YELLOWJACKETS — Politics (1988) FLAC (tracks+.cue), lossless

A nearly complete departure from smooth jazz, Politics is arguably the Yellowjackets' strongest effort to date. True, there is the pure pop of the single "Local Hero" (which features a rhythm section more rock than jazz) and the accessible "Evening Dance" to be considered, but they're the exceptions rather than the rule. Like Four Corners before it, Politics engages in exotic, dreamy textures, the new wrinkle here being the joining of Russell Ferrante's keyboards and Marc Russo's saxophones to create intoxicating, complex themes (the opening pair of "Oz" and "Tortoise & the Hare" are the best examples of this technique). The disc also finds the Yellowjackets incorporating elements of post-bop ("Downtown," "Foreign Correspondent") and more traditional jazz ("Helix," which affords a rare opportunity to compare Ferrante's piano technique to those of artists like Chick Corea and Bill Evans). The biggest difference in sound comes from Russo, who downplays his typically smooth soloing for more cerebral fare. Jimmy Haslip's bass has grown steadily more subtle over time, though he does showcase his fretless skills on "Galileo (For Jaco)" and provides a perfect complement to Russo's sax on the romantic "Avance." The rhythms of William Kennedy have moved higher in the mix, which partially accounts for Haslip's diminished presence, with guest Alex Acuña again providing occasional percussion. It's a pleasure to hear the Yellowjackets move beyond smooth jazz to bring their talents to bear on more substantive music. Despite the variety of styles -- from giddy, Ponty-like patterns to thoughtful, unfolding ballads -- the Yellowjackets treat every song with care and craftsmanship. The band returned to self-producing after this, so some of the softness in tone that co-producer David Hentschel brought to the sessions was lost on The Spin. Of the four albums that the band made for MCA, Politics is the one to own. Dave Connolly  
Tracklist :
1     Oz 4:44
Russell Ferrante / Jimmy Haslip / William Kennedy / Marc Russo
2     Tortoise & The Hare 5:32
Russell Ferrante / Jimmy Haslip / Marc Russo
3     Local Hero 4:38
Russell Ferrante / Jimmy Haslip / Marc Russo
4     Galileo (For Jaco) 5:05
Jimmy Haslip
5     Foreign Correspondent 5:43
Russell Ferrante / Jimmy Haslip / William Kennedy / Marc Russo
6     Downtown 4:02
Russell Ferrante
7     Helix 4:57
Russell Ferrante / William Kennedy
8     Avance 5:17
Russell Ferrante
9     One Voice 3:58
Russell Ferrante
10     Evening Dance 5:10
Russell Ferrante
Credits :
Guest, Musician, Percussion – Alex Acuna
Guest, Musician, Synthesizer [Synclavier] – Steve Croes
Performer [Yellowjackets Are:], Bass [5 String Bass] – Jimmy Haslip
Performer [Yellowjackets Are:], Drums – William Kennedy
Performer [Yellowjackets Are:], Keyboards [All Keyboards] – Russell Ferrante
Performer [Yellowjackets Are:], Saxophone [Saxophones] – Marc Russo

YELLOWJACKETS — Four Corners (1987) FLAC (tracks+.cue), lossless

Taking a cue from Weather Report (not to mention a percussionist, Alex Acuña), the Yellowjackets created more exotic textures for Four Corners, often with the use of Zawinul-like synthesizers from Russell Ferrante. The album otherwise represents a shift toward more traditional jazz, felt profoundly in the rhythm section of Jimmy Haslip and new drummer William Kennedy. The change in strategy is made plain on the opening "Out of Town," which finds everyone rethinking their instrument beyond the smooth jazz of Shades. While the atmospheric production of David Hentschel and the band lends an ominous air to the music, fans may see it as a poor tradeoff for the readily identifiable (and often instantly likeable) melodies of their previous work. Though nothing leaps off of Four Corners screaming "Hum me," sections of it are mesmerizing. "Past Ports" and "Wildlife" in particular absorb the listener into a breathing musical world. The disc isn't a full conversion from smooth jazz; Marc Russo's sax is still as sweet as ever, but on a track like "Open Road" the effect is icing on a spice cake. Haslip provides some noisy patterns that suggest he was striving for more substance; in fact, he and Ferrante seem to duke it out for control of "Postcards," while everyone throws their own wrench into "Room With a View." Four Corners is the product of four separate musicians striving to cultivate their own voice, a journey that discovers some interesting music along the way. That the Yellowjackets wanted to explore beyond the fringes of smooth jazz boded well for the band's future. Dave Connolly
Tracklist :
1    Out Of Town 5:02
Written-By – Jimmy Haslip, Russell Ferrante
2    Wildlife 6:03
Cello, Percussion [Additional] – Bill Gable
Vocals – Alex Acuña, Bill Gable, Brenda Russell, Diana Acuña, Jimmy Haslip
Written-By – Alex Acuña, Jimmy Haslip, Russell Ferrante
3    Sightseeing 5:52
Vocals – Bill Gable
Written-By – Jimmy Haslip, Russell Ferrante
4    Open Road 3:37
Written-By – Russell Ferrante
5    Mile High 4:12
Written-By – Bill Gable, Jimmy Haslip, Marc Russo, Russell Ferrante, William Kennedy
6    Past Ports 5:29
Written-By – Russell Ferrante
7    Postcards 5:28
Written-By – Jimmy Haslip, Russell Ferrante
8    Room With A View 4:28
Written-By – Russell Ferrante
9    Geneva 2:24
Written-By – Jimmy Haslip
10    Indigo 5:28
Written-By – Jimmy Haslip, Marc Russo, Russell Ferrante, William Kennedy
Credits :
Drums, Percussion – William Kennedy
Electric Bass [5-string Bass, Fretless Bass] – Jimmy Haslip
Percussion – Alex Acuña
Piano [Acoustic], Synthesizer [All] – Russell Ferrante
Programmed By [Synclavier] – Gary Barlough
Soprano Saxophone, Alto Saxophone – Marc Russo

YELLOWJACKETS — The Spin (1989) FLAC (tracks+.cue), lossless

Smooth jazz with some rough edges, you can actually sink your teeth into The Spin. Yellowjackets haven't completely taken pop/jazz out of their diet -- Marc Russo's "Blues for Nikki" and Russell Ferrante's "Whistle While You Walk" will skip a little too lightly for some tastes -- but most of the songs find a satisfying midway point between the sweet and the sour. "Geraldine," "Dark Horses," and "Storytellers" all have some meat on them, with keyboardist Russell Ferrante leading a musical discussion that steers clear of the banal. Leaving Russo to carry the melodies, Ferrante is free to pursue a more discursive dialogue (notably on "Enigma"), with punctuation provided by the brisk percussion of William Kennedy (who shines on "Dark Horses"). Jimmy Haslip's bassline gives "The Spin" its shape, but he continues to fade in and out of the mix, and fails to make the most of his one solo. The compact disc features a great bonus track: a medley of Billy Strayhorn's "A Flower Is a Lovesome Thing" and Bud Powell's "Hallucinations." What their version may lack in soul they make up for in stride. The Spin has more on its mind than an album like Shades, and Yellowjackets' willingness to create and resolve musical problems will give some listeners pause to think. At least on this occasion, Yellowjackets show that light jazz doesn't have to be a guilty pleasure. Dave Connolly  
Tracklist :
1     Geraldine 6:43
Russell Ferrante
2     The Spin 4:46
Russell Ferrante / Jimmy Haslip / William Kennedy / Marc Russo
3     Storytellers 6:44
Russell Ferrante
4     Prayer for El Salvador 6:00
Russell Ferrante
5     Whistle While You Walk 5:14
Russell Ferrante
6     Enigma 4:48
Russell Ferrante / Jimmy Haslip
7     Dark Horses 5:00
Barry Coates / Russell Ferrante / Jimmy Haslip
8     Blues for Nikki 4:20
Marc Russo
9     A Flower Is a Lovesome Thing/Hallucinations 8:48
Bud Powell / Billy Strayhorn
Credits :
Arranged By [Percussions] – Alex Acuna
Bass – Jimmy Haslip
Drums, Percussion – William Kennedy
Keyboards – Russell Ferrante
Producer – Yellowjackets
Saxophone [Saxophones] – Marc Russo

YELLOWJACKETS — Lifecycle (2008) FLAC (tracks+.cue), lossless

The Yellowjackets needed a guest guitarist, who would be the best person for the job? Pat Metheny would be an excellent choice, as would Al di Meola, John McLaughlin, Larry Coryell, or John Scofield. Well, the Yellowjackets did hire a guest guitarist for Lifecycle -- an excellent and well-known guitarist, in fact -- and they feature him extensively on this 2008 release. The guitarist is Mike Stern, who enjoys a strong rapport with the Yellowjackets' 2008 lineup: Russell Ferrante on acoustic piano and electric keyboards, Jimmy Haslip on electric bass, Bob Mintzer on tenor and soprano sax and bass clarinet, and Marcus Baylor on drums and percussion. Stern and the Yellowjackets are a perfectly logical combination -- especially in light of the hell-bent-for-jazz direction the Yellowjackets have favored since 1991's Greenhouse. With Greenhouse (which was Mintzer's first album with the outfit), Ferrante and Haslip made it clear that they wanted the Yellowjackets to be considered a serious, heavy-duty jazz combo instead of a group that pandered to smooth jazz stations. That isn't to say that the Yellowjackets' 1980s output lacks merit -- many of their '80s recordings are quite creative -- but with Greenhouse, Ferrante and Haslip really emphasized their Weather Report/Miles Davis/Return to Forever heritage. And that mindset continues to serve the Yellowjackets well 17 years later on Lifecycle. Jazz purists and bop snobs, of course, would argue that if you use electric instruments and have been influenced by rock or funk in any way, you aren't playing jazz, but the truth is that Stern and the Yellowjackets do bring a serious jazz improviser's mentality to engaging tracks like Haslip's bluesy "Country Living," Mintzer's mysterious "Falken's Maze," and Ferrante's probing, somewhat John Coltrane-ish "Measure of a Man." With its blend of electric and acoustic instruments, Lifecycle is relevant to both fusion and post-bop -- and it is also proof that collaborating with Stern was a very wise move for the Yellowjackets. Alex Henderson
Tracklist : 
1    Falken's Maze 6:25
Written-By – B. Mintzer
2    Country Living 6:24
Written-By – J. Haslip
3    Double Nickel 6:42
Written-By – M.Stern
4    Dreams Go 6:49
Written-By – M.Stern
5    Measure Of A Man 7:33
Written-By – R.Ferrante
6    Yahoo 4:52
Written-By – B. Mintzer
7    I Wonder 6:01
Written-By – B. Mintzer
8    3 Circles 7:30
Written-By – B. Mintzer, J. Haslip, M. Baylor, R.Ferrante
9    Claire's Closet 5:05
Written-By – R.Ferrante
10    Lazaro 5:15
Programmed By [Programming], Sequenced By [Sequencing] – Jimmy Haslip
Written-By – B. Mintzer, J. Haslip
Credits :
Marcus Baylor - Drums, Percussion
Russell Ferrante - Keyboards, Percussion, Piano
Jimmy Haslip - Bass (Electric),
Bob Mintzer - Clarinet, Clarinet (Bass), Sax (Soprano), Sax (Tenor)
Jerry Mitkowski : Piano Technician
Mike Stern : Featured Guitar

YELLOWJACKETS — Timeline (2011) FLAC (tracks+.cue), lossless

Contemporary jazz ensemble Yellowjackets' 2011 Mack Avenue debut, Timeline features the band's longstanding knack for straddling the line between smooth jazz and more cerebral post-bop stuff. Marking the group's 30 years in the business, the album is a perfect mix of low-key, soulful moments and more funky, angular jazz. In that sense, it's a perfect balance of what the band has done throughout its career. Showcased here are members saxophonist Bob Mintzer, keyboardist Russell Ferrante, bassist Jimmy Haslip, and drummer Will Kennedy, as well as guests guitarist Robben Ford and trumpeter John Daversa. Ultimately, with tracks like the disarmingly knotty opener "Why Is It," the expansive "Tenacity," and the ruminative R&B-infused title track, Timeline reveals Yellowjackets as a band in a seemingly reinvigorated and creative state of mind. Not a bad place to be at 30. Matt Collar

Tracklist :
1     Why is It 5:04
Bob Mintzer
2     Tenacity 6:07
Bob Mintzer
Trumpet – John Daversa
3     Rosemary 4:54
W. Kennedy
4     Timeline 5:11
R. Ferrante
5     Magnolia 4:36
R. Ferrante / Jimmy Haslip
Guitar – Robben Ford
6     A Single Step 7:05
R. Ferrante
7     Indivisible 5:22
R. Ferrante
8     Like Elvin 5:32
Bob Mintzer
Trumpet – John Daversa
9     My Soliloquy 6:22
Bob Mintzer
10     Numerology 5:56
R. Ferrante
11     I Do 6:00
R. Ferrante
Credits :
Bass – Jimmy Haslip
Drums, Keyboards – Will Kennedy
Piano, Keyboards – Russell Ferrante
Producer – Yellowjackets
Tenor Saxophone, Sopranino Saxophone, Bass Clarinet – Bob Mintzer

YELLOWJACKETS - Samurai Samba (1985) FLAC (tracks+.cue), lossless

T he hive is alive with the sound of saxophones, but it’s still all about the groove on Samurai Samba. Keyboardist Russell Ferrante chooses soft keyboard textures, the rhythm section of Haslip and Lawson keep things funky, and Russo’s saxophone comments on the action but doesn’t drive it the way he would on Shades. Otherwise, there’s not much that separates this Samba from their other moves: you have the crossover pop song (“Lonely Weekend”), intoxicating grooves (“Homecoming,” “Deat Beat”) and soulful, smooth jazz (“Daddy’s Gonna Miss You,” “Silverlake”). Since I’m naturally distrustful of jazz, I tend to watch a band that will slip a “Sylvania” and “Silverlake” onto the same album with a raised eyebrow. 

My tastes tend to run more traditional, which is to say I favor the sly dissonance of bop and its related offspring. Yellowjackets do that too, on the closing “Samurai Samba” of all places, but making an album with a little something for everyone only makes everyone a little happy. Of course, as I’ve said before, I have a big blind spot when it comes to jazz, and the ‘80s saw a transitional period where jazz, funk and pop music got swirled together into a kind of supermarket samba that initially attracted new listeners to jazz. If you ask me, the new listeners were people in silly turtlenecks with unpronounceable audiophile components (“The D is silent...”) who were convinced that jazz was the audio equivalent of wheat germ, but I don’t know why you would ask me. It is interesting, however, that jazz critics who would pore over every note recorded by Miles Davis or John Coltrane and gush at the achievements of Weather Report and Pat Metheny would seldom devote a fraction of the energy to breaking down the work of Yellowjackets or Tom Scott. But then I tend to lump jazz into one big bucket, and clearly there’s a little jazz elf at work in the bucket rolling some of the jazz grapes to one side and some to another. And that’s how I started with a hive analogy and ended up with a grape-rolling elf in a bucket. web

Tracklist:

1. Homecoming 5:13

Russell Ferrante

2. Deat Beat 5:25

Russell Ferrante / Jimmy Haslip / Ricky Lawson / Marc Russo

3. Daddy's Gonna Miss You 4:33

Russell Ferrante / Jimmy Haslip / Ricky Lawson / Marc Russo

4. Sylvania 4:14

Russell Ferrante / Jimmy Haslip / Ricky Lawson

5. Silverlake 5:45

Russell Ferrante

6. Lonely Weekend 4:20

Bobby Caldwell / Joseph Curiale / Russell Ferrante / Ricky Lawson

7. Los Mambos 4:24

Paulinho Da Costa / Russell Ferrante / Marc Russo

8. Samurai Samba 5:18

Russell Ferrante

Credits:

Vocals – Bobby Caldwell, Carl Caldwell, Marilyn Scott, Paulinho Da Costa

Bass [5-string] – Jimmy Haslip

Drums, Drums [Electric] – Ricky Lawson

Guitar – Carlos Rios, Michael Landau

Keyboards – Russell Ferrante

Percussion – Paulinho Da Costa

Saxophone [Alto] – Marc Russo

YELLOWJACKETS - Lifecycle (2008) FLAC (tracks+.cue), lossless

If the Yellowjackets needed a guest guitarist, who would be the best person for the job? Pat Metheny would be an excellent choice, as would Al di Meola, John McLaughlin, Larry Coryell, or John Scofield. Well, the Yellowjackets did hire a guest guitarist for Lifecycle -- an excellent and well-known guitarist, in fact -- and they feature him extensively on this 2008 release. The guitarist is Mike Stern, who enjoys a strong rapport with the Yellowjackets' 2008 lineup: Russell Ferrante on acoustic piano and electric keyboards, Jimmy Haslip on electric bass, Bob Mintzer on tenor and soprano sax and bass clarinet, and Marcus Baylor on drums and percussion. Stern and the Yellowjackets are a perfectly logical combination -- especially in light of the hell-bent-for-jazz direction the Yellowjackets have favored since 1991's Greenhouse. With Greenhouse (which was Mintzer's first album with the outfit), Ferrante and Haslip made it clear that they wanted the Yellowjackets to be considered a serious, heavy-duty jazz combo instead of a group that pandered to smooth jazz stations. That isn't to say that the Yellowjackets' 1980s output lacks merit -- many of their '80s recordings are quite creative -- but with Greenhouse, Ferrante and Haslip really emphasized their Weather Report/Miles Davis/Return to Forever heritage. And that mindset continues to serve the Yellowjackets well 17 years later on Lifecycle. Jazz purists and bop snobs, of course, would argue that if you use electric instruments and have been influenced by rock or funk in any way, you aren't playing jazz, but the truth is that Stern and the Yellowjackets do bring a serious jazz improviser's mentality to engaging tracks like Haslip's bluesy "Country Living," Mintzer's mysterious "Falken's Maze," and Ferrante's probing, somewhat John Coltrane-ish "Measure of a Man." With its blend of electric and acoustic instruments, Lifecycle is relevant to both fusion and post-bop -- and it is also proof that collaborating with Stern was a very wise move for the Yellowjackets. by Alex Henderson

Tracklist:

1 Falken's Maze 6:25

Written-By – B. Mintzer

2 Country Living 6:24

Written-By – J. Haslip

3 Double Nickel 6:42

Written-By – M.Stern

4 Dreams Go 6:49

Written-By – M.Stern

5 Measure Of A Man 7:33

Written-By – R.Ferrante

6 Yahoo 4:52

Written-By – B. Mintzer

7 I Wonder 6:01

Written-By – B. Mintzer

8 3 Circles 7:30

Written-By – B. Mintzer, J. Haslip, M. Baylor, R.Ferrante

9 Claire's Closet 5:05

Written-By – R.Ferrante

10 Lazaro 5:15

Programmed By [Programming], Sequenced By [Sequencing] – Jimmy Haslip

Written-By – B. Mintzer, J. Haslip

Credits:

Marcus Baylor : Drums, Percussion

Russell Ferrante : Keyboards, Percussion, Piano

Jimmy Haslip : Bass (Electric), 

Bob Mintzer : Clarinet, Clarinet (Bass), Sax (Soprano), Sax (Tenor)

Jerry Mitkowski : Piano Technician

Mike Stern : Featured Guitar 

YELLOWJACKETS - A Rise in the Road (2013) FLAC (tracks+.cue), lossless

The title of this Yellowjackets effort is an apt one. The departure of co-founding bassist Jimmy Haslip in 2012 left a huge hole in the lineup. Haslip wasn't only the group's bassist, but one of its most productive composers. Founding pianist/keyboardist Russell Ferrante, with longtime members saxophonist Bob Mintzer and drummer Will Kennedy, eventually chose Felix Pastorius, son of the mighty Jaco, and a seasoned performer in his own right. (On a number of tracks here, he plays his father's bass, loaned to him by its owner, Metallica's Robert Trujillo.) The younger man doesn't play with the same "lead bass" flash of his dad -- at least in the studio -- his style here reflects the role Haslip played, but his tone and nimbleness are his own. (Check his fleet-fingered work as it meets Ferrante's arpeggios in "Thank You.") The band still carries within it the meld of contemporary and straight-ahead jazz -- with Mintzer there is always going to be a nod to post-bop in there -- but the feel is far more immediate and organic. They departed from their usual recording procedure and cut the album live in the studio, adding relatively few overdubs later. Mintzer's opener, "When the Lady Dances," is a straight-ahead post-bop number that pops and swings with a fine understated solo by Ferrante. The pianist offers "Can't We Elope," a rewrite of Herbie Hancock's "Canteloupe." It's one of three tracks here that features the trumpet of Ambrose Akinmusire. The meaty piano groove and the twin horns offer a stylish, fresh take on soulful hard bop. Another of the pianist's compositions "An Amber Shade of Blue," features a knotty head with some fiery call and response between Akinmusire and Mintzer -- the track fades in what seems like mid-jam. Mintzer's "I Knew His Father" is both a welcome to the younger Pastorius and a nod to Jaco--the saxophonist played in the Word of Mouth Band and was present at Felix's birth-- drawing a large circle to a close. Its meld of Latin groove, punchy swing, and boppish blues, offers the younger bassist a fine opportunity to comp, fill, and run the board as the band gets deep inside the melody. A Rise in the Road provides longtime Yellowjackets' fans plenty; but more importantly, it delivers a a bracing new approach and a renewed sense of swinging adventure.

  (This comment is posted on allmusic by Thom Jurek, follower our blog O Púbis da Rosa)

Tracklist:

1 When the Lady Dances 5:07
Bob Mintzer2 Civil War  5:47
Bob Mintzer3 Can't We Elope  5:27
Russell Ferrante4 An Informed Decision  6:29
Russell Ferrante5 Longing  7:17
Russell Ferrante6 Thank You  5:46
Bob Mintzer7 Madrugada  5:08
William Kennedy8 An Amber Shade of Blue  6:57
Russell Ferrante9 (You'll Know) When It's Time  4:52
Russell Ferrante10 I Knew His Father  4:52
Bob MintzerCredits
Bass – Felix Pastorius
Composed By – Bob Mintzer (tracks: 1, 2, 6, 10), Russell Ferrante (tracks: 3, 4, 5, 8, 9), William Kennedy (tracks: 7)
Drums, Percussion – William Kennedy
Piano, Keyboards – Russell Ferrante
Tenor Saxophone – Bob Mintzer
Trumpet – Ambrose Akinmusire (tracks: 3, 4, 8)

BOB MINTZER - One Music (1992) FLAC (tracks+.cue), lossless

This saxophonist's best small-group work, with fellow Yellowjackets. The best cuts are the title and "Look Around." Ventures funky and creative into neo-bop modes.  by Michael G. Nastos 
Tracklist 
1  One People  4:07
Composed By – Mintzer
2  One Music  6:37
Composed By – Mintzer
3  City Of Hope  5:44
Composed By – Mintzer
4  Navajo  5:45
Composed By – Haslip, Ferrante, Kennedy
5  Old Friends  6:05
Composed By – Ferrante
6  Rich & Poor  5:18
Composed By – Mintzer
7  Look Inside  5:07
Composed By – Mintzer
8  The Big Show  4:12
Composed By – Mintzer
9  The Song Is You  5:30
Composed By – Kern, Hammerstein
10  The Challenge 5:55
Composed By – Mintzer
Credits 
Bass – Jimmy Haslip
Congas – Don Alias
Drums – William Kennedy
Keyboards – Russell Ferrante
Tenor Saxophone, Bass Clarinet, Electronic Wind Instrument, Producer – Bob Mintzer