LENA HORNE — The Young Star (2002) RM | MONO | Bluebird's Best Series | FLAC (tracks+.cue), lossless

Lena Horne became an international celebrity as a teenager -- making her first record at 18 with Noble Sissle and his orchestra -- and in many ways her star never faded. Because her success as a singer and actress paved the way for so many African-American divas in later decades, it's easy to overlook the simple vocal magic that got the legend rolling. This is one of the new Bluebird series' best compilations, a compendium of early-'40s classics that define the era. Sometimes her approach was ironic. Even if the mood of "Stormy Weather" is dark, the innocence of her voice conveys a rich optimism and whimsy. On these selections, which include "What Is This Thing Called Love?" and a hypnotic take on the Rodgers & Hart gem "Where or When?," her tone is light and flowing, with a gentle, sexy lisp in certain spots. The last three tracks, from January 1944, are so rare and obscure that the location of the recording and the backing orchestra are unknown. A must for the Horne fan or for folks who think Judy Garland and Billie Holiday were the only vocal standard setters of the time. Jonathan Widran   

Tracklist :
1    Stormy Weather 3:25
Composed By – Harold Arlen, Ted Koehler
Conductor [Orchestra Conducted By] – Lou Bring
2    What Is This Thing Called Love? 2:43
Composed By – Cole Porter
Conductor [Orchestra Conducted By] – Lou Bring
3    Ill Wind (You're Blowin' Me No Good) 2:33
Composed By – Harold Arlen, Ted Koehler
Conductor [Orchestra Conducted By] – Lou Bring
4    The Man I Love 3:23
Composed By – George Gershwin, Ira Gershwin
Conductor [Orchestra Conducted By] – Lou Bring
5    Where Or When? 2:45
Composed By – Lorenz Hart, Richard Rodgers
Conductor [Orchestra Conducted By] – Lou Bring
6    I Got A Right To Sing The Blues 3:14
Composed By – Harold Arlen, Ted Koehler
Conductor [Orchestra Conducted By] – Lou Bring
7    Mad About The Boy 2:59
Composed By – Noel Coward
Conductor [Orchestra Conducted By] – Lou Bring
8    Moanin' Low 2:45
Composed By – Howard Dietz, Ralph Rainger
Conductor [Orchestra Conducted By] – Lou Bring
9    As Long As I Live 2:51
Composed By – Harold Arlen, Ted Koehler
Conductor [Orchestra Conducted By] – Horace Henderson
Drums [Featuring] – Big Sid Catlett
Guitar [Featuring] – Dave Barbour
Piano [Featuring] – Lennie Hayton
Tenor Saxophone [Featuring] – Illinois Jacquet
10    I Ain't Got Nothin' But The Blues 2:56
Composed By – Don George, Duke Ellington, Larry Fotin
Conductor [Orchestra Conducted By] – Horace Henderson
Drums [Featuring] – Big Sid Catlett
Guitar [Featuring] – Dave Barbour
Piano [Featuring] – Lennie Hayton
Tenor Saxophone [Featuring] – Illinois Jacquet
11    I Didn't Know About You 3:09
Composed By – Bob Russell, Duke Ellington
Conductor [Orchestra Conducted By] – Horace Henderson
Drums [Featuring] – Big Sid Catlett
Guitar [Featuring] – Dave Barbour
Piano [Featuring] – Lennie Hayton
Tenor Saxophone [Featuring] – Illinois Jacquet
12    One For My Baby (And One More For The Road) 3:25
Composed By – Harold Arlen, Johnny Mercer
Conductor [Orchestra Conducted By] – Horace Henderson
Drums [Featuring] – Big Sid Catlett
Guitar [Featuring] – Dave Barbour
Piano [Featuring] – Lennie Hayton
Tenor Saxophone [Featuring] – Illinois Jacquet
13    Suddenly It's Spring 2:37
Composed By – Jimmy Van Heusen, Johnny Burke
14    Do Nothin' Till You Hear From Me 2:58
Composed By – Bob Russell, Duke Ellington
15    I'll Be Around 2:40
Composed By – Alec Wilder

DON REDMAN AND HIS ORCHESTRA – 1931-1933 | The Chronogical Classics – 543 (1990) FLAC (tracks+.cue), lossless

The first of three Don Redman Classics CDs consists of his orchestra's earliest sessions. Although Redman's big band never hit it as big as his former employers' (Fletcher Henderson and McKinney's Cotton Pickers), it was an impressive outfit, thanks to the leader's advanced arrangements. Among the key sidemen on these performances are trumpeters Red Allen (who is on the first two sessions) and Sidney DeParis, tenor saxophonist Robert Carroll, and pianist Horace Henderson. Highlights include "Chant of the Weed" (Redman's atmospheric theme song), "I Heard," "How'm I Doin'," and "Hot and Anxious." The main Don Redman CD to get. Scott Yanow
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HENRY "RED" ALLEN AND HIS ORCHESTRA – 1933-1935 | The Chronogical Classics – 551 (1990) FLAC (tracks), lossless

The second of five CDs put out by the European Classics label that document trumpeter Red Allen's 1929-41 recordings has three titles from a session co-led with tenor-saxophonist Coleman Hawkins, eight songs from 1934 and a dozen from the following year. Allen takes vocals on most of the tracks and, even if not all of the songs are gems, there are many highlights including "Pardon My Southern Accent," "Rug Cutter Swing," "Believe It, Beloved," "Rosetta" and "Truckin'." The strong supporting cast includes trombonists Dickie Wells and J.C. Higginbotham, clarinetists Buster Bailey and Cecil Scott and, on one date, tenorman Chu Berry. All five of the Red Allen Classics CDs are recommended. Scott Yanow
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BENNY GOODMAN AND HIS ORCHESTRA – 1936 | The Classics Chronological Series – 817 (1995) FLAC (tracks+.cue), lossless

Here's a chronological survey of studio recordings made by Benny Goodman with his trio and orchestra for the Victor label during the spring and summer of 1936 in New York, Chicago, and Hollywood. Riding on solid arrangements by Horace Henderson ("Walk, Jennie, Walk"), Fletcher Henderson ("Remember," "I Would Do Anything for You," "I've Found a New Baby," "You Turned the Tables on Me," and "Down South Camp Meeting"), Spud Murphy, and Jimmy Mundy, it's obvious why this big band went over so well. Mundy's arrangements of Duke Ellington's "In a Sentimental Mood" and his own "House Hop" dramatically demonstrate the Goodman orchestra's famously fine approach to making music for slow dancers and jitterbugs alike. Two trio sessions with Teddy Wilson and Gene Krupa produced ripping hot versions of "China Boy" and "Nobody's Sweetheart," a rock-solid "Oh, Lady Be Good," a gorgeous and reflective "More Than You Know," and a pair of pretty love songs sung by Helen Ward, who also pipes up on five of the big-band tracks. At this point in the Goodman orchestra's evolution, the influence of Fletcher Henderson was strongly felt. Today, decades after his demise, Henderson is finally acknowledged as the concealed genius behind some of Benny Goodman's very best recorded performances. arwulf arwulf
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FLETCHER HENDERSON AND HIS ORCHESTRA – 1932-1934 | The Classics Chronological Series – 535 (1990) FLAC (tracks+.cue), lossless

Although the Fletcher Henderson Orchestra was struggling and missing opportunities during this era, its recordings greatly improved from the ones in 1931. Henderson had finally developed into a top arranger (as can be heard on "Honeysuckle Rose" and "Wrappin' It Up"), the band was full of top soloists (trumpeter Bobby Stark has his greatest moments on "The New King Porter Stomp") and even if Coleman Hawkins chose to move to Europe (after starring on "It's the Talk of the Town") the band should have been poised to flourish in the swing era. These recordings (from Classics' complete chronological program) prove that swing did not begin with Benny Goodman in 1935. Scott Yanow
Tracklist :

FLETCHER HENDERSON AND HIS ORCHESTRA – 1934-1937 | The Classics Chronological Series – 527 (1990) FLAC (tracks+.cue), lossless

In early 1935, Fletcher Henderson broke up his classic orchestra, but a year later, with the success of so many other big bands, he formed a new ensemble. This Classics CD includes four songs from 1934, Henderson's entire output from 1936, and his first recording of 1937. The main difference between the two units is that the later one boasted the trumpet of Roy Eldridge and tenor solos from Coleman Hawkins's potential successor, Chu Berry. "Christopher Columbus" became a hit, as did the band's new theme song ("Stealin' Apples") but the brief bit of glory would not last. However, Henderson's brand of swing music still sounds fresh today and this CD is easily recommended. Scott Yanow
Tracklist :

FLETCHER HENDERSON AND HIS ORCHESTRA – 1937-1938 | The Classics Chronological Series – 519 (1990) FLAC (tracks+.cue), lossless

The Classics chronological reissue of Fletcher Henderson's recordings continues with this disc which traces the decline of his last "permanent" orchestra. With the departure of Roy Eldridge, Henderson for the first time since the early '20s lacked any major trumpet soloists, although he still featured the fine tenor of Chu Berry and a variety of up-and-coming players. Unfortunately the band was far overshadowed by other orchestras influenced by Henderson and since the quality of his recordings was declining, the breakup of his group was hardly noticed. The irony is that the founder of the swing era could not survive when his music (as played by Benny Goodman) caught on. Scott Yanow
Tracklist + Credits :

HORACE HENDERSON AND HIS ORCHESTRA – 1940 + FLETCHER HENDERSON AND HIS ORCHESTRA – 1941 | The Classics Chronological Series – 648 (1992) FLAC (tracks+.cue), lossless

 Horace Henderson spent most of his career in the shadow of his brother Fletcher, even though he was actually a superior pianist and a comparable arranger. Other than an all-star session that he headed in 1933, Horace did not make his first recordings as a leader until 1940, when he led a regular (if short-lived) big band. Five sessions resulted in 21 titles, all of which are included on this very enjoyable CD. Most notable among Henderson's sidemen are trumpeter Emmett Berry, tenorman Elmer Williams, and Ray Nance (shortly before he joined Duke Ellington) on trumpet, violin, and the vocal to "They Jittered All the Time." This excellent swing CD, which has plenty of "killer dillers," is rounded off by a four-song session by Fletcher Henderson's 1941 big band, cut shortly before it broke up. Recommended. Scott Yanow
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