Shining a light on the underappreciated jazz-funk idiom that was fiercely popular in the '50s and '60s, saxophonist Bill Evans profiles his amazing talent on ten great songs that comprise Big Fun. The songs also provide interesting vehicles for such creative musicians as Vinnie Colaiuta on drums, Ricky Peterson on Hammond B-3 organ, Hiram Bullock on guitar, among others. Special guests Randy Brecker, Robben Ford, Les McCann, Mickey Raphael, and Willie Nelson have found ample material on which to shine -- especially "Catch You When You Fall," which features McCann providing his sly, earthy vocals, and "For What It's Worth," which features Nelson still carrying the message represented in Buffalo Springfield's huge hit and by the political activists of the '60s. Unfortunately the message espoused by "For What It's Worth" is still very relevant in this new millenium. Evans' saxophone work is sensational on "Real Heroes." He expertly captures the personality of the 9-11 American tragedy with a lyrically haunting perspective. His assessment of the importance of music within that emotionally charged time is the most evocative of the ten songs on this program. "Blues for Stanley" is also noteworthy. Evans' original intention was to record the song with the tenor saxophone legend Stanley Turrentine. However, Turrentine passed away before they could record it. Evans replaced the tenor saxophone part intended for Turrentine with Hiram Bullock's splendid guitar work and the resulting paean to the subject is outstanding. Music enthusiasts whose scope includes the jazz-funk idiom with lots of groove and infectious funk should consider Big Fun essential for their collections. Paula Edelstein
Tracklist :
1 Big Fun 6:40
Bill Evans
2 Road To Bilbao 5:47
Bill Evans
3 Catch You When You Fall 5:05
Alan V. Abrahams / Bill Evans / Margaret Fowler
Vocals – Les McCann
4 Houdou Basin 5:18
Bill Evans
5 For What It's Worth 4:04
Stephen Stills
Guitar, Vocals – Willie Nelson
6 Midnight Creeper 5:49
Bill Evans
7 That's That 4:59
Alan V. Abrahams / Bill Evans / Margaret Fowler / Les McCann
Vocals – Les McCann
8 Blues For Stanley 6:23
Bill Evans
9 Real Heroes 5:29
Bill Evans
10 Street Corner Man 5:06
Bill Evans
Credits :
Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone, Arranged By – Bill Evans
Bass – James Genus
Drums – Vinnie Colaiuta
Guitar – Hiram Bullock, Robben Ford
Harmonica – Mickey Raphael
Organ – Ricky Peterson
Percussion – Manolo Badrena
Piano – Clifford Carter
Trombone – Conrad Herwig
Trumpet – Lew Soloff, Randy Brecker
Vocals – Manolo Badrena, Mickey Raphael
Vocals [Background] – Bruce Hornsby, Clifford Carter, Hiram Bullock, Ricky Peterson, Vaneese Thomas
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3.6.20
MILES DAVIS - Tutu (1986-2001) Deluxe Edition / 2CD / RM / FLAC (tracks+.cue), lossless

The controversial but memorable Tutu is mostly a duet between Miles Davis and the many overdubbed instruments of producer Marcus Miller (although violinist Michal Urbaniak, percussionist Paulinho da Costa, and keyboardist George Duke are among the other musicians making brief apperaances). Certainly the results are not all that spontaneous, but Davis is in top form and some of the selections (most notably the title cut) are quite memorable. by Scott Yanow
Tracklist:
1-1 –Miles Davis Tutu 5:15
Written-By – Marcus Miller1-2 –Miles Davis Tomaas 5:32
Written-By – Marcus Miller, Miles Davis
1-3 –Miles Davis Portia 6:18
Written-By – Marcus Miller
1-4 –Miles Davis Splatch 4:45
Written-By – Marcus Miller
1-5 –Miles Davis Backyard Ritual 4:49
Written-By – George Duke
1-6 –Miles Davis Perfect Way 4:32
Written-By – Gamson, Strohmeyer
1-7 –Miles Davis Don't Lose Your Mind 5:49
Written-By – Marcus Miller
1-8 –Miles Davis Full Nelson 5:05Written-By – Marcus Miller
Live Performance From Nice Festival, France, Previously Unreleased
2-1 –Miles Davis Octet Opening Medley 15:11
('Theme From Jack Johnson' / 'Speak' / 'That's What Happened')
Written-By – John Scofield, Miles Davis
2-2 –Miles Davis Octet New Blues 5:23
Written-By – Miles Davis
2-3 –Miles Davis Octet Maze 10:15
Written-By – Erin Davis
2-4 –Miles Davis Octet Human Nature 9:01
Written-By – Bettis, Porcaro
2-5 –Miles Davis Octet Portia 7:56
Written-By – Marcus Miller
2-6 –Miles Davis Octet Splatch 17:07
Written-By – Marcus Miller
2-7 –Miles Davis Octet Time After Time 7:26
Written-By – Lauper, Hyman
2-8 –Miles Davis Octet Carnival 4:17
Written-By – Neil Larsen
Credits:
Arranged By – George Duke (tracks: 1-5), Marcus Miller (tracks: 1-1 to 1-4, 1-6 to 1-8)
Bass Guitar – Marcus Miller (tracks: 1-5)
Design [Original] – Susan Welt
Drums – Vincent Wilburn, Jr. (tracks: 2-1 to 2-8)
Drums, Percussion – Omar Hakim (tracks: 1-2)
Electric Bass – Felton Crews (tracks: 2-1 to 2-8)
Electric Violin – Michal Urbaniak (tracks: 1-7)
Guitar – Robben Ford (tracks: 2-1 to 2-8)
Instruments [All Other] – George Duke (tracks: 1-5), Marcus Miller
Percussion – Paulinho Da Costa (tracks: 1-1, 1-3 to 1-5), Steve Thornton (tracks: 2-1 to 2-8)
Percussion [Additional] – Steve Reid (tracks: 1-4)
Programmed By [Synthesizer, Additional] – Adam Holzman (tracks: 1-1 to 1-8), Marcus Miller (tracks: 1-1 to 1-8)
Saxophone – Bob Berg (tracks: 2-1 to 2-8)
Synthesizer – Adam Holzman (tracks: 2-1 to 2-8), Robert Irving III (tracks: 2-1 to 2-8)
Synthesizer [Additional] – Bernard Wright (tracks: 1-2, 1-7)
Synthesizer [Solo] – Adam Holzman (tracks: 1-4)
Trumpet – Miles Davis (tracks: 1-1 to 1-8)
Trumpet, Synthesizer – Miles Davis (tracks: 2-1 to 2-8)

18.12.18
KENNY GARRETT · JOHN SCOFIELD · MICHAEL BRECKER · DAVID FRIESEN — Old Folks (1999) Two Version | FLAC (image+.tracks+.cue), lossless
This West Wind album, recorded at various studio sites in Seattle, WA, Portland, OR, Berkeley, CA, and New York City between 1987 and 1994, has Kenny Garrett as the leader, but a closer reveal might more accurately hand that title to David Friesen. The bassist is on five of the nine tracks, in duet performances with John Scofield, Michael Brecker, or Denny Zeitlin, while Garrett does lead the other four selections in larger ensemble contexts. Extraordinary musicianship is present throughout, making for an interesting musical experience, and with great appeal for fans who enjoy any of these talented musicians.
Longtime friends Scofield and Friesen reunite for a somber take of "Old Folks" and a brighter "True Blue," Brecker's tenor sax joins the bassist for a great, spirited version of the Sonny Rollins classic "Airegin" and the heavy duty, hip neo-bop original "Signs & Wonders," with the two occasionally merging in tandem phrases. A final track for bass and piano with the brilliant Zeitlin allows them to interpret the great Wayne Shorter composition "Speak No Evil" over nine minutes with a symmetry and balance unparalleled in most duet recordings, especially over long lengths of time via the wonderfully inventive acoustic keyboardist. Garrett leads a sextet with less dominant trombonist Julian Priester, a pronounced Bill Frisell and sublimated Robben Ford on electric guitars. They do the sly Duke Ellington evergreen "Wanderlust" proud under a deep bassline by Anthony Cox, while the outstanding track of the album "The Oyster Dance" slips from 7/8 time to fractured beats at will in a funky yet scattered method quite reminiscent of Thelonious Monk. Another quintet with Steve Nelson and Mulgrew Miller offers up a different sonic challenge, as they do pianist Miller's "Wingspan" in hard bop fashion with Garrett's alto alongside Nelson's vibraphone in fully charged bright moments, while "Sonhos Do Brasil" offers a contrasting, sleek, and softer bossa nova style, with percussionist Rudy Bird as special guest. The listening skills of the larger ensembles is quite evident, while Garrett -- at this time a 27-year-old phenom -- is still learning his craft but growing very quickly in the company of these well-chosen super-pro partners. Drummers Jerry Granelli and Tony Reedus are especially notable for rhythmically moving things along quite nicely for Garrett and friends. This material deserves high marks simply for the great musicians participating, and though uneven, retains full intrigue in one-of-a-kind session status, any of which could have been full-blown concepts -- one of which (sigh) might have been a Garrett-Brecker project that is not here. Michael G. Nastos
Tracklist :
1. Old Folks 6:15
Dedette Lee Hill / Willard Robison
2. Wanderlust 7:46
Kenny Garrett
3. True Blue 7:48
David Friesen
4. Airegin 4:56
Sonny Rollins
5. Signs and Wonders 6:04
David Friesen
6. Speak No Evil 8:42
Wayne Shorter
7. Wingspan 5:36
Mulgrew Miller
8. The Oyster Dance 5:04
Kenny Garrett
9. Sonhos Do Brasil (Dreams of Brazil) 7:14
Kenny Garrett
Credits :
Alto Saxophone – Kenny Garrett (tracks: 2,7-9)
Banjo – Bill Frisell (tracks: 2)
Bass – Anthony Cox (tracks: 2,8), Charnett Moffett (tracks: 7,9), David Friesen (tracks: 1,3-6)
Drums – Jerry Granelli (tracks: 2,8), Tony Reedus (tracks: 7,9)
Grand Piano – Denny Zeitlin (tracks: 6)
Guitar – Bill Frisell (tracks: 2,8), John Scofield (tracks: 1,3), Robben Ford (tracks: 2,8)
Percussion – Rudy Bird (tracks: 9)
Piano – Mulgrew Miller (tracks: 7,9)
Tenor Saxophone – Michael Brecker (tracks: 4,5)
Trombone – Julian Priester (tracks: 2,8)
Vibraphone – Steve Nelson (tracks: 7,9)
Longtime friends Scofield and Friesen reunite for a somber take of "Old Folks" and a brighter "True Blue," Brecker's tenor sax joins the bassist for a great, spirited version of the Sonny Rollins classic "Airegin" and the heavy duty, hip neo-bop original "Signs & Wonders," with the two occasionally merging in tandem phrases. A final track for bass and piano with the brilliant Zeitlin allows them to interpret the great Wayne Shorter composition "Speak No Evil" over nine minutes with a symmetry and balance unparalleled in most duet recordings, especially over long lengths of time via the wonderfully inventive acoustic keyboardist. Garrett leads a sextet with less dominant trombonist Julian Priester, a pronounced Bill Frisell and sublimated Robben Ford on electric guitars. They do the sly Duke Ellington evergreen "Wanderlust" proud under a deep bassline by Anthony Cox, while the outstanding track of the album "The Oyster Dance" slips from 7/8 time to fractured beats at will in a funky yet scattered method quite reminiscent of Thelonious Monk. Another quintet with Steve Nelson and Mulgrew Miller offers up a different sonic challenge, as they do pianist Miller's "Wingspan" in hard bop fashion with Garrett's alto alongside Nelson's vibraphone in fully charged bright moments, while "Sonhos Do Brasil" offers a contrasting, sleek, and softer bossa nova style, with percussionist Rudy Bird as special guest. The listening skills of the larger ensembles is quite evident, while Garrett -- at this time a 27-year-old phenom -- is still learning his craft but growing very quickly in the company of these well-chosen super-pro partners. Drummers Jerry Granelli and Tony Reedus are especially notable for rhythmically moving things along quite nicely for Garrett and friends. This material deserves high marks simply for the great musicians participating, and though uneven, retains full intrigue in one-of-a-kind session status, any of which could have been full-blown concepts -- one of which (sigh) might have been a Garrett-Brecker project that is not here. Michael G. Nastos
Tracklist :
Dedette Lee Hill / Willard Robison
2. Wanderlust 7:46
Kenny Garrett
3. True Blue 7:48
David Friesen
4. Airegin 4:56
Sonny Rollins
5. Signs and Wonders 6:04
David Friesen
6. Speak No Evil 8:42
Wayne Shorter
7. Wingspan 5:36
Mulgrew Miller
8. The Oyster Dance 5:04
Kenny Garrett
9. Sonhos Do Brasil (Dreams of Brazil) 7:14
Kenny Garrett
Credits :
Alto Saxophone – Kenny Garrett (tracks: 2,7-9)
Banjo – Bill Frisell (tracks: 2)
Bass – Anthony Cox (tracks: 2,8), Charnett Moffett (tracks: 7,9), David Friesen (tracks: 1,3-6)
Drums – Jerry Granelli (tracks: 2,8), Tony Reedus (tracks: 7,9)
Grand Piano – Denny Zeitlin (tracks: 6)
Guitar – Bill Frisell (tracks: 2,8), John Scofield (tracks: 1,3), Robben Ford (tracks: 2,8)
Percussion – Rudy Bird (tracks: 9)
Piano – Mulgrew Miller (tracks: 7,9)
Tenor Saxophone – Michael Brecker (tracks: 4,5)
Trombone – Julian Priester (tracks: 2,8)
Vibraphone – Steve Nelson (tracks: 7,9)

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OUT OF FOCUS — Four Letter Monday Afternoon (1972-1992) RM | 2xCD | Two Version | FLAC (image+.tracks+.cue), lossless
Out of Focus' third album was their magnum opus, where all the stops are pulled out and the group, with the addition of a horn section ...
