By 1971, Pharoah Sanders had taken the free thing as far as he could and still live with himself. He was investigating new ways to use rhythm -- always his primary concern -- inside his music and more tonally strident ways of involving the front line in extrapolating tonal and harmonic diversions from the melodic framework of his music. To that end, he entered into a more groove-laden arrangement with himself and employed some funkier players to articulate his muse. Along with Cecil McBee and Billy Hart, who were frequent Sanders sidemen, a young Stanley Clarke fills the second bass chair, and Norman Connors fills out the second drum seat. Carlos Garnett accompanies Sanders on tenor, Joe Bonner on piano, and Hannibal Peterson on trumpet. Sanders also added a full-time percussionist in Lawrence Killian. The only cut on the album is "Black Unity," over 37 minutes of pure Afro-blue investigation into the black sounds of Latin music, African music, aborigine music, and Native American music, with a groove that was written into the standard three-chord vamp Sanders used, opening up a world of melodic and tonal possibilities while also bringing a couple of stellar talents to the fore -- Garnett being one of them and Connors being another. The heavy, hypnotic groove and a double-time tempo are controlled by dynamics and the groupings of instruments, signaled by Bonner with his stacked fifths, sevenths, and ninths. This is a solid, moving piece of work that seals the cracks in Sanders' vocabulary. His arrangement and the staggering of solos into the whole are magnificent. Here was Sanders as he saw himself in the mirror, a mass of contradictions, and the embodiments of the full fury and glory of music in one man.
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Tracklist :
1 Black Unity 37:21
Pharoah Sanders
Credits :
Bass – Cecil McBee, Stanley Clarke
Congas, Talking Drum, Balafon [Balophone] – Lawrence Killian
Drums – William Hart, Norman Connors
Piano – Joe Bonner
Tenor Saxophone – Carlos Garnett
Tenor Saxophone, Balafon [Balophone] – Pharoah Sanders
Trumpet – Marvin Peterson
8.11.22
PHAROAH SANDERS - Black Unity (1971-1997) RM | FLAC (tracks+.cue), lossless
7.11.22
PHAROAH SANDERS - Live At The East (1971-2007) RM | FLAC (tracks+.cue), lossless
By 1971 Pharoah Sanders' playing essentially alternated between two moods: ferocious and peaceful. This live record gives one a good example of how the passionate tenor sounded in clubs during the early '70s. Sanders is joined by an impressive group of players: trumpeter Marvin "Hannibal" Peterson, flutist Carlos Garnett, Harold Vick on tenor, pianist Joe Bonner, the basses of Stanley Clarke and Cecil McBee, drummers Norman Connors and Billy Hart, and percussionist Lawrence Killian. On the 20-minute "Healing Song," the lengthy "Memories of J.W. Coltrane," and the two-part "Lumkili," Sanders is heard in top form. Scott Yanow
Tracklist :
1 Healing Song 21'46
Written-By – J. Bonner, F. Sanders
2 Memories Of J. W. Coltrane 12'52
Written-By – F. Sanders
3 Lumkili 8'35
Written-By – F. Sanders
Credits :
Bass – Cecil McBee, Stanley Clarke
Congas, Marimba [Bailophone] – Lawrence Killian
Drums – William Hart, Norman Connors
Flute, Voice – Carlos Garnett
Piano, Harmonium – Joseph Bonner
Saxophone – Pharoah Sanders
Tenor Vocals – Harold Vic
Trumpet – Marvin Peterson
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ESBJÖRN SVENSSON TRIO — Winter In Venice (1997) FLAC (tracks+.cue), lossless
Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...