GATO BARBIERI with LONNIE LISTON SMITH — Bolivia (1973-2001) JAZZ! Series | FLAC (tracks+.cue), lossless

In 1973, Argentinean saxophonist Gato Barbieri contemplated a move to a more commercially viable, accessible sound, one that appealed to both North and South American audiences. He moved from the jazz vanguard toward it's exotic center (and finally into the commercial world altogether) with a number of records, including this one, which explored the various rhythms, melodies, and textures of Afro-Cuban and Latin American sounds. Bolivia features Barbieri immediately prior to his Impulse recordings that resulted in the celebrated four-chapter Latin America series. Utilizing the talents of musicians as diverse as guitarist John Abercrombie, pianist Lonnie Liston Smith, drummer and percussionists Airto Moreira, M'tume, Bernard "Pretty" Purdie, Gene Golden, and Moulay Ali Hafid, as well as bassists Stanley and J.F. Jenny Clark. Barbieri's musical reach is everywhere here. There's the bolero-like romp of "Merceditas," where his normally raw-toned, feeling-centered playing is kicked up a couple notches into a frenetic, emotional tidal wave, and the haunting "Bolivia," full of shimmering percussion and pianistic glissandi courtesy of Smith. Barbieri's loping, spare playing is reminiscent of Coltrane stating of the melodic frames in "India." There is also the melody of the traditional "Eclypse" wedded to a gorgeous, sensual Cuban son-like melody "Michellina" (for Barbieri's Italian born wife). The final two of the album's five tracks are based in Argentinean folk forms associated with the tango, but are less formal, more open, and modally charged. Setting both "Ninos" and "Vidala Triste" in minor keys with open modal themes, improvisation happens -- á la Ornette Coleman -- in the heart of the melody, despite the intricate nature and complex time and key changes inherent in both tunes. Ultimately, Bolivia is a sensual, musically adept, and groundbreaking recording, which offered Barbieri a chance to come in from the avant-garde before heading back to the fringes with the Latin America series. A fine effort that is finally getting the notoriety it deserves.  
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <- 
Tracklist :
1 Merceditas 9:04
Composed By – Gato Barbieri
2 Eclypse / Michellina 6:21
 – Traditional
Composed By [Michellina] – Gato Barbieri
3 Bolivia 7:43
Composed By – Gato Barbieri
4 Ninos 7:11
Composed By – Gato Barbieri
5 Vidala Triste 5:30
Composed By – Gato Barbieri, Michelle Barbieri
Credits :
Acoustic Guitar – John Abercrombie (tracks: 4 to 6)
Bass – J.-F. Jenny-Clark (tracks: 1 to 3), Stanley Clarke (tracks: 2 to 4, 5, 6)
Drums – Pretty Purdie (tracks: 1)
Electric Guitar – John Abercrombie (tracks: 1)
Percussion – Airto Moreira, Gene Golden (tracks: 2), James M'tume (tracks: 1, 3 to 6), Moulay "Ali" Hafid (tracks: 5)
Piano, Electric Piano [Rhodes] – Lonnie Liston Smith
Tenor Saxophone, Flute, Vocals – Gato Barbieri

RAPHAEL RABELLO — Todos Os Tons (1992) FLAC (tracks), lossless

 Important solo album by the late Brazilian virtuoso, dedicated to Tom Jobim's compositions, Todos Os Tons opens with a very uncommon rendition of the broadly familiar Jobim tune "Samba Do Avião" ("Plane Samba"). Abandoning the bossa nova beat, Rabelo embraces the flamenco tradition, very dear to him, and, joined by his guest Paco de Lucia, echoes the gitano expression in a Brazilian setting, in which Bahian berimbau interventions interact with overall samba backing by the percussion. "Samba de Uma Nota Só" ("One Note Samba") also gives up the bossa tradition and attacks with a heavily syncopated samba rhythm for Rabello's virtuosic soloing. Enigmatic "Passarim receives an elaborated transcription for violão trio. "Retrato Em Preto E Branco" ("Portrait in Black and White") is sensitively interpreted by Rabello in a dialogue with guest soloists Jacques Morelenbaum (cello) and Luiz Avelar (piano). "Modinha" is performed solo in ad-lib tempo. "Garota de Ipanema" ("Girl From Ipanema") has a more powerful samba rhythm approach in which the bass contributes for a contemporary feel, and the introduction/interlude brings a new way of listening to this classic. The sensitive "Anos Dourados" is romantically exposed by Rabello with the help of Luiz Avelar emulating a string orchestra always carefully avoiding the clichés. "Garoto," an energetic tribute in moderate tempo to the great violonista has Tom Jobim himself at the piano. "Pois É" surprises in a flamenco-based introduction renewed by guest alto Paulo Moura improvising over a bossa nova beat, soon replaced by a doleful violão. "Luíza" receives a romantic and longing solo violão treatment that includes a tremolo ending directly reminiscent of classic tradition. The album is an opportunity for catching classic bossa nova themes reread through the unconventional yet creative and always competent lenses of an exceptional Brazilian virtuoso, unfortunately so young deceased. Alvaro Neder 
Tracklist :
1 Samba Do Avião 5:20 
(Antônio Carlos Jobim)
Arranged By – Raphael Rabello (Violão Ramirez 1969) feat: Paulinho Braga (d), Dininho (b) Paco de Lucía (Violão Hermanos Conde) Marçalzinho (perc.)
2 Samba De Uma Nota Só 2:00 
(Antônio Carlos Jobim / Newton Mendonça)
Arranged By – Raphael Rabello (Violão Ramirez 1969) feat: Dininho (b), Mamão (d)
3 Passarim 4:41 
(Antônio Carlos Jobim)
Arranged By – Raphael Rabello (Violão Ramirez 1969) feat: Dininho (b), Mamão (d)
4 Retrato Em Branco E Preto 3:55 
(Chico Buarque / Antônio Carlos Jobim)
Arranged By – Raphael Rabello (Violão Ramirez 1969) feat: Luiz Avellar (p), Paulo Jobim (arr.) Jaques Morelenbaum (cello)
5 Mondinha 3:29 
Antônio Carlos Jobim / Vinícius de Moraes
Arranged By – Raphael Rabello (Violão Mario Passos 7 cordas 1986)
6 Garota De Ipanema 4:46 
Antônio Carlos Jobim / Vinícius de Moraes
Arranged By – Raphael Rabello (Violões Ramirez 1969/88) feat. Luizão Maia (b), Wilson das Neves (d)
7 Anos Dourados 3:56 
(Chico Buarque / Antônio Carlos Jobim)
Arranged By – Raphael Rabello (Violão Ramirez 1969) feat: Luiz Avellar (p), Dininho (b)
8 Garoto 2:34 
(Antônio Carlos Jobim)
Arranged By – Raphael Rabello (Violão Mario Passos 7 cordas 1991) feat: Wilson Das Neves (d), Leo Gandelman (s,s), Antônio Carlos Jobim (p), Paulo Jobim (arr.)
9      Pois É 6:41 
(Chico Buarque / Antônio Carlos Jobim)
Arranged By – Raphael Rabello (Violões Ramirez 1969/88) feat: Paulo Moura (a.s), Nico Assumpção (b)
10 Luiza 2:24
Antônio Carlos Jobim
Arranged By – Raphael Rabello (Violão Mario Passos 7 cordas 1991)  

ANN-MARGRET — On the Way Up (1962-2007) RM | RCA Female Vocal 1000 Series | FLAC (tracks), lossless

Ann-Margret's RCA Victor debut album, And Here She Is..., didn't get much attention in 1961, but she did better with her bluesy single "I Just Don't Understand," which peaked in the Top 20 in September. That set up this, her second solo LP, which featured "I Just Don't Understand," and like it was recorded partially in Nashville under the aegis of Chet Atkins and Dick Pierce. The two naturally brought a slight country feel to some of the tracks, notably the remakes of Don Gibson's 1958 hit "Oh, Lonesome Me" and the 1960-1961 hit "My Last Date (With You)" (aka "Last Date"). But the closest approximation of the sound was the kind of country-inflected pop/rock being pursued by Elvis Presley around the same time, which made a rendition of Presley's first major hit, "Heartbreak Hotel," an appropriate choice. At 20, Ann-Margret was an effective singer, if something of a chameleon, seeming to adopt a different persona for each number. She was at her most seductive singing Otis Blackwell's "Slowly," and she came on like a Latin fireball on "Fever," but was demure on the singles-chart entry "What Am I Supposed to Do" and ingenuously winning on "Moon River." RCA Victor appears to have been hoping it had found a distaff Presley, and it's possible Ann-Margret might have justified such a hope if her film acting career hadn't quickly outpaced her recording career; by the time this album was released, her movie debut, Pocketful of Miracles, had been out for several months and State Fair, which would establish her as a redheaded bombshell, was just getting into theaters. (She was still a mousy brunette on the album cover.) On the Way Up was an appropriate title, but records would soon take a back seat to other career goals. William Ruhlmann 
Tracklist :
 1 Oh, Lonesome Me 2:37
Don Gibson
2 Slowly 2:07
Otis Blackwell
 3 Fever 2:52
Eddie Cooley / John Davenport
 4 What Do You Want From Me 2:32
Mike Cain
 5 Heartbreak Hotel 2:28
Mae Boren Axton / Tommy Durden / Elvis Presley
 6 I Just Don't Understand 2:40
Kent Westberry / Marijohn Wilkin
 7 His Ring 2:23
William Katz / Ruth Roberts
 8 Could It Be?  2:13
Patti Ferguson / Barry De Vorzon
9 What Am I Supposed to Do 2:48  
Helen Carter
 10 Let Me Go, Lover! 3:00
Jenny Carson / Al Hill
 11 Moon River 2:30
Henry Mancini / Johnny Mercer
 12 My Last Date (with You) 2:37
Boudleaux Bryant / Floyd Cramer / Skeeter Davis
Credits :
Joe Reisman Arranger, Orchestra Director
Ann-Margret - Vocals

ROY HARGROVE — The Vibe (1992) FLAC (tracks+.cue), lossless

The last of trumpeter Roy Hargrove's recordings to feature his longtime altoist Antonio Hart also includes pianist Marc Cary, bassist Rodney Whitaker, drummer Gregory Hutchinson and guest spots for the tenors of Branford Marsalis and David "Fathead" Newman, plus trombonist Frank Lacy and organist Jack McDuff. Hargrove (still just 22) was already on his way to being one of the better hard bop-based trumpeters in jazz, as he shows on group originals, James Williams' "Alter Ego," Wayne Shorter's "Pinocchio," "Milestones," and "The Things We Did Last Summer." A fine example of Hargrove's rapidly emerging style. Scott Yanow
Tracklist :
1    The Vibe    6:29
 Marc Cary
2    Caryisms    6:54
 Roy Hargrove
3    Where Were You?    4:57
 Roy Hargrove
4    Alter Ego    6:30
 James Williams
5    The Thang    4:59
 Roy Hargrove
6    Pinocchio    4:48
 Wayne Shorter
7    Milestones    5:57
 Miles Davis
8    Things We Did Last Summer    5:38
 Sammy Cahn / Jule Styne
9    Blues For Booty Green's    6:26
 Roy Hargrove
10    Runnin' Out Of Time    7:37
 Marc Cary
Credits :
Alto Saxophone – Antonio Maurice Hart
Bass – Rodney Thomas Whitaker
Drums – Gregory Hutchinson
Organ [B3] – 'Cap'n' Jack McDuff (tracks: 9)
Piano – Marc Anthony Cary
Tenor Saxophone – Branford Marsalis (tracks: 6, 10), David "Fathead" Newman (tracks: 4)
Trombone – Ku-Umba Frank Lacy (tracks: 6, 8, 10)

MARCUS ROBERTS — As Serenity Approache (1992) FLAC (tracks+.cue), lossless

Every one of pianist Marcus Roberts's recordings thus far are recommended. This outing has 11 impressive solo performances and eight duets with trumpeters Scotty Barnhart, Nicholas Payton and Wynton Marsalis (the latter on a fun version of Jelly Roll Morton's "King Porter Stomp"), Todd Williams on clarinet and tenor and trombonist Ronald Westray in addition to two meetings with fellow pianist Ellis Marsalis. This music finds Roberts using techniques of the past (especially stride and old-time breaks) in both his new originals and revivals of classic tunes. However he never resorts to mere copying and feels free to update elements of the music or to throw in eccentric ideas. There is a great deal for listeners to investigate on this thoroughly fascinating recital. Scott Yanow
Tracklist :
1    Cherokee 5:29
Written-By – Ray Noble
2    Angel 4:20
Written-By – Marcus Roberts
3    Slippin' And Slidin' 2:46
Written-By – Marcus Roberts
4    Blues In The Evening Time 6:44
Written-By – Marcus Roberts
5    Ferdinand LeMenthe 4:46
Written-By – Marcus Roberts
6    Nigh Eve 2:43
Clarinet – Todd Williams
Written-By – Marcus Roberts
7    As Serenity Approaches 2:37
Trumpet – Scotty Barnhart
Written-By – Marcus Roberts
8    The Jitterbug Waltz 4:18
Piano – Ellis Marsalis
Written-By – Fats Waller
9    St. Louis Blues 5:55
Written-By – W.C. Handy
10    I Remember You 2:58
Written-By – J. Mercer, V. Schertvinger
11    Preach, Reverend, Preach 3:52
Trumpet – Nicholas Payton
Written-By – Marcus Roberts
12    A Tint Of Blue 3:05
Tenor Saxophone, Clarinet – Todd Williams
Written-By – Marcus Roberts
13    When The Morning Comes 4:39
Written-By – Marcus Roberts
14    Where Or When 3:09
Written-By – L. Hart, R. Rodgers
15    King Porter Stomp 2:46
Trumpet – Wynton Marsalis
Written-By – Jelly Roll Morton
16    Creole Blues 1:43
Trombone – Ronald Westray
Written-By – Duke Ellington
17    Broadway 2:38
Piano – Ellis Marsalis
Written-By – Byrd, Woode, McCrea
18    Angel 4:22
Written-By – Marcus Roberts
19    Cherokee 5:22
Written-By – Ray Noble
Credits :
Piano – Marcus Roberts

STEVE KUHN — Jazz 'n (E)Motion (1998) FLAC (tracks), lossless

Tracklist :
1    Once Upon A Time 3:42
Written-By – Charles Strouse, Lee Adams
2    Last Tango In Paris 7:34
Written-By – Gato Barbieri
3    Lonely Town 6:36
Written-By – Adolph Green, Betty Comden, Leonard Bernstein
4    The Night Has A Thousand Eyes 6:57
Written-By – Buddy Bernier, Jerry Brainin
5    Love Is For The Very Young 3:46
Written-By – David Raksin
6    Emily 6:46
Written-By – Johnny Mandel, Johnny Mercer
7    The Rain Forest 6:03
Written-By – Steve Kuhn
8    The Pawnbroker 5:53
Written-By – Quincy Jones
9    This Is New 5:10
Written-By – Ira Gershwin, Kurt Weill
10    Invitation 7:27
Written-By – Bronislaw Kaper, P. F. Webster
11    Smile 3:40
Written-By – Charles Chaplin, Geoffrey Parsons, John Turner
Credits :
Piano – Steve Kuhn

FREDDIE GREEN — Mr. Rhythm (1955-2007) RM | MONO | BMG Prime Jazz Series | FLAC (tracks+.cue), lossless

Freddie Green seldom led sessions and seldom played lead. Instead, he formed part of the classic rhythm section that gave the Count Basie band its steady pulse. This rare date finds Green with tenor Al Cohn, trumpeter Joe Newman, trombonist Henry Coker, pianist Nat Pierce, bassist Milt Hinton, and either Jo Jones or Osie Johnson on drums. Mr. Rhythm, in fact, will remind many of a good Basie set. The steady drums, bass, and guitar on "Back and Forth" and "Something's Gotta Give" push the music forward, swinging ever so lightly. Nat Pierce's minimalist piano work also owes something to Basie. He adds small flourishes to the rhythm of pieces like "Easy Does It," and only a scattering of tastefully chosen notes on his solo. Coker and Cohn deliver nice solos on "When You Wish Upon a Star," with the trombone's lovely tone and the tenor's deep, mellow pitch complimenting the romanticism of the piece. Newman offers a concise, discerning solos on "Free and Easy" and "Learnin' the Blues." He uses a mute for both solos, perfectly capturing a calm, bluesy mood. Of course Green doesn't solo, and while his guitar is often barely audible, his presence is always felt. This album shows him to be a fine leader who is happy to remain in his role as rhythm guitarist. For fans of Green, and for those who enjoy swinging jazz with great soloists, Mr. Rhythm is a fine release. Ronnie D. Lankford, Jr.
Tracklist :
1    Up In The Blues    2:34
 Freddie Green
2    Down For Double    3:58
 Freddie Green
3    Back And Forth    2:17
 Freddie Green
4    Free And Easy    3:25
 Freddie Green
5    Learnin The Blues    3:28
 Freddie Green / Delores Vicki Silvers
6    Feed Bag    2:58
 Freddie Green
7    Something's Gotta Give    2:51
 Freddie Green
8    Easy Does It    3:42
 Freddie Green / Sy Oliver / Trummy Young
9    Little Red    2:08
 Freddie Green
10    Swinging Back     3:21
 Freddie Green
11    A Date With Ray    4:52
 Freddie Green
12    When You Wish Upon A Star    2:38
 Freddie Green / Leigh Harline
Credits
Bass – Milt Hinton
Drums – Jo Jones, Osie Johnson
Guitar – Freddie Green
Piano – Nat Pierce
Tenor Saxophone, Clarinet – Al Cohn
Trombone – Henry Coker
Trumpet – Joe Newman

AMINA CLAUDINE MYERS – Amina (1988) FLAC (tracks), lossless

Tracklist & Credits :

AMINA CLAUDINE MYERS – In Touch (1989) FLAC (tracks), lossless

An album that surprised some fans when it was issued, due to the reputations of everyone involved. Myers has been a fierce soloist and adventurous composer and worked in experimental, on-the-edge contexts for much of her career, but turned to fusion and light pop on this date, playing more synthesizer than anything else. It was well produced and effectively played, but guitarist Jerome Harris had a larger role than Myers. Ron Wynn
Tracklist & Credits :

DIZZY GILLESPIE + MAX ROACH — Dizzy Gillespie Pleyel Concert 1948 + Max Roach Quintet 1949 (1997) FLAC (tracks+.cue), lossless

Tracklist + Credits :

LEE KONITZ - Sound of Surprise (1999) FLAC (tracks+.cue), lossless

While Whitney Balliett coined the phrase "sound of surprise" to describe jazz, it also pretty well sums up the entire career of Lee Konitz, whose fluid, dynamic alto has been a constant source of inspiration, distinction, and clarity. This effort teams him with such empathetic instrumental foils as Ted Brown John Abercrombie Marc Johnson and Joey Baron, who are superb rhythmic navigators, plotting interesting paths for Konitz with metered maps of their own drafting. Brown, a quite literate tenor saxophonist much in the style of old Konitz confrere Warne Marsh, has never had much use for the music business, and is rarely heard anymore. But he drops in here, shining on four cuts. The loose, freewheeling "Hi Beck" finds Brown and Konitz in unison, then counterpointed on heads and tails, with Baron tastefully trading eights in between. They play individual lines during the course of the ballad "Soddy & Bowl" but are firmly welded together for "Thingin'," the now-obligatory Konitz adaptation of "All the Things You Are." With Abercrombie, who is much more reserved and less affected, they do a crisp bossa line of "Mr. 88," the swinging bopper "Friendlee," and "Crumbles," a good swinger with upper-register melody. The bluesy "Bits & Pieces" is randomly tossed about, as Johnson drops out and then saunters back in with a solo, as does the roiling Baron. The famous "Subconsciouslee" finds each member playing by himself, then together, then with solos and rhythmic backup. Baron is really head and shoulders above most drummers; his dynamic concept consistently commands attention. Yet another fine recording from Konitz, this adds to an already immense discography that seems to get broader and deeper as it lengthens. Michael G. Nastos  
Tracklist :
1    Hi Beck    6:17
2    Gundunla    3:46
3    Mr. 88    4:39
4    Bits And Pieces    3:00
5    Blues Suite    7:51
6    Friendlee    7:32
7    Soddy And Bowl    5:39
8    Singin'    2:26
9    Wingin' 6:40
Composed By – Joey Baron, John Abercrombie, Lee Konitz, Marc Johnson , Ted Brown
10    Thingin'    7:26
11    Crumbles    5:33
12    Subconsciouslee    8:20
Credits :
Alto Saxophone, Vocals, Composed By – Lee Konitz
Bass – Marc Johnson
Drums – Joey Baron
Guitar – John Abercrombie
Tenor Saxophone – Ted Brown

ORNETTE COLEMAN - Friends and Neighbors : Ornette Live at Prince Street (1970-2001) RM | FLAC (tracks+.cue), lossless

This disc contains one of Ornette Coleman's lesser-known sessions. In addition to his own alto (and occasional trumpet and violin), Coleman is joined by Dewey Redman on tenor, bassist Charlie Haden, drummer Ed Blackwell, and (on one of the two versions of "Friends and Neighbors") a variety of friends who sing along as best they can. Actually, the most notable tracks are the two extended pieces, "Long Time No See" and "Tomorrow." The music is typically adventurous, melodic in its own way, yet still pretty futuristic, even if (compared with his other releases) the set as a whole is not all that essential. Scott Yanow
Tracklist :
1    Friends And Neighbors (Vocal)    4:13
2    Friends And Neighbors (Instrumental)    2:55
3    Long Time No See    10:53
4    Let's Play    3:23
5    Forgotten Songs    4:24
6    Tomorrow    12:07
Credits :
Performer [Personnel], Alto Saxophone, Trumpet, Violin – Ornette Coleman
Performer [Personnel], Bass – Charlie Haden
Performer [Personnel], Drums – Ed Blackwell
Performer [Personnel], Tenor Saxophone – Dewey Redman
Producer [Original Album Produced By], Written-By – Ornette Coleman

SAM RIVERS' RIVBEA ALL-STAR ORCHESTRA - Culmination (1999) FLAC (tracks+.cue), lossless

Sam Rivers' second recording with his Rivbea All-Star Orchestra for RCA is similar to his first one in that he uses an impressive 17-piece band full of top avant-gardists to interpret the dense arrangements of his originals. The music, which is frequently atonal, has so much going on at times that it will take several listens to comprehend everything; it certainly does not lose one's interest! The only fault to this stimulating set is that the soloists are not identified. Although one may recognize the various saxophonists (Steve Coleman, Greg Osby, Chico Freeman, Gary Thomas, and Hamiet Blueitt) and trombonist Ray Anderson, most of the brass players will be more difficult to determine. This very adventurous music is remarkable in ways and well worth acquiring by free jazz collectors. Scott Yanow
Tracklist :
1    Spectrum    7:22
2    Bubbles    8:27
3    Revelation    10:36
4    Culmination    8:12
5    Ripples    13:38
6    Neptune    5:53
7    Riffin'    6:26
Credits :
Alto Saxophone – Greg Osby, Steve Coleman
Baritone Horn – Joseph Daley
Baritone Saxophone – Hamiet Bluiett
Bass – Doug Mathews
Drums – Anthony Cole
Painting – Scramble Campbell
Soprano Saxophone, Tenor Saxophone, Flute, Written-By – Sam Rivers
Tenor Saxophone – Chico Freeman, Gary Thomas
Trombone – Art Baron, Joseph Bowie, Ray Anderson
Trumpet – Baikida Carroll, James Zollar, Ralph Alessi, Ravi Best
Tuba – Bob Stewart

JOHNNY HODGES | COLEMAN HAWKINS - The Vogue Recordings (1998) FLAC (tracks), lossless

Coleman Hawkins    
1    Coleman Hawkins And His Rhythm–    It's Only A Paper Moon 3'03
Harold Arlen / E.Y. "Yip" Harburg / Billy Rose
2    Coleman Hawkins And His Rhythm–    Sih-Sah 3'15
Coleman Hawkins / James Moody
3    Coleman Hawkins And His Rhythm–    Bean's Talking Again 3'17
Kenny Clarke / Coleman Hawkins
4    Coleman Hawkins And His Rhythm–    Bah-Uh-Bah 3'23
Tadd Dameron / Coleman Hawkins
5    Coleman Hawkins And His Rhythm–    I Surrender Dear 3'14
Harry Barris / Gordon Clifford
6    Coleman Hawkins And His Rhythm–    Sophisticated Lady 3'14
Duke Ellington / Irving Mills / Mitchell Parish
Johnny Hodges      
7    Johnny Hodges And His Orchestra–    Jump, That's All 3'04
Harold Baker
8    Johnny Hodges And His Orchestra–    Last Legs Blues - Part 1 3'06
Johnny Hodges
9    Johnny Hodges And His Orchestra–    Last Legs Blues.- Part 2 2'59
Johnny Hodges
10    Johnny Hodges And His Orchestra–    Nix It, Mix It 3'19
Jimmy Hamilton
11    Johnny Hodges And His Orchestra–    Time On My Hands 3'18
Harold Adamson / Mack Gordon / Vincent Youmans
12    Johnny Hodges And His Orchestra–    Run About 3'03
Johnny Hodges
13    Johnny Hodges And His Orchestra–    Wishing And Waiting 3'23
Johnny Hodges
14    Johnny Hodges And His Orchestra–    Get That Geet 3'18
Johnny Hodges
15    Johnny Hodges And His Orchestra–    That's Grand 3'25
Johnny Hodges
16    Johnny Hodges And His Orchestra–    Skip It 3'24
Johnny Hodges
17    Johnny Hodges And His Orchestra–    Perdido 3'08
Ervin Drake / Hans Lengsfelder / Juan Tizol
18    Johnny Hodges And His Orchestra–    In The Shade Of The Old Apple Tree 3'40
Egbert VanAlstyne / Harry Williams
19    Johnny Hodges And His Orchestra–    Mood Indigo 3'50
Barney Bigard / Duke Ellington / Irving Mills
20    Johnny Hodges And His Orchestra–    Sweet Lorraine 3'13
Clifford R. Burwell / Mitchell Parish
21    Johnny Hodges And His Orchestra–    Bean Bag Boogie 3'06
Harold Baker
22    Johnny Hodges And His Orchestra–    Hop, Skip And Jump 2'27
Duke Ellington

All Credits
Notas.
Tracks 1-6: Recorded in Paris on December 21, 1949.
Tracks 7-22: Recorded in Paris on April 15 & June 20, 1950.

COLEMAN HAWKINS WITH BILLY BYERS AND HIS ORCHESTRA - The Hawk in Hi-Fi (1956-2001) RM | FLAC (tracks), lossless

 In January 1956, veteran tenor saxophonist Coleman Hawkins recorded a dozen songs, eight with a string orchestra and four accompanied by a big band, all arranged by Billy Byers. Hawkins is the main soloist throughout, and he was still very much in his prime 33 years after he first joined Fletcher Henderson's orchestra; in fact, the upcoming year of 1957 would be one of his finest. However, Byers' arrangements are more functional than inspired, and some of these selections are more easy listening than they are swinging. Still, there are some strong moments (particularly on "The Bean Stalks Again" and "His Very Own Blues") and, although not classic, this is a pleasing release. Scott Yanow

Tracklist :
1     Body and Soul 5:00
Frank Eyton / John Green / Edward Heyman / Robert Sour
2     Little Girl Blue [Take 3] 3:04
Lorenz Hart / Richard Rodgers
3     I Never Knew [Take 5] 3:07
Raymond B. Egan / Roy Marsh / Tom Pitts
4     Dinner for One Please, James [Take 3] 3:12     
Michael Carr
5    The Bean Stalks Again 3:25
Coleman Hawkins
6     His Very Own Blues 3:03
Coleman Hawkins    
7     The Day You Came Along 4:10
Sam Coslow / Arthur Johnson
8     Have You Met Miss Jones [Take 7] 3:06
Lorenz Hart / Richard Rodgers
9     The Essence of You 3:30
Coleman Hawkins
10     There Will Never Be Another You 3:00
Mack Gordon / Harry Warren
11     I'm Shooting High 2:36
Ted Koehler / Jimmy McHugh
12     Bean and the Boys [Issued As "39-25-39"] 2:52
Coleman Hawkins
13     There Will Never Be Another You 3:23
Mack Gordon / Harry Warren
14     There Will Never Be Another You 3:26
Mack Gordon / Harry Warren
15     Little Girl Blue [Take 1] 3:09
Lorenz Hart / Richard Rodgers
16     Dinner for One Please, James [Take 2] 3:17
Lorenz Hart / Richard Rodgers
17     I Never Knew [Take 2] 3:18
Raymond B. Egan / Roy Marsh / Tom Pitts
18    Have You Met Miss Jones [Take 1] 3:10
Lorenz Hart / Richard Rodgers
19     Have You Met Miss Jones? 3:20
Lorenz Hart / Richard Rodgers
20     Have You Met Miss Jones? 2:38
Lorenz Hart / Richard Rodgers
21     The Day You Came Along 3:15
Sam Coslow / Arthur Johnson
All Credits

SONNY ROLLINS AND COLEMAN HAWKINS - Sonny Meets Hawk! (1963-1994) FLAC (tracks+.cue), lossless

Throughout a career that spanned more than 40 years, Coleman Hawkins consistently maintained a progressive attitude, operating at or near the cutting edge of developments in jazz. If Hawk's versatility came in handy when he backed Abbey Lincoln during Max Roach's 1960 We Insist! Freedom Now Suite, he took on an assignment of challenging dimensions when in 1963 he cut an entire album with Sonny Rollins in the company of pianist Paul Bley, bassists Bob Cranshaw and Henry Grimes, and drummer Roy McCurdy. Coleman Hawkins and Sonny Rollins each virtually defined the tenor saxophone for his respective generation. To hear the two of them interacting freely is a deliciously exciting experience. Hawkins is able to cut loose like never before. Sometimes the two collide, locking horns and wrestling happily without holding back. For this reason one might detect just a whiff of Albert Ayler's good-natured punchiness, particularly in the basement of both horns; such energies were very much in the air during the first half of the 1960s. Rather than comparing this date with the albums Hawkins shared with Ben Webster (1957), Henry "Red" Allen (1957), Pee Wee Russell (1961), or Duke Ellington (1962), one might refer instead to Hawk's wild adventures in Brussels during 1962 (see Stash 538, Dali) or Rollins' recordings from around this time period, particularly his Impulse! East Broadway Run Down album of 1965. Check out how the Hawk interacts with Rollins' drawn-out high-pitched squeaking during the last minute of "Lover Man." On Sonny Meets Hawk!, possibly more than at any other point in his long professional evolution, Hawkins was able to attain heights of unfettered creativity that must have felt bracing, even exhilarating. He obviously relished the opportunity to improvise intuitively in the company of a tenor saxophonist every bit as accomplished, resourceful, and inventive as he was. arwulf arwulf  
Tracklist :
1    Yesterdays 5'12
Written-By – J. Kern, O. Harbach
2    All The Things You Are 9'30
Written-By – J. Kern, O. Hammerstein II
3        Summertime
Written-By – D. Heyward, G. & I. Gershwin
4    Just Friends 4'37
Written-By – J. Klenner, S. Lewis
5    Lover Man 8'50
Written-By – J. Davis, J. Sherman, R. Ramirez
6    At McKies' 7'01
Written-By – S. Rollins
Credits :
Bass – Bob Cranshaw (pistas: 1, 2, 5), Henry Grimes (pistas: 3, 4, 6)
Drums – Roy McCurdy
Piano – Paul Bley
Tenor Saxophone – Coleman Hawkins, Sonny Rollins

COLEMAN HAWKINS - Body & Soul (1996) FLAC (tracks+.cue), lossless

Much of the material on this two-LP set has been since reissued on CD, but, one way or the other, this music (particularly the first 16 tracks) belongs in every serious jazz collection. In 1939, Hawkins returned to the U.S. after five years in Europe, and it took him very little time to reassert his prior dominance as king of the tenors. This set starts off with the session that resulted in Hawk's classic version of "Body and Soul," teams him with Benny Carter (on trumpet) for some hot swing (including a memorable rendition of "My Blue Heaven"), and then finds Hawkins using younger musicians (including trumpeter Fats Navarro and trombonist J.J. Johnson) on some advanced bop originals highlighted by "Half Step Down Please." The remainder of this set is also good, but less historic, with Hawkins being well-showcased with three larger groups in 1956, culminating in a remake of "Body and Soul." Scott Yanow
Tracklist :
1     Meet Doctor Foo 2'32
Coleman Hawkins
2     Fine Dinner 2'33
Coleman Hawkins
3     She's Funny That Way 3'14
Neil Moret (Chas. N. Daniels) / Richard A. Whiting
4     Body and Soul 3'00
Frank Eyton / Johnny Green / Edward Heyman / Robert Sour
5     When Day Is Done 3'15
Buddy DeSylva / Robert Katscher
6     The Sheik of Araby 2'56
Harry Beasley Smith / Ted Snyder / Francis Wheeler
7     My Blue Heaven 2'46
Walter Donaldson / George A. Whiting
8     Bouncing with Bean 3'03
Coleman Hawkins
9     Say It Isn't So 2'57
Irving Berlin
10     Spotlite 3'06
Coleman Hawkins
11     April in Paris 3'06
Vernon Duke / E.Y. "Yip" Harburg
12     How Strange 3'02
Earl Brent / Gus Kahn / Herbert Stothart / Traditional
13     Half Step Down, Please 3'02
Tadd Dameron / Coleman Hawkins
14     Angel Face 3'12
Coleman Hawkins / Victor Herbert / Hank Jones
15     There Will Never Be Another You 2'57
Mack Gordon / Harry Warren
16     The Bean Stalks Again 3'24
Coleman Hawkins
17     Body and Soul 4'51
Frank Eyton / Johnny Green / Edward Heyman / Robert Sour
18     I Love Paris 3'30
Cole Porter
19     Under Paris Skies 2'45
Jean Dréjac / Kim Gannon / Hubert Giraud
Notas.
Recorded between 1939 and 1956 at RCA Studios, New York.

AHMED ABDUL-MALIK - East Meets West (1959-1995) FLAC (tracks+.cue), lossless

The late Ahmed Abdul-Malik was best known to jazz listeners as a bassist with Thelonious Monk, Randy Weston, Coleman Hawkins, and many others. He made a few records as a leader, with this one being his most exotic and also the hardest to find. The Brooklyn native was of Sudanese descent; in addition to playing bass on this interesting blend of Middle Eastern instruments with those from the world of jazz, he also plays oud, the forerunner to the lute. The musicians on Malik's eight originals vary from track to track. On the mournful "La Ibky (Don't Cry)," Malik's oud shares the spotlight with a tenor sax (either Benny Golson or Johnny Griffin) plus trumpeter Lee Morgan. "Rooh (The Soul)" features the 72-string kanoon (which is sort of a brittle sounding and much smaller harp) played by Ahmed Yetman, along with Malik's arco bass and the droning violin of Naim Karacand. The Middle Eastern instruments are absent during "Searchin'," which is sort of a hard bop vehicle featuring trombonist Curtis Fuller and Jerome Richardson on flute, along with the tenor sax. "Takseem (Solo)" omits the jazz instruments; the slowness of the variations of the music and rather piercing vocal make it harder for Western ears to comprehend. Not a release of interest to everyone but, for the most part, this fusion of vastly different styles of music is quite enjoyable; it's obvious from the start that the musicians were enjoying themselves as it was recorded. This long out print LP will be difficult to locate. by Ken Dryden
Tracklist :
1. E-lail (The Night) 4:17
Violin – Naim Karacand
Trumpet – Lee Morgan
Tenor Saxophone – Johnny Griffin
Tenor Saxophone – Benny Golson
Oud, Surbahar – Ahmed Abdul-Malik
Musical Box [Kanon] – Ahmed Yetman
Drums – Al Harewood
Drum [Darabeka] – Bilal Abdurraham
2. La Ibky (Don't Cry) 4:55
Violin – Naim Karacand
Trumpet – Lee Morgan
Tenor Saxophone – Johnny Griffin
Tenor Saxophone – Benny Golson
Oud, Surbahar – Ahmed Abdul-Malik
Musical Box [Kanon] – Ahmed Yetman
Drum [Darabeka] – Bilal Abdurraham
Drums – Al Harewood
3. Takseem (Solo) 5:08
Violin – Naim Karacand
Viola – Jakarawan Nasseur
Tenor Saxophone – Benny Golson
Oud, Surbahar – Ahmed Abdul-Malik
Musical Box [Kanon] – Ahmed Yetman
4. Searchin' 4:02
Trombone – Curtis Fuller
Tenor Saxophone – Benny Golson
Oud, Surbahar – Ahmed Abdul-Malik
Drums – Al Harewood
Flute – Jerome Richardson
5. Isma'a (Listen) 4:15
Violin – Naim Karacand
Trumpet – Lee Morgan
Tenor Saxophone – Johnny Griffin
Tenor Saxophone – Benny Golson
Oud, Surbahar – Ahmed Abdul-Malik
Musical Box [Kanon] – Ahmed Yetman
Drums – Al Harewood
Drum [Darabeka] – Bilal Abdurraham
6. Rooh (The Soul) 3:37
Trombone – Curtis Fuller
Tenor Saxophone – Benny Golson
Oud, Surbahar – Ahmed Abdul-Malik
Flute – Jerome Richardson
Drums – Al Harewood
7. Mahawara (The Fugue) 4:12
Trombone – Curtis Fuller
Tenor Saxophone – Benny Golson
Oud, Surbahar – Ahmed Abdul-Malik
Drums – Al Harewood
Flute – Jerome Richardson
8. El Ghada (The Jungle) 3:06
Trombone – Curtis Fuller
Tenor Saxophone – Benny Golson
Oud, Surbahar – Ahmed Abdul-Malik
Drums – Al Harewood
Flute – Jerome Richardson

ALICE BABS - Swingtime Again (1998) Mp3

Tracklist :
1 Me And You 2:36
Arranged By – Mikael Råberg
Bass – Jan Adefelt
Drums – Lasse Persson
Music By, Lyrics By – Duke Ellington
Organ [Hammond B3] – Kjell Öhman
Piano – Charlie Norman
Saxophone – Alberto Pinton, Erik Häusler, Jan Kling, Karl-Martin Almqvist, Per "Ruskträsk" Johansson
Trombone – Anders Norell, Andreas Carpvik, Magnus Olsson, Olle Blomqvist
Trumpet – Hans Dyvik, Jonas Lindeborg, Mikael Sörensen
Trumpet [Solo] – Bosse Broberg
2 It's Wonderful 4:25
Bass – Jan Adefelt
Drums – Lasse Persson
Lyrics By – Mitchell Parish
Music By – Stuff Smith
Piano – Charlie Norman
3 Sugar 4:16
Bass – Jan Adefelt
Drums – Lasse Persson
Music By, Lyrics By – George Meyer, Joseph Young
Organ [Hammond B3] – Kjell Öhman
Piano – Charlie Norman
Soloist [Guest] – Putte Wickman
4 I Let A Song Go Out Of My Heart 2:45
Arranged By – Anders Berglund
Bass – Jan Adefelt
Composed By – Duke Ellington
Drums – Lasse Persson
Lyrics By – Henry Nemo, Irving Mills, John Redmond
Piano – Kjell Öhman
Saxophone – Alberto Pinton, Erik Häusler, Jan Kling, Karl-Martin Almqvist, Per "Ruskträsk" Johansson
Trombone – Anders Norell, Andreas Carpvik, Magnus Olsson, Olle Blomqvist
Trumpet – Hans Dyvik, Jonas Lindeborg, Mikael Sörensen
Trumpet [Solo] – Bosse Broberg
5 Our Love Is Here To Stay 4:42
Bass – Jan Adefelt
Drums – Lasse Persson
Music By, Lyrics By – George & Ira Gershwin
Organ [Hammond B3] – Kjell Öhman
Piano – Charlie Norman
6 A Sailboat In The Moonlight 5:04
Bass – Jan Adefelt
Drums – Lasse Persson
Music By, Lyrics By – Carmen Lombardo, John Loeb
Organ [Hammond B3] – Kjell Öhman
Piano – Charlie Norman
7 Swing It Magistern 1:51
Arranged By – Anders Berglund
Bass – Jan Adefelt
Drums – Lasse Persson
Lyrics By – Hasse Ekman
Music By – Kai Gullmar
Organ [Hammond B3] – Kjell Öhman
Piano – Charlie Norman
Saxophone – Alberto Pinton, Erik Häusler, Jan Kling, Karl-Martin Almqvist, Per "Ruskträsk" 
Johansson
Trombone – Anders Norell, Andreas Carpvik, Magnus Olsson, Olle Blomqvist
Trumpet – Bosse Broberg, Hans Dyvik, Jonas Lindeborg, Mikael Sörensen
8 I Don't Mind 4:31
Bass – Jan Adefelt
Drums – Lasse Persson
Music By, Lyrics By – Billy Strayhorn, Duke Ellington
Organ [Hammond B3] – Kjell Öhman
Piano – Charlie Norman
Soloist [Guest] – Olle Holmqvist
9 Who's Got The Other Half Of Heaven 1:52
Bass – Jan Adefelt
Drums – Lasse Persson
Music By, Lyrics By – Povel Ramel
Organ [Hammond B3] – Kjell Öhman
Piano – Charlie Norman
10 Regntunga Skyar 3:46
Arranged By – Anders Berglund
Bass – Jan Adefelt
Drums – Lasse Persson
Keyboards, Percussion – Anders Berglund
Lyrics By – Hasse Ekman
Music By – Eckert-Lundin, Thore Ehrling
Piano – Kjell Öhman
Saxophone [Solo], Flute [Solo] – Per "Ruskträsk" Johansson
Saxophone, Flute – Alberto Pinton, Erik Häusler, Jan Kling, Karl-Martin Almqvist
Trombone – Anders Norell, Andreas Carpvik, Magnus Olsson, Olle Blomqvist
Trumpet – Bosse Broberg, Hans Dyvik, Jonas Lindeborg, Mikael Sörensen
11 I'm Checkin' Out Go'om Bye 3:46
Bass – Jan Adefelt
Drums – Lasse Persson
Music By, Lyrics By – Duke Ellington
Organ [Hammond B3] – Kjell Öhman
Piano – Charlie Norman
Tenor Saxophone [Guest] – Karl-Martin Almqvist
Trumpet [Guest] – Bosse Broberg
12 Don't Get Around Much Anymore 3:21
Arranged By – Anders Berglund
Bass – Jan Adefelt
Drums – Lasse Persson
Lyrics By – Bob Russel
Music By – Duke Ellington
Piano – Kjell Öhman
Saxophone – Alberto Pinton, Erik Häusler, Jan Kling, Karl-Martin Almqvist, Per "Ruskträsk" Johansson
Soloist [Guest] – Putte Wickman
Trombone – Anders Norell, Andreas Carpvik, Magnus Olsson, Olle Blomqvist
Trumpet – Bosse Broberg, Hans Dyvik, Jonas Lindeborg, Mikael Sörensen
13 Drop Me Off In Harlem 4:09
Bass – Jan Adefelt
Drums – Lasse Persson
Music By, Lyrics By – Duke Ellington, Nick Kenny
Organ [Hammond B3] – Kjell Öhman
Piano – Charlie Norman
Trumpet [Guest] – Bosse Broberg
14 Bluer Than Blue 4:18
Composed By, Lyrics By – Avon Long, Lill Harding
Piano – Charlie Norman

LEE WILEY - West of the Moon (1956-2007) RM / FLAC (image+.cue), lossless

Lee Wiley was still in prime form during the 1950s, although she was disappointed that she did not become a major commercial success. On this LP (all but two cuts have since been reissued on CD), Wiley is joined by three different orchestras arranged by Ralph Burns. Her renditions of "You're a Sweetheart," "Who Can I Turn to Now," "Can't Get Out of This Mood," "East of the Sun," and "Moonstruck" are particularly memorable. Despite the passing of time, Wiley's voice was still sensuous and haunting, lightly swinging and full of subtlety. With trumpeter Nick Travis, trombonist Urbie Green, trumpeter Billy Butterfield, trombonist Lou McGarity, and clarinetist Peanuts Hucko helping out with a few short solos, Wiley sounds inspired throughout this memorable set. by Scott Yanow
Tracklist :
1     You're a Sweetheart    2:57
Harold Adamson / Jimmy McHugh
2     This Is New    2:59
Ira Gershwin / Kurt Weill
3     You Must Have Been a Beautiful Baby    3:02
Johnny Mercer / Harry Warren
4     Who Can I Turn to Now?    3:56
William Engvick / Alec Wilder
5     My Ideal    3:26
Newell Chase / Leo Robin / Richard A. Whiting / Alec Wilder
6     Can't Get out of This Mood    3:16
Frank Loesser / Jimmy McHugh
7     East of the Sun    3:34
Brooks Bowman
8     I Left My Sugar Standing in the Rain    3:48
Sammy Fain / Irving Kahal
9     Moonstruck    3:43
Sam Coslow / Arthur Johnston
10     Limehouse Blues    3:06
Philip Braham / Douglas Furber
11     As Time Goes By    3:16
Herman Hupfeld
12     Keepin' out of Mischief Now    2:45
Andy Razaf / Fats Waller
- Bonus Tracks -
13     Stars Fell On Alabama    4:05
 Written-By – F. Perkins, M. Parish
14     Do You Know What It Means To Miss New Orleans?    4:06
Written-By – DeLange, Alter
Credits :
Arranged By – Deane Kincaide (tracks: 13, 14), Ralph Burns (tracks: 1 To 12)
Baritone Saxophone – Danny Bank (tracks: 2, 6, 9, 10), Deane Kincaide (tracks: 13, 14)
Bass – Bob Haggart (tracks: 13, 14), Milt Hinton (tracks: 1 To 12)
Clarinet – Peanuts Hucko (tracks: 1, 3, 8, 12, 13, 14)
Drums – Cliff Leeman (tracks: 13, 14), Don Lamond (tracks: 1 To 12)
Flute, Clarinet, Alto Saxophone – Ray Beckenstein (tracks: 4, 5, 7, 11)
Flute, Oboe, English Horn – Romeo Penque (tracks: 4, 5, 7, 11)
Guitar – Barry Galbraith
Harp – Jane Putnam (tracks: 4, 5, 7, 11)
Piano – Lou Stein (tracks: 13, 14), Moe Wechsler (tracks: 1 To 12)
Reeds – Ray Beckenstein (tracks: 2, 6, 9, 10), Romeo Penque (tracks: 2, 6, 9, 10)
Tenor Saxophone – Al Epstein (tracks: 2, 6, 9, 10), Al Klink (tracks: 1, 3, 8, 12)
Trombone – Cutty Cutshall (tracks: 13, 14), Lou McGarity (tracks: 1, 3, 8, 12), Bob Alexander (tracks: 2, 6, 9, 10), Urbie Green (tracks: 2, 6, 9, 10)
Trumpet – Bernie Glow (tracks: 2, 6, 9, 10), Billy Butterfield (tracks: 1, 3, 8, 12, 13, 14), Nick Travis (tracks: 2, 6, 9, 10)
Viola – Dave Schwartz (tracks: 4, 5, 7, 11)
Violin – Leo Kruczek (tracks: 4, 5, 7, 11), Paul Winter (tracks: 4, 5, 7, 11)
Vocals – Lee Wiley