MELODY GARDOT — The Absence (2012) Two Version | Decca – 2792657 EU + SHM-CD Decca – UCCU-1351 | FLAC (tracks+.cue), lossless

Melody Gardot's 2009 sophomore effort, My One and Only Thrill, sustained the sultry, atmospheric vibe of her critically acclaimed 2006 debut, her 2012 follow-up, The Absence, is a bit of a creative departure for the vocalist. Apparently inspired by her world travels, and specifically by a trip that brought her to the desert around the city of Marrakech, the album moves her away from smoky, small-group jazz and into a bright, if still bedroom-eyed, rhythmically exotic sound. Produced by guitarist/composer Heitor Pereira, the album is a lush, somewhat orchestral album that finds Gardot delving into various Brazilian, Spanish, and African-influenced sounds -- including bits of samba, tango, bossa nova, and calypso -- that evince her global journey. However, rather than simply making a standards album, Gardot continues her all-original approach, offering up new literate and passionately delivered compositions that bring to mind the work of such similarly inclined artists as Antonio Carlos Jobim, Paul Simon, Caetano Veloso, Gilberto Gil, and others. Although there are a few name musicians who help add spice to Gardot's musical caravan here, including percussionist Paulinho Da Costa, drummer Peter Erskine, and bassist John Leftwich, primarily it is still Gardot's burnished and yearning vocal style that takes the helm on these tracks. Matt Collar  
Tracklist :
1    Mira 4:16
Written-By – Gardot
2    Amalia 3:03
Written-By – Pereira, Gardot, Roy
3    So Long 3:50
Written-By – Gardot
4    So We Meet Again My Heartache 4:32
Written-By – Gardot
5    Lisboa 5:27
Written-By – Gardot
6    Impossible Love 3:49
Written-By – Gardot
7    If I Tell You I Love You 3:35
Engineer [Recording, Assistant] – Glenn Barratt
Written-By – Gardot
8    Goodbye 3:41
Written-By – Harris, Gardot
9    Se Voce Me Ama 4:56
Written-By – Pereira, Gardot
10    My Heart Won't Have It Any Other Way 2:24
Written-By – Gardot
11    Iemanja 4:00
Written-By – Gardot
12    The Willow (Bonus Track) 7:00
Written-By – Roy
Credits :
Backing Vocals – Alfie Silas Durio, Ali Witherspoon, Bill Cantos, Bill Maxwell, Louis B. Price, Phil Roy, Tata Vega
Bandoneon – Coco Trivisonno
Bass – John Leftwich
Clarinet – Ron Kerber
Conductor – Nick Glennie Smith
Drums – Jim Keltner, Peter Erskine
Flute, Bass Clarinet, Clarinet, Alto Flute – Dan Higgins
Orchestrated By – Ladd McIntosh
Percussion – Paco Arroyo, Paulinho Da Costa, Yolanda Arroyo
Piano, Melodica – Larry Goldings
Piano, Portuguese Guitar – Melody Gardot
Producer, Arranged By, Vocals [Additional], Guitar [All], Piano, Percussion – Heitor Pereira
Saxophone [Slide], Tuba – Doug Webb
Trombone – Andrew Lippman
Trumpet – Harry Kim, Ramon Flores

SARA GAZAREK – Blossom & Bee (2012) FLAC (tracks+.cue), lossless

Sara Gazarek is one of the most winning vocalists on the current jazz scene, a singer with a voice as clear and pure as mountain air, great taste in arrangements, and a hint of wicked humor in both her repertoire and her delivery. She is also a talented songwriter herself, and on her third album as a leader she displays all of these gifts in abundance. Here she works in close collaboration with pianist, organist, and composer Larry Goldings; they are joined by bassist Hamilton Price, drummer Zach Harmon, and pianist Josh Nelson, as well as by guest artist John Pizzarelli (who sings and plays guitar on the wonderful "Blossom & Bee" and contributes rhythm guitar to a pleasingly hard-swinging arrangement of the vaudeville song "Some of These Days"). Gazarek's musical vision is wide-ranging, and on this album jazz is more of a touchstone than a straitjacket -- it's what connects the romantic Ben Folds ballad "The Luckiest" with an alternately funky and swinging rendition of "Down with Love," and bridges the divide between the Blossom Dearie weeper "The Lies of Handsome Men" and a delightful take on the Schoolhouse Rock! classic "Unpack Your Adjectives." And it's what turns "So This Is Love," perhaps the most affecting of all Disney movie songs, into a deliciously swaying bossa nova, complete with a fantastic scat section. This is an utterly captivating album, one on which all musical barriers seem permeable and Gazarek's voice is a source of constant delight. Rick Anderson  
Tracklist  :
1    Everything I've Got    3:26
2    Blossom & Bee    3:36
3    Fly Away Birdie    4:31
4    The Luckiest    4:19
5    Down With Love    4:46
6    Lucky To Be Me    5:33
7    Tea For Two    6:10
8    I'm Old Fashioned    5:01
9    So This Is Love    4:14
10    The Lies Of Handsome Men    5:36
11    Some Of These Days    4:49
12    Unpack Your Adjectives    3:46
Credits :
Bass – Hamilton Price
Drums – Zach Harmon
Guest, Vocals, Guitar – John Pizzarelli
Organ, Piano, Melodica, Producer – Larry Goldings
Piano, Keyboards – Josh Nelson
Vocals, Glockenspiel – Sara Gazarek

JESSICA MOLASKEY — Pentimento (2002) FLAC (tracks+.cue), lossless

According to Webster's Encyclopedic Unabridged Dictionary, pentimento is defined as "the presence or emergence of earlier images, forms, or strokes that have been painted over." Musical theater star performer Jessica Molaskey's album of the same name gives a jazzy musical twist to this definition by updating songs from the 1920s and '30s. The play list is made up of those wonderful songs that people were enjoying during the pre-Depression flapper and Depression eras. Often their lyrics reflected the social and economic mores of the time, such as "We're in the Money"; others are just lovely songs from a bygone era, some of which have survived quite well to this day. These were the staples of many vaudeville and music hall performers and Tin Pan Alley song pluggers. Molaskey is joined by a stellar cast of musicians as she freshens up these vintage melodies, giving them a somewhat modern sheen, but not enough to completely mask their authenticity as classic American popular songs. The all-star band includes Ken Peplowski with his middle-register clarinet, Larry Goldings, and veteran Johnny Frigo. This group is augmented by Molaskey's husband, guitarist/vocalist John Pizzarelli, and his father, Bucky Pizzarelli. Molaskey delivers this wonderful material in an ungarnished, straightforward, clear, and pretty voice. She also has a way with taking these oldies and giving them a new look by simply changing the pulse. This happens on "I'm Just Wild About Harry," which is done as a plaintive ballad instead of the usually fast tap-dancing pace of its Broadway introduction in Shuffle Along in 1921. Even more than the pleasant warm feeling of nostalgia this fine album produces, it is a fun album of good music performed by excellent practitioners of their trade. Highly recommended for everybody who enjoys good music. Dave Nathan  
Tracklist :
1 Oh You Beautiful Doll 2:44
Nat D. Ayer / Seymour Brown
2 I'm Just Wild About Harry 3:02
Eubie Blake / Noble Sissle
3 Ain't We Got Fun 3:06
Raymond B. Egan / Gus Kahn / Richard A. Whiting
4 What'll I Do 3:31
Irving Berlin
5 Medley 3:22
Al Dubin / Harry Warren
Jessica Molaskey feat: John Pizzarelli
  6 Waitin' For the Train to Come In 2:29
Martin Block / Sunny Skylar
7 Red, Red Robin 2:42
Harry Woods
8 By the Beautiful Sea 1:57
Harold Atteridge / Harry Carroll
9 I'm Always Chasing Rainbows 2:49
Harry Carroll / Joseph McCarthy
10 Oh, How I Hate to Get up in the Morning 2:46
Irving Berlin
11 You Made Me Love You 4:12
Joseph McCarthy / James V. Monaco
12 I Tried Too Hard For Too Long 1:50
Jessica Molaskey / John Pizzarelli
13 When I Lost You 1:05
Irving Berlin
14 Look For the Silver Lining 1:55
Buddy DeSylva / Jerome Kern
15 I Can't Give You Anything But Love 3:18
Dorothy Fields / Jimmy McHugh
16 Beautiful Dreamer 1:37
Stephen Foster
17 Sail Away 2:57
Jessica Molaskey / John Pizzarelli
 Credits :
Johnny Frigo - Violin
Larry Goldings - Arranger, Piano, Piano Arrangement
Jesse Levy - Cello
Jessica Molaskey - Arranger, Composer, Vocals
Ken Peplowski - Clarinet
Bucky Pizzarelli - Guitar, Ukulele
John Pizzarelli - Arranger, Composer, Guitar, Producer, Ukulele, Vocals
Martin Pizzarelli - Bass
Tony Tedesco - Brushes, Percussion

TIERNEY SUTTON — After Blue (2013) FLAC (tracks+.cue), lossless

Tierney Sutton claims she had never really encountered Joni Mitchell until she heard the songwriter's 2000 album Both Sides Now, a collection mainly comprised of standards. (An album she holds in the same regard as Frank Sinatra's In the Wee Small Hours and Billie Holiday's Lady in Satin.) In 2011 she performed four of Mitchell's songs during a performance with the Turtle Island String Quartet; that gig set this project in motion. After Blue is Sutton's first offering that doesn’t include her regular band -- its members were involved with other projects at the time. Instead, her collaborators are a collection of jazz luminaries who include Peter Erskine, Larry Goldings, Ralph Humphrey, Hubert Laws, the TISQ, and Al Jarreau, who duets on "Be Cool" (the only track to feature one of Sutton's own musicians, bassist Kevin Axt). Sutton reads Mitchell by moving through the songwriter's various creative periods, embracing the singer/songwriter's jazz leanings in her phrasing, improvisation, and syncopation, and their shared love of the Great American Songbook. This last notion is evidenced by Sutton's version of "Don’t Go to Strangers" and "Answer Me My Love," both of which Mitchell poignantly delivered on Both Sides Now. She also seamlessly melds closer "Freeman in Paris" with "April in Paris." Other standouts include "Blue" and "Little Green" with TISQ, the fingerpopping "The Dry Cleaner from Des Moines" with Laws, Erskine, and Goldings, and the swinging, thoroughly re-envisioned "Big Yellow Taxi." On "Both Sides Now," she is accompanied only by Mark Summer's cello. For those accustomed to hearing Sutton re-interpreting standards from the golden era, After Blue retains her trademark gifts of phrasing, restraint, and emotional honesty. But as an album, it is just as remarkable as Herbie Hancock's The Joni Letters in its creative rapprochement of Mitchell's music with the jazz tradition, and reveals Sutton at a vocal and interpretive peak.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1     Blue 4:11
Joni Mitchell
2     All I Want 3:28
Joni Mitchell
3     Court and Spark 4:57
Joni Mitchell
4     Don't Go to Strangers 5:56
Redd Evans / Arthur Kent / Dave Mann
5     The Dry Cleaner from Des Moines 5:15
Charles Mingus / Joni Mitchell
6     Big Yellow Taxi 3:06
Joni Mitchell
7     Woodstock 6:08
Joni Mitchell
8     Little Green 4:53
Joni Mitchell
9     Be Cool 5:50
Joni Mitchell
10     Answer Me My Love 3:45
Fred Rauch / Carl Sigman / Gerhard Winkler
11     Both Sides Now 5:11
Joni Mitchell
12     April in Paris/Free Man in Paris 5:36
Vernon Duke / E.Y. "Yip" Harburg / Joni Mitchell
Credits :
Acoustic Bass – Kevin Axt (faixas: 4)
Arranged By – David Balakrishnan (faixas: 1), Julie Bernstein (faixas: 8), Kevin Axt (faixas: 9), Mark Summer (faixas: 2, 11), Serge Merlaud (faixas: 10), Tierney Sutton (faixas: 9, 12)
Cello – Mark Summer (faixas: 1, 8)
Drums – Peter Erskine (faixas: 5, 9), Ralph Humphrey (faixas: 6)
Flute – Hubert Laws (faixas: 5, 9)
Guest – Al Jarreau (faixas: 9)
Guitar – Serge Merlaud (faixas: 4, 10)
Organ [Hammond] – Larry Goldings (faixas: 3, 5, 7, 9, 12)
Piano – Larry Goldings (faixas: 3, 5, 7, 9, 12)
Viola – Benjamin von Gutzeit (faixas: 1, 8)
Violin – David Balakrishnan (faixas: 1, 8), Mateusz Smoczyński (faixas: 1, 8)
Vocals – Tierney Sutton

JACINTHA - Jacintha Goes to Hollywood (2007) SACD / APE (image+.cue), lossless

Let's face it: most people who are not seasoned jazz listeners aren't going to comprehend someone as challenging as the late Betty Carter. The best way to get people who are "jazzophobic" to start listening to vocal jazz is to expose them to artists who are quite accessible but still have taste and integrity -- people like Jacintha, whose Jacintha Goes to Hollywood is a perfect example of a jazz vocal disc that is very easy to absorb even if one isn't a seasoned jazz listener. This 2007 recording finds the Singapore native turning her attention to songs that were heard in well-known films, and her torchy, understated approach serves her well on material ranging from the Mamas & the Papas' "California Dreaming" (a '60s smash that was heard in the 1995 film Chung King Express) to the Doris Day-associated "Que Será Será" (which was used in Alfred Hitchcock's The Man Who Knew Too Much in 1956) to Michel Legrand's "The Summer Knows" (from the 1971 film The Summer of '42). Technically, the title Jacintha Goes to Hollywood is inaccurate, because not all of these songs are identified with Hollywood films; Chung King Express, for example, is a Chinese film, and one of the best things on this album is an English-language performance of the gorgeous theme from the 1966 French film A Man and a Woman (or, as it is known in France, Un Homme et une Femme). Perhaps a better title for this 47-minute CD would have been Jacintha Goes to the Movies. But in the grand scheme of things, that is only a minor point. What matters the most is that Jacintha has delivered a musical tribute to movies that is as memorable as it is rewarding. by Alex Henderson  
Tracklist :
1 On Days Like These 5:31
2 Raindrops Keep Falling On My Head 4:58
3 Alfie 4:43
4 Windmills Of Your Mind 6:13
5 California Dreaming 5:40
6 A Man And A Woman 5:18
7 Easy Living 4:17
8 Que Será Será 5:09
9 The Summer Knows 5:23
Credits :
Bass – Darek Oles
Drums – Joe LaBarbera
Guitar – Anthony Wilson
Keyboards [Hammond B-3] – Larry Goldings
Percussion – Aaron Serfaty
Piano – Iskandar Ismail
Saxophone – Ricky Woodard
Trumpet – Ron Stout
Vibraphone – John Campbell
Vocals – Jacintha
Whistling – Howlett Smith

MICHAEL BRECKER - Time Is Of The Essence (1999) FLAC (tracks), lossless

Michael Brecker introduced a couple of new wrinkles to his sound on his sixth album, in the form of two new sidemen. Larry Goldings' organ makes for an unusual quartet -- also including Brecker on tenor sax, frequent guest Pat Metheny on guitar, and one of three different drummers -- in that there is no bass. As a result, Metheny often fills in that role when he isn' t soloing. Goldings' touch is light, in contrast to the more intense playing of Brecker and Metheny. But it is the second new sideman who makes a difference: Elvin Jones guests on drums on three tracks. Brecker had never shied away from announcing his influences, and with Jones behind the traps, especially on the opening track, "Arc of the Pendulum," and the closer, "Outrance" (both Brecker originals), he indulges his affection for John Coltrane, playing freely and aggressively across the rhythm. Jones, who gets a showcase solo in "Outrance," is unmistakable, and his support often makes Brecker sound like Coltrane. With Bill Stewart behind the drums, the group performs "Renaissance Man," a tribute to another major Brecker influence, Eddie Harris, and Brecker unabashedly recalls Harris there. The tunes, five by Brecker, two by Metheny, and one each by Goldings and producer George Whitty, are loosely structured and run from six to ten minutes each, so that the disc runs 70 minutes. Clearly, they could have gone longer: Several of them fade out, sometimes during a Brecker or Metheny solo, an oddity on a jazz album. by William Ruhlmann 

Tracklist:

1. Arc Of The Pendulum

2. Sound Off

3. Half Past Late

4. Timeline

5. The Morning Of This Night

6. Renaissance Man

7. Dr. Slate

8. As I Am

9. Outrance.

Credits:

Michael Brecker - tenor saxophone

Pat Metheny - guitar

Larry Goldings - organ

Elvin Jones, A. Stewart, Jeff "Tain" Watts, Bill Stewart – drums.

JESSICA MOLASKEY – Sitting in Limbo (2007) FLAC (tracks+.cue), lossless

Jessica Molaskey came up with a list of "limbo songs" for her fourth CD, describing them as pieces where someone is trying to figure out the difference between what seems to be taking place vs. what is actually going on. With a fine band that includes her husband, John Pizzarelli, on guitar, bassist Martin Pizzarelli, and drummer Tony Tedesco, with either Larry Goldings or Larry Fuller on piano, plus several appearances by saxophonist Harry Allen, she offers thoughtful interpretations of material drawn from the pop and rock of several decades, a few standards, and a pair of originals. She works magic with the unpromising soul hit "O-o-h Child" -- a simplistic ballad with a trite two-line lyric -- by slowing its tempo, accompanied solely by Goldings' thoughtful arrangement. Her humorous side comes out as she and her spouse interpolate "I Want to Be Happy" and "Sometimes I'm Happy" in a playful, sometimes conversational setting. They also jointly wrote the subtle but amusing ballad "Knowing You." This veteran Broadway singer/actress continues to shine in the spotlight, whether in the studio for a recording date or on-stage. Ken Dryden   
Tracklist :
1 Sitting in Limbo 3:58
Gully Bright / Jimmy Cliff
2 Heavy Cloud, No Rain 3:09
Jessica Molaskey
3 Summer, Highland Falls 4:16
Billy Joel
4 Ooh Child 3:00
Stan Vincent
5 I Want to Be Happy/Sometimes I'm Happy 2:13
Clifford Grey / Vincent Youmans
6 There Will Never Be Another You 3:12
Mack Gordon / Harry Warren
7 Knowing You 4:31
Jessica Molaskey / John Pizzarelli
8 I'm Gonna Sit Right Down and Write Myself a Letter 3:31
Fred E. Ahlert / Joe Young
9 The Circle Game/Waters of March 4:48
Joni Mitchell
10 Walkin' After Midnight 3:35
Don Hecht
11 Hearts and Bones 4:11
Paul Simon
12 Morning Has Broken/I Woke Up One Early Morning 4:26
Eleanor Farjeon / Jessica Molaskey / John Pizzarelli / Traditional
Credits :
Bass – Martin Pizzarelli
Drums – Tony Tedesco
Guitar – John Pizzarelli
Piano – Larry Fuller (tracks: 3, 5, 6, 7, 9, 10)
Piano, Organ – Larry Goldings (tracks: 1, 2, 4, 6, 8, 12)
Saxophone – Harry Allen