Such Sweet Thunder is the 1957 album by Duke Ellington. This is taken from the 1999 Legacy edition released by Sony on 27 April, 1999 and features different takes during these sessions, including alternate, preferred, and different outtakes.
The 1999 reissue of this album marks a total reconstruction and rethinking of the original LP, and such a complete break from the original album that its story could fill a book. Such Sweet Thunder was originally announced as a stereo and mono release, but only showed up in mono thanks to the technical problems inherent in early stereo, in creating a concert-like ambience in which the performance seemed continuous. The reissue presents the original album as it was intended, using alternate takes from the original sessions, plus the stereo masters of the takes used on the original album, all rounded out with a mono outtake or two. The music itself counts among Ellington's most well-realized "concept projects," all inspired by Shakespeare's work and filled with memorable melodies and ample opportunities for solos by Cat Anderson, Johnny Hodges, Paul Gonsalves, and Quentin Jackson. The Ellington-Strayhorn compositions treat their soloists like actors doing scenes and, in effect, playing parts, even quoting lines after a fashion – Clark Terry "plays" Puck in "Up and Down, Up and Down (I Will Lead Them Up and Down)," and Johnny Hodges turns in one of the most sensuous performances of his career for "Half the Fun," from Antony and Cleopatra. These moments more than justify the cost of the CD, and the bonus tracks, many of which are different takes and others are simply material that came from the same sessions, more than double the length of the original LP. The extended notes by Phil Schaap deserve some kind of award for detail and clarity. Bruce Eder
Tracklist :
1 - Such Sweet Thunder 3:22
Duke Ellington / Billy Strayhorn
2 - Sonnet For Caesar 3:00
Duke Ellington / Billy Strayhorn
3 - Sonnet To Hank Cinq 1:24
Duke Ellington / Billy Strayhorn
4 - Lady Mac 3:41
Duke Ellington / Billy Strayhorn
5 - Sonnet In Search Of A Moor 2:22
Duke Ellington / Billy Strayhorn
6 - The Telecasters 3:05
Duke Ellington / Billy Strayhorn
7 - Up And Down, Up And Down (I Will Lead Them Up & Down) 3:09
Duke Ellington / Billy Strayhorn
8 - Sonnet For Sister Kate 2:24
Duke Ellington / Billy Strayhorn
9 - The Star-Crossed Lovers (aka Pretty Girl) 4:00
Duke Ellington / Billy Strayhorn
10 - Madness In Great Ones (Hamlet) 3:26
Duke Ellington / Billy Strayhorn
11 - Half The Fun (aka Lately) 4:19
Duke Ellington / Billy Strayhorn
12 - Circle Of Fourths 1:45
Duke Ellington / Billy Strayhorn
13 - The Star-Crossed Lovers (aka Pretty Girl) 4:15
Duke Ellington / Billy Strayhorn
14 - Circle Of Fourths [stereo LP master] 1:47
Duke Ellington / Billy Strayhorn
15 - Suburban Beauty [master take] 2:56
Duke Ellington
16 - A Flat Minor [preferred take] 2:33
Duke Ellington
17 - Cafe Au Lait [preferred take] 2:49
Duke Ellington / Billy Strayhorn
18 - Half The Fun (aka Lately) [alternate take] 4:08
Duke Ellington / Billy Strayhorn
19 - Suburban Beauty [alternate take] 2:56
Duke Ellington
20 - A Flat Minor [outtakes] 3:49
Duke Ellington
21 - Cafe Au Lait [outtakes - mono] 6:21
Duke Ellington / Billy Strayhorn
22 - Pretty Girl (aka The Star-Crossed Lovers) [first recording] 8:54
Duke Ellington / Billy Strayhorn
23 - [end]
Credits :
Duke Ellington - Piano
Russell Procope - Alto Saxophone, Clarinet
Johnny Hodges - Alto Saxophone
Jimmy Hamilton - Tenor Saxophone, Clarinet
Paul Gonsalves - Tenor Saxophone
Harry Carney - Baritone Saxophone
"Cat" Anderson, Ray Nance, Clark Terry, Willie Cook - Trumpet
John Sanders, Britt Woodman, Quentin Jackson - Trombone
Jimmy Woode - Bass
Sam Woodyard - Drums
28.7.25
DUKE ELLINGTON AND HIS ORCHESTRA — Such Sweet Thunder (1957) Two Version | Jazz Originals Series | MONO | Columbia Jazz, Duke 100 Years | FLAC (tracks+.cue), lossless
20.7.25
MILES DAVIS — Circle in the Round (1979-1991) 2CD | RM | Columbia Jazz Contemporary Masters Series | FLAC (tracks+.cue), lossless
Tracklist :
1-1 Two Bass Hit 3:42
Double Bass [Acoustic Bass] – Paul Chambers
Drums – Philly Joe Jones
Piano [Acoustic] – Red Garland
Tenor Saxophone – John Coltrane
Trumpet – Miles Davis
Written-By – Dizzy Gillespie, John Lewis
1-2 Love For Sale 11:49
Alto Saxophone – Cannonball Adderley
Double Bass [Acoustic Bass] – Paul Chambers
Drums – Jimmy Cobb
Piano [Acoustic] – Bill Evans
Tenor Saxophone – John Coltrane
Trumpet – Miles Davis
Written-By – Cole Porter
1-3 Blues No. 2 6:48
Double Bass [Acoustic Bass] – Paul Chambers
Drums – Philly Joe Jones
Piano [Acoustic] – Wynton Kelly
Tenor Saxophone – Hank Mobley
Trumpet – Miles Davis
Written-By – Miles Davis
1-4 Circle In The Round 26:15
Celesta – Herbie Hancock
Double Bass [Acoustic Bass] – Ron Carter
Drums – Tony Williams*
Electric Guitar – Joe Beck
Tenor Saxophone – Wayne Shorter
Trumpet, Chimes, Bells – Miles Davis
Written-By – Miles Davis
2-1 Teo's Bag 5:55
Double Bass [Acoustic Bass] – Ron Carter
Drums – Tony Williams
Piano [Acoustic] – Herbie Hancock
Tenor Saxophone – Wayne Shorter
Trumpet – Miles Davis
Written-By – Miles Davis
2-2 Side Car I 4:58
Double Bass [Acoustic Bass] – Ron Carter
Drums – Tony Williams
Piano [Acoustic] – Herbie Hancock
Tenor Saxophone – Wayne Shorter
Trumpet – Miles Davis
Written-By – Miles Davis
2-3 Side Car II 3:34
Double Bass [Acoustic Bass] – Ron Carter
Drums – Tony Williams
Electric Guitar – George Benson
Piano [Acoustic] – Herbie Hancock
Tenor Saxophone – Wayne Shorter
Trumpet – Miles Davis
Written-By – Miles Davis
2-4 Splash 8:30
Double Bass [Acoustic Bass] – Dave Holland
Drums – Tony Williams
Electric Piano – Chick Corea, Herbie Hancock
Piano [Acoustic] – Joe Zawinul
Tenor Saxophone – Wayne Shorter
Trumpet – Miles Davis
Written-By – Miles Davis
2-5 Sanctuary 8:48
Double Bass [Acoustic Bass] – Ron Carter
Drums – Tony Williams*
Electric Guitar – George Benson
Piano [Acoustic] – Herbie Hancock
Tenor Saxophone – Wayne Shorter
Trumpet – Miles Davis
Written-By – Wayne Shorter
2-6 Guinnevere 18:06
Bass Clarinet – Bennie Maupin
Celesta, Piano, Electric Piano – Herbie Hancock
Double Bass [Acoustic Bass] – Dave Holland
Drums – Billy Cobham, Jack DeJohnette
Electric Bass – Harvey Brooks
Keyboards – Chick Corea, Joe Zawinul
Percussion – Airto Moreira
Sitar – Khalil Balakrishna
Soprano Saxophone, Tenor Saxophone – Wayne Shorter
Trumpet – Miles Davis
Written-By – David Crosby

THELONIOUS MONK – Underground (1968) Three Version | RM | Jazz Originals Series + Vinyl LP Best Jazz Collection 24-96Hz | FLAC (tracks+.cue), lossless
This release has long been considered Thelonious Monk's acknowledgement to the flourishing youth-oriented subculture from whence the collection takes its name. Certainly the Grammy-winning cover art -- which depicts Monk as a World War II French revolutionary toting an automatic weapon -- gave the establishment more than the brilliant swinging sounds in the grooves to consider. Underground became Monk's penultimate studio album, as well as the final release to feature the '60s quartet: Charlie Rouse (tenor sax), Ben Riley (drums), and Larry Gales (bass) behind Monk (piano). One of the motifs running throughout Monk's recording career is the revisitation of titles from his voluminous back catalog. The tradition continues with the autobiographical leadoff track, "Thelonious." The instantly recognizable stride piano lines are delivered with the same urgency and precision that they possessed over two decades earlier when he first recorded the track for Blue Note. The presence of Charlie Rouse throughout the album is certainly worth noting. "Ugly Beauty" best captures the sacred space and musical rapport that he and Monk shared. Each musician functions as an extension of the other, creating solos that weave synchronically as if performed by the same pair of hands. Newer material, such as the playful "Green Chimneys" -- named after the school Monk's daughter attended -- as well as the unbalanced hypnotism of "Raise Four," asserts the timelessness and relevance of Monk's brand of bop. The disc ends as it begins with a new twist on an old favorite. Jon Hendricks -- who provides lyrics and vocals on "In Walked Bud" -- recalls the hustle and bustle of the real and spontaneous underground Harlem jam sessions of the late '40s. It is likewise an apt bookend to this chapter in the professional life of Thelonious Monk. Lindsay Planer
Tracklist :
1. Thelonious 3:15
Written-By – T. Monk
2. Ugly Beauty 7:19
Written-By – T. Monk
3. Raise Four 5:49
Written-By – T. Monk
4. Boo Boo's Birthday 5:54
Written-By – T. Monk
5. Easy Street 5:55
Written-By – A.R. Jones
6. Green Chimneys 9:01
Written-By – T. Monk
7. In Walked Bud 4:18
Vocals – Jon Hendricks
Written-By – J. Hendricks, T. Monk
Credits :
Bass – Larry Gales
Design [Cover] – John Berg, Dick Mantel
Drums – Ben Riley
Piano – Thelonious Monk
Tenor Saxophone – Charlie Rouse
2.7.25
PAUL DESMOND · GERRY MULLIGAN — Two Of A Mind (1962) RM | Two Version | Original Columbia Jazz Classics Series | FLAC (image+.tracks+.cue), lossless
Altoist Paul Desmond and baritonist Gerry Mulligan always made for a perfect team during their infrequent collaborations. Both of the saxophonists had immediately distinctive light tones, strong wits, and the ability to improvise melodically. Here the two masterful reed players are featured in pianoless quartets that also include Wendell Marshall, Joe Benjamin or John Beal on bass, and Connie Kay or Mel Lewis on drums. The songs all utilize common chord changes, including the two "originals" ("Two of a Mind" and "Blight of the Fumble Bee"), and the interplay between Desmond and Mulligan is consistently delightful. Highly recommended. [Some reissues add five bonus tracks: two alternate takes of album tracks, a laid-back take of "Easy Living" that shows off Mulligan's way with a ballad, and two takes of "Untitled Blues Waltz" that feature Jim Hall on guitar and a very squeaky drum pedal.] Scott Yanow
Tracklist :
1 All The Things You Are 5:48
Written-By – Jerome Kern, Oscar Hammerstein II
2 Stardust 8:20
Written-By – Hoagy Carmichael, Mitchell Parish
3 Two Of A Mind 5:45
Written-By – Paul Desmond
4 Blight Of The Fumble Bee 6:33
Written-By – Gerry Mulligan
5 The Way You Look Tonight 7:19
Written-By – Dorothy Fields, Jerome Kern
6 Out Of Nowhere 6:42
Written-By – Edward Heyman, Johnny Green
Credits :
Alto Saxophone – Paul Desmond
Baritone Saxophone – Gerry Mulligan
Bass – Joe Benjamin (tracks: 3, 5, 6), John Beal (tracks: 4), Wendell Marshall (tracks: 1, 2)
Drums – Connie Kay (tracks: 1, 2, 4), Mel Lewis (tracks: 3, 5, 6)
18.6.25
MARGE DODSON — In The Still Of The Night (1959) Vynil LP | MONO | FLAC (tracks) 24-48Hz
In the Still of the Night is Marge Dodson's initial effort for Columbia and neither she nor the label's A&R man, the indefatigable Mitch Miller, were taking no chances. All the tunes on the program are major entries in the Great American Songbook, with a full half of them from the pens of the Gershwin brothers or the team of Richard Rodgers and Lorenz Hart. Dodson delivers them all competently with a pleasant, clear voice with good diction, medium range and virtually no vibrato, sounding like a blend of Dinah Shore and June Christy. But she brings nothing distinctive to the vocal table on this album, except for an unusual rendition of "Little Girl Blue." Here she uses a quirky beat pattern giving a different interpretation than one usually hears. To her credit, she also does a respectable, mid-tempo version of "But Not for Me." She is accompanied on all but one of the tracks by an assortment of small groups led by Michael Colicchio. On "Little Girl Blue," her husband Coleridge Perkinson does the honors. However, there is one constant on each track, her principal support is supplied by a bass player, never identified. The other instruments play subsidiary roles. Dodson was to cut another album for Columbia and one for Decca then seems to have disappeared not even remembered by a footnote in any of the standard works on vocal jazz. Dave Nathan
Tracklist :
1. Sand in My Shoes 3:30
Frank Loesser / Victor Schertzinger
2. Someone to Watch over Me 3:20
George Gershwin / Ira Gershwin
3. Spring Is Here 3:00
Lorenz Hart / Richard Rodgers
4. But Not for Me 3:13
George Gershwin / Ira Gershwin
5. The End of a Love Affair 3:00
Edward Redding
6. Looking for a Boy 2:55
George Gershwin / Ira Gershwin
7. Little Girl Blue 4:22
Lorenz Hart / Richard Rodgers
8. When Your Lover Has Gone 2:20
Einar A. Swan
9. These Foolish Things 3:25
Harry Link / Holt Marvell / Jack Strachey
10. The Man I Love 2:45
George Gershwin / Ira Gershwin
11. I Cover the Waterfront 3:26
Johnny Green / Edward Heyman
12. In the Still of the Night 1:50
Cole Porter
Credits :
Vocals - Marge Dodson
Accompanied By - Michael Colicchio (tracks: 1 to 6, 8, 12), Coleridge Perkinson (tracks: 7)
15.6.25
LAMBERT, HENDRICKS & ROSS — Everybody's Boppin (1989) RM | Columbia Jazz Masterpieces Series | Two Version | APE + FLAC (image+.tracks+.cue), lossless
Tracklist :
1. Charleston Alley 3:18
Horace Henderson / Jon Hendricks / Leroy Kirkland
2. Moanin' 2:34
Bobby Timmons
3. Twisted 2:15
Wardell Gray / Annie Ross
4. Bijou 3:16
Ralph Burns / Jon Hendricks
5. Cloudburst 2:15
Jimmy Harris / Leroy Kirkland
6. Centerpiece 2:26
Harry "Sweets" Edison / Jon Hendricks
7. Gimme That Wine 2:58
Jon Hendricks
8; Sermonette 3:47
Cannonball Adderley / Jon Hendricks
9. Summertime 1:43
George Gershwin / Ira Gershwin / DuBose Heyward
10. Everybody's Boppin' 4:11
Jon Hendricks
11. Home Cookin' 4:25
Horace Silver
12. Blue 3:48
Gildo Mahones
13. Come On Home 5:26
Horace Silver
14. Cottontail 2:55
Duke Ellington
15. Midnight Indigo 2:33
Duke Ellington
Credits :
Bass – Charles "Ike" Isaacs
Drums – Jimmy Wormworth (tracks: 4, 7 to 15), Walter Lee Bolden (tracks: 1 to 3, 5, 6)
Performer – The Ike Isaacs Trio (tracks: 11 to 14)
Piano – Gildo Mahones
Trumpet – Harry 'Sweets' Edison (tracks: 1 to 10)
Vocals – Annie Ross, Dave Lambert, Jon Hendricks

29.4.25
MILES DAVIS — Porgy And Bess (1959) Six Version | RM | SACD | FLAC (image+.tracks+.cue), lossless
(1983, CBS/Sony – 35DP 61) +
(1987, RM | CBS Jazz Masterpieces Series) +
(1997, RM | Columbia Jazz Series) +
(2000, RM | Master Sound Series) +
(2006, RM | The Original Jacket Collection Series) +
(2019, SHM-CD | Ultradisc UHR, Original Master Recording Series)
Tracklist :
1 The Buzzard Song 4:07
2 Bess, You Is My Woman Now 5:12
3 Gone 3:38
4 Gone, Gone, Gone 2:05
5 Summertime 3:20
6 Bess, Oh Where's My Bess 4:31
7 Prayer (Oh Doctor Jesus) 4:40
8 Fishermen, Strawberry And Devil Crab 4:06
9 My Man's Gone Now 6:13
10 It Ain't Necessarily So 4:23
11 Here Come De Honey Man 1:18
12 I Loves You, Porgy 3:38
13 There's A Boat That's Leaving Soon For New York 3:26
Credits :
Alto Saxophone – Cannonball Adderley
Arranged By, Conductor – Gil Evans
Bass – Paul Chambers
Drums – Philly Joe Jones (tracks: 3, 4, 9, 15), Jimmy Cobb (tracks: 1, 2, 5 to 8, 10 to 14)
Flugelhorn – Miles Davis
Flute [Alto Flute], Bass Clarinet – Danny Bank
Flute, Flute [Alto Flute], Clarinet – Jerome Richardson (tracks: 1, 5 to 7, 12 to 14), Phil Bodner (tracks: 2 to 4, 8 to 11, 15), Romeo Penque
French Horn – Gunther Schuller, Julius Watkins, Willie Ruff
Trombone – Frank Rehak, Jimmy Cleveland, Joe Bennett, Dick Hixon
Trumpet – Bernie Glow, Ernie Royal, Johnny Coles, Louis Mucci
Trumpet [Lead] – Miles Davis (tracks: 2, 8, 10, 11)
Tuba – Bill Barber
9.4.25
JAMES CARTER — JC on the Set (1994) WV (image+.cue), lossless
Twenty-five at the time of this CD, James Carter had already absorbed
much of the tradition. His debut as a leader includes compositions by
the classic tenors Don Byas and John Hardee, Duke Ellington's
"Sophisticated Lady" and even a Sun Ra ballad. He also shows that he has
the courage to play completely outside whenever it seems logical to
him; in fact on the title cut Carter moves from Gene Ammons and Illinois
Jacquet to outbursts a la David Murray in the stratosphere. But most
importantly, at this early stage James Carter already had his own sound.
He switches between the tenor (his main ax) to alto and baritone, shows
self-restraint on the ballads and fills his improvisations with
continual surprises. Joined by the supportive pianist Craig Taborn,
bassist Jaribu Shahid and drummer Tani Tabbal, James Carter puts on
quite a tour-de-force throughout this very impressive set. Scott Yanow
Tracklist :
1 JC On The Set 6:25
Written-By – J. Carter
2 Baby Girl Blues 7:47
Written-By – J. Carter
3 Worried And Blue 8:07
Written-By – D. Byas
4 Blues For A Nomadic Princess 13:50
Written-By – J. Carter
5 Caravan 9:43
Written-By – D. Ellington, I. Mills, J. Tizol
6 Hour Of Parting 8:18
Written-By – Sun Ra
7 Lunatic 4:18
Written-By – J. Hardee
8 Sophisticated Lady 6:41
Written-By – D. Ellington, I. Mills, M. Parrish
Credits :
Alto Saxophone, Tenor Saxophone, Baritone Saxophone – James Carter
Bass – Jaribu Shahid
Drums – Tani Tabbal
Piano – Craig Taborn
18.3.25
JOHN TROPEA — Tropea (1975) Two Version (1996, Fusion Super 1800 Series) + (2014, RM | Blu-spec CD | FLAC (image+tracks+.cue), lossless
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1. Tambourine - 4:40
Arranged By, Orchestrated By – John TropeaBass Guitar – Will Lee
Drums [Left Drums] – Rick Marotta
Drums [Right Drums] – Stephen Gadd
Guitar [Guitars] – Tropea
Keyboards – Don Grolnick
Percussion – Rubens Bassini
Written-By – J. Tropea
2. 7th Heaven - 4:13
Bass Guitar – Will Lee
Drums [Left Drums] – Rick Marotta
Drums [Right Drums] – Stephen Gadd
Guitar [Guitars] – John Tropea
Keyboards, Arranged By, Orchestrated By – Don Grolnick
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Percussion – Rubens Bassini
Written-By – Don Grolnick
3. The Jingle - 4:39
Arranged By, Orchestrated By – John Tropea
Bass Guitar – Don Payne
Contrabass [Matracca] – C. Conrad
Drums – Alan Schwartzberg
Guitar [Guitars] – John Tropea
Keyboards – Kenny Ascher
Percussion – Nick Remo, Ron Tropea, Rubens Bassini
Written-By – John Tropea
4. Just Blue - 8:17
Alto Saxophone, Soloist – George Young
Arranged By, Orchestrated By – John Tropea
Bass Guitar – Will Lee
Drums [Left Drums] – Rick Marotta
Drums [Right Drums] – Stephen Gadd
Guitar [Guitars] – John Tropea
Keyboards – Don Grolnick
Written-By – John Tropea
5. Muff - 5:59
Arranged By – R. Marotta, W. Lee
Arranged By, Orchestrated By – John Tropea
Bass Guitar – Will Lee
Drums [Left Drums] – Rick Marotta
Drums [Right Drums] – Stephen Gadd
Keyboards – Don Grolnick
Percussion – Rubens Bassini
Saxophone, Soloist – Dave Sanborn
Written-By – Marotta, Lee
Written-By, Guitar [Guitars] – John Tropea
6. Cisco Disco (Bob Mintzer) - 4:35
Arranged By, Orchestrated By – John Tropea
Bass Guitar – Will Lee
Drums [Left Drums] – Rick Marotta
Drums [Right Drums] – Stephen Gadd
Flute [Flutes] – Bob Mintzer
Guitar [Guitars] – John Tropea
Keyboards – Don Grolnick
Percussion – Rubens Bassini
Written-By – Bob Mintzer
7. Tha Bratt (David Spinozza) - 5:07
Arranged By, Orchestrated By – John Tropea
Bass Guitar – Will Lee
Drums [Left Drums] – Rick Marotta
Drums [Right Drums] – Stephen Gadd
Keyboards – Don Grolnick
Lead Guitar – John Tropea
Rhythm Guitar, Arranged By, Orchestrated By – David Spinozza
Written-By – David Spinozza
8. Dreams - 4:46
Bass – Richard Davis
Drums – Rick Marotta
Keyboards, Arranged By, Orchestrated By – Eumir Deodato
Percussion – Rubens Bassini
Trombone, Soloist – Sam Burtis
Written-By, Guitar [Guitars] – John Tropea

23.2.25
JO STAFFORD — Swingin' Down Broadway (1958) Vinyl LP | Mono | FLAC (tracks) 24-96Hz
Tracklist :
A1 Anything Goes 2:44
Written By – Cole Porter
A2 The Gentleman Is A Dope 2:53
Written By – Richard Rodgers / Oscar Hammerstein II
A3 I Got It Bad (And That Ain't Good) 2:57
Written By – Duke Ellington / Paul Francis Webster
A4 Old Devil Moon 2:34
Written By – Burton Lane / E.Y. Harburg
A5 Any Place I Hang My Hat Is Home 3:39
Written By – Harold Arlen / Johnny Mercer
A6 Tomorrow Mountain 2:45
Written By – Duke Ellington / John Latouche
B1 Love For Sale 3:50
Written By – Cole Porter
B2 Happiness Is A Thing Called Joe 2:44
Written By – Harold Arlen / E.Y. Harburg
B3 How High The Moon 3:03
Written By – Morgan Lewis / Nancy Hamilton
B4 Speak Low 2:14
Written By – Kurt Weill / Ogden Nash
B5 It Never Entered My Mind 2:37
Written By – Richard Rodgers / Lorenz Hart
B6 Taking A Chance On Love 2:55
Written By – Vernon Duke / John Latouche / Ted Fetter
Personnel:
– Jo Stafford- Vocals
with Paul Weston and his Orchestra
19.2.25
ANITA BRYANT — Kisses Sweeter Than Wine (1961) Vinyl, LP | Mono | FLAC (image+.cue) 24-96Hz
Tracklist :
A1 True Love 2:49
Written-By – Cole Porter
A2 My Heart Cries For You 2:47
Written-By – C. Sigman, P. Faith
A3 Unchained Melody 3:30
Written-By – A. North, H. Zaret
A4 Have I Told You Lately That I Love You? 3:06
Written-By – S. Wiseman
A5 In The Chapel In The Moonlight 3:05
Written-By – B. Hill
A6 I Can Dream, Can't I? 3:02
Written-By – I. Kahal, S. Fain
B1 Kisses Sweeter Than Wine 2:46
Written-By – J. Newman, P. Campbell
B2 Vaya Con Dios 3:55
Written-By – B. Pepper, I. James, L. Russell
B3 Please Help Me, I'm Falling 2:48
Written-By – D. Robertson, H. Blair
B4 Love Me Tender 2:40
Written-By – E. Presley, V. Matson
B5 The Twelfth Of Never 2:44
Written-By – J. Livingston, P. F. Webster
B6 May You Always 3:15
Written-By – D. Charles, L. Markes
Credits:
Backing Vocals – The Anita Kerr Singers, The Jordanaires
Guitar – Hank Garland
Music Director – Grady Martin
Producer – Don Law
Vocals – Anita Bryant

ADA MOORE | BUCK CLAYTON AND HIS ORCHESTRA | JIMMY RUSHING — Cat Meets Chick A Story In Jazz (1955) Vinyl, LP | Mono | FLAC (tracks), lossless
As the common format for LPs became 12" rather than 10" in the mid-'50s, record companies and artists struggled to come up with ideas for sustained musical performances lasting 30 to 45 minutes. In 1955, Columbia Records producer Irving Townsend put together a selection of pop songs with the singers Felicia Sanders, Peggy King, and Jerry Vale to come up with Girl Meets Boy, and he had a similar concept in the jazz realm for Cat Meets Chick. Borrowing Jimmy Rushing from Vanguard Records and hiring young Ada Moore, who had recently made her Broadway debut in the musical House of Flowers, he put them in front of an orchestra led by Buck Clayton and had them perform a series of songs in which the story line was that Clayton (through the medium of his trumpet) and Rushing were vying for Moore's attention. For example, Moore would say, "Buck, if I choose you, what are you gonna give me?," which would be a cue for Clayton to launch into "I Can't Give You Anything But Love." "Nothin' but love?" Moore would say, "Uh-huh, you got the wrong girl," after which Clayton would play "The Blues." The concept, of course, was just an excuse to have Rushing and Moore sing a bunch of old favorites before Clayton's band, and that was fine, especially because Moore, sporting a Sarah Vaughan-like alto, held her own against the great blues shouter. Of course, the ruling presence, even in his absence, was Count Basie, who had previously employed both Rushing and Clayton for extended periods. The music had much of the verve and swing of the Basie band, even without the leader being on the date. The story might be silly, but the music was not. William Ruhlmann
Tracklist :
Opening - Any Place I Hang My Hat Is Home 0:42
A1a Unknown Artist– Opening
A1b Ada Moore– Any Place I Hang My Hat Is Home
Written-By – Mercer-Arlen
A2 Jimmy Rushing– Pretty Little Baby 1:32
Written-By – Bernie, P. Baker, S. Silvers
A3 Ada Moore– I've Got A Feeling I'm Falling 2:26
Written-By – B. Rose, Waller, Link
A4 Jimmy Rushing And Ada Moore– If I Could Be With You (One Hour Tonight) 2:44
Written-By – Creamer, J. Johnson
A5 Buck Clayton– Ain't She Sweet 2:39
Written-By – Yellen, Ager
A6 Ada Moore– Any Place I Hang My Hat Is Home 2:17
Written-By – Mercer-Arlen
A7 Buck Clayton And Ada Moore– You're My Thrill 3:38
Written-By – Gorney, Clare
B1 Ada Moore– Between The Devil And The Deep Blue Sea 2:41
Written-By – Arlen, Koehler
B2 Jimmy Rushing– Gee, Baby, Ain't I Good To You 2:36
Written-By – Razaf, Redman
B3 Jimmy Rushing– Cool Breeze, Woman 2:28
Written-By – Rushing
B4 Buck Clayton– I Can't Give You Anything But Love 2:02
Written-By – Fields-McHugh
B5 Buck Clayton– The Blues 1:20
Any Place I Hang My Hat Is Home - After You've Gone - Conclusion 4:42
B6a Ada Moore– Any Place I Hang My Hat Is Home
Written-By – Mercer-Arlen
B6b Jimmy Rushing And Buck Clayton– After You've Gone
Written-By – Creamer, Layton
B6c Unknown Artist– Conclusion
Credits :
Arranged By – Buck Clayton
Bass – Aaron Bell, Milt Hinton
Drums – Jo Jones, James Osie Johnson
Guitar – Steve Jordan
Piano – Ken Kersey, Sir Charles Thompson
Saxophone – Bud Johnson, Eddy Barefield, Willard Brown
Trombone – Dicky Wells
Trumpet – Buck Clayton, Emmett Berry
Vocals – Ada Moore, Jimmy Rushing
9.8.24
STEVE KUHN — The Early 70's (1971-2007) FLAC (tracks+.cue), lossless
This is the almost more about the other Jazz side of Steve Khun the vocalist, not the Pianist. When he plays piano, it is within the language of avant garde classical, and the presence of a string quartet affirms that soundscape, yet the Jeckyll to the Hyde of that is the singing is mellifluous, accompanied by gentle Electric piano. It is in the spirit of Michael Franks, and a delight in being so. In a long and distinguished career with some of jazz' s greats, this is his oddity. Yet for the most part, the unusual experiment works, I think for the most part that there is a nostalgia for early fusion, and this is the sleeper in that format. The best instrumental tracks on the lp are comparable with the Return to Forever tracks with no guitarist on them. The later Kuhn ECM albums embrace that early hard to post bop language and have him back in the piano seat without the vocal mike. Mark Harrington
Tracklist :
1 The Zoo (a.k.a. Pearlie's Swine) 5:29
Written-By – Steve Kuhn
2 Silver 4:38
Written-By – Steve Kuhn
3 Tomorrow's Son (a.k.a. Time To Go) 3:23
Written-By – Steve Kuhn
4 The Heat Of The Moment 1:56
Written-By – Steve Kuhn
5 Saharan (a.k.a. The Baby) 4:46
Written-By – Steve Kuhn
6 The Drinking Song (a.k.a. Hold Out Your Hand) 3:12
Written-By – Steve Kuhn
7 The Meaning Of Love 2:54
Written-By – Steve Kuhn
8 Remembering Tomorrow (a.k.a. Ulla) 4:22
Written-By – Steve Kuhn
9 A Change Of Face 3:34
Written-By – Steve Kuhn
10 Day Dreaming 2:59
Written-By – Aretha Franklin
11 Something Everywhere 4:47
Written-By – Steve Kuhn
12 Trance 4:41
Written-By – Steve Kuhn
13 Last Tango In Paris 2:37
Written-By – Gato Barbieri
14 Life's Backward Glance 3:06
Written-By – Steve Kuhn
Credits :
Acoustic Bass, Electric Bass – Ron Carter (tracks: 1 to 8)
Arranged By – Gary McFarland (tracks: 1 to 8), Steve Kuhn (tracks: 1 to 8)
Conductor – Gary McFarland (tracks: 1 to 8)
Drums – Billy Cobham (tracks: 1 to 8), Bruce Ditmas (tracks: 9 to 14)
Electric Bass – Steve Swallow (tracks: 9 to 14)
Electric Piano – Steve Kuhn
Percussion – Susan Evans (tracks: 9 to 14)
Percussion [Latin] – Airto Moreira (tracks: 1 to 8)
Piano – Steve Kuhn (tracks: 1 to 8)
Vocals – Steve Kuhn (tracks: 1 to 8, 14)
6.7.24
THE MILLS BROTHERS — Four Boys And A Guitar : The Essential Mills Brothers (1995) MONO | Serie Art Deco | FLAC (tracks+.cue), lossless
The Essential Mills Brothers: Four Boys and a Guitar is a 20-track collection of the vocal group's takes on pop standards like "Bugle Call Rag" and "Dinah, " but not many of their biggest hits. Stephen Thomas Erlewine
Tracklist :
1 Dinah 3:00
Harry Akst / Sam M. Lewis / Joe Young
2 Shine 3:19
Lew Brown / Ford Dabney / Cecil Mack
3 I Heard 2:27
Don Redman
4 How'm I Doin', Hey-Hey 2:29
Lem Fowler / Don Redman
5 Rockin' Chair 3:12
Hoagy Carmichael
6 Chinatown, My Chinatown 2:37
William Jerome / Jean Schwartz
7 Sweet Sue, Just You 2:59
Will J. Harris / Victor Young
8 St. Louis Blues 2:22
W.C. Handy
9 Bugle Call Rag 2:01
Billy Meyers / Jack Pettis / Elmer Schoebel
10 Dirt Dishing Daisy 3:16
Larry Klein
11 Diga, Diga Doo 3:08
Dorothy Fields / Jimmy McHugh
12 Doin' The New Low Down 3:10
Dorothy Fields / Jimmy McHugh
13 Fiddlin' Joe 2:25
James Cavanaugh / Irving Mills
14 Swing It, Sister 2:34
Harold Adamson / Burton Lane
15 Jungle Fever 3:10
Walter Donaldson
16 Put On Your Old Grey Bonnet 2:39
Stanley Murphy / Percy Wenrich
17 Sleepy Head 3:03
Walter Donaldson / Gus Kahn
18 My Little Grass Shack In Kealkekua, Hawaii 2:35
Bill Cogswell / Tommy Harrison / Johnny Noble
All Credits :
5.7.24
MILES DAVIS QUINTET — Miles Smiles (1966) Three Version (1998, RM | Serie Columbia Jazz) + (2006, RM | Serie The Original Jacket Collection) + (2018, RM | SACD, Hybrid, | Ultradisc UHR, Original Master Recording 24-48.1Hz) FLAC (tracks+.cue), lossless
With their second album, Miles Smiles, the second Miles Davis Quintet really began to hit their stride, delving deeper into the more adventurous, exploratory side of their signature sound. This is clear as soon as "Orbits" comes crashing out the gate, but it's not just the fast, manic material that has an edge -- slower, quieter numbers are mercurial, not just in how they shift melodies and chords, but how the voicing and phrasing never settles into a comfortable groove. This is music that demands attention, never taking predictable paths or easy choices. Its greatest triumph is that it masks this adventurousness within music that is warm and accessible -- it just never acts that way. No matter how accessible this is, what's so utterly brilliant about it is that the group never brings it forth to the audience. They're playing for each other, pushing and prodding each other in an effort to discover new territory. As such, this crackles with vitality, sounding fresh decades after its release. And, like its predecessor, ESP, this freshness informs the writing as well, as the originals are memorable, yet open-ended and nervy, setting (and creating) standards for modern bop that were emulated well into the new century. Arguably, this quintet was never better than they are here, when all their strengths are in full bloom. Stephen Thomas Erlewine
Tracklist :
1 Orbits 4:35
Wayne Shorter
2 Circle 5:52
Miles Davis
3 Footprints 9:44
Wayne Shorter
4 Dolores 6:20
Wayne Shorter
5 Freedom Jazz Dance 7:11
Eddie Harris
6 Ginger Bread Boy 7:40
Jimmy Heath
Credits :
Bass – Ron Carter
Drums – Tony Williams
Piano – Herbie Hancock
Tenor Saxophone [Tenor Sax] – Wayne Shorter
Trumpet – Miles Davis
29.6.24
HERBIE HANCOCK | CHICK COREA — An Evening with Herbie Hancock & Chick Corea In Concert (1978-1998) RM | Serie Columbia Jazz | 2CD | FLAC (tracks+.cue), lossless
Since Chick Corea and Herbie Hancock had by 1978 spent several years mostly playing electric keyboards, their acoustic duet tour surprised many listeners who thought that they would always specialize in fusion. This double album contains many fine performances including lengthy versions of "Maiden Voyage" and "La Fiesta" but it is the striding by Corea and Hancock on "Liza" that is most unique. Scott Yanow
Tracklist 1 :
1 Someday My Prince Will Come 12:39
Frank Churchill / Larry Morey
2 Liza (All The Clouds'll Roll Away) 9:00
George Gershwin / Ira Gershwin / Gus Kahn
3 Button Up 17:37
Chick Corea / Herbie Hancock
Tracklist 2 :
1 Introduction Of Herbie Hancock By Chick Corea 0:41
2 February Moment 15:47
Herbie Hancock
3 Maiden Voyage 13:31
Herbie Hancock
4 La Fiesta 22:02
Chick Corea
Credits :
Grand Piano – Chick Corea, Herbie Hancock
26.6.24
HERBIE HANCOCK – Quartet (1982) FLAC (image+.cue) lossless
This is an extremely symbolic album, for Herbie Hancock and the V.S.O.P. rhythm section essentially pass the torch of the '80s acoustic jazz revival to the younger generation, as personified by then 19-year-old Wynton Marsalis. Recorded during a break on a tour of Japan, a month before Marsalis made his first Columbia album, the technically fearless teenaged trumpeter mostly plays the eager student, imitating Miles, Freddie Hubbard, and Clifford Brown, obviously relishing the challenge of keeping up with his world-class cohorts. Things start out conventionally enough with a couple of Monk standards, and then they progress into the mid-'60s Miles Davis post-bop zone, with Ron Carter and Tony Williams driving Marsalis and Hancock relentlessly forward. Several staples from the Miles/V.S.O.P. repertoire turn up ("The Eye of the Hurricane," "The Sorcerer," "Pee Wee"), and there is one wistful ballad, "I Fall in Love Too Easily," where Marsalis sounds a bit callow, not yet the master colorist. Hancock remains a complex, stimulating acoustic pianist, the years of disco having taken no toll whatsoever on his musicianship. This looked like it would be a Japan-only release, but since the buzz on Marsalis was so loud, CBS put it out in the U.S. in 1983, fanning the flames even more. Richard S. Ginell
Tracklist :
1 Well You Needn't 6:26
Written-By – T. Monk
2 'Round Midnight 6:38
Written-By – B. Hanighen, C. Williams, T. Monk
3 Clear Ways 5:01
Written-By – T. Williams
4 A Quick Sketch 16:24
Written-By – R. Carter
5 The Eye Of The Hurricane 8:03
Written-By – H. Hancock
6 Parade 7:56
Written-By – R. Carter
7 The Sorcerer 7:18
Written-By – H. Hancock
8 Pee Wee 4:32
Written-By – T. Williams
9 I Fall In Love Too Easily 5:53
Written-By – J. Styne-S. Cahn
Credits :
Bass – Ron Carter
Drums – Tony Williams
Piano – Herbie Hancock
Trumpet – Wynton Marsalis
19.6.24
ELVIN JONES SPECIAL QUARTET — Tribute To John Coltrane " A Love Supreme" (1994) WV (image+.cue), lossless
Recorded live at a Tokyo nightclub, the "special" in special quartet is trumpeter Wynton Marsalis. Functioning as the lone horn in the ensemble and supported by two of his former sidemen, pianist Marcus Roberts and bassist Reginald Veal, in a group led by one of jazz's greatest drummers, Marsalis' improvisational abilities are displayed prominently on this program of two John Coltrane compositions, one by Marsalis, and a swinging rendition of "Happy Birthday" for a member of the audience. The highlight of this recording is a 47-minute version of the first three movements of Coltrane's "A Love Supreme." Whether ripping off fast runs or blaring held high notes, Marsalis shows himself as a player deserving of his notoriety. Jones is his usual powerful polyrhythmic self, while Roberts and Veal offer solid support. The rest of the program includes Coltrane's ballad "Dear Lord" and Marsalis' tribute to Jones, "Blues for Veen." An essential recording for Jones and Marsalis completists. Greg Turner
Tracklist :
1 A Love Supreme: Pt. 1 Acknowledgement/Pt. 2 Resolution/Pt. 3 Pursuance 47:16
Arranged By – Wynton Marsalis
Composed By – J. Coltrane
2 Dear Lord 6:32
Arranged By – Wynton Marsalis
Composed By – J. Coltrane
3 Happy Birthday For "Yuka" 7:24
Traditional
Arranged By – Elvin Jones
4 Blues To Veen 15:04
Arranged By – Wynton Marsalis
Composed By – W. Marsalis
Credits :
Bass – Reginald Veal
Drums, Music Director – Elvin Jones
Piano – Marcus Roberts
Trumpet, Guest [Special Guest Artist] – Wynton Marsalis
8.4.24
JIMMY GIUFFRE — Free Fall (1962-1998) RM | APE (image+.cue), lossless
Jimmy Giuffre's 1962 recording for Columbia with his trio is one of the most revolutionary recordings to come out of the 1960s. While Coltrane and Coleman and Taylor were trying to tear music down from the inside out to discover what it really counted for, Giuffre was quietly creating his own microtonal revolution that was being overlooked by other avant-gardists in jazz. On Free Fall, Giuffre, pianist Paul Bley, and bassist Steve Swallow embarked on a voyage even farther-reaching than their previous two Verve albums, Fusion and Thesis (both recorded in 1961), in their search of pointillistic harmony, open-toned playing, and the power of the nuanced phrase to open new vistas for solo or group improvisation. The original album is comprised of five clarinet solos, two duets for clarinet and bass, and three trio pieces. The CD reissue adds five more clarinet solos to the bank and makes it a stunning view of Giuffre as a master of the idiom of not only jazz free improvisation but also a fine interpreter of the musical languages being discussed by classical composers Darius Milhaud, Stravinsky, Messiaen, and even Morton Feldman and Earle Brown. All of Giuffre's clarinet studies -- particularly "Man Alone," "Yggdrasill," and "Present Motion" -- are studies in tonal coloration, where phraseology opens onto second and third tonal ideas being layered atop one another to de-emphasize one or the other. Of the group interactions, "Threewe" and "Spasmodic" offer the view of intertwining chromatic pointillism as it shapes itself linguistically between one instrument and the next without concern for a dominant harmony, rhythm, or melody. Indeed, Free Fall was such radical music, no one, literally no one, was ready for it and the group disbanded shortly thereafter on a night when they made only 35 cents apiece for a set. Reissued in 1999, Free Fall predates all of the European microtonal studies and is indeed an inspiration to all who have
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1. Propulsion (3:07)
Jimmy Giuffre
2. Threewe (4:11)
Jimmy Giuffre
3. Ornothoids (2:43)
Jimmy Giuffre
4. Dichotomy (3:57)
Jimmy Giuffre
5. Man Alone (2:18)
Jimmy Giuffre
6. Spasmodic (3:27)
Jimmy Giuffre
7. Yggdrasill (2:32)
Jimmy Giuffre
8. Divided Man (1:53)
Jimmy Giuffre
9. Primordial Call (2:17)
Jimmy Giuffre
10. The Five Ways (10:19)
Jimmy Giuffre
11. Present Notion (3:41)
Jimmy Giuffre
12. Motion Suspended (3:16)
Jimmy Giuffre
13. Future Plans (3:56)
Jimmy Giuffre
14. Past Mistakes (2:05)
Jimmy Giuffre
15. Time Will Tell (3:49)
Jimmy Giuffre
16. Let's See (3:26)
Jimmy Giuffre
Credits :
Paul Bley - Piano (tracks 2, 6, 10, 12)
Jimmy Giuffre - Clarinet
Steve Swallow - Double Bass (tracks 2, 4, 6, 8, 10, 12)
22.3.24
AL DI MEOLA — Electric Rendezvous (1982) APE (image+.cue), lossless
Al di Meola's fifth of seven fusion albums as a leader for Columbia is a
typically fiery effort, with di Meola joined by keyboardist Jan Hammer,
electric bassist Anthony Jackson, drummer Steve Gadd, percussionist
Mingo Lewis, and guest spots for flamenco guitarist Paco de Lucía
("Passion, Grace & Fire") and keyboardist Philippe Saisse. This
lesser-known effort is easily recommended to fans of rock-ish jazz
guitar. Scott Yanow
Tracklist :
1 God Bird Change 3:57
Composed By – Mingo Lewis
2 Electric Rendezvous 7:55
Composed By – Al Di Meola
3 Passion, Grace & Fire 5:40
Composed By – Al Di Meola
4 Cruisin' 4:19
Composed By – Jan Hammer
5 Black Cat Shuffle 3:06
Composed By – Philippe Saisse
6 Ritmo De La Noche 4:21
Composed By – Al Di Meola
7 Somalia 1:40
Composed By – Al Di Meola
8 Jewel Inside A Dream 4:06
Composed By – Al Di Meola
Credits
Bass – Anthony Jackson (tracks: 1, 2, 4 to 8)
Drums – Steve Gadd (tracks: 1, 2, 4 to 8)
Guitar – Al Di Meola, Paco De Lucia (tracks: 3)
Keyboards – Jan Hammer (tracks: 1, 2, 4, 6 to 8), P. Saisse (tracks: 5)
Percussion – Mingo Lewis (tracks: 1, 2, 4 to 8)
+ last month
PATTI AUSTIN — The Real Me (1988) Two Version | FLAC (image+.tracks+.cue), lossless
And how! Austin tackles standards such as "Smoke Gets in Your Eyes" and "They Can't Take That Away from Me," and suc...
