ERYKAH BADU : 1997–2015 (8 Albums + 1 EP + 1 Single) FLAC (tracks+.cue), lossless

Biography by John Bush

Baduizm

She grew up listening to '70s soul and '80s hip-hop, but Erykah Badu drew more comparisons to Billie Holiday upon her breakout in 1997, after the release of her first album, Baduizm. The grooves and production on the album are bass-heavy R&B, but Badu's languorous, occasionally tortured vocals and delicate phrasing immediately removed her from the legion of cookie-cutter female R&B singers. A singer/songwriter responsible for all but one of the songs on Baduizm, she found a number 12 hit with her first single, "On & On," which pushed the album to number two on the charts.

Born Erica Wright in Dallas in 1971, Badu attended a school of the arts and was working as a teacher and part-time singer when she opened for D'Angelo at a 1994 show. D'Angelo's manager, Kedar Massenburg, was impressed with the performance and hooked her up with the singer to record a cover of the Marvin Gaye/Tammi Terrell duet "Precious Love." He also signed Badu to his recently formed Kedar Entertainment label, and served as producer for Baduizm, which also starred bassist Ron Carter and members of hip-hop avatars the Roots on several tracks. The first single, "On & On," became a number one R&B hit in early 1997, and Baduizm followed it to the top of the R&B album charts by March. Opening for R&B acts as well as rap's Wu-Tang Clan, Erykah Badu stopped just short of number one on the pop album charts in April. Her Live album followed later in the year.

Mama's Gun

In 2000 she returned with her highly anticipated second studio album, Mama's Gun, which was co-produced by Badu, James Poyser, Bilal, and Jay Dee and contained the hit single "Bag Lady." Worldwide Underground, a loose affair billed as an EP despite being longer than many full-lengths, was released in 2003. Her next step, 2008's New Amerykah, Pt. 1: 4th World War, was a heavy and abstract release featuring collaborations with the members of Sa-Ra and Georgia Anne Muldrow; it reached number two on the Billboard 200 and Hot R&B/Hip-Hop Albums charts. New Amerykah, Pt. 2: Return of the Ankh, looser and more playful than Pt. 1, followed in 2010. Appearances on Flying Lotus' Until the Quiet Comes (2011), Robert Glasper's Black Radio (2012), Tyler, The Creator's Wolf and Bonobo's The North Borders (both 2013), brought the artist to 2015, when she released the official mixtape But You Caint Use My Phone on the Motown label.

ERYKAH BADU - Baduizm (1997)

Two years after D'Angelo brought the organic sound and emotional passion of R&B to the hip-hop world with 1995's Brown Sugar, Erykah Badu's debut performed a similar feat. While D'Angelo looked back to the peak of smooth '70s soul, though, Badu sang with a grit and bluesiness reminiscent of her heroes, Nina Simone and Billie Holiday. "On & On" and "Appletree," the first two songs on Baduizm, illustrated her talent at singing soul with the qualities of jazz. With a nimble, melodic voice owing little to R&B from the past 30 years, she phrased at odds with the beat and often took chances with her notes. Like many in the contemporary rap world, though, she also had considerable talents at taking on different personas; "Otherside of the Game" is a poetic lament from a soon-to-be single mother who just can't forget the father of her child. Erykah Badu's revolution in sound -- heavier hip-hop beats over organic, conscientious soul music -- was responsible for her breakout, but many of the songs on Baduizm don't hold up to increased examination. For every intriguing track like "Next Lifetime," there's at least one rote R&B jam like "4 Leaf Clover." Jazz fans certainly weren't confusing her with Cassandra Wilson -- Badu had a bewitching voice, and she treasured her notes like the best jazz vocalists, but she often made the same choices, the hallmark of a singer rooted in soul, not jazz. Though many fans would dislike (and probably misinterpret) the comparison, she's closer to Diana Ross playing Billie Holiday -- as she did in the 1972 film Lady Sings the Blues -- than Holiday herself.  John Bush 
Tracklist :
1 Rimshot (Intro) 1:56
Erykah Badu / Madukwu Chinwah
2 On & On  3:45
Erykah Badu / Jahmal Cantero
3 Appletree 4:25
Erykah Badu / Robert Bradford
4 Other Side of the Game 6:33
Erykah Badu / Richard Nichols / James Poyser / The Roots / Ahmir Thompson
5 Sometimes 0:44
Erykah Badu / Leonard Hubbard / Mel Lewis / Richard Nichols / James Poyser / The Roots / Kenyatta Saunders / Ahmir Thompson
6 Next Lifetime  6:26
Erykah Badu / Anthony Scott
7 Afro 2:04
Erykah Badu / James Poyser
8 Certainly 4:43
Erykah Badu / Madukwu Chinwah
9 4 Leaf Clover 4:34
David Lewis / Wayne Lewis
10 No Love 5:08
Erykah Badu / Robert Bradford
11 Drama 6:02
Erykah Badu / Ty Macklin
12 Sometimes... 4:10
Erykah Badu / Richard Nichols / James Poyser / The Roots
13 Certainly  5:26
Erykah Badu / Madukwu Chinwah
14 Rimshot (Outro) 2:19
Erykah Badu / Madukwu Chinwah
  {Universal 53109}

ERYKAH BADU -  Baduizm Live (1997)

Conventional wisdom dictates that an artist should not release a live album as her second record, especially if it follows the debut by a matter of months. However, Erykah Badu is not a conventional artist and Live is not a conventional live album. While her debut, Baduizm, earned strong reviews and healthy sales, her concerts became equally popular and she became known as a powerhouse live performer. Live solidifies that reputation, delivering soulful, gritty versions of cuts from Baduizm, a few covers, and the spectacular new single, "Tyrone." Not only does it illustrate the depths of Badu's talents, but Live is as strong and captivating as Baduizm. Leo Stanley
Tracklist :
1     Rimshot (Intro)     3:48
2     Other Side Of The Game     8:21
3     On & On     5:25
4     Reprise     2:13
5     Apple Tree     2:54
6     Ye Yo     6:07
7     Searching     4:26
8     Boogie Nights / All Night     6:03
9     Certainly     7:06
10     Stay     4:57
11     Next Lifetime (Interlude)     1:27
12     Tyrone     3:55
13     Next Lifetime     12:11
14     Tyrone (Extended Version)     5:40
Credits :
    Backing Vocals – Joyce M. Strong, Karen Bernod, Chonita "N'Dambi" Gilbert
    Bass – Hubert Eaves IV
    Drums – Charles "Poogie" Bell
    Keyboards, Recorded By [Live Recording], Mixed By, Producer – Norman "Keys" Hurt
 {Universal 53109}

ERYKAH BADU -  Mama's Gun (The Dutch Edition) (2000)

Tracklist :
1-01     Penitentiary Philosophy    6:09
    Co-producer – Ahmir '?uestlove' Thompson, Pino PalladinoProducer – James Poyser
1-02     Didn't Cha Know    3:58
    Producer – Jay Dee
1-03     My Life    3:59
    Co-producer – Jay DeeProducer – James Poyser
1-04     ...& On    3:34
    Producer – Jah Born
1-05     Cleva    3:45
    Producer – James PoyserVocals – Roy Ayers
1-06     Hey Suga     0:51
1-07     Booty    4:04
    Co-producer – James Poyser
1-08     Kiss Me On My Neck (Hesi)    5:34
    Co-producer – Jay DeeVocals – Betty Wright
1-09     A.D. 2000    4:51
    Co-producer – Ahmir '?uestlove' Thompson, James Poyser, Pino PalladinoVocals – Betty Wright
1-10     Orange Moon     7:10
1-11     In Love With You    5:21
    Vocals, Co-producer – Stephen Marley
1-12     Bag Lady     5:48
1-13     Time's A Wastin    6:42
    Co-producer – Braylon Lacy, Geno "June Bugg" Young, Gino "Lockjohnson" Igleheart*, Shaun Martin
1-14     Green Eyes    10:04
    Producer – James Poyser, Vikter Duplaix
- Bonus CD -
2-01     Tyrone (Live)    3:55
    Co-producer – Norman "Keys" Hurt
2-02     Hollywood     5:35
2-03     Drama    6:04
    Producer – Bob Power
2-04     Your Precious Love    4:40
    Co-producer – Bruce Carbone, Shante Paige Featuring – D'Angelo Producer – Kedar Massenburg
2-05     Bag Lady (Basement Boys- Afrocentric Remix)    8:22
    Remix – The Basement Boys

 {Motown 014 737-2}

ERYKAH BADU - Mama's Gun (2000)

 Since the arrival of Erykah Badu onto the neo-soul scene back in 1997 with Baduizm, commercial music stood up and took notice with an onslaught of similar artists reaching comparable peaks of mainstream success. After taking some time off for introspection and to raise her son, Badu returned with Mama's Gun, which is a turning point for her in many ways. Gone are the cryptic "Baduizms" that glossed all over her first release, replaced with a more honestly raw Badu singing directly from her heart rather than her head. Sonically, Badu wades out into adventurous territories as well. From the Jimi Hendrix-inspired opening number to the closing ten-minute song suite, she develops fresh aspects of her sound, employing artists such as legendary jazz vibraphonist Roy Ayers, jazz trumpeter Roy Hargrove, Stephen Marley, and Roots drummer ?uestlove; she sought after producer Jay Dee as well. The results are consistently tasteful, which only helps to prove once again that Badu is miles ahead of the rest. Rob Theakston
Tracklist :
1     Penitentiary Philosophy
Backing Vocals – Chinah
Guitar [Electric] – Jeff Lee Johnson
2     Didn't Cha Know
Producer – Jay Dee
3     My Life
Arranged By [Strings] – Larry Gold
Drum Programming – Jay Dee
Viola – Davis Barnet, Peter Nocello
Violin – Charlie Parker Jr., Emma Kummrow, Gregory Teperman, Igor Szwec, Olgo Konopelsky
4     ... & On
    Producer – Jah Born
5     Cleva
 Vocals [Additional], Vibraphone [Vibes] – Roy Ayers
6     Hey Sugah   
7     Booty
Bass – Jay Dee
Saxophone – Jacques Swarzbart
Trombone – Frank Lacy
Trumpet – Roy Hargrove
8     Kiss Me On My Neck (Hesi)
Backing Vocals – Betty Wright
Bass – Jay Dee
Guitar – Russell Elevado
9     A.D. 2000
Acoustic Guitar – Jeff Lee Johnson
Vocals [Additional] – Betty Wright
10     Orange Moon   
11     In Love With You
Bass, Acoustic Guitar – Dready Featuring – Stephen Marley
12     Bag Lady
    Percussion – Ramone Gonzalez
13     Time's A Wastin'
Cello, Arranged By [Strings] – Larry Gold 
Keyboards – RC Williams
Viola – Davis Barnet, Peter Nocella 
Violin – Charles Kwas, Charlie Parker Jr., Emma Kummrow, Gregory Teperman, Igor Szwec, Olgo Konopelsky
14     Green Eyes
Bass [Acoustic] – Carlos Henderson
Producer – Vikter Duplaix 
Saxophone – Jacques Swarzbart 
Trumpet – Roy Hargrove
Credits :
    Backing Vocals – Geno "June Bugg" Young (tracks: 6, 10, 12), N'Dambi (tracks: 6, 10, 12), YahZarah (tracks: 1, 2, 6, 10 to 12)
    Bass – Braylon Lacy (tracks: 6, 10, 12, 13), Pino Palladino (tracks: 1, 5, 9, 14)
    Drums – Ahmir '?uestlove' Thompson (tracks: 1, 4, 5, 7 to 9, 14), Gino "Lock Johnson" Iglehart (tracks: 6, 10, 12, 13)
     Flute – D'Wayne Kerr (tracks: 6, 8, 10, 12, 14)
    Keyboards – James Poyser (tracks: 1 to 5, 7 to 9, 14), Shaun Martin (tracks: 6, 10, 12, 13)
    Percussion – Leonard 'Doc' Gibbs, Jr. (tracks: 5, 7, 8)
    Producer – Erykah Badu (tracks: 1, 3 to 14), James Poyser (tracks: 1, 3, 5, 14)
{Motown 153259-2}

ERYKAH BADU -  Didn't Cha Know (Single) (2001)

Tracklist :
1    Didn't Cha Know     3:58
2    Tyrone (Live)    3:55
3    Hollywood    5:35
4    Drama    6:04

ERYKAH BADU -  World Wide Underground (EP) (2003)

The so-called "EP" that will make many Erykah Badu skeptics wonder what's going on is actually 15 minutes longer than What's Going On. Why would any musician want to call a recording of such length -- 50 minutes, to be precise -- an EP? The fact that Worldwide Underground is being referred to as an EP makes it apparent that it isn't intended to be considered the true follow-up to Mama's Gun. You also find out throughout the course of the disc that the loose, spare arrangements aren't likely to generate a stream of tidy, four-minute Top Ten hits. As easy as the disc is to slide into, it's far and away the least commercial R&B release of the year. Written, produced, and performed by Freakquency -- a seemingly ad hoc group consisting of Badu, James Poyser, Rashad "Ringo" Smith, and R.C. Williams -- along with a revolving door of guests, the whole thing goes down more like a weekend jam session than an endlessly labored-over, polished project. For the most part, this is a good thing. Both "Bump It" and "I Want You" are over eight minutes in length, leaving plenty of space to establish relaxed atmospheres that are built on uncomplicated rhythms, twinkling keyboards, and vaporous textures. "Back in the Day (Puff)" and "Danger" are the two most single-oriented tracks; the former's essentially a more filled-out version of one of the extended pieces in miniature form, while the latter is the toughest sounding of the whole batch, with punchy, synthetic horn jabs and Badu's most animated vocal. A new version of "Love of My Life" caps off the disc in fine, fun style, with Badu paying tribute to the all-female, old-school trio Sequence, with the help of Angie Stone, Bahamadia, and Queen Latifah. If Worldwide Underground isn't to be taken as seriously as Baduizm and Mama's Gun, so be it; but it only goes to show how apprehensive the powers that be are in allowing their platinum artists to deviate from what's expected. Andy Kellman 
Tracklist :
1     Intro - World Keeps Turnin'     1:39
2     Bump It    8:49
Backing Vocals – China Blac, E. Badu
Drum Programming – Rashad "Ringo" Smith
Keyboards – James Poyser
Lyrics By, Vocoder [Funk Box] – E. Badu
Music By – A. Magget, E. Badu, J. Poyser, B. R. Smith
Percussion – Doc Gibbs
Vocals [Additional] – Karon Wheeler, Zap Mama
3     Back In The Day (Puff)    4:47
Drum Programming – Rashad "Ringo" Smith
Electric Guitar – Lenny Kravitz
Keyboards – James Poyser
Lyrics By – E. Badu
Music By – A. Maggett, J. Poyser, B.R. Smith
Percussion – Doc Gibbs
4     I Want You    10:53
Keyboards – James Poyser
Lyrics By – E. Badu
Music By – A. Maggett, E. Badu, J. Poyser, B.R. Smith
5     Woo    3:14
 Backing Vocals – A. Perez, Alfredo Gray, Jazz Bell, Robert Pack, Sam Bell, Tisha Creer
Drum Programming – Rashad "Ringo" Smith
Flute – Dwayne Kerr
Handclaps – Braylon Lacy, Eevin Wright, Rod Rice
Keyboards, Other [Funk Cuts] – R. C. Williams
Lyrics By, Other [Funk Box] – E. Badu
Music By – E. Badu, R. C. Williams
6     The Grind    2:49
Drum Programming – E. Badu, Rashad "Ringo" Smith, dead prez
Featuring, Music By, Producer – dead prez
Lyrics By – M1, Stic Man
Vocals – E. Badu, M1, Stic Man
7     Danger    5:49
Backing Vocals – China Blac, E. Badu
Drum Programming – Rashad "Ringo" Smith
Keyboards – James Poyser, R. C. Williams
8     Think Twice    3:02
Drum Programming – Rashad "Ringo" Smith
Keyboards – James Poyser
Trumpet – Roy Hargrove
Vocals – E. Badu, Roy Hargrove
Written-By – Donald Byrd
9     Love Of My Life Worldwide    5:26
Drum Programming – Rashad "Ringo" Smith Featuring – Angie Stone, Bahamadia, Queen Latifah
Keyboards – James Poyser
10     Outro - World Keeps Turnin'     4:05
 - Bonus Track -
11     Love Of My Life (An Ode To Hip Hop)    3:50
Bass – Raphael Saadiq
Drum Programming, Other [Cuts, Spices And Herbs] – Rashad Smith
Producer – Erykah Badu, Raphael Saadiq
Producer [Additional] – Jake & The Phatman, James Poyser
Vocals – Erykah Badu

 New Amerykah Part One (4th World War) (2008)

Downplayed and practically disregarded as it was, 2003's Worldwide Underground was an excellent and brave follow-up to 2000's Mama's Gun. Erykah Badu concedes she had nothing to say at the time -- the loose 50-minute "EP" was more about sounds than statements -- but she evidently holds herself to a high standard. Perhaps that streak was a factor in her protracted silence from its release to New Amerykah, Pt. 1: 4th World War; she even thought she might be through with making music. Her creative energy returned at some point, and then some, with this set apparently just the first in a series of releases. Varied and layered, New Amerykah, Pt. 1 has Badu collaborating principally with the members of Sa-Ra (who are present in almost half of the tracks), Madlib, 9th Wonder, and Baduizm/Mama's Gun vets Karriem Riggins, James Poyser, and Ahmir Thompson. If you're familiar with what these people have made in the past, you'll know to expect plenty of fearless weirdness and a couple relaxed soul-jazz backdrops that do not fail to stimulate. The album is easily the most hip-hop and most out-there release from Badu thus far, with beats bumping, knocking, and booming in roughly equal measure, sometimes switching tacks or vanishing midstream, dropping down dark corridors, gradually levitating into direct sunlight. Lyrically, there's much to digest: in the ghostly-mystical "The Healer," Badu proclaims hip-hop to be bigger than religion and government; both "That Hump" and "The Cell" are vivid depictions of drug dependency; "Soldier" gives a shout to the Nation of Islam, addresses Katrina and black-on-black crime, and sends out a warning ("Now to folks that think they livin' sweet/They gone fuck around and push 'delete'"); "Twinkle" evokes a lot of thought with few words, alluding to the various failures of the U.S. health, education, and prison systems, and the negative and cyclical effects they've had on Badu's people. Though this is another album where you can only wonder how different it would be with some input from the late J Dilla, the beloved producer gets an incredibly touching tribute with the eight-minute "Telephone," written the day after the ceremony of his death. Indeed, no listed song is light in sentiment, which must partially explain why the beaming single "Honey" is included as an unlisted track -- it doesn't fit into the album's fabric, what with its drifting, deeply sweetened, synth-squish-and-string-drift groove. Immediately moving and yet rather bewildering, New Amerykah, Pt. 1 is an album that sounds special from the first play, yet it will probably take years before it is known just how special it is. Andy Kellman 
 Tracklist :
1     Amerykahn Promise     4:16
2     The Healer     3:59
3     Me     5:36
4     My People     3:24
5     Soldier     5:03
6     The Cell     4:20
7     Twinkle     6:56
8     Master Teacher     6:47
9     That Hump     5:24
10     Telephone     7:17
11     Honey     5:20
12     Real Thang (Rashad "Ringo" Smith Tumbling Dice Remix)     3:39
Credits :
    Bass – Steve "Thunder Cat" Bruner (tracks: 3, 6, 8, 9)
    Drums [Talking Drum] – E. Badu (tracks: 4)
    Executive-Producer – Erykah Badu
    Guitar – Mike "Chav" Chavarria (tracks: 10)
    Keyboards – James Poyser (tracks: 3,9,10)
    Percussion – E. Badu (tracks: 4, 6)
    Vocals – E. Badu
    Vocals [Guest] – Bilal (tracks: 2, 4, 7, 8)
  {Motown – B0010800-02}

ERYKAH BADU -  Live (2009) 

Tracklist :
1    Intro Performing (Creating A Moment)    0:18
2    Badu    1:38
3    Annie    3:35
4    Me    4:33
5    Soldier    4:34
6    Didn't Cha Know    8:46
7    Other Side Of The Game    9:32
8    Honey    4:58
9    The Healer    3:30
10    Searching    4:10
11    Stay (Chaka Khan Cover)    4:41
12    Love Hangover (Diana Ross Cover)    3:30
13    Your Mind    6:41
14    A Cipher    2:09
15    Ye-Yo    4:54
16    Next Lifetime    11:42
{TDM 58}

ERYKAH BADU -  New Amerykah Part Two (Return of the Ankh) (2010)

Return of the Ankh was supposed to be issued earlier than March 2010. It's just as well: 2008's stupefying 4th World War provided such a dense concentration of charged lyrics over ceaselessly vein-melting production work that Erykah Badu could have been forgiven for letting five years pass prior to unveiling something else to soak up. Return of the Ankh is a relief in that Badu does not attempt to trump herself with a set that is even more intense and powerful than its predecessor. Thematically, it's aligned with 4th World War's relatively lighter songs, "Me" and "Honey," more personal than planetary, less challenging sonically and lyrically. Most of it was actually recorded at the same time as 4th World War. The list of collaborators, featuring Georgia Anne Muldrow, Madlib, Shafiq Husayn, Dilla, James Poyser, Ahmir Thompson, and Karriem Riggins, is similar, yet the makeup is drastically different, designed for instant kicked-back enjoyment. A pause, deep breath, and a "Here we go" is not required prior to putting it on. Instead, we get Badu playing around, in the best possible way, with sample-rooted songs like "Turn Me Away (Get Munny)" (a twist on Sylvia Striplin's "You Can't Turn Me Away" and the 1995 hip-hop anthem that sampled it, Junior M.A.F.I.A.'s "Get Money"), "Gone Baby, Don't Be Long" (a slightly silly new-love song that reworks Paul McCartney's "Arrow Through Me"), and "Umm Hmm" (its optimism reflected in that of its backbone, Ndugu & the Chocolate Jam Company's Earth, Wind & Fire-like "Take Some Time"). Though the album is so rich with sample-reliant songs that it sometimes resembles a glorified mixtape, a couple standouts were made from scratch. "Window Seat" should appeal to those who have wanted Badu to revisit that lissome sound of Baduizm songs like "On & On" and "Otherside of the Game," and it packs stunning stomp-and-clap breakdowns that sync up with Badu's most halting lines: "I need you to want me/I need you to miss me/I need your attention/I need you next to me." "Out My Mind, Just in Time" is a ten-minute finale that traces a trajectory of heartache across three movements, beginning innocently enough with a devotional (if pained and humorous) piano ballad that shifts into Muldrow's psychedelic, slow-motion soul-jazz as Badu gets increasingly fragmentary and tripped-out. By the end, she is renewed: "Finally I got a leading role/Introducing Super Dope/Starring in her episode/Hello new world/Out my mind." Actual next level, as always. Andy Kellman 
Tracklist :
1     20 Feet Tall     3:25
2     Window Seat     4:50
3     Agitation     1:33
4     Turn Me Away (Get MuNNY)    5:26
    Bass – Stephen "Thundercat" Bruner
5     Gone Baby, Don't Be Long     4:54
6     Umm Hmm     3:52
7     Love     3:36
8     You Loving Me (Session)     0:55
9     Fall In Love (Your Funeral)     4:30
10     Incense    3:25
    Featuring – Kirsten Agnesta
11     Out My Mind, Just In Time     10:21
{Universal Motown B0014023-02}

ERYKAH BADU - But You Caint Use My Phone (2015)

Prompted by Drake's "Hotling Bling," Erykah Badu quickly recorded this loose, phone-themed mixtape, an official Motown release, with help from producer and fellow Dallas dweller Zach Witness. It's a trivial if fun diversion. Badu puts her spin on "Hotline Bling," quotes "Tyrone," and appends a "ghost of Screw" mix of "Telephone" to one of the low-slung new tracks. Original content is greatly outweighed by covers of songs originally recorded by New Edition, Usher, Egyptian Lover, and Todd Rundgren (via the Isley Brothers). Appearances from a Drake soundalike, Aubrey "Itsroutine" Davis, add to the mixtape's peculiarity. André 3000 joins in on the Rundgren cover, while Seven Benjamin, his and Badu's son, picks up a co-writing credit on the eighth track. Andy Kellman
Tracklist :
1     Caint Use My Phone (Suite)    3:34
    Written-By – Erykah Badu, Zach Witness
2     Hi    0:35
    Written-By – E. Wright, T. Rundgren
3     Cel U Lar Device    6:28
    Written-By – D. Graham, P. Jefferies, T. Thomas
4     Phone Down    3:28
    Written-By – A. Davis, Erykah Wright, J Rose, Zach Witness
5     U Use To Call Me    1:13
    Written-By – Aubrey Davis
6     Mr. Telephone Man    3:11
    Written-By – R. Parker Jr.
7     U Don't Have To Call    2:00
    Written-By – Chad Hugo, Erykah Wright, Pharrell Williams
8     Medley: What’s Yo Phone Number / Telephone (Ghost Of Screw Mix)    5:10
    Written-By – A. Thompson, Erykah Wright, J. Poyser, Seven Benjamin, Zach Witness
9     Dial’Afreaq    3:10
    Written-By – Erykah Wright, G. Broussard, R. Clayton, Zach Witness
10     I'll Call U Back    1:57
    Written-By – Erykah Wright, T. Thomas, Zach Witness
11     Hello    5:19
    Written-By – Andre Benjamin, Erykah Wright, T. Rundgren, Zach Witness
 {CFR}

ERYKAH BADU - Mama's Gun (2000) FLAC (tracks+.cue), lossless

Since the arrival of Erykah Badu onto the neo-soul scene back in 1997 with Baduizm, commercial music stood up and took notice with an onslaught of similar artists reaching comparable peaks of mainstream success. After taking some time off for introspection and to raise her son, Badu returned with Mama's Gun, which is a turning point for her in many ways. Gone are the cryptic "Baduizms" that glossed all over her first release, replaced with a more honestly raw Badu singing directly from her heart rather than her head. Sonically, Badu wades out into adventurous territories as well. From the Jimi Hendrix-inspired opening number to the closing ten-minute song suite, she develops fresh aspects of her sound, employing artists such as legendary jazz vibraphonist Roy Ayers, jazz trumpeter Roy Hargrove, Stephen Marley, and Roots drummer ?uestlove; she sought after producer Jay Dee as well. The results are consistently tasteful, which only helps to prove once again that Badu is miles ahead of the rest. by Rob Theakston

Tracklist :

1 Penitentiary Philosophy 6:09  

Erykah Badu / A.P. Thompson

2 Didn't Cha Know 3:58  

Erykah Badu

3 My Life 3:59  

4 ...& On 3:34 

 Erykah Badu

5 Cleva 3:45  

 Erykah Badu

6 Hey Sugah 0:51

 Erykah Badu

7 Booty 4:04  

 Erykah Badu

8 Kiss Me on My Neck (Hesi) 5:34  

 Erykah Badu

9 A.D. 2000 4:51

B.J. Wright

 10 Orange Moon 7:10  

Erykah Badu / Snooky Young

11 In Love With You 5:21  

 Erykah Badu

12 Bag Lady 5:48

Erykah Badu / R. Brown / Nathaniel Hale / Isaac Hayes / S. Martin / Andre Young

13 Time's a Wastin 6:42  

 Erykah Badu

14 Green Eyes 10:04

Erykah Badu

 Credits :

Backing Vocals – Geno "June Bugg" Young (tracks: 6, 10, 12), N'Dambi (tracks: 6, 10, 12), YahZarah (tracks: 1, 2, 6, 10 to 12)

Bass – Braylon Lacy (tracks: 6, 10, 12, 13), Pino Palladino (tracks: 1, 5, 9, 14)

Drums – Ahmir '?uestlove' Thompson (tracks: 1, 4, 5, 7 to 9, 14), Gino "Lock Johnson" Iglehart (tracks: 6, 10, 12, 13)

Executive-Producer – Erykah Badu, Kedar Massenburg

Flute – D'Wayne Kerr (tracks: 6, 8, 10, 12, 14)

Keyboards – James Poyser (tracks: 1 to 5, 7 to 9, 14), Shaun Martin (tracks: 6, 10, 12, 13)

Percussion – Leonard 'Doc' Gibbs, Jr. (tracks: 5, 7, 8)

ERYKAH BADU - Baduizm (1997) FLAC (tracks+.cue), lossless

Two years after D'Angelo brought the organic sound and emotional passion of R&B to the hip-hop world with 1995's Brown Sugar, Erykah Badu's debut performed a similar feat. While D'Angelo looked back to the peak of smooth '70s soul, though, Badu sang with a grit and bluesiness reminiscent of her heroes, Nina Simone and Billie Holiday. "On & On" and "Appletree," the first two songs on Baduizm, illustrated her talent at singing soul with the qualities of jazz. With a nimble, melodic voice owing little to R&B from the past 30 years, she phrased at odds with the beat and often took chances with her notes. Like many in the contemporary rap world, though, she also had considerable talents at taking on different personas; "Otherside of the Game" is a poetic lament from a soon-to-be single mother who just can't forget the father of her child. Erykah Badu's revolution in sound -- heavier hip-hop beats over organic, conscientious soul music -- was responsible for her breakout, but many of the songs on Baduizm don't hold up to increased examination. For every intriguing track like "Next Lifetime," there's at least one rote R&B jam like "4 Leaf Clover." Jazz fans certainly weren't confusing her with Cassandra Wilson -- Badu had a bewitching voice, and she treasured her notes like the best jazz vocalists, but she often made the same choices, the hallmark of a singer rooted in soul, not jazz. Though many fans would dislike (and probably misinterpret) the comparison, she's closer to Diana Ross playing Billie Holiday -- as she did in the 1972 film Lady Sings the Blues -- than Holiday herself.

Tracklist:

1. Rim Shot (Intro) (Album Version)

2. On & On (Album Version)

3. Appletree (Album Version)

4. Other Side Of The Game (Album Version)

5. Sometimes ((Mix #9) Album Version)

6. Next Lifetime (Album Version)

7. Afro ((Freestyle Skit) Album Version)

8. Certainly (Album Version)

9. 4 Leaf Clover (Album Version)

10. No Love (Album Version)

11. Drama (Album Version)

12. Sometimes (Album Version)

13. Certainly (Flipped It) (Album Version)

14. Rim Shot ((Outro) Album Version)"