STEVE KUHN TRIO — Watch What Happens! (1968-2006) RM | Serie European Collection – 22 | FLAC (tracks), lossless

Like many pianists, Steve Kuhn seems to put out one quality disc after another but doesn't ever seem to get the attention he deserves. This beautifully recorded studio date from 1968, with bassist Palle Danielsson and drummer Jon Christensen, is a good example. Eschewing the typical easygoing approaches to Michel Legrand's "Watch What Happens," he launches into a very brisk bossa nova arrangement. J.J. Johnson's gorgeous ballad "Lament" was never in better hands as Kuhn delivers a shimmering but poignant performance; the piece segues into Gary McFarland's unjustly neglected "Once We Loved." A mini-medley of Burt Bacharach songs, "Windows of the World" and "Here I Am," with its unusual chanting introduction, has also stood the test of time. Carla Bley's "Ad Infinitum" delves briefly into the avant-garde but quickly reverts to post-bop. [The Japanese reissue of this long unavailable session, originally on MPS, retains the identical gatefold packaging of the LP, complete with photos and liner notes -- a very nice touch.] Ken Dryden
Tracklist :
1    Watch What Happens 2:50
Written-By – Michel Legrand
2    Silver 2:17
Written-By – Steve Kuhn
3    Lament / Once We Loved 6:57
Written-By [Lament] – Jay Jay Johnson
Written-By [Once We Loved] – Gary McFarland
4    Tom Jones 6:41
Written-By – John Addison, Mack Davis
5    Windows Of The World / Here I Am 4;20
Written-By – Burt Bacharach
6    I Fall In Love Too Easily 4:07
Written-By – Cahn-Styne
7    Ad Infinitum 8:57
Written-By – Carla Bley
Credits :
Double Bass – Palle Danielsson
Drums – Jon Christensen
Piano – Steve Kuhn

BARNEY WILEN | PHILIP CATHERINE | PALLE DANIELSSON — Sanctuary (1991) FLAC (tracks+.cue), lossless

Tracklist :
1    Recado 6:55
Written-By – Djalma Ferreira
2    Lucky To Be Me 5:32
Written-By – A. Green, B. Comden, L. Bernstein
3    Swing 39 5:59
Written-By – D. Reinhardt, S. Grappelli
4    Dance For Victor 3:36
Written-By – Philip Catherine
5    My Foolish Heart 7:19
Written-By – N. Washington, V. Young
6    No Greater Love 4:17
Written-By – I. Jones, M. Sims
7    How Deep Is The Ocean 7:31
Written-By – I. Berlin
8    Transparence 5:59
Written-By – Philip Catherine
9    Bohemia After Dark 4:58
Written-By – D. Pettiford
10    Eternel Desir 5:43
Written-By – Philip Catherine
11    Nem Um Talvez 3:26
Written-By – Hermeto Pascoal
12    Goodbye 6:09
Written-By – G. Jenkins
Credits
Acoustic Bass – Palle Danielsson
Acoustic Guitar, Electric Guitar – Philip Catherine
Painting – Marie Möör
Tenor Saxophone, Soprano Saxophone – Barney Wilen

JACKIE McLEAN | LEE KONITZ | GARY BARTZ | CHARLIE MARIANO - Altissimo (1973-1996) FLAC (tracks), lossless

This is a great summit meeting with McLean and fellow horn players Lee Konitz, Gary Bartz, and Charlie Mariano, plus a piano trio. Ron Wynn
Tracklist :
1     Another Hair-Do 3:47
Charlie Parker
2     Mode for Jay Mac 9:44
William Gault
3     Love Choral 7:32
Lee Konitz
4     Fanfare 6:09
Lee Konitz
5     Du Rain 3:34
Gary Bartz
6     Hymn 3:09
Lee Konitz
7     Telieledu Rama Tyagaraja 7:30
Traditional
Credits :    
Alto Saxophone – Charlie Mariano, Gary Bartz, Jackie McLean, Lee Konitz
Bass – Palle Danielsson
Drums – Han Bennink
Piano – Joachim Kühn

CHARLES LLOYD QUARTET - A Night in Copenhagen (1983-1992) FLAC (tracks+.cue), lossless

From 1982-1983, pianist Michel Petrucciani was a member of the Charles Lloyd Quartet. Lloyd, coaxed out of retirement by Petrucciani, sounded virtually unchanged from his earlier days; the passion and enthusiasm were still there. The leader is heard on tenor, flute, and the exotic Chinese oboe on seven of his originals, including two ("Of Course, Of Course" and "Sweet Georgia Bright") that were released for the first time on this CD reissue. Bassist Palle Danielsson and drummer Woody Theus are excellent in support, and the remarkable singer Bobby McFerrin scats quite creatively on "Of Course, Of Course" and "Third Floor Richard." Recommended. Scott Yanow
Tracklist :
1     Lotus Land (To Thakur and Trane) 9'07
Charles Lloyd
2     Lady Day 7'34
Charles Lloyd
3     El Encanto 6'36
Charles Lloyd
4     Third Floor Richard 8'12
Charles Lloyd
Vocals – Bobby McFerrin   
5     Night Blooming Jasmine 14'35
Charles Lloyd
6     Of Course, of Course 9'36
Charles Lloyd
Vocals – Bobby McFerrin
7     Sweet Georgia Bright 11'46
Charles Lloyd
Credits :
Bass – Palle Danielsson
Percussion – Son Ship Theus
Piano – Michel Petrucciani
Producer [Original Session] – Charles Lloyd, Dorothy Darr, Gabreal Franklin
Tenor Saxophone, Flute, Oboe [Chinese Oboe] – Charles Lloyd

CHARLES LLOYD QUARTET - Fish Out of Water (1990) FLAC (tracks+.cue), lossless

Fish out of Water was the first in a string of recordings Charles Lloyd made for ECM throughout the '90s and into the next century. As such, this album ended a long reclusive period for Lloyd and re-established him as a major post-Coltrane tenor stylist. Joining him and his new piano partner, Bobo Stenson, are Palle Danielsson on bass and Jon Christensen on drums -- the players who comprised the rhythm section of Keith Jarrett's famed European quartet. There's a serene, haunting quality to much of the music, particularly "Haghia Sophia" and "Tellaro," both of which feature Lloyd on flute (possibly alto flute on the former). The quartet picks up the pace on the swinging "Eyes of Love" and locks into a Coltrane-esque slow burn on "The Dirge." The title track contains some parallel major sevenths that recall "Forest Flower," Lloyd's most famous song. While some may find the disc a bit too placid overall, there's much to be said for Lloyd's unruffled, effortlessly bluesy playing.  David R. Adler
Tracklist :
1    Fish Out Of Water    9:20
2    Haghia Sophia    7:24
3    The Dirge    10:10
4    Bharati    8:23
5    Eyes Of Love    8:32
6    Mirror    9:28
7    Tellaro    4:02
Credits :
Bass – Palle Danielsson
Drums – Jon Christensen
Painting [Cover Painting], Photography By – Dorothy Darr
Piano – Bobo Stenson
Producer – Manfred Eicher
Tenor Saxophone, Flute, Composed By – Charles Lloyd

LENA WILLEMARK | ALE MÖLLER – Nordan (1994) FLAC (tracks+.cue), lossless

While in Sweden in 1992 for the premier performance of Arvo Pärt’s Silouan's Song, producer Manfred Eicher and the Estonian composer took time out to visit a folk-festival held in the vicinity. Entering a church by the shores of Lake Siljan they heard a trio called Frifot perform traditional songs of uncommon purity and power. The group featured the multi-instrumentalist Ale Möller, singer/fiddler Lena Willemark, and Per Gudmundson, also on fiddle. Eicher at once determined to record these musicians and the question of appropriate context was discussed over the next year and a half. Nordan, the album that is the outcome of that almost accidental meeting, marks a departure for all participants. It is a remarkable ECM debut and sheds new light on such perennial ECM concerns as the "Idea of the North", the documentation of Scandinavian creativity, and the contemporary validity of "early music" in all its guises.

Nordan – the title alludes to the fierce northerly wind that buffets the Swedish coastline – features music based upon medieval ballads and folk songs, performed by musicians from the living Swedish folk tradition and from the world of improvisation. The lyrics were selected and edited by Lena Willemark. Arrangements were written by Ale Moller, who also provided additional compositions in the spirit of the project.
Lena met Ale Möller at a fiddlers' convention and folk festival in Sweden in 1984. "We had a little jam session and it worked really well, and we both liked each other from the beginning. So we decided to carry on, together with Per Gudmundson. We've all worked together in different groups and on each other's solo projects ever since".

Of the Nordan music, Ale Möller notes, "For a long time, Lena and I have talked about finding a form that would combine the qualities of the roots with a bigger freedom. Our idea was to go behind the current tradition - based on the music of the village fiddlers of 100 to 150 years ago - to the fascinating repertoire of medieval ballads. Each time we have tried this, we have been overwhelmed by the good musical spirit these pieces give us. In a way, they invite us to a more open-minded musical landscape."

Nordan is an inspired instance of musical reconstruction: "What is left of the medieval music is a treasure-trove of vocal material. Very little instrumental music remains from the days before the fiddle. You can still find a few ancient ballads sung in living tradition today but most of them are to be discovered only in transcriptions in the archives. The bulk of the record, then, goes back to fragmentary documents: we have used our knowledge of tradition to breathe life into them. For us it has been a fascinating work, and has taken up a lot of time - for the songs, as well as the combination of sounds, were new even for us".

As for Willemark's singing: here, the larger world was able to discover for the first time, what the Swedish inner circle had already known for a while, that she is an artist of the first rank. Her immensely graceful negotiation of the ornaments of the melodic lines is more than impressive, as is the emotional range she brings to bear on the material and the electrifying power of the herding-call that brings the album to a climax on "Vallsvit". Throughout the recording, the freshness and the vibrancy of her singing cuts straight to the heart. Subsequent ECM releases Agram, Frifot as well as collaborations with Anders Jormin on In Winds, In Light and Trees of Light would further document Willemark’s unique voice. ecm
Tracklist :
1    Trilo 1'15
Traditional
Arranged By – Ale Möller
Vocals – Ale Möller, Lena Willemark, Per Gudmundson
2    Kom Helge Ande 3'06
Traditional
Arranged By – Ale Möller
Double Bass – Palle Danielsson
Mandola – Ale Möller
Vocals – Lena Willemark
3    Gullharpan 6'33
Traditional
Arranged By – Ale Möller
Double Bass – Palle Danielsson
Fiddle [Drone-Fiddle], Kantele – Mats Edén
Mandola – Ale Möller
Percussion – Björn Tollin, Tina Johansson
Soprano Saxophone – Jonas Knutsson
Vocals – Lena Willemark
4    Mannelig 4'35
Traditional
Arranged By – Ale Möller
Double Bass – Palle Danielsson
Harp [Folk-Harp] – Ale Möller
Vocals – Lena Willemark
5    Polska Efter Roligs Per 3'00
Traditional
Arranged By – Ale Möller, Per Gudmundson
Fiddle – Per Gudmundson
Mandola – Ale Möller
6    Hornlåt 2'12
Traditional
Arranged By – Ale Möller, Per Gudmundson
Fiddle – Per Gudmundson
Mandola – Ale Möller
7    Sven I Rosengård 5'39
Traditional
Alto Saxophone – Jonas Knutsson
Arranged By – Ale Möller
Double Bass – Palle Danielsson
Fiddle – Mats Edén
Mandola, Flute [Drone-Flutes], Dulcimer [Hammered Dulcimer] – Ale Möller
Percussion – Björn Tollin, Tina Johansson
Vocals – Lena Willemark
8    S:t Göran Och Draken 6'14
Traditional
Arranged By – Ale Möller
Double Bass – Palle Danielsson
Fiddle [Drone-Fiddle] – Mats Edén
Percussion – Björn Tollin, Tina Johansson
Shawm – Ale Möller
Soprano Saxophone – Jonas Knutsson
Vocals – Lena Willemark
9    Tacker Herranom / Mats Hansu Polskan 4'06
Traditional
Arranged By – Ale Möller
Double Bass – Palle Danielsson
Fiddle – Per Gudmundson
Mandola – Ale Möller
Vocals, Fiddle – Lena Willemark
10    Knut Hauling 5'51
Traditional
Arranged By – Ale Möller
Bagpipes [Swedish Bagpipes] – Per Gudmundson
Bells – Tina Johansson
Fiddle [Drone-Fiddle] – Mats Edén
Horn [Cow-Horn], Mandola – Ale Möller
Percussion [Drone-Drum] – Jonas Knutsson
Tambourine – Björn Tollin
Vocals – Lena Willemark
11    Polska Efte Jones Olle 3'02
Traditional
Arranged By – Mats Edén, Per Gudmundson
Fiddle – Per Gudmundson
Fiddle [Drone-Fiddle] – Mats Edén
12    Svanegångare / Sven Svanehvit 6'49
Arranged By – Ale Möller
Composed By – Ale Möller, Traditional
Double Bass – Palle Danielsson
Fiddle [Drone-Fiddle] – Mats Edén
Mandola, Flute – Ale Möller
Vocals – Lena Willemark
13    Jemsken 1'51
Traditional
Arranged By – Ale Möller, Lena Willemark
Double Bass – Palle Danielsson
Fiddle – Lena Willemark
Mandola – Ale Möller
Soprano Saxophone – Jonas Knutsson
14    Båtsman / Turklåten 3'28
Traditional
Arranged By – Ale Möller
Double Bass – Palle Danielsson
Fiddle [Drone-Fiddle] – Mats Edén
Mandola – Ale Möller
Vocals, Fiddle – Lena Willemark
15    Vallsvit 4'57
Composed By – Ale Möller
Double Bass – Palle Danielsson
Fiddle [Drone-Fiddle] – Mats Edén
Flute [Natural Flutes] – Ale Möller
Percussion – Björn Tollin, Jonas Knutsson, Tina Johansson
Voice [Herding-Call] – Lena Willemark
16    Drömspår - Efterspel 1'51
Accordion – Ale Möller
Composed By – Ale Möller
Double Bass [Bass-Drone] – Palle Danielsson

LENA WILLEMARK | ALE MÖLLER – Agram (1996) FLAC (image+.cue), lossless

Agram represents the second coming of the 'Nordan Project' whose 1994 release Nordan was highly acclaimed. Defined by its co-leaders vocalist Lena Willemark and multi-instrumentalist Ale Möller as 'a meeting-place for Swedish folk musicians and musicians from the world of improvisation,' the group's music is based upon, but not limited by, the Swedish folk tradition. Willemark and Möller select the songs, some of which are hundreds of years old, and write new material and fresh arrangements. Möller's unorthodox biography has included extended stopovers in rock and jazz and Greek music on the way to his current, and enduring, commitment to Swedish folk. Willemark, the daughter of a forest-keeper, embodie's the musical tradition giving it new life with her stunning vocal abilities. Together, the Nordan Project is concerned both with the preservation and the rejuvenation of the folk tradition. Möller and Willemark met ECM's Manfred Eicher by chance in 1992 when the musicians were appearing at a folk-festival while the producer was in town for a Arvo Pärt premiere. Over the next year and half they discussed the form that their collaboration should take and the Nordan Project was born. A key figure in its line-up is bassist Palle Danielsson, who has been associated with ECM almost from the beginning of its history. He has been a member of several important ECM bands including Keith Jarrett's 'Belonging' group, the Jan Garbarek-Bobo Stenson Quartet, the quartets of Enrico Rava and Charles Lloyd. ecm
Tracklist :
1    Syster Glas (Sister Glass) 3'33
Double Bass – Palle Danielsson
Fiddle [Drone-Fiddle] – Mats Edén
Mandola – Ale Möller
Soprano Saxophone – Jonas Knutsson
Written-By – Ale Möller
2    Agram (The Wild Oats) 3'13
Arranged By – Ale Möller
Double Bass – Palle Danielsson
Fiddle [Drone-Fiddle] – Mats Edén
Hammered Dulcimer [Hackbräde (Hammered Dulcimer)] – Ale Möller
Soprano Saxophone – Jonas Knutsson
Vocals, Fiddle – Lena Willemark
Written-By – Lena Willemark
3    Såsom Fågelen (As A Bird) 4'52
Traditional
Arranged By – Ale Möller
Fiddle [Drone-Fiddle] – Mats Edén
Harp [Folk-Harp] – Ale Möller
Soprano Saxophone – Jonas Knutsson
Vocals – Lena Willemark
4    Fastän (Although) 2'47
Arranged By – Ale Möller, Jonas Knutsson, Mats Edén, Tina Johansson
Berimbau – Tina Johansson
Fiddle [Drone-Fiddle] – Mats Edén
Mandola – Ale Möller
Soprano Saxophone – Jonas Knutsson
Written-By – Eva Saether
5    Björnen (The Bear) 5'46
Baritone Saxophone, Vocals – Jonas Knutsson
Double Bass – Palle Danielsson
Lyrics By [Text] – Traditional
Music By – Ale Möller
Percussion, Vocals – Tina Johansson
Performer [Pulse-Iron] – Mats Edén
Trumpet [Wooden Trumpet], Vocals – Ale Möller
Vocals, Voice [Herding Call] – Lena Willemark
6    Samsingen (The Ballad Of Samsingen) 7'22
Traditional
Arranged By – Ale Möller
Double Bass – Palle Danielsson
Fiddle [Drone-Fiddle] – Mats Edén
Mandola – Ale Möller
Percussion – Tina Johansson
Percussion [Additional Percussion] – Jonas Knutsson
Vocals – Lena Willemark
7    Per Andsu Lietjin (The Per Andsu Tune) 2'00
Traditional
Arranged By – Ale Möller, Lena Willemark, Palle Danielsson
Double Bass – Palle Danielsson
Fiddle – Lena Willemark
Mandola – Ale Möller
8    Josef Från Arimatea (Joseph Of Arimathea) 5'32
Traditional
Arranged By – Ale Möller
Lute – Ale Möller
Lyrics By [Text Verses 2 ?– 3] – Stefan Demert
Vocals – Lena Willemark
9    Lager Och Jon (The Ballad Of Lager And Jon) 5'40
Traditional
Arranged By – Ale Möller, Lena Willemark, Mats Edén
Double Bass – Palle Danielsson
Fiddle [Drone-Fiddle] – Mats Edén
Harmonium, Percussion [Additional Percussion] – Jonas Knutsson
Mandola, Shawm [Skalmeja (Shawm)] – Ale Möller
Percussion – Tina Johansson
Vocals, Viola – Lena Willemark
10    Blåmåiri (The Blue Moor) 4'21
Arranged By – Ale Möller
Flute – Ale Möller
Soprano Saxophone – Jonas Knutsson
Vocals – Lena Willemark
Written-By – Lena Willemark
11    Slängpolskor (Fling Dances) 5'02
Traditional
Arranged By – Ale Möller
Double Bass – Palle Danielsson
Fiddle [Drone-Fiddle] – Mats Edén
Percussion – Tina Johansson
Shawm [Skalmeja (Shawm)] – Ale Möller
Viola – Lena Willemark
12    Elvedansen (The Dance Of The Fairies) 8'46
Double Bass – Palle Danielsson
Fiddle [Drone-Fiddle] – Mats Edén
Lute – Ale Möller
Lyrics By [Text] – Traditional
Music By – Ale Möller
Percussion – Tina Johansson
Soprano Saxophone – Jonas Knutsson
Vocals – Lena Willemark
13    Simonpolskan (Simon’s Tune) 4'32
Fiddle [Drone-Fiddle] – Mats Edén
Lute – Ale Möller
Percussion – Tina Johansson
Soprano Saxophone – Jonas Knutsson
Written-By – Ale Möller, Mats Edén

KARIN KROG & FRIENDS - Joy (1968-2008) FLAC (tracks+.cue), lossless

By 1968, Norwegian jazz singer Karin Krog was already an international star. She had already won her country's most prestigious jazz award, the Buddy, had performed in the U.S. with Claire Fischer and Don Ellis, and had won a Talent Deserving Wider Recognition award in the 1966 Down Beat poll. She had also recorded three albums under her own name by this time. The recording of Joy with then-young lions Arild Andersen on bass, Svein (Jon) Christensen on drums, saxophonist Jan Garbarek, pianist Terje Bjorklund and percussionist Espen Rud signified a change in direction, from her previously straight swing and bop performance method. The set opens provocatively, even shockingly for the time with Annette Peacock's "Mr. Joy," a paean to a personal "toy" driven by Bjorklund's modal piano. The most groundbeaking cut here, "Karin's Song," is an improvisation guided by Garbarek, who had been a member of Krog's band since 1966. A vanguard piece that works on two juxtaposed modes, it features Bjorklund's piano offering thick layers of tonally stretched chords and Krog alternately scatting, growling, and moaning before and after Garbarek's thoroughly outside soloing. One who hears Garbarek's playing here will be shocked that this is the same person whose mannered playing graces so many ECM recordings from the 1970s into the 21st century. Garbarek and Bjorklund are absent on "'Round Midnight." The cut is led by Andersen's bass in duet with Palle Danielsson and accompanied only by Christensen's shimmering brushwork. Krog's singing is bluesy, icy cool, mysterious, and utterly original. The dual bass playing here is astonishing as counterpoint underscores every sung line elongating them in the process. "Maiden Voyage," by Herbie Hancock comes off as a swinging piece of jazz psychedelia with Garbarek doing his best Paul Desmond in the intro and Krog moaning to match his lines tonally, displaying fine control. The tune flows and changes shapes, aided by reverb on the voice while indulging fascination with Eastern modalities. The Garbarek solo is wonderful; alternating between dry, muted coolness and restrained out blowing before the crystalline lines of Bjorklund's piano shimmer through the center. This is a remarkable and timeless record, showcasing Krog's considerable gifts and the acumen of a great group of young jazz players. 
(This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa')
Tracklist :
1 Mr. Joy 7:55
Written-By – A. Peacock, B. Colburn
2 Karin's Mode 8:10
Written-By – Jan Garbarek
3 Round About Midnight 6:05
Written-By – Gonzales, Monk 
4 Maiden Voyage - Lazy Afternoon 9:10
Written-By [Lazy Afternoon] – Moross, Latouche
Written-By [Maiden Voyage] – Hancock
- Bonus Track -
6 Blues Eyes 3:27
Composed By – B. Egerbladh, K.Krog
7 Break Of Day In Molde 2:18
Composed By – C. Bley, K.Krog
Credits :
Bass – Arild Andersen, Palle Danielsson (tracks: 3), Terje Bjørklund (tracks: 1, 2, 4, 5)
Drums – Jon Christensen (tracks: 6, 7), Svein Christiansen (tracks: 1 to 5)
Harp – Elisabeth Sønstevold (tracks: 6, 7)
Liner Notes – George Russell
Organ – Berndt Egerbladh (tracks: 6, 7)
Percussion [Rhythm Instruments] – Espen Rud (tracks: 1, 2, 4, 5), Karin Krog (tracks: 3)
Tenor Saxophone [Tenor Sax], Percussion [Rhythm Instruments] – Jan Garbarek (tracks: 1, 2, 4, 5)
Trumpet – Ted Curson (tracks: 6, 7)
Voice – Karin Krog
Notes
Tracks 1, 2, 4 and 5 recorded October 2, 1968 in Oslo, Norway.
Track 3 recorded July 6, 1968 at the Kongsberg Jazz Festival, Norway.
Tracks 6, 7 recorded August 4, 1969 in Oslo, Norway.

THE MICHEL PETRUCCIANI TRIO - Pianism (1985) FLAC (image+.cue), lossless

After five years during which he emerged from France to become an important figure in the international jazz world, pianist Michel Petrucciani (still a few days shy of his 23rd birthday) debuted on Blue Note with this superior trio outing. Assisted by bassist Palle Danielsson and drummer Eliot Zigmund, Petrucciani sometimes shows off the influence of Bill Evans both in the nearly equal roles played by the instruments and in his chord voicings. However, the pianist's own personality does shine through often on the set, which features explorations of four of Petrucciani's tunes, "Night and Day," and "Here's That Rainy Day." Superior post-bop music played by the already brilliant pianist. by Scott Yanow
Tracklist:
1 The Prayer 11:05
Written-By – Michel Petrucciani
2 Our Tune 6:51
Written-By – Michel Petrucciani
3 Face's Face 4:37
Written-By – Michel Petrucciani 
4 Night and Day 9:20
Cole Porter
5 Here's That Rainy Day 8:17
Johnny Burke / James Van Heusen
6 Regina 9:20
Written-By – Michel Petrucciani
Credits
Bass – Palle Danielsson
Drums – Eliot Zigmund
Piano – Michel Petrucciani

COLLIN WALCOTT – Grazing Dreams (1977) FLAC (tracks+.cue), lossless

With Don Cherry, John Abercrombie. Group music based around Walcott's sitar and tabla work.
Tracklist : 
1 Song Of The Sorrow 9:14
Written-By – Collin Walcott
2 Gold Sun 7:03
Written-By – Collin Walcott, Don Cherry
3 The Swarm 6:07
Written-By – Collin Walcott
4 Mountain Morning 1:57
5 Jewel Ornament 5:02
Written-By – Collin Walcott, Don Cherry, John Abercrombie
6 Grazing Dreams 6:49
Written By – Collin Walcott
7 Samba Tala 1:29
Written-By – Collin Walcott, Dom Um Romao
8 Moon Lake 8:27
Credits
Bass – Palle Danielsson
Berimbau, Cuica [Chica], Tambourine, Percussion – Dom Um Romao
Electric Guitar, Acoustic Guitar, Mandolin [Electric Mandolin] – John Abercrombie
Producer – Manfred Eicher
Sitar, Tabla – Collin Walcott
Trumpet, Flute [Wood Flute], Xalam [Doussn' Gouni] – Don Cherry

MARCOTULLI / DANIELSSON / ERSKINE - Trio M / E / D (2014) FLAC (tracks+.cue), lossless

Tracklist :
1    Mars 8'07
Composed By – Palle Danielsson
2    This Is Not 7'50
Composed By – Rita Marcotulli
3    Pannonica 8'46
Composed By – Thelonious Monk
4    For Jupiter 11'23
Composed By – Palle Danielsson
5    Nightfall 9'30
Composed By – Charlie Haden
6    Bulgaria 11'53
Composed By – Peter Erskine
7    Autumn Rose 10'40
Composed By – Peter Erskine
Credits :
Double Bass – Palle Danielsson
Drums – Peter Erskine
Piano – Rita Marcotulli