Italian composer and clarinet master Gianluigi Trovesi has realized his own dream. For over a decade his recordings have included bits and pieces of the American jazz and blues he heard as a child and led him down the path from Bergamo to the world's jazz stages. But Fugace is different. Here, Trovesi and his octet create a veritable soundtrack to a film from the composer's imagination. They pay a great tribute to early American jazz, the kind found rolling down the streets of New Orleans in the teens and early '20s by Louis Armstrong, Sidney Bechet, Jelly Roll Morton, and W.C. Handy. But this is no New Orleans tribute album in the usual sense. Trovesi has incorporated, like his countryman Nino Rota, the traditional folk song and dance forms of Italian music and allowed them to engage early American jazz on their own terms. Tarantellas and blues make great companions (or at least they do here), from the funeral marches evoked in "African Triptych" to the places where "Ramble" and "Blues and West" evoke Armstrong's "West End Blues" in a myriad of contrapuntal exchanges between horns and the rhythm section -- particularly the Trovesi clarinet and the double bass of Roberto Bonati, where long, restrained folk forms grace the 12 bars and free them. There's also the elegant, minimal, slippery swing of "Clumsy Dancing of the Fat Cat Bird," where electronics, cello, guitar, and trumpet vie for the center of a mix that gives way to a hard bop read of certain passages in "St. James Infirmary." In fact, based on this track, the title, and "Canto Di Lavorno," one can feel the influence of movie directors Michelangelo Antonioni and Pier Paolo Pasolini on Trovesi, utilizing music to create the space something will take place in rather than describe the action. From restrained to rollicking to nearly classical and reverent, Fugace is a special recording. It is the most forward-thinking and easily fully realized of Trovesi's distinguished body of work.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1 As Strange As A Ballad 3:41
Sogno D'Orfeo (7:58)
2.1 Andante Maest(r)oso
2.2 Allegretto Giocoso
African Triptych
3 Wide Lake 5:11
4 Scarlet Dunes 2:46
5 Western Dream 3:46
6 Canto Di Lavoro 4:31
7 Clumsy Dancing Of The Fat Bird 1:38
8 Siparietto I 2:29
9 Blues And West 5:24
10 Siparietto II 0:59
Il Domatore (6:16)
11.1 Senza Tigre
11.2 Con Il Leone
Ramble (5:05)
12.1 Oh, Didn't He Ramble
12.2 She's Straight
13 Siparietto III 1:24
14 Fugace 1:09
15 Siparietto IV 1:44
Totò Nei Caraibi (5:51)
16.1 Alla Fiera
16.2 Andan-Tina
16.3 Totolypso
Credits :
Alto Saxophone, Clarinet [Piccolo Clarinet], Alto Clarinet – Gianluigi Trovesi
Arranged By – Zucchi (tracks: 16), Gianluigi Trovesi, Remondini (tracks: 9, 16)
Cello, Electronics – Marco Remondini
Composed By – Gianluigi Trovesi (tracks: 1 to 11, 12.2, 13 to 15, 16.2, 16.3), Traditional (tracks: 16.1), William C. Handy (tracks: 12.1)
Double Bass – Roberto Bonati
Double Bass, Electric Bass – Marco Micheli
Drums – Vittorio Marinoni
Percussion, Electronics – Fulvio Maras
Producer – Manfred Eicher
Trombone – Beppe Caruso
Trumpet, Electronics – Massimo Greco
11.9.24
GIANLUIGI TROVESI OTTETTO — Fugace (2003) FLAC (image+.cue) lossless
26.12.22
ANTHONY BRAXTON + ITALIAN INSTABILE ORCHESTRA - Creative Orchestra : Bolzano 2007 (2008) FLAC (tracks+.cue), lossless
Anthony Braxton's most amazing large ensemble recording is still Creative Orchestra Music 1976, which was originally released on LP by Arista, and briefly reissued on CD by RCA Bluebird. That recording (which ought to be a staple in public schools throughout the land) and each of this artist's subsequent Creative Orchestra albums are good as gold, and may provide essential insights for those who seek an understanding of Braxton in particular and creative music in general. Those lucky enough to secure a copy of the 1976 recording will want to augment it with hat ART's double-disc Creative Orchestra (Koln) 1978. The artist embarked upon a fresh adventure in this realm of musical endeavor when he joined forces with the 17-piece Italian Instabile Orchestra at the Alto Adige Jazz Festival at Bolzano Italy in June 2007. Each of the compositions presented here had been recorded earlier, with 63 and 59 dating back to 1976. Braxton has explained that a performance of "Composition 63" could last anywhere from ten minutes to ten days, or more. The realization preserved on this recording runs nearly 14-and-a-half minutes. "Composition 59" is described as a dynamic, expansive, "extended platform of sound constructions (and states of being) for the needs and challenge of creative sound exploration". It "seeks to forward the material and principal implications of post-Stockhausen/AACM structural dynamics." The knotty "Composition 92," which is marbled through with punchy dynamic rhythms, dates from 1979, whereas "Composition 164" first appeared on the album 4 (Ensemble) Compositions 1992. Stationed at the helm of a modern creative big band, Braxton seems always to work wonders. In this live recording, he and the members of the Instabile Orchestra seem delighted to be part of a stream of living moments lasting nearly 69 minutes. Another album of similar vintage and comparable dimensional parameters may be explored and enjoyed under the heading of Creative Orchestra (Guelph) 2007, a live recording from a Canadian jazz festival which has been released on the Spool label. arwulf arwulf
Tracklist :
1 Composition No. 63 14:21
2 Composition No. 92 Part 1 6:58
3 Composition No. 164 Part 1 16:37
4 Composition No. 92 Part 2 9:54
5 Composition No. 164 Part 2 11:34
6 Composition No. 59 9:21
Credits :
Alto Saxophone, Clarinet [Eb] – Gianluigi Trovesi
Alto Saxophone, Flute, Bass Flute – Eugenio Colombo
Alto Saxophone, Sopranino Saxophone, Conductor, Composed By, Artwork [Drawings] – Anthony Braxton
Baritone Saxophone – Carlo Actis Dato
Bass – Giovanni Maier
Cello – Paolo Damiani
Drums, Percussion [Left Channel] – Tiziano Tononi
Drums, Percussion [Right Channel] – Vincenzo Mazzone
French Horn – Martin Mayes
Piano – Umberto Petrin
Tenor Saxophone – Daniele Cavallanti
Trombone – Giancarlo Schiaffini, Lauro Rossi, Sebi Tramontana
Trumpet – Alberto Mandarini, Guido Mazzon, Pino Minafra
Violin – Emanuele Parrini
4.7.22
ANAT FORT TRIO | GIANLUIGI TROVESI - Birdwatching (2016) FLAC (tracks+.cue), lossless
For her third ECM album, Israeli pianist Anat Fort augments her long-established trio – with bassist Gary Wang and drummer Roland Schneider – with a special guest: Italian reedman Gianluigi Trovesi. Fort and Trovesi have made a number of appearances together in recent years (from Italy’s Novara Jazz Festival to the Tel-Aviv Opera House), to critical acclaim, and Birdwatching, with its lively bright music, takes their rapport to the next level. There is an alert sense of joy in the playing. Of her album’s title Anat Fort says, “Many of my songs are inspired by movements of things in nature: animals, clouds, winds, water… I didn’t know what this record would be called but when I listened to the finished master I knew had to do with the movement of birds, and with watching, listening, waiting. It is as much about bird-watching outside as about watching that inner bird, the soul.” Quartet music is interspersed with improvised solo piano as the story unfolds in a series of vignettes. ecm
Tracklist :
1 First Rays 2'18
Music By – Anat Fort
2 Earth Talks 3'41
Music By – Anat Fort
3 Not The Perfect Storm 6'33
Music By – Anat Fort
4 It's Your Song 4'16
Music By – Anat Fort
5 Jumpin' In 6'08
Music By – Anat Fort
6 Milarepa Part 1 1'39
Music By – Anat Fort
7 Song Of The Phoenix I 4'35
Music By – Anat Fort
8 Song Of The Phoenix II 4'32
Music By – Anat Fort
9 Murmuration 5'27
Music By – Anat Fort
10 Meditation For A New Year 4'47
Music By – Anat Fort
11 Inner Voices 2'13
Music By – Fort, Wang, Trovesi, Schneider
12 Sun 2'13
Music By – Anat Fort
Credits :
Alto Clarinet – Gianluigi Trovesi
Double Bass – Gary Wang
Drums – Roland Schneider
Piano – Anat Fort
+ last month
ESBJÖRN SVENSSON TRIO — Winter In Venice (1997) FLAC (tracks+.cue), lossless
Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...