Mostrando postagens com marcador Willis Jackson. Mostrar todas as postagens
Mostrando postagens com marcador Willis Jackson. Mostrar todas as postagens

9.7.24

WILLIS JACKSON WITH PAT MRTINO — Single Action (1978-1995) FLAC (tracks+.cue), lossless

Willis Jackson was a tough-toned tenor who came to fame as a honker and screamer with Cootie Williams's big band in the late '40s. Although he calmed down his style a bit through the years, he always has a passionate sound and an accessible style best heard on blues, ballads and standards. This is a CD reissue of a 1978 session that features Jackson with guitarist Pat Martino, organist Carl Wilson and a supportive rhythm section. Although the Barbara Streisand-associated "Evergreen" (heard in two versions) and "You Are the Sunshine of My Life" may not seem like the best material for the tenor, he uplifts the songs. But best are a pair of hard-driving blues and a warm rendition of "Makin' Whoopee." Joe Fields accurately states in the liner notes that Willis Jackson's best recording was his prior Muse release Bar Wars but Single Action does give one a good example of Jackson playing in a tenor style that (other than Houston Person and now Joshua Redman) is quickly disappearing. Scott Yanow
Tracklist :
1    Evergreen    4:44
 Barbra Streisand / Paul Williams
2    Bolita    8:12
 Willis "Gator" Jackson
3    Makin' Whoopee    6:59
 Walter Donaldson / Gus Kahn
4    You Are The Sunshine Of My Life    7:43
 Stevie Wonder
5    Hittin' The Numbers    5:01
 Willis "Gator" Jackson
6    Single Action    6:17
 Willis "Gator" Jackson
7    Evergreen (Alternate Take)    4:41
 Barbra Streisand / Paul Williams
Credits :
Bass – Jimmy Lewis
Drums – Yusef Ali
Engineer – Rudy van Gelder
Guitar – Pat Martino
Organ – Carl Wilson
Percussion – Ralph Dorsey
Tenor Saxophone – Willis Jackson

8.6.23

COOTIE WILLIAMS AND HIS ORCHESTRA – 1946-1949 | The Classics Chronological Series – 1105 (2000) FLAC (tracks), lossless

Classics picks up the story of former Ellington trumpeter Cootie Williams as the leader of his own orchestra from 1946 through 1949 on sides he recorded for Capitol, Majestic, and Mercury. Vocalists Bob Merrill, Billy Matthews, and Eddie Mack are heavily featured on these 22 cuts. The R&B jump music of Louis Jordan and Wynonie Harris were big draws in the nightclubs and jukeboxes of the time and much of this material lends itself to that style. "Inflation Blues" is a takeoff of the "Let the Good Times Roll" theme, while "Save the Bones for Henry Jones," "I Should O' Been Thinking Instead of Drinkin," "Gator Tail" (parts one and two), and "Doin' the Gator Tail" are enjoyable mixtures of novelty lyrics and stompin' R&B instrumentals. While Williams favored this commercial recipe during these years, he did manage to wax a few ballads, such as "I Can't Get Started" and "I Want to Be Loved," and orchestra numbers like "Rhapsody in Bass"; "Sound Track" leans toward the Ellingtonesque style he was an earlier participant in. Al Campbell
Tracklist + Credits :