BARTÓK : Boulez Conducts Bartók (2009) 8xCD BOX-SET / FLAC (tracks+.cue), lossless

 CD1
Four Orchestral Pieces • Concerto for Orchestra
Chicago Symphony Orchestra

CD2
Dance Suite • Two Pictures
Hungarian Sketches • Divertimento
Chicago Symphony Orchestra

CD3
Piano Concerto Nrs 1-3
Zimmerman • Chicago Symphony Orchestra
Andsnes • Berliner Philharmonikér
Grimaud • London Symphony Orchestra

CD4
Concerto for Two Pianos, Percussion and Orchestra
Stefanovich • Aimard • Thomas • Percy
London Symphony Orchestra

Violin Concerto Nr. 1
Kremer • Berliner Philharmonikér

Violin Concerto Nr. 2
Bashmet • Berliner Philharmonikér

CD5
Violin Concerto Nr. 2
Rhapsodies for Violin and Orchestra Nr. 1 & 2
Shaham • Chicago Symphony Orchestra

CD6
Bluebeard's Castle
Norman + Polgár • Chicago Symphony Orchestra

CD7
Cantata Profana • The Wooden Prince
Aler • Tomlinson
Chicago Symphony Orchestra and Chorus

CD8
The Miraculus Mandarin
Music for Strings, Percussion and celesta
Chicago Symphony Orchestra and Chorus

STRAVINSKY : The Rite of Spring; Concerto for Two Pianos; Circus Polka; Tango; Madrid (Hamelin-Andsnes) (2018) FLAC (image+.cue), lossless

Since the centenary of Igor Stravinsky's Le Sacre du printemps in 2013, recordings of the version for two pianos have increased, and many virtuoso pianists have taken up the challenge that Stravinsky's colorful transcription presents. For this 2018 release on Hyperion, Marc-André Hamelin and Leif Ove Andsnes team up to give one of the most brilliant and precise readings of the work, and followed it with a muscular rendition of the neoclassical Concerto for two solo pianos (1932-35), and delightful interpretations of Madrid from the Four Etudes (1917, revised in 1928), the Tango (1940), and the Circus Polka (1941-42), the last three pieces in arrangements by different hands. The intricate textures, complex rhythms, and explosive violence of Le Sacre du printemps are clearly communicated in this fascinating performance, and Hamelin and Andsnes successfully imitate the original orchestral sonorities and tone colors through controlled touch, varied accentuation, and carefully shaded dynamics. Listeners who are well acquainted with the orchestral version will find that Hamelin and Andsnes have come quite close to duplicating many of Stravinsky's effects, most powerfully in the Glorification of the Chosen One and the closing Sacrificial Dance, though with great subtlety in the softer sections. The Concerto is a bit drier in coloration and more involved with intricate counterpoint than evocative timbres, but the pianists play it with sufficient energy, clarity, and wit to hold the listener's attention. The final selections serve as encores, and Hamelin and Andsnes take the opportunity to have a little fun, which is welcome after the intensity of Le Sacre du printemps and the fairly cerebral Concerto. Highly recommended. by Blair Sanderson