FRANKIE "Half-Pint" JAXON — Complete Recorded Works In Chronological Order Volume 2 1929-1937 | RM | DOCD-5259 (1994) FLAC (tracks+.cue), lossless

Volume two in the complete recordings of Frankie "Half Pint" Jaxon contains all of the titles he is known to have cut between July 1929 and July 1937. During this period, Jaxon crossed over from the Vocalion label to Decca, working with a diverse range of musicians that included the Cotton Top Mountain Sanctified Singers, (a traditional-sounding choir who backed him on several spirituals) and cornetist Punch Miller & His Delegates of Pleasure. Most of these records were issued under the headings of Frankie "Half Pint" Jaxon and either his Hot Shots or his Quarts of Joy. Half Pint's jumpin' little bands included trumpeters Bob Schoffner and George Mitchell; trombonist Preston Jackson, and Cassino Simpson, a skilled pianist who made his best recordings with Jabbo Smith and ultimately ended up in a mental institution after trying to murder Half Pint, whose androgyny and well-known theatrical knack for female impersonation might well have driven Simpson over the edge. For awhile, Jaxon was accompanied by one of Chicago's hottest little bands, misleadingly billed as the Harlem Hamfats. With "No Need Knockin' on the Blind," the focus of the Half Pint Jaxon story has moved from his longtime stomping grounds in Chicago to the swinging environment in New York, where he was accompanied by a band that included clarinetist Buster Bailey, a mainstay in the Fletcher Henderson Orchestra who was on the verge of leading his own Rhythm Busters and would soon be prominently featured in the John Kirby Sextet. Maximum enjoyment is to be found in rambunctious performances like "Down Home in Kentucky," the spunky "Fifteen Cents," Half Pint's theme song "Fan It," and a very theatrical "Mortgage Blues" which begins with a brusque and spirited reference to Marcus Garvey, founder of the Universal Negro Improvement Association and spokesman for the Back to Africa Movement. Frankie Jaxon's gleefully outspoken pride in being a person of color was chiseled in high relief with the title "Chocolate to the Bone (I'm So Glad I'm Brownskin)," and he was fond of injecting little Black Nationalist references that probably got by any Caucasians but without a doubt resonated among his predominately African-American audience. His introduction to "Down Home in Kentucky," for example, describes a segregated social environment where "Mr. Charlie is still in the lead." arwulf arwulf
Tracklist :
1.    Cotton Top Mountain Sanctified Singers–    I Want Two Wings To Veil My Face 2:40
Banjo – Unknown Artist
Cornet – Punch Miller
Piano – Unknown Artist
Trombone – Unknown Artist
Vocals – Frankie "Half-Pint" Jaxon
Vocals [Vcl Group] – Unknown Artist
2.    Cotton Top Mountain Sanctified Singers–    Give Me That Old Time Religion 2:55
Banjo – Unknown Artist
Cornet – Punch Miller
Piano – Unknown Artist
Trombone – Unknown Artist
Vocals – Frankie "Half-Pint" Jaxon
Vocals [Vcl Group] – Unknown Artist
3.    Cotton Top Mountain Sanctified Singers–    Christ Was Born On Christmas Morn 3:25
Banjo – Unknown Artist
Brass Bass – Unknown Artist
Cornet – Punch Miller
Piano – Unknown Artist
Vocals – Frankie "Half-Pint" Jaxon
Vocals [Vcl Group] – Unknown Artist
4.    Frankie "Half-Pint" Jaxon*–    Take It Easy 3:11
Cornet – Punch Miller
Drums – Unknown Artist
Piano – Unknown Artist
Vocals – Frankie "Half-Pint" Jaxon
5.    Frankie "Half-Pint" Jaxon With Punches Delegates Of Pleasure–    You Got To Wet It 3:01
Clarinet [possibly] – Lem Johnson
Cornet – Punch Miller
Guitar – Charles Ducastaign
Piano – Unknown Artist
Vocals – Frankie "Half-Pint" Jaxon
6.    Frankie "Half-Pint" Jaxon With Punches Delegates Of Pleasure–    Down Home In Kentuck 3:12
Clarinet [possibly] – Lem Johnson
Cornet – Punch Miller
Guitar – Charles Ducastaign
Piano – Unknown Artist
Vocals – Frankie "Half-Pint" Jaxon
7.    Frankie "Half-Pint" Jaxon–    Scuddlin' 2:47
Drums – Unknown Artist
Guitar – Unknown Artist
Piano [probably] – Charlie Johnson
Vocals – Frankie "Half-Pint" Jaxon
8.    Frankie "Half-Pint" Jaxon–    Chocolate To The Bone 3:04
Drums – Unknown Artist
Guitar – Unknown Artist
Piano [probably] – Charlie Johnson
Vocals – Frankie "Half-Pint" Jaxon
9.    Frankie "Half-Pint" Jaxon And His Hot Shots–    Mama Don't Allow It  3:12
Acoustic Bass [probably] – Johnny Frazier
Alto Saxophone [probably] – Kenneth Anderson 
Clarinet [probably] – Dalbert Bright
Drums [probably] – Tubby Hall
Piano [probably] – Jerome Carrington
Tenor Saxophone [probably] – David Young
Trombone [probably] – Preston Jackson
Trumpet [probably] – Bob Shoffner, George Mitchell, Guy Kelly
Vocals – Frankie "Half-Pint" Jaxon
Vocals [2nd v.] – Unknown Artist
10.    Frankie "Half-Pint" Jaxon And His Hot Shots*–    Spank It 2:37
Acoustic Bass [probably] – Johnny Frazier
Alto Saxophone [probably] – Kenneth Anderson 
Clarinet [probably] – Dalbert Bright
Drums [probably] – Tubby Hall
Piano [probably] – Jerome Carrington
Tenor Saxophone [probably] – David Young
Trombone [probably] – Preston Jackson
Trumpet [probably] – Bob Shoffner, George Mitchell, Guy Kelly
Vocals – Frankie "Half-Pint" Jaxon
11.    Frankie "Half-Pint" Jaxon And His Hot Shots*–    The Mortgage Blues - Part 1 3:00
Drums [probably] – Tubby Hall
Piano [probably] – Jerome Carrington
Vocals – Frankie "Half-Pint" Jaxon
Vocals [2nd v.], Vocals [group] – Unknown Artist
12.    Frankie "Half-Pint" Jaxon And His Hot Shots*–    The Mortgage Blues - Part 2 2:53
Drums [probably] – Tubby Hall
Piano [probably] – Jerome Carrington
Vocals – Frankie "Half-Pint" Jaxon
Vocals [2nd v.] – Unknown Artist
Vocals [Group Vcl] – Unknown Artist
13.    Frankie "Half-Pint" Jaxon And His Hot Shots*–    Mama Don't Allow It 2:57
Acoustic Bass – Johnny Frazier
Alto Saxophone – Kenneth Anderson 
Clarinet – Dalbert Bright
Drums – Tubby Hall
Piano – Jerome Carrington
Tenor Saxophone – David Young
Trombone – Preston Jackson
Trumpet – Bob Shoffner, George Mitchell, Guy Kelly
Vocals – Frankie "Half-Pint" Jaxon
Vocals [2nd v.] – Unknown Artist
14.    Frankie "Half-Pint" Jaxon And His Hot Shots–    My Baby's Hot (Can't You Understand) 2:54
Acoustic Bass – Johnny Frazier
Alto Saxophone – Kenneth Anderson 
Clarinet – Dalbert Bright
Drums – Tubby Hall
Piano – Jerome Carrington
Tenor Saxophone – David Young
Trombone – Preston Jackson
Trumpet – Bob Shoffner, George Mitchell, Guy Kelly
Vocals – Frankie "Half-Pint" Jaxon
15.    Frankie "Half-Pint" Jaxon And His Hot Shots–    Fifteen Cents 3:07
Acoustic Bass – Johnny Frazier
Alto Saxophone – Kenneth Anderson
Clarinet – Dalbert Bright
Drums – Tubby Hall
Piano – Jerome Carrington
Tenor Saxophone – David Young
Trombone – Preston Jackson
Trumpet – Bob Shoffner, George Mitchell, Guy Kelly
Vocals – Frankie "Half-Pint" Jaxon
16.    Frankie "Half-Pint" Jaxon And His Hot Shots–    Fan It
Acoustic Bass – Johnny Frazier
Alto Saxophone – Kenneth Anderson 
Clarinet – Dalbert Bright
Drums – Tubby Hall
Piano – Jerome Carrington
Tenor Saxophone – David Young
Trombone – Preston Jackson
Trumpet – Bob Shoffner, George Mitchell, Guy Kelly
Vocals – Frankie "Half-Pint" Jaxon
17.    Frankie "Half-Pint" Jaxon* And The Harlem Hamfats–    The Dirty Dozen 2:56
Acoustic Bass – Ransom Knowling
Clarinet – Odell Rand
Drums – Pearlis Williams
Guitar – Joe McCoy
Guitar, Mandolin – Charlie McCoy 
Piano – Horace Malcolm
Trumpet – Herb Morand
Vocals – Frankie "Half-Pint" Jaxon
18.    Frankie "Half-Pint" Jaxon* And The Harlem Hamfats–    She Brings Me Down 2:45
Acoustic Bass – Ransom Knowling
Clarinet – Odell Rand
Drums – Pearlis Williams
Guitar – Joe McCoy
Guitar, Mandolin – Charlie McCoy 
Piano – Horace Malcolm
Trumpet – Herb Morand
Vocals – Frankie "Half-Pint" Jaxon
19.    Frankie "Half-Pint" Jaxon And The Harlem Hamfats–    Take It Easy, Greasy 2:53
Acoustic Bass – Ransom Knowling
Clarinet – Odell Rand
Drums – Pearlis Williams
Guitar – Joe McCoy
Guitar, Mandolin – Charlie McCoy 
Piano – Horace Malcolm
Trumpet – Herb Morand
Vocals – Frankie "Half-Pint" Jaxon
20.    Frankie "Half-Pint" Jaxon And The Harlem Hamfats–    Wet It (Let The Good Work Go On) 2:43
Acoustic Bass – Ransom Knowling
Clarinet – Odell Rand
Drums – Pearlis Williams
Guitar – Joe McCoy
Guitar, Mandolin – Charlie McCoy 
Piano – Horace Malcolm
Trumpet – Herb Morand
Vocals – Frankie "Half-Pint" Jaxon
21.    Frankie "Half-Pint" Jaxon And The Harlem Hamfats–    No Need Knockin' On The Blind 3:07
Acoustic Bass – Unknown Artist
Clarinet – Buster Bailey
Drums – Pearlis Williams
Guitar – Joe McCoy
Guitar, Mandolin – Charlie McCoy 
Piano – Horace Malcolm
Trumpet – Unknown Artist
Vocals – Frankie "Half-Pint" Jaxon
22.    Frankie "Half-Pint" Jaxon And The Harlem Hamfats–    You Certainly Look Good To Me 2:28
Acoustic Bass – Unknown Artist
Clarinet – Buster Bailey
Drums – Pearlis Williams
Guitar – Joe McCoy
Guitar, Mandolin – Charlie McCoy 
Piano – Horace Malcolm
Trumpet – Unknown Artist
Vocals – Frankie "Half-Pint" Jaxon
23.    Frankie "Half-Pint" Jaxon And The Harlem Hamfats–    She Sends Me 2:33
Acoustic Bass – Unknown Artist
Clarinet – Buster Bailey
Drums – Pearlis Williams
Guitar – Joe McCoy
Guitar, Mandolin – Charlie McCoy 
Piano – Horace Malcolm
Trumpet – Unknown Artist
Vocals – Frankie "Half-Pint" Jaxon
24.    Frankie "Half-Pint" Jaxon And The Harlem Hamfats–    Chocolate To The Bone (I'm So Glad I'm Brownskin) 2:59
Acoustic Bass – Unknown Artist
Clarinet – Buster Bailey
Drums – Pearlis Williams
Guitar – Joe McCoy
Guitar, Mandolin – Charlie McCoy 
Piano – Horace Malcolm
Trumpet – Unknown Artist
Vocals – Frankie "Half-Pint" Jaxon 

JIMMIE NOONE – 1934-1940 | The Classics Chronological Series – 651 (1992) FLAC (tracks+.cue), lossless

On the fifth of Jimmie Noone's five CDs on the Classics label, the New Orleans clarinetist is heard on his final 24 selections as a leader (with the exception of a slightly later live session). The first six numbers close the book on his Apex Club Orchestra, featuring Eddie Pollack (in Joe Poston's old place) playing the melody on alto and sometimes baritone behind Noone's solos; trumpeter Jimmy Cobb and pianist Zinky Cohn get some solo space. Noone is also heard in 1936 with a freewheeling New Orleans group featuring trumpeter Guy Kelly and trombonist Preston Jackson, holding his own the following year with the dynamic young trumpeter Charlie Shavers and altoist Pete Brown, and doing his best in 1940 to overcome the weak cornet playing of Natty Dominique. The final four numbers (also from 1940) are dominated by Ed Thompson's dated vocals. No matter what the setting, Noone (who passed away in 1944) is heard in prime form. Scott Yanow  
Tracklist + Credits :

ALBERT AMMONS – 1936-1939 (1993) The Classics Chronological Series – 715 | FLAC (image+.cue), lossless

Albert Ammons, father of Gene Ammons, became so thoroughly associated with boogie-woogie and Blue Note Records that it is thrilling to hear him in 1936 leading a straightforward swing band in a solid stride treatment of "Nagasaki" for the Decca record label. Naturally, the flip side is an authentic, upbeat rendition of "Pinetop's Boogie Woogie," and most of the material on this disc contains five times its weight in danceable blues protein. "Mile-Or-Mo Bird Rag," however, swings like "Nagasaki" did, and once again we get to hear Albert playing genuine stride piano with outstanding support from bassist Israel Crosby and guitarist Ike Perkins. There are refreshing solos from trumpeter Guy Kelly and from a fine alto player by the name of Dalbert Bright. Act two opens in 1939 with ten piano solos, packed with blues and boogie. While some folks disparage the woogie, they are most likely complaining about imitators rather than this archetypal, fundamental body of definitive good-time piano. If you're lucky enough to be able to submerge yourself in this many Albert's solos, you'll most likely succumb to his dignified realism, his gut-level understanding of the blues. The coolest surprise of the whole package is the session of February 1, 1939, whereby Harry James made two sides for Brunswick backed by the "Boogie Woogie Trio." The pure excitement of "Woo-Woo" is worth a million bucks, as muted trumpet wails over a churning rhythm section, egged on by neat little crashes of the cymbal. "Jesse" is a minor stomp on open horn, with Albert back in a Harlem stride piano groove. When James puts the mute back on his horn it becomes clear that these are two of the very best undiluted jazz records that this trumpeter ever made! The CD ends with four sides recorded at the Blue Note "Port of Harlem" session of April 7, 1939. The sound quality is a bit misty, but that seems to be the case with most reissues of this material. On the "Weary Land Blues," trombonist J.C. Higginbotham was designated as leader. Frankie Newton's expressive trumpet was added to this band to form the Port of Harlem Jazzmen, resulting that day in three 12" 78 rpm records, each containing more than four minutes of undiluted blues. The moods are disarmingly intimate and uncontrived. Teddy Bunn's guitar sounds particularly good throughout the entire session. Things begin to solidify during a stern walk through the "Mighty Blues," and everybody cuts loose during "Rocking the Blues," a boogie-woogie for sextet driven at a healthy clip by two powerful engines: the drumming of Sidney Catlett and the double-fisted piano of Albert Ammons. arwulf arwulf  
Tracklist :
1    Albert Ammons And His Rhythm Kings–    Nagasaki 2:50
Clarinet, Alto Saxophone – Dalbert Bright
Double Bass [String Bass] – Israel Crosby
Drums – Jimmy Hoskins
Guitar – Ike Perkins
Piano – Albert Ammons
Trumpet – Guy Kelly
Written-By – Warren, Dixon
2    Albert Ammons And His Rhythm Kings–    Boogie Woogie Stomp 2:58
Clarinet, Alto Saxophone – Dalbert Bright
Double Bass [String Bass] – Israel Crosby
Drums – Jimmy Hoskins
Guitar – Ike Perkins
Piano – Albert Ammons
Trumpet – Guy Kelly
Written-By – Smith
3    Albert Ammons And His Rhythm Kings–    Early Mornin' Blues 3:09
Clarinet, Alto Saxophone – Dalbert Bright
Double Bass [String Bass] – Israel Crosby
Drums – Jimmy Hoskins
Guitar – Ike Perkins
Piano – Albert Ammons
Trumpet – Guy Kelly
Written-By – Ammons
4    Albert Ammons And His Rhythm Kings–    Mile-Or-Mo Bird Rag 3:12
Clarinet, Alto Saxophone – Dalbert Bright
Double Bass [String Bass] – Israel Crosby
Drums – Jimmy Hoskins
Guitar – Ike Perkins
Piano – Albert Ammons
Trumpet – Guy Kelly
Written-By – Ammons
5    Albert Ammons–    Shout For Joy 2:23
Piano – Albert Ammons
Written-By – Ammons
6    Albert Ammons–    Boogie Woogie Stomp 3:35
Piano – Albert Ammons
Written-By – Ammons
7    Albert Ammons–    Chicago In Mind 3:59
Piano – Albert Ammons
Written-By – Ammons
8    Albert Ammons–    Suitcase Blues 3:49
Piano – Albert Ammons
Written-By – Thomas
9    Albert Ammons–    Boogie Woogie Blues 3:39
Piano – Albert Ammons
Written-By – Ammons
10    Albert Ammons–    Untitled Ammons Original 4:04
Piano – Albert Ammons
Written-By – Ammons
11    Albert Ammons–    Bass Goin' Crazy 3:18
Piano – Albert Ammons
Written-By – Ammons
12    Albert Ammons–    Backwater Blues 4:02
Piano – Albert Ammons
Written-By – Smith
13    Albert Ammons–    Changes In Boogie Woogie 4:04
Piano – Albert Ammons
Written-By – Unknown Artist
14    Albert Ammons–    Easy Rider Blues 4:09
Traditional
Piano – Albert Ammons
15    Harry James And The Boogie Woogie Trio–    Woo-Woo 3:12
Double Bass [String Bass] – Johnny Williams
Drums – Eddie Dougherty
Piano – Albert Ammons
Trumpet – Harry James
Written-By – James
16    Harry James And The Boogie Woogie Trio–    Jesse 2:42
Double Bass [String Bass] – Johnny Williams
Drums – Eddie Dougherty
Piano – Albert Ammons
Trumpet – Harry James
Written-By – James
17    J.C. Higginbotham Quintet–    Weary Land Blues 2:49
Double Bass [String Bass] – Johnny Williams
Drums – Sidney Catlett
Guitar – Teddy Bunn
Piano – Albert Ammons
Trombone – J.C. Higginbotham
18    Port Of Harlem Jazzmen–    Port Of Harlem Blues 4:28
Double Bass [String Bass] – Johnny Williams
Drums – Sidney Catlett
Guitar – Teddy Bunn
Piano – Albert Ammons
Trombone – J.C. Higginbotham
Trumpet – Frank Newton
19    Port Of Harlem Jazzmen–    Mighty Blues 4:32
Double Bass [String Bass] – Johnny Williams
Drums – Sidney Catlett
Guitar – Teddy Bunn
Piano – Albert Ammons
Trombone – J.C. Higginbotham
Trumpet – Frank Newton
20    Port Of Harlem Jazzmen–    Rocking The Blues 4:21
Double Bass [String Bass] – Johnny Williams
Drums – Sidney Catlett
Guitar – Teddy Bunn
Piano – Albert Ammons
Trombone – J.C. Higginbotham
Trumpet – Frank Newton