Mostrando postagens com marcador Howard Levy. Mostrar todas as postagens
Mostrando postagens com marcador Howard Levy. Mostrar todas as postagens

20.3.24

VICTOR WOOTEN — Palmystery (2008) APE (image+.cue), lossless

Victor Wooten makes it clear in the first few seconds of Palmystery that he's the man in charge. His spellbinding, acrobatic basslines take the lead, literally, and even when he's fulfilling the traditional role of the bassist (not that there's much about his virtuosic playing that's traditional) and shining the spotlight on his collaborators, he remains the focal point. Yet Wooten, the veteran bassist of Béla Fleck & the Flecktones, is no showoff. Through mostly original compositions (the sole cover is Horace Silver's "Song for My Father") that glide easily between jazz fusion, world music, R&B, gospel, rock, and funk, through instrumental and vocal sections, improvisations and structured pieces, Wooten holds it all together -- it's nearly impossible not to listen to what he's doing with his instrument. Still, although the musicianship is never less than stellar throughout and always takes a front seat, this is not an indulgent record -- Wooten and his crew serve the songs, not vice versa, and they do so with panache. The leadoff track, "2 Timers," serves notice that this is going to be a fun listen, not a difficult one, despite the complexity often inherent: with one drummer playing in 3/4 time and the other in 4/4 (hence the title), Wooten alternately hands the reins over to violinist Eric Silver, a three-man horn section, harmonica ace Howard Levy, and brother Joseph Wooten on keyboards. Continual shifts of tempo, mood, and texture keep things lively and then, just in case it seems like this is how it might stay, the second track, the Arabian-flavored "Cambo," puts an entirely different spin on things. With lead and choired vocals by co-writer Amir Ali and Saundra Williams, Wooten lays down a solid rhythm over which brothers Joseph and guitarist Regi Wooten work out, along with Ali on violin, lute, and darbouka (an African hand drum). Each successive track expands the album's colorings: on "I Saw God," which features Richard Bona among its vocalists, Victor Wooten offers a non-religious person's impressions of his confrontation with a unisexual, philosophical, word-playing deity, while the flamenco-esque "The Lesson" pares down the cast to just Victor on bass and another Flecktone brother, Roy Wooten, supplying percussion. And so on throughout: "The Gospel" doubles up Wooten's fretted and fretless basses with ghostly vocals from the Woodard Family and a team of horns, and the Silver interpretation is spirited and swinging, with Karl Denson's tenor saxophone among the more notable solos on the record. "Us 2," the closing track, is also the quietest, Wooten laying low on basses and drum programming while Keb' Mo' peels off sleek slide guitar licks and Joseph Wooten lays down a bed of keyboards. "Sifu" utilizes Mike Stern's guitar. "Miss U," which features the Lee Boys on vocals, Roosevelt "The Doctor" Collier on pedal steel, and Alvin Lee (presumably not the Ten Years After guitarist) on guitar, is a gospelized, bluesy, soul-fried rave-up that gives Wooten a chance to show off his boogie power. Palmystery solidifies Victor Wooten's rep not only as one of the most skillful, inventive bassists on the planet but a heck of a diversified songwriter and bandleader, too. Jeff Tamarkin

Tracklist :
1    2 Timers 4:51
Harmonica – Howard Levy
Piano – Joseph Wooten
Written-By – Victor L. Wooten

2    Cambo 5:25
Bass [Low] – Anthony Wellington
Written-By – Amir Ali, Victor L. Wooten

3    I Saw God 4:20
Vocals, Percussion – Richard Bona
Written-By – Victor L. Wooten

4    The Lesson 5:55
Written-By – Victor L. Wooten
5    Left, Right, & Center 7:11
Written-By – Victor L. Wooten
6    Sifu 7:36
Bass – Regi Wooten
Written-By – Victor L. Wooten

7    Miss U 4:33
Bass – Alvin "Lil' Al" Cordy
Written-By – Victor L. Wooten

8    Flex 6:37
Bass [Thumb Solo] – Anthony "Flex" Wellington
Written-By – Victor L. Wooten

9    The Gospel 6:40
Vocals – The Woodard Family
Written-By – Joseph Wooten, Victor L. Wooten

10    Song For My Father 5:10
Written-By – Horace Silver
11    Happy Song 4:23
Written-By – Victor L. Wooten
12    Us 2 2:58
Written-By – Victor L. Wooten
Personnel:
Alto Saxophone – Rudy Wooten (tracks: 9, 11), Shawn "Thunder" Wallace (tracks: 6)
Baritone Saxophone – Jeff Coffin (tracks: 9), Karl Denson (tracks: 10)
Bass – Victor Wooten
Drums – Dennis Chambers (tracks: 5), Derico Watson (tracks: 1 to 3, 8, 10), Earl "Big E" Walker (tracks: 7), JD Blair (tracks: 1, 5, 6), Raymond Massey (tracks: 11), Will Kennedy (tracks: 5, 9)
Guitar – Alvin Lee (tracks: 7), Mike Stern (tracks: 5, 6), Regi Wooten (tracks: 2, 8, 10, 11)
Keyboards – Joseph Wooten (tracks: 1 to 3, 6 to 9, 11, 12)
Tenor Saxophone – Jeff Coffin (tracks: 1, 9)
Trombone – Barry Green (tracks: 1, 9)
Trumpet – Rod McGaha (tracks: 1, 9)
Violin – Amir Ali (tracks: 2, 8)
Violin, Mandolin – Eric Silver (tracks: 1)
Vocals – Amir Ali (tracks: 2, 6), Saundra Williams (tracks: 2, 7)
Vocals [Low] – Alvin Chea (tracks: 6)

9.5.22

RABIH ABOU-KHALIL - Sultan's Picnic (1994) APE (image+.cue), lossless

Composer and oudist Rabih Abou-Khalil generates variety and interest by bringing aboard different guest musicians for each album. The personnel on Sultan's Picnic is so similar to that of Blue Camel that one might expect them to sound similar. But there's a key difference in the presence of Howard Levy on Sultan's Picnic. Levy is a talented harmonica player who has done a lot of offbeat work, including a stint with Béla Fleck & the Flecktones. Despite the power of Charlie Mariano on alto sax and Kenny Wheeler on trumpet, this album is dominated by the idioms of the harmonica, specifically the jazzy, quirky, lackadaisical idiom popularized by Levy's work with the Flecktones. This domination is noticeable from the beginning, on "Sunrise in Montreal." Occasionally, the harmonica recedes to the background and allows other instruments to shine through. On "Solitude," Levy provides only the occasional raspy sound effect, while Abou-Khalil steps forward with an instrument he had custom-built: the bass oud. Other novel instruments put in an appearance here as well. Michel Godard huffs and toots away on the tuba and its archaic predecessor, the serpent. (This is in addition to Steve Swallow on bass.) Whether because of the multitude of instruments -- all the aforementioned, plus three percussionists and an uncredited electric guitar -- or just too much influence from Levy, the album lacks focus, except when it sounds like the Flecktones. There are exceptions, like "The Happy Sheik" and "Snake Soup," where Abou-Khalil sounds like his dramatic self again. But on these tracks, Levy is used mostly as punctuation. by Kurt Keefner  
Tracklist:
1    Sunrise In Montreal    8:14
Rabih Abou-Khalil
2    Solitude    6:32
Rabih Abou-Khalil
3    Dog River    4:25
Rabih Abou-Khalil
4    Moments    6:17
Rabih Abou-Khalil
5    Lamentation    8:59
Rabih Abou-Khalil
6    Nocturne Au Villaret    6:33
Rabih Abou-Khalil
7    The Happy Sheik    6:02
Rabih Abou-Khalil
8    Snake Soup    4:28
Rabih Abou-Khalil
Credits:
Alto Saxophone – Charlie Mariano
Artwork [Cover Art], Calligraphy – Georges Ghantous
Bass – Steve Swallow
Congas – Milton Cardona
Drums – Mark Nauseef
Frame Drum – Nabil Khaiat
Harmonica – Howard Levy
Oud – Rabih Abou-Khalil
Oud [Bass] – Rabih Abou-Khalil (pistas: 2)
Trumpet, Flugelhorn – Kenny Wheeler
Tuba, Serpent – Michel Godard

8.5.22

RABIH ABOU-KHALIL - Odd Times (1997) APE (image+.cue), lossless

Odd Times is Rabih Abou-Khalil's first live album. Since it would be impractical to assemble all of the guests he has had on his albums over the years, Abou-Khalil has gone in the other direction and pared his ensemble down to what is for him the bare bones: himself on oud, Howard Levy on harmonica, Michel Godard on tuba and serpent (an antique form of the tuba), Mark Nauseef on drums, and Nabil Khaiat on frame drums. Most live albums contain well-known pieces from the artist's studio repertoire; in contrast, Odd Times is mostly new material. In general, the album is a mix of shapeless, overlong attempts at atmosphere ("Elephant Hips") and fairly bouncy and fun items ("Q-Tips"). The pared-down lineup is engaging because Abou-Khalil's oud and Godard's tuba are more prominent; unfortunately, Levy's harmonica is also pronounced, and simply clashes with the entire project of fusing Arabic music and jazz. Though in all fairness, on "The Happy Sheik" Levy sets aside his usual cadences in favor of something more bluesy that melds better with its surroundings. The album closes with a vibrant performance of "Rabou-Abou-Kabou," one of Abou-Khalil's best songs. by Kurt Keefner  
Tracklist :
1    The Sphinx And I    5:44
Rabih Abou-Khalil
2    Dr. Gieler's Prescription    5:15
Rabih Abou-Khalil
3    Elephant Hips    10:15
Rabih Abou-Khalil
4    Q-Tips    4:34
Rabih Abou-Khalil
5    Son Of Ben Hur    11:29
Rabih Abou-Khalil
6    The Happy Sheik    9:32
Rabih Abou-Khalil
7    One Of Those Days    10:31
Rabih Abou-Khalil
8    Rabou-Abou-Kabou    6:52
Rabih Abou-Khalil
Credits :
Drums, Producer – Mark Nauseef
Frame Drum, Producer – Nabil Khaiat
Harmonica, Producer – Howard Levy
Oud, Producer, Composed By, Arranged By, Design [Cover Design] – Rabih Abou-Khalil
Tuba, Serpent, Producer – Michel Godard

TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 9 • 1938-1939 | DOCD-5209 (1993) RM | FLAC (tracks+.cue), lossless

One of the greatest slide guitarists of the early blues era, and a man with an odd fascination with the kazoo, Tampa Red also fancied himsel...