Saint-Saëns holds a vital place in the history of French chamber music. At a time when his compatriots were more devoted to opera and song, Saint-Saëns (who wrote both, too) repeatedly produced chamber music of compelling individuality and lasting significance. The 1875 Piano Quartet in B flat major, Op 41 remains one of the great works in the chamber repertory, a masterful example of the composer’s organisational skill and lyric gifts. The gorgeous Barcarolle is followed by the youthful Piano Quintet in A minor, Op 14, a brilliantly confident work with a concerto-like rôle for the piano. www.naxos.com
Mostrando postagens com marcador Cristina Ortiz. Mostrar todas as postagens
Mostrando postagens com marcador Cristina Ortiz. Mostrar todas as postagens
13.1.21
30.4.20
Assinar:
Comentários (Atom)
+ last month
MARTHA COPELAND — Complete Recorded Works In Chronological Order Volume 2 · 1927-1928 + IRENE SCRUGGS — The Remaining Titles 1926-1930 | DOCD-5373 (1995) FLAC (tracks+.cue), lossless
One of many early blues and jazz women who were overshadowed and ultimately eclipsed by Ma Rainey, Ethel Waters, and Bessie Smith, Martha Co...




















