Tracklist :
1 2 Timers 4:51
Harmonica – Howard Levy
Piano – Joseph Wooten
Written-By – Victor L. Wooten
2 Cambo 5:25
Bass [Low] – Anthony Wellington
Written-By – Amir Ali, Victor L. Wooten
3 I Saw God 4:20
Vocals, Percussion – Richard Bona
Written-By – Victor L. Wooten
4 The Lesson 5:55
Written-By – Victor L. Wooten
5 Left, Right, & Center 7:11
Written-By – Victor L. Wooten
6 Sifu 7:36
Bass – Regi Wooten
Written-By – Victor L. Wooten
7 Miss U 4:33
Bass – Alvin "Lil' Al" Cordy
Written-By – Victor L. Wooten
8 Flex 6:37
Bass [Thumb Solo] – Anthony "Flex" Wellington
Written-By – Victor L. Wooten
9 The Gospel 6:40
Vocals – The Woodard Family
Written-By – Joseph Wooten, Victor L. Wooten
10 Song For My Father 5:10
Written-By – Horace Silver
11 Happy Song 4:23
Written-By – Victor L. Wooten
12 Us 2 2:58
Written-By – Victor L. Wooten
Personnel:
Alto Saxophone – Rudy Wooten (tracks: 9, 11), Shawn "Thunder" Wallace (tracks: 6)
Baritone Saxophone – Jeff Coffin (tracks: 9), Karl Denson (tracks: 10)
Bass – Victor Wooten
Drums
– Dennis Chambers (tracks: 5), Derico Watson (tracks: 1 to 3, 8, 10),
Earl "Big E" Walker (tracks: 7), JD Blair (tracks: 1, 5, 6), Raymond
Massey (tracks: 11), Will Kennedy (tracks: 5, 9)
Guitar – Alvin Lee (tracks: 7), Mike Stern (tracks: 5, 6), Regi Wooten (tracks: 2, 8, 10, 11)
Keyboards – Joseph Wooten (tracks: 1 to 3, 6 to 9, 11, 12)
Tenor Saxophone – Jeff Coffin (tracks: 1, 9)
Trombone – Barry Green (tracks: 1, 9)
Trumpet – Rod McGaha (tracks: 1, 9)
Violin – Amir Ali (tracks: 2, 8)
Violin, Mandolin – Eric Silver (tracks: 1)
Vocals – Amir Ali (tracks: 2, 6), Saundra Williams (tracks: 2, 7)
Vocals [Low] – Alvin Chea (tracks: 6)
20.3.24
VICTOR WOOTEN — Palmystery (2008) APE (image+.cue), lossless
9.5.22
RABIH ABOU-KHALIL - Sultan's Picnic (1994) APE (image+.cue), lossless
Composer and oudist Rabih Abou-Khalil generates variety and interest by bringing aboard different guest musicians for each album. The personnel on Sultan's Picnic is so similar to that of Blue Camel that one might expect them to sound similar. But there's a key difference in the presence of Howard Levy on Sultan's Picnic. Levy is a talented harmonica player who has done a lot of offbeat work, including a stint with Béla Fleck & the Flecktones. Despite the power of Charlie Mariano on alto sax and Kenny Wheeler on trumpet, this album is dominated by the idioms of the harmonica, specifically the jazzy, quirky, lackadaisical idiom popularized by Levy's work with the Flecktones. This domination is noticeable from the beginning, on "Sunrise in Montreal." Occasionally, the harmonica recedes to the background and allows other instruments to shine through. On "Solitude," Levy provides only the occasional raspy sound effect, while Abou-Khalil steps forward with an instrument he had custom-built: the bass oud. Other novel instruments put in an appearance here as well. Michel Godard huffs and toots away on the tuba and its archaic predecessor, the serpent. (This is in addition to Steve Swallow on bass.) Whether because of the multitude of instruments -- all the aforementioned, plus three percussionists and an uncredited electric guitar -- or just too much influence from Levy, the album lacks focus, except when it sounds like the Flecktones. There are exceptions, like "The Happy Sheik" and "Snake Soup," where Abou-Khalil sounds like his dramatic self again. But on these tracks, Levy is used mostly as punctuation. by Kurt Keefner
Tracklist:
1 Sunrise In Montreal 8:14
Rabih Abou-Khalil
2 Solitude 6:32
Rabih Abou-Khalil
3 Dog River 4:25
Rabih Abou-Khalil
4 Moments 6:17
Rabih Abou-Khalil
5 Lamentation 8:59
Rabih Abou-Khalil
6 Nocturne Au Villaret 6:33
Rabih Abou-Khalil
7 The Happy Sheik 6:02
Rabih Abou-Khalil
8 Snake Soup 4:28
Rabih Abou-Khalil
Credits:
Alto Saxophone – Charlie Mariano
Artwork [Cover Art], Calligraphy – Georges Ghantous
Bass – Steve Swallow
Congas – Milton Cardona
Drums – Mark Nauseef
Frame Drum – Nabil Khaiat
Harmonica – Howard Levy
Oud – Rabih Abou-Khalil
Oud [Bass] – Rabih Abou-Khalil (pistas: 2)
Trumpet, Flugelhorn – Kenny Wheeler
Tuba, Serpent – Michel Godard
8.5.22
RABIH ABOU-KHALIL - Odd Times (1997) APE (image+.cue), lossless
Odd Times is Rabih Abou-Khalil's first live album. Since it would be impractical to assemble all of the guests he has had on his albums over the years, Abou-Khalil has gone in the other direction and pared his ensemble down to what is for him the bare bones: himself on oud, Howard Levy on harmonica, Michel Godard on tuba and serpent (an antique form of the tuba), Mark Nauseef on drums, and Nabil Khaiat on frame drums. Most live albums contain well-known pieces from the artist's studio repertoire; in contrast, Odd Times is mostly new material. In general, the album is a mix of shapeless, overlong attempts at atmosphere ("Elephant Hips") and fairly bouncy and fun items ("Q-Tips"). The pared-down lineup is engaging because Abou-Khalil's oud and Godard's tuba are more prominent; unfortunately, Levy's harmonica is also pronounced, and simply clashes with the entire project of fusing Arabic music and jazz. Though in all fairness, on "The Happy Sheik" Levy sets aside his usual cadences in favor of something more bluesy that melds better with its surroundings. The album closes with a vibrant performance of "Rabou-Abou-Kabou," one of Abou-Khalil's best songs. by Kurt Keefner
Tracklist :
1 The Sphinx And I 5:44
Rabih Abou-Khalil
2 Dr. Gieler's Prescription 5:15
Rabih Abou-Khalil
3 Elephant Hips 10:15
Rabih Abou-Khalil
4 Q-Tips 4:34
Rabih Abou-Khalil
5 Son Of Ben Hur 11:29
Rabih Abou-Khalil
6 The Happy Sheik 9:32
Rabih Abou-Khalil
7 One Of Those Days 10:31
Rabih Abou-Khalil
8 Rabou-Abou-Kabou 6:52
Rabih Abou-Khalil
Credits :
Drums, Producer – Mark Nauseef
Frame Drum, Producer – Nabil Khaiat
Harmonica, Producer – Howard Levy
Oud, Producer, Composed By, Arranged By, Design [Cover Design] – Rabih Abou-Khalil
Tuba, Serpent, Producer – Michel Godard
+ last month
TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 9 • 1938-1939 | DOCD-5209 (1993) RM | FLAC (tracks+.cue), lossless
One of the greatest slide guitarists of the early blues era, and a man with an odd fascination with the kazoo, Tampa Red also fancied himsel...