Mostrando postagens com marcador Mendelssohn-Hensel F (1805-1847). Mostrar todas as postagens
Mostrando postagens com marcador Mendelssohn-Hensel F (1805-1847). Mostrar todas as postagens

31.10.25

V.A. — FEMALE COMPOSERS (2025) 25xCD BOX-SET | FLAC (image+.cue), lossless

What would it mean to ‘compose like a woman’? The present collection answers the question, in a literal sense, while undoing the premise on which the question was asked in the first place. In social and historical terms, it means enjoying privileges of upbringing, education and/or wealth that were historically denied to the vast majority of women. It means, on the part of the women represented here, a single-minded determination in pursuit of their vocation, helping them to overcome prejudice and sexism in a cultural, social and political milieu that has consistently denied women the opportunity to find and express their own voice in music. Only with movements of emancipation in the last century, and much more rapidly in the last 50 years, has this situation begun to be addressed and corrected.

What composing like a woman does not mean – as the music in this collection makes clear – is a definable set of qualities or characteristics to the music itself which would distinguish the work of female composers from the music composed by men.

This remarkable set gathers many individual recordings of music by women composers, which Brilliant Classics has quietly yet actively championed in their catalogue for decades, uniting it with exciting new outings, so that a comprehensive historical picture of the highly varied struggles and successes of women composers through the ages to our present time are chronicled and celebrated.

Recordings date from 1994–2024.
Booklet in English contains liner notes by Peter Quantrill.

The revival of interest in female classical composers reflects a growing recognition of their overlooked contributions to music history. For centuries, women composers were marginalized, their works overshadowed by their male counterparts. However, recent efforts by musicians, scholars, and institutions have brought these composers into the spotlight, highlighting the richness and diversity of their compositions.
This renewed focus stems from a broader movement toward inclusivity in the arts, challenging traditional narratives that have historically excluded women. The rise of feminist musicology has also played a key role, offering fresh perspectives on these composers' lives and works.
This comprehensive box set offers a wide spectrum of works by female composers, from the Medieval mystic Hildegard Von Bingen (1098-1179) , through the Renaissance Isabella Leonarda (baptized 1620-1704), Francesca Caccini (1587-1640) und Barbara Strozzi (baptized 1619-1677), traversing the Baroque and Classical eras, and arriving in the contemporary field, with composers such as Galina Ustvolskaya (1919-2006) and Grażyna Bacewicz (1909-1969).
A long due homage to the art and voice of female composers, spanning nearly a thousand years!  brilliant
Tracklist & Credits :

4.3.24

FANNY MENDELSSOHN-HENSEL — Piano Chamber Music (Céline Dutilly · Fanny Mendelssohn Quartet) (2004) FLAC (tracks), lossless

Fanny Cäcilie Mendelssohn, later Fanny Hensel 

(November 14, 1805 - May 14, 1847), was a pianist and composer of Germany, sister of Felix Mendelssohn; both grandsons of the philosopher Moses Mendelssohn. She is the first major songwriter in the world.

FANNY MENDELSSOHN-HENSEL [1805-1847]

Fanny Mendelssohn-Hensel:
Piano Quartet in A flat major
I. Allegro moderato  7:33
II. Larghetto   4:08
III. Tempo di minuetto   5:08

Fanny Mendelssohn-Hensel:
Capriccio in A flat major
Capriccio in A flat major   7:33
Fanny Mendelssohn-Hensel:
Sonata o Fantasia in G minor
Sonata o Fantasia in G minor   5:49
Fanny Mendelssohn-Hensel:
Piano Trio in D minor, Op. 11
I. Allegro molto vivace   10:57
II. Andante espressivo    6:05
III. Lied: Allegretto     1:44 
IV. Finale: Allegro moderato  4:57

Fanny Mendelssohn Quartet
Capriccio in A flat
Friedemann Kupsa (cello)
Fantasia in G minor
Friedemann Kupsa (cello)
Piano Trio in D major Op. 11
Friedemann Kupsa (cello),
Renate Eggebrecht (violin)

3.3.24

FELIX & FANNY MENDELSSOHN (Quatuor Ebène) (2013) FLAC (tracks+.cue), lossless

France's Quatuor Ebène has been known for its classical-pop fusion experiments (they dislike the term "crossover"). Here they stick with classical string quartet pieces, but their style and choice of music is still plenty unusual. The chief repertory attraction here is Fanny Mendelssohn's String Quartet in E flat major, composed in 1834. This work, the composer's only string quartet, is not usually included in comparisons of music by Felix Mendelssohn and his older sister, but it deserves to be better known. It is clearly something of an exercise in mastering Beethoven's style -- hear the fugal central section of the second-movement Allegretto (track 6), for example, whose clear inspiration is the Scherzo of Beethoven's Symphony No. 5 in C minor, Op. 67 -- but in spite of this has a strong undercurrent of suppressed emotion. The work opens in harmonic ambiguity that is reflected in small moments of tension throughout. The work's appeal resides in that duality of exercise and strong feeling, and the Quatuor Ebène's high-intensity performance brings it out effectively. The work is short, but here it has a rather explosive quality. In the two quartets by Felix Mendelssohn you may find the quartet either bracingly tough or rather overbearing, but there are moments where both camps will agree: hear the live-wire tension in the opening explosion of the finale of the String Quartet No. 6 in F minor, Op. 80. This is a must-have for those interested in Fanny Mendelssohn, and it's well worth sampling and considering for general string quartet listeners. James Manheim 

Tracklist
String Quartet No. 2 in A minor, Op. 13
1 1. Adagio - Allegro vivace  7:55
Felix Mendelssohn
2 2. Adagio non lento  7:43
Felix Mendelssohn
3 3. Intermezzo: Allegretto con moto  5:10
Felix Mendelssohn
4 4. Presto  9:21
Felix Mendelssohn
String Quartet in E flat major
5 1. Adagio ma non troppo  4:31
Fanny Mendelssohn
6 2. Allegretto  3:37
Fanny Mendelssohn
7 3. Romanze  6:44
Fanny Mendelssohn
8 4. Allegro molto vivace  5:39
Fanny Mendelssohn
String Quartet No. 6 in F minor, Op. 80
9 1. Allegro vivace assai  7:36
Felix Mendelssohn
10 2. Allegro assai  4:33
Felix Mendelssohn
11 3. Adagio  8:26
Felix Mendelssohn
12 4. Finale: Allegro molto  5:30
Felix Mendelssohn

FANNY MENDELSSOHN — Piano Music (Martina Frezzotti) FLAC (image+.cue), lossless

Das Jahr, H. 385    
1    I. January. Ein Traum    2:42
2    II. February. Scherzo    3:00
3    III. March    5:25
4    IV. April. Capriccioso    3:09
5    V. May. Frühlingslied    3:03
6    VI. June. Serenade    3:23
7    VII. July. Serenade    3:26
8    VIII. August    4:45
9    IX. September. Am Flusse    4:00
10    X. October    3:20
11    XI. November    5:01
12    XII. December    5:48
13    XIII. Postlude. Choral    2:04
14    Nocturne In G Minor, H. 337    3:45
15    Nocturne Napolitano In B Minor    3:03
16    I troduction And Capriccio IN B MInor, H. 349    6:52

16.6.19

FELIX & FANNY MENDELSSOHN : Piano Trios (Abegg Trio) FLAC (tracks), lossless

FELIX & FANNY MENDELSSOHN : Piano Trios 
 Abegg Trio :
Piano – Gerrit Zitterbart
Violin – Ulrich Beetz
Violoncello – Birgit Erichson
(1994) Intercord / FLAC (tracks), lossless
O Púbis da Rosa

26.8.18

FANNY MENDELSSOHN-HENSEL - Piano Music (1997) FLAC (image+.cue), lossless

Tracklist
Piano Sonata in G minor (1843)
Prelude in E minor (1827)
18 character pieces (MA Ms. 44):
  № 2. Andante
  № 7. Allegro agitato
  № 8. Allegro moderato
  № 9. Largo con espessione
  Allegro molto vivace ma con sentimento
  Andante con moto
Six mélodies, Opp. 4 & 5:
  I. Allegro assai
  II. Allegretto
  III. Allegro molto quasi Presto
  IV. Lento appassionato
  V. Allegro molto vivace
  VI. Andante soave

SUZANNE VEGA — Lover, Beloved : Songs from an Evening with Carson McCullers (2021) FLAC (tracks+.cue), lossless

Suzanne Vega has always been a songwriter with a literary sensibility, displaying a feel for character and wordplay that was noticeably more...