ACCARDO plays PAGANINI — Complete Recordings : Violin Concertos № 1-6 · Sonatas · 24 Caprices · Sonata Napoleone ... (London Philharmonic Orchestra · Charles Dutoit) 6CD BOX-SET (2018) Blu-ray Audio – RM | FLAC (image+.cue) lossless

Nicolo Paganini (1782-1840)

CD1 - Violin Concertos 1 and 2 - [69:00]
CD2 - Violin Concertos 3 and 4 - [72:08]
CD3 - Violin Concerto 5, Primavera - [72:25]
CD4 - Violin Concerto 6, Sonata, etc - [71:44]
CD5 - 24 Caprices - [74:36]
CD6 - Sonata Napoleone, I palpiti, etc - [47:11]

Salvatore Accardo - Violin
London Philharmonic Orchestra - Charles Dutoit

RACHMANINOV : The Complete Works (2014) 32xCD BOX-SET | APE (image+.cue), lossless

Presented on 32 discs in a sturdy box set, Rachmaninov: The Complete Works consists of the piano concertos, solo piano compositions, transcriptions, chamber pieces, symphonies, and other orchestral works, as well as the operas, songs, and choral music, all drawn from Decca's vast catalog. The roster of performers impresses with its variety, and the piano music especially benefits from the number of artists involved, which includes Martha Argerich, Vladimir Ashkenazy, Nelson Freire, Mikhail Pletnev, Zoltán Kocsis, Byron Janis, Alexis Weissenberg, Alexander Ghindin, Sviatoslav Richter, and Jorge Bolet, among others. The orchestral performances are led by such eminent conductors as Ashkenazy (in his second career as a conductor), André Previn, Neeme Järvi, Riccardo Chailly, Kirill Kondrashin, Walter Weller, Edo de Waart, and Charles Dutoit. The set also includes bonuses: The Ampico Recordings, which were taken from piano rolls Rachmaninov made between 1919 and 1929; and an interview, "Rachmaninov: Vladimir Ashkenazy and Rob Cowan Discuss the Russian Romantic." Fans of Rachmaninov's intensely passionate music will find this set essential and a lot more practical to buy in one shot than to acquire the CDs separately. However, many collectors will already own a few of these classic recordings, so the prospect of duplication is great. Blair Sanderson
Tracklist:
CD1
24 Preludes
Vladimir Ashkenazy, piano
CD2
Michail Pletnev piano
Zoltán Kocsis piano
CD3
Jorge Bolet piano
Alexis Weissenberg piano
CD4
Vladimir Ashkenazy, piano
with André Previn, piano/ Vovka Ashkenazy, piano
CD5
Vladimir Ashkenazy, piano
CD6
Transcriptions
Original Compositions:
CD7
Fantaisie-tableaux (Suite No.1) for two pianos, op.5
Suite No.2 for two pianos, op.17
Symphonic Dances for two pianos, op.45
CD8
Vladimir Ashkenazy, piano
CD9
Heinrich Schiff cello (1-4)
Lynn Harrell, cello (5 9)
Elisabeth Leonskaja, piano (1-4)
Vladimir Ashkenazy, piano (5 9)
Peter Jablonski, piano (10-12)
CD10
Beaux Arts Trio
CD11
Dene Olding, violin
Joan Rodgers, soprano?
CD12
Songs I
Elisabeth Söderström (soprano)
Vladimir Ashkenazy (piano)
CD13
Songs II
Elisabeth Söderström (soprano)
Vladimir Ashkenazy (piano)
CD14
Songs III
Elisabeth Söderström (soprano)
Vladimir Ashkenazy (piano)
CD15
Vladimir Ashkenazy, piano
London Symphony Orchestra/André Previn
CD16
Vladimir Ashkenazy, piano
London Symphony Orchestra/André Previn
CD17
Alexander Ghindin, piano
Helsinki Philharmonic Orchestra / Vladimir Ashkenazy
CD18
Tracks 1-4: Symphony No.1 in D minor, op.13
Tracks 5-7: Symphonic Dances, op.45
CD19
London Philharmonic Orchestra / Walter Weller
Rotterdam Philharmonic Orchestra / Edo de Waart
CD20
Natalia Troitskaya, soprano+ / Ryszard Karczykowski, tenor / Tom Krause, baritone
Chorus of the Concertgebouw Orchestra
Concertgebouw Orchestra / Vladimir Ashkenazy
CD21
Sydney Symphony / Vladimir Ashkenazy
The Philadelphia Orchestra / Charles Dutoit
CD22
Prague Philharmonic Choir / Vladimir Ashkenazy (piano & conductor)
CD23
Tracks 1-18: Liturgy of St John Chrysostom, op.31
CD24
Tracks 1-15: Vespers (All-Night Vigil) (Vsenoshchnoye Bdeniye), op.37
CD25
Tracks 1 4: Monna Vanna, Act One
CD26
Tracks 1-13: Aleko
CD27
Tracks 1 18: The Miserly Knight, op.24
CD28
Tracks 1 25: Francesca da Rimini, op.25
CD29
Piano Concertos Nos. 1&2
CD30
Piano Concertos Nos. 3&4
CD31
The Ampico Recordings
Rachmaninov Transcriptions:
CD32
The Real Rachmaninov
Vladimir Ashkenazy and Rob Cowan discuss the Russian Romantic

SAINT-SAËNS : Piano Concertos Nos. 2 & 5 (Thibaudet-Dutoit) (2007) Mp3

The combination of artist and repertoire represented on this disc seems inevitable in retrospect. Jean-Yves Thibaudet, surely the most coruscating French pianist of his generation, had already proven his worth in numerous recordings of French solo piano music for Decca, and turning to French works for piano and orchestra was only a matter of time. And choosing Charles Dutoit, the most accomplished French conductor of his generation, as his accompanist was likewise inevitable. Having already recorded the orchestral works of Berlioz, Franck, Ravel, Debussy, and Saint-Saëns, he was uniquely qualified to support Thibaudet. Indeed, they get along together like oil and vinegar, joining and separating as best serves to accent the pungent flavors of these savory works. The vivacious tunes of Saint-Saëns' Second Concerto's Presto Finale have rarely sounded so light footed and high spirited, and the antique scales and exotic colors of his "Egyptian" Concerto's Presto Finale have never sounded so evocative and weirdly compelling. Nor has the blazing virtuosity of Franck's Variations symphoniques often been so brilliantly articulated as under Thibaudet's strong but supple hands. Old timers might look back fondly on Rubinstein's aging recordings of the Saint-Saëns, but while contemporary listeners will be impressed by the older performances, they are likely to be blown away by these. Decca's digital sound is crisp, clear, and, as suits the music, vividly colorful. by James Leonard  

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POULENC : Concertos; Orchestral & Choral Works (2007) 5xCD / FLAC (image+.cue), lossless

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RAVEL : Orchestral Works; Piano Concertos; L'Enfant et les Sortilèges; Shéhérazade (Dutoit-Rogé) (2005) 4xCD / FLAC (image+.cue), lossless

For listeners who prefer their Ravel lushly textured, luminously colored, and luxuriantly impressionistic, this four-disc set of his orchestral music performed by Charles Dutoit and the Orchestre Symphonique de Montréal will be just the thing. Recorded between 1981 and 1995 in warmly opulent Decca sound and including all the canonical works plus the two piano concerts and the opera L'Enfant et les sortiléges, Dutoit's approach to Ravel is decidedly sensual, even tactile. One can feel the excitement in the closing "Dance générale" of Daphnis et Chloé, sense the energy in La Valse, smell the sea in Une barque sur l'océan, and touch the dancer's flushed skin in Boléro. This is not to say that details are lost in Dutoit's performances -- with the superlative playing of the Montreal orchestra, one can assuredly hear everything in the scores. Nor is this to say that Dutoit neglects the music's clear shapes and lucid forms -- with a decisive beat and a clean technique, Dutoit's interpretations are models of clarity. But it is assuredly to assert that, for sheer aural beauty, these recordings cannot be beat. With the very virtuosic and very French playing of Pascal Rogé in the two piano concertos plus very characterful singing in L'Enfant, this set will be mandatory listening for all those who love Ravel. by James Leonard 

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