter numbers are full of intensity. by Scott Yanow
Tracklist:
1 Keys 7:28
Mike Stern
2 D.C. 7:40
Mike Stern
3 Common Ground 6:05
Mike Stern
4 Odds Or Evens 7:08
Mike Stern
5 Seven Thirty 6:26
Mike Stern
6 If You Say So 7:36
Mike Stern
7 Sandbox 3:59
Leni Stern
8 Walkie Talkie 6:57
Mike Stern
Credits:
Bass – Anthony Jackson (tracks: 2, 4, 6), Lincoln Goines (tracks: 1, 3, 5, 8)
Drums – Ben Perowsky (tracks: 1, 5, 8), Dennis Chambers (tracks: 2, 3, 4, 6)
Percussion – Don Alias
Piano, Synthesizer, Producer – Jim Beard
Saxophone – Bob Berg
MIKE STERN - Give And Take (1997) FLAC (tracks+.cue), lossless
This is a relatively straight-ahead set by the distinctive guitarist Mike Stern, whose airy sound seems quite fresh in this context. Stern performs three standards ("I Love You," "Giant Steps" and "Oleo"), Jimi Hendrix's "Who Knows," and six originals, mostly in a trio with bassist John Patitucci and drummer Jack DeJohnette. Percussionist Don Alias helps out on a few tracks; pianist Gil Goldstein is on two, and tenor great Michael Brecker nearly steals the show with three high-powered solos. Actually, the biggest surprise is "That's What You Think," a straight-ahead blues that has a very credible alto solo from guest David Sanborn. All in all, an excellent outing. by Scott Yanow
Tracklist:
1 I Love You 6:18
Cole Porter
2 Hook Up 7:01
Mike Stern
3 Everything Changes 5:39
Mike Stern
4 One Liners 8:16
Mike Stern
5 Jones Street 7:31
Mike Stern
6 Lumpy 3:13
Mike Stern
7 Rooms 5:02
Mike Stern
8 That's What You Think 6:41
Mike Stern
9 Giant Steps 5:07
John Coltrane
10 Who Knows 3:02
Jimi Hendrix
11 Oleo 5:33
Sonny Rollins
Credits:
Acoustic Bass – John Patitucci
Alto Saxophone – David Sanborn (tracks: 8)
Drums – Jack DeJohnette (tracks: 1 to 5, 8, 9)
Guitar – Mike Stern
Percussion – Don Alias (tracks: 6, 7, 10, 11)
Piano – Gil Goldstein (tracks: 6, 7)
Producer – Gil Goldstein
Tenor Saxophone – Michael Brecker (tracks: 2, 4, 5)
MIKE STERN - These Times (2004) FLAC (image+.cue), lossless
Combine the innovative guitar energy of legendary fusion master Mike Stern with old friends (bassist Richard Bona, drummer Vinnie Colaiuta) and new (saxman Kenny Garrett), and anything is bound to happen. But fans expecting raucous swinging and jamming the whole time may be surprised at the subtle lyricism and exotic explorations that define these times for their hero. Yes, his electric is crackling on the hypnotic opener, "Chatter," but it's in the crazy, exotic context of a Middle Eastern vibe inspired by Pakistani great Nusrat Fateh Ali Khan (look out, Eddie Vedder!). Jim Beard's jumpy piano, Colaiuta's wild, New Orleans groove, and Garrett's swirling lines provide great support. Once Stern and company have the listener's attention, they can become seductive with more intimate affairs like the Joe Zawinul-influenced "Silver Lining," which features an exotic falsetto vocal by Bona, a former Zawinul Syndicate member who also propels the tune with his increasingly muscular basslines. Bona adds the same touch in a gentler way to the lush romance of "I Know You," featuring a soft-spoken harmony line by guest star banjo great Béla Fleck. This sequence of tunes sets the tone of the rest of the disc, which mixes more Khan-flavored gems (the colorful singalong "Mirage," featuring vocals by Elisabeth Kontomanou), soft ballads, and a sexy midtempo funk number that (gasp!) might translate to the smooth jazz format. Another highlight is the punchy bebop number "Remember," dedicated to Stern's longtime collaborator the late Bob Berg. Perhaps the only drawback is having Garrett on hand but only featuring him on three numbers. by Jonathan Widran
Tracklist:
1 Chatter 6:10
Mike Stern
2 Silver Lining 6:34
Mike Stern
3 I Know You 5:06
Mike Stern
4 Mirage 6:44
Mike Stern
5 If Only 5:31
Mike Stern
6 Street Rhyme 6:36
Mike Stern
7 Avenue B 6:13
Mike Stern
8 Remember (For Bob Berg) 6:02
Mike Stern
9 These Times 8:12
Mike Stern
10 What You Believe 6:45
Mike Stern
11 Last One Down 5:30
Mike Stern
Credits:
Lyrics By – Richard Bona (tracks: 5)
Musician – Arto Tuncboyaciyan, Bob Franceschini, Bob Malach, Béla Fleck, Dennis Chambers, Don Alias, Elisabeth Kontomanou, Jim Beard, Jon Herington, Kenny Garrett, Richard Bona, Victor Wooten, Vinnie Colaiuta, Will Lee
Producer – Jim Beard
3.8.20
BOB MINTZER - One Music (1992) FLAC (tracks+.cue), lossless
Tracklist
1 One People 4:07
Composed By – Mintzer
2 One Music 6:37
Composed By – Mintzer
3 City Of Hope 5:44
Composed By – Mintzer
4 Navajo 5:45
Composed By – Haslip, Ferrante, Kennedy
5 Old Friends 6:05
Composed By – Ferrante
6 Rich & Poor 5:18
Composed By – Mintzer
7 Look Inside 5:07
Composed By – Mintzer
8 The Big Show 4:12
Composed By – Mintzer
9 The Song Is You 5:30
Composed By – Kern, Hammerstein
10 The Challenge 5:55
Composed By – Mintzer
Credits
Bass – Jimmy Haslip
Congas – Don Alias
Drums – William Kennedy
Keyboards – Russell Ferrante
Tenor Saxophone, Bass Clarinet, Electronic Wind Instrument, Producer – Bob Mintzer
27.7.20
LALO SCHIFRIN - Black Widow (1976-2001) FLAC (tracks+.cue), lossless
Tracklist:
1 Black Widow 4:15
Written-By – Lalo Schifrin
2 Flamingo 4:28
Written-By – Ed Anderson, Ted Grouya
3 Quiet Village 3:59
Written-By – Les Baxter
4 Moonglow / Theme From Picnic 5:36
Written-By – DeLange, Mills, Hudson
5 Jaws 5:47
Written-By – J. Williams
6 Baia 4:03
Written-By – A. Barroso, R. Gilbert
7 Turning Point 3:28
Written-By – Lalo Schifrin
8 Dragonfly 5:15
Written-By – Lalo Schifrin
Alto Saxophone – Joe Farrell
Arranged By, Conductor – Lalo Schifrin
Backing Vocals – Patti Austin
Baritone Saxophone – Pepper Adams
Bass – Anthony Jackson
Bass Trombone – Dave Taylor
Congas – Carlos Martin (tracks: 2 to 8)
Drums – Andy Newmark
Flute – George Marge, Jerry Dodgion, Joe Farrell
Flute [Solo] – Hubert Laws (tracks: 5)
Guitar – Eric Gale (tracks: 3), John Tropea
Guitar [Solo] – Jerry Friedman (tracks: 3)
Keyboards – Clark Spangler, Lalo Schifrin
Percussion – Carter Collins, Don Alias, Sue Evans
Trombone – Barry Rogers, Billy Campbell, Wayne Andre
Trumpet – Jon Faddis
Violin – Charles Libove, David Nadien, Emanuel Green, Harold Kohon, Harry Lookofsky, Matthew Raimondi, Max Ellen, Paul Gershman
13.6.20
WEATHER REPORT - Black Market (1976-2007) RM / FLAC (image+.cue), lossless
The shifts in Weather Report's personnel come fast and furious now, with Narada Michael Walden and Chester Thompson as the drummers, Alex Acuna and Don Alias at the percussion table, and Alphonso Johnson giving way to the mighty, martyred Jaco Pastorius. It is interesting to hear Pastorius expanding the bass role only incrementally over what the more funk-oriented Johnson was doing at this early point -- that is, until "Barbary Coast," where suddenly Jaco leaps athletically forward into the spotlight. Joe Zawinul or just Zawinul, as he preferred to be billed -- contributed all of side one's compositions, mostly Third World-flavored workouts except for "Cannon Ball," a touching tribute to his ex-boss Cannonball Adderley (who had died the year before). Shorter, Pastorius, and Johnson split the remainder of the tracks, with Shorter now set in a long-limbed compositional mode for electric bands that would serve him into the 1990s. While it goes without saying that most Weather Report albums are transition albums, this diverse record is even more transient than most, paving the way for WR's most popular period while retaining the old sense of adventure. by Richard S. Ginell
Tracklist:
1 Black Market 6:31
Written-By – J. Zawinul
2 Cannon Ball 4:36
Written-By – J. Zawinul
3 Gibraltar 7:47
Written-By – J. Zawinul
4 Elegant People 5:03
Written-By – W. Shorter
5 Three Clowns 3:22
Written-By – W. Shorter
6 Barbary Coast 3:07
Written-By – J. Pastorius
7 Herandnu 6:35
Written-By – A. Johnson
Credits:
Congas, Percussion – Arejandro Neciosup Acuna, Don Alias
Drums – Narada Michael Walden
Drums [Ludwig] – Chester Thompson
Electric Bass [Fender, Charles La Boe], Instruments [Qertu] – Alphonso Johnson
Electric Bass [Fender] – Jaco Pastorius
Saxophone [Selmer Tenor, Soprano], Lyricon [By Computone] – Wayne Shorter
Synthesizer [2 Arp 2600, Oberheim Polyphonic], Electric Piano [Fender Rhodes], Grand Piano [Yamaha] – Joe Zawinul
6.6.20
MILES DAVIS – Bitches Brew (1970-2013) RM | 2xCD Blu-spec | Serie Legacy Recordings | FLAC (tracks+.cue), lossless
2.4.20
JOHN MCLAUGHLIN / CARLOS SANTANA - Love Devotion Surrender (1973) FLAC (image+.cue), lossless
21.3.20
MÁRCIO MONTARROYOS & STONE ALIANCE - Márcio Montarroyos & Stone Alliance (1977) Mp3
2.3.20
JACO PASTORIUS - Jaco Pastorius (1976-2000) RM / FLAC (tracks+.cue), lossless
It's impossible to hear Jaco Pastorious' debut album today as it sounded when it was first released in 1976. The opening track -- his transcription for fretless electric bass of the bebop standard "Donna Lee" -- was a manifesto of virtuosity; the next track, the funk-soul celebration "Come On, Come Over" was a poke in the eye to jazz snobs and a love letter to the R&B greats of the previous decade (two of whom, Sam & Dave, sing on that track); "Continuum" was a spacey, chorus-drenched look forward to the years he was about to spend playing with Weather Report. The program continues like that for three-quarters of an hour, each track heading off in a different direction -- each one a masterpiece that would have been a proud achievement for any musician. What made Jaco so exceptional was that he was responsible for all of them, and this was his debut album. Beyond his phenomenal bass technique and his surprisingly mature compositional chops (he was 24 when this album was released), there was the breathtaking audacity of his arrangements: "Okonkole Y Trompa" is scored for electric bass, French horn, and percussion, and "Speak Like a Child," which Pastorious composed in collaboration with pianist Herbie Hancock, features a string arrangement by Pastorious that merits serious attention in its own right. For a man with this sort of kaleidoscopic creativity to remain sane was perhaps too much to ask; his gradual descent into madness and eventual tragic death are now a familiar story, one which makes the bright promise of this glorious debut album all the more bittersweet. (This remastered reissue adds two tracks to the original program: alternate takes of "(Used to Be a) Cha Cha" and "6/4 Jam"). by Rick Anderson
Tracklist:
1 Donna Lee 2:28
2 Come On, Come Over 3:52
Vocals – David Prater, Sam Moore
3 Continuum 4:33
4 Kuru/Speak Like A Child 7:42
5 Portrait Of Tracy 2:22
6 Opus Pocus 5:29
7 Okonkole Y Trompa 4:25
8 (Used To Be A) Cha-Cha 8:57
9 Forgotten Love 2:14
10 (Used To Be A) Cha-Cha (Alternate Take - Previously Unreleased) 8:49
11 6/4 Jam (Alternate Take - Previously Unreleased) 7:45
Credits:
Alto Saxophone – David Sanborn
Baritone Saxophone – Howard Johnson
Bass Trombone – Peter Graves
Cabasa [Afuche], Bells, Bongos, Congas, Bata [Okonkolo Lya], Percussion – Don Alias
Cello – Alan Shulman, Beverly Lauridsen, Charles McCracken, Kermit Moore
Concertmaster, Violin – David Nadien
Conductor [Strings] – Michael Gibbs
Double Bass – Homer Mensch, Richard Davis
Drums – Bobby Economou, Lenny White, Narada Michael Walden
Electric Bass, Arranged By [String Arrangement] – Jaco Pastorius
Electric Piano, Electric Piano [Fender Rhodes] – Alex Darqui
Flute, Piccolo Flute – Hubert Laws
French Horn – Peter Gordon
Liner Notes [CD] – Pat Metheny
Liner Notes [Original] – Herbie Hancock
Piano [Acoustic], Clavinet, Keyboards, Electric Piano [Fender Rhodes] – Herbie Hancock
Soprano Saxophone – Wayne Shorter
Steel Drums – Leroy Williams, Othello Molineaux
Tenor Saxophone – Michael Brecker
Trumpet – Randy Brecker, Ron Tooley
Viola – Al Brown, Manny Vardi, Julian Barber, Selwart Clarke
Violin – Arnold Black, Harold Kohon, Harry Cykman, Harry Lookofsky, Joe Malin, Matthew Raimondi, Max Pollikoff, Paul Gershman
JACO PASTORIUS - Word of Mouth (1981) APE (image+.cue), lossless
2.2.20
THE BRECKER BROTHERS - Return Of The Brecker Brothers (1992) FLAC (tracks+.cue), lossless
By the 1990s, smooth jazz had become such a commercial powerhouse that some established jazz artists were tripping over themselves to get in on the action. It had its own format on the radio, and records were selling briskly. Spyro Gyra, Grover Washington, Jr., George Howard, Gerald Albright, Jeff Lorber, and countless others were knocking out near platinum discs almost without trying. As a band, the Brecker Brothers were part of the initial contemporary jazz flowering in the late '70s and early '80s, with their seamless, driving mélange of jazz, funk, pop, soul, and fusion. Saxophonist Michael and trumpeter Randy had issued a slew of records between 1975 and 1982 as the Brecker Brothers, but studio and touring commitments with other units and individuals kept them from recording as a band again for 12 years. Return of the Brecker Brothers was released in 1992 on Dave Grusin's GRP imprint. Michael on saxophones and the Akai EWI (Electronic Wind Instrument) and Randy on trumpet and flügelhorn were supported by a rhythm section that included drummer Dennis Chambers, George Whitty on keyboards, and bassist James Genus. The set's guests include guitarists Dean Brown and Michael Stern, percussionist Don Alias, saxophonist David Sanborn, and bassist Will Lee. This star-studded affair delivers an excellent jazz-funk record that has far more teeth than other smooth jazz efforts of the period.
While some of the big, programmed beats soon sounded a bit dated, Chambers' drums and tough horn work more than compensate, and the quality of these compositions -- written by the Breckers either singly or together -- is almost timeless. These guys understood the value of employing a catchy melody as a jumping-off point for improvisational excursions. Check "Song for Barry," the opener, where Armand Sabal-Lecco's piccolo bass begins a pattern to be further unfolded by Michael's EWI and then layered with a polyrhythmic entrance by the rest of the band, before he takes off with Whitty on a Caribbean-touched melody that resembles the work Weather Report were doing in the mid-'70s. The production is clean, and each instrument has its own voice in this meld. The solos are tough, big, and quite tasty. By contrast, the big drum funk in "King of the Lobby," with its samples, clashing synth programs, and three-horn front line (with Sanborn) teamed with a pair of electric guitars, delivers a groove so infectious that it's almost impossible to resist. The sheer imagination on this set reflects the Breckers' immersion in all schools of popular music, but they retain their identity as jazz musicians. The rhythmic palette on this disc is rich, varied, and inventive. Rather than simply blow melodic solos over fixed rhythms, these cats get into the knottiness they established a reputation for -- Randy's adventurous hard bop voicings and phraseology are especially attractive, even though Michael was at one of his creative peaks in 1992. Other standouts include "On the Backside," with its roiling piano groove; the labyrinthine "Spherical"; and the elaborate fusion tune "Above and Below." This set marked a fitting return for the Breckers, who never let the fashionable tenets of the smooth jazz '90s totally appropriate their creativity or their sound. by Thom Jurek
Tracklist:
1 Song For Barry 5:07
2 King Of The Lobby 5:20 (Alto Saxophone – David Sanborn)
3 Big Idea 4:20
4 Above & Below 7:05 (Percussion – Bashiri Johnson)
5 That's All There Is To Do 5:26 (Voice – Malcolm Pollack, Will Lee)
6 Wakaria (What's Up?) 5:26
7 On The Backside 6:25
8 Sozinho (Alone) 7:36
9 Spherical 5:58 (Bass – Will Lee)
10 Good Gracious 5:13
11 Roppongi 4:56
Credits:
Acoustic Bass, Electric Bass – James Genus (tracks: 4, 7, 8, 10, 11)
Bass, Bass [Piccolo], Vocals, Percussion, Drums – Armand Sabal-Lecco (tracks: 1, 5, 6)
Drums – Dennis Chambers (tracks: 4 to 6, 8 to 11)
Drums, Bass, Synthesizer, Drum Programming, Percussion [Cymbals] – Max Risenhoover (tracks: 1, 2, 6, 8)
Guitar – Dean Brown (tracks: 2, 5, 11), Mike Stern (tracks: 1, 2, 4, 8 to 11)
Keyboards, Piano [Rhodes] – George Whitty
Percussion – Don Alias (tracks: 1, 8, 9, 11)
Piano, Electric Piano [Rhodes], Bass, Synthesizer – Robbie Kilgore (tracks: 3, 7)
Tenor Saxophone, Soprano Saxophone, Keyboards, Synthesizer – Michael Brecker
Trumpet, Flugelhorn, Vocals – Randy Brecker
Voice – Veera (tracks: 2, 3)
1.2.20
MICHAEL BRECKER - Now You See It... (Now You Don't) (1990) FLAC (image+.cue), lossless
For Now You See It..., Michael Brecker's third recording as a leader, the tenor great used different personnel on most of the selections but played consistently well. Jim Beard's synthesizers were utilized for atmosphere, to set up a funky groove, or to provide a backdrop for the leader. Some of the music sounds like updated John Coltrane (Joey Calderazzo's McCoy Tyner-influenced piano helps), while other pieces could almost pass for Weather Report, if Wayne Shorter rather than Joe Zawinul had been the lead voice. Most of the originals (either by Brecker, Beard, or producer Don Grolnick) project moods rather than feature strong melodies, but Michael Brecker's often-raging tenor makes the most of each opportunity. by Scott Yanow
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ESBJÖRN SVENSSON TRIO — Winter In Venice (1997) FLAC (tracks+.cue), lossless
Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...