Before and After Science is really a study of "studio composition"
whereby recordings are created by deconstruction and elimination: tracks
are recorded and assembled in layers, then selectively subtracted one
after another, resulting in a composition and sound quite unlike that at
the beginning of the process. Despite the album's pop format, the sound
is unique and strays far from the mainstream. Eno also experiments with
his lyrics, choosing a sound-over-sense approach. When mixed with the
music, these lyrics create a new sense or meaning, or the feeling of
meaning, a concept inspired by abstract sound poet Kurt Schwitters
(epitomized on the track "Kurt's Rejoinder," on which you actually hear
samples from Schwitters' "Ursonate"). Before and After Science opens
with two bouncy, upbeat cuts: "No One Receiving," featuring the offbeat
rhythm machine of Percy Jones and Phil Collins (Eno regulars during this
period), and "Backwater." Jones' analog delay bass dominates on the
following "Kurt's Rejoinder," and he and Collins return on the
mysterious instrumental "Energy Fools the Magician." The last five
tracks (the entire second side of the album format) display a serenity
unlike anything in the pop music field. These compositions take on an
occasional pastoral quality, pensive and atmospheric. Cluster joins Eno
on the mood-evoking "By This River," but the album's apex is the final
cut, "Spider and I." With its misty emotional intensity, the song seems
at once sad yet hopeful. The music on Before and After Science at times
resembles Another Green World ("No One Receiving") and Here Come the
Warm Jets ("King's Lead Hat") and ranks alongside both as the most
essential Eno material. David Ross Smith
Tracklist :
1 No One Receiving 03:52
Bass, Guitar [Rhythm] – Paul Rudolph
Drums – Phil Collins
Fretless Bass – Percy Jones
Performer [A Gong-gong And Stick] – Rhett Davies
Synthesizer, Guitar, Percussion [Synthesized], Piano – Brian Eno
2 Backwater 03:43
Bass – Paul Rudolph
Drums – Jaki Liebezeit
Guitar [Rhythm], Brass, Piano – Brian Eno
Bass – Bill MacCormick
Guitar [Cascade] – Fred Frith
Keyboards, Bells, Guitar [Melody], Synthesizer [Moog] – Brian Eno
Performer [Time] – Shirley Williams
10 Spider and I 04:10
Bass – Brian Turrington
Keyboards, Synthesizer [Aks] – Brian Eno
The violent cover photo (which shows a man after he was shot dead) sets the stage for the rather passionate music on this John Zorn set. With guitarist Bill Frisell, keyboardist Wayne Horvitz, bassist Fred Frith, drummer Joey Baron, and guest vocalist Yamatsuka Eye making intense contributions, altoist Zorn performs his unpredictable originals, abstract versions of some movie themes (including "A Shot in the Dark," "I Want to Live," "Chinatown," and "The James Bond Theme"), plus Ornette Coleman's "Lonely Woman." The stimulating music rewards repeated listenings by more open-minded listeners. Scott Yanow
Tracklist :
1 Batman 1'58
John Zorn
2 The Sicilian Clan 3'27
Ennio Morricone
3 You Will Be Shot 1'29
John Zorn
4 Latin Quarter 4'05
John Zorn
5 A Shot in the Dark 3'09
Henry Mancini
6 Reanimator 1'34
John Zorn
7 Snagglepuss 2'44
John Zorn
8 I Want to Live 2'08
Johnny Mandel
9 Lonely Woman 2'38
Ornette Coleman
10 Igneous Ejaculation 0'20
John Zorn
11 Blood Duster 0'13
John Zorn
12 Hammerhead 0'08
John Zorn
13 Demon Sanctuary 0'38
John Zorn
14 Obeah Man 0'17
John Zorn
15 Ujaku 0'27
John Zorn
16 Fuck the Facts 0'11
John Zorn
17 Speedball 0'37
John Zorn
18 Chinatown 4'23
Jerry Goldsmith
19 Punk China Doll 3'01
John Zorn
20 N.Y. Flat Top Box 0'43
John Zorn
21 Saigon Pickup 4'46
John Zorn
22 The James Bond Theme 3'02
John Barry
23 Den of Sins 1'08
John Zorn
24 Contempt 2'49
Georges Delerue
25 Graveyard Shift 3'25
John Zorn
26 Inside Straight 4'10
John Zorn
Credits :
Arranged By – John Zorn, Naked City
Bass – Fred Frith
Drums – Joey Baron
Guitar – Bill Frisell
Keyboards – Wayne Horvitz
Vocals – Yamatsuka Eye
Tracklist :
1 Hello, I Must Be Going 17:36
2 Red Thread 19:02
3 Particulars 6:08
4 Je Me Souviens 17:01
Credits :
Composed By – Evan Parker, Fred Frith
Electric Guitar – Fred Frith
Tenor Saxophone, Soprano Saxophone – Evan Parker
From the 2005 Victoriaville Festival, Anthony Braxton and Fred Frith, two graying lions of free improvisation, innovation, and rugged determination to follow their own individual paths, come together for just under an hour -- and in five different encounters -- of musical and sonic engagement. The first piece on Duo is almost lyrical in its opening moments. Frith's subtlety and restraint is actually very emotive. Braxton holds back on the tension he is capable of, and the piece remains that way until Braxton can't help himself and takes it to high-pitched skronkville for the last 3 of 11 minutes. It works. There is a great deal of both silence and sonic rhythmic interplay in the second piece. And it is one of the most fascinating songs here. The nearly 23 minute "Improvisation No. 3" has four distinct sections or dynamic episodes within it which capture Braxton's varying responses to Frith's pulsing beats on the guitar neck There is a snake-like charm to the way this changes hands, and who leads here. It's wooly, but it is also so utterly intuitive and sensible it nearly feels like a composed piece. It's bloody brilliant and worth the price of the disc alone. The ballad-like "Improvisation No. 4" is merely a breather, but it is spacious and quite beautiful before the conical, explosive sopranino as Braxton goes for the throat in "No. 5." Here circular breathing creates the spirals that Frith roils around and plays inside of, with distortion and fantastic control of his volume and tone knobs as he flies over the fretboard. This would have been a dynamite show to see. It's very inspired, playful, and in places, breathtaking.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1 Improvisation No 1 11:07
2 Improvisation No 2 10:53
3 Improvisation No 3 22:52
4 Improvisation No 4 3:19
5 Imrpovisation No 5 8:02
Credits :
Alto Saxophone, Soprano Saxophone, Sopranino Saxophone – Anthony Braxton
Electric Guitar – Fred Frith 
This is a live recording of a performance by the New York avant-garde group Material. Due to legal complications, the name "Material" was not allowed to be used on this release, as well as there being no song titles. It's an early performance (Sep. 18, 1981) only for the most open-minded listeners, for the group sticks to aggressive experimental noise which follows no musical conventions at all. Sometimes the group creates some fascinating moments (especially on track 2), but otherwise this is largely enerving, though occasionally amusing (Noyes' percussion intro on track 7). This features interesting abstract cover art by Thi-Linh Le. Christian Genzel
Credits :
Bass – Bill Laswell
Cover – Thi-Linh Le
Guitar – Derek Bailey, Fred Frith, Sonny Sharrock
Horns – John Zorn
Percussion – Charles K. Noyes
Two of Zorn’s most influential compositions, one long out of print, now sound better than ever in this newly remastered critical edition, complete with detailed notes, session photos, reminiscences and more. A lot has been written about Zorn’s "file card" compositions, of which Godard and Spillane are the first and purest examples. Described as "aural movies," these exciting tributes to the life and work of two of the world’s most original and infamous artists feature many of Zorn’s most important musical colleagues: Bill Frisell, Fred Frith, Bobby Previte, Anthony Coleman, Christian Marclay, John Lurie, and Richard Foreman among others. Essential Zorn from the mid ’80s. Also included as a bonus: the rare and delightful Christmas track Blues Nöel. TZADIK
Tracklist :
1 Godard 18'37
Drums, Percussion – Bobby Previte
Guitar, Banjo – Bill Frisell
Harp – Carol Emanuel
Keyboards, Sampler [Sampling] – David Weinstein
Narrator [Chinese] – Wu Shao-Ying
Narrator [English] – Richard Foreman
Narrator [French], Reeds – John Zorn
Narrator [Japanese], Voice – Luli Shioi
Piano, Organ, Celesta [Celeste], Harpsichord – Anthony Coleman
Turntables – Christian Marclay
2 Spillane 23'12
Bass, Tuba – David Hofstra
Clarinet, Alto Saxophone – John Zorn
Drums, Percussion, Timpani – Bobby Previte
Effects [Compact Disc], Tape [Tapes] – Bob James
Guitar [Guitars] – Bill Frisell
Harp – Carol Emanuel
Keyboards, Sampler [Sampling] – David Weinstein
Piano, Organ, Celesta [Celeste], Harpsichord – Anthony Coleman
Trombone – Jim Staley
Voice – John Lurie, Robert Quine
3 Blues Nöel 5'51
Alto Saxophone – John Zorn
Bass, Guitar [Guitars] – Fred Frith
Percussion, Voice – Michael Blair
Piano, Organ, Celesta [Celeste], Harpsichord – Anthony Coleman
Sampler – David Weinstein
Voice, Drum Machine – Ikue Mori
Credits :
Composed, Producer – John Zorn
For Zorn, filmscores have always been a place to experiment and the Filmworks Series is in many ways a microcosm of his output. This original installment of the Filmworks Series presents three scores ranging from punk-rockabilly (featuring the nasty guitars of Bob Quine, Marc Ribot and Arto Lindsay); a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. Out of print for several years, these classic recordings are made available here with the original cover art intact. This is the place where it all began. TZADIK
White And Lazy
1 Main Title 0:55
2 Homecoming 1:15
3 The Heist 3:20
4 Meat Dream 1:15
5 Phone Call 0:50
6 End Title 1:59
The Golden Boat
7 Fanfare 0:30
8 Theme 2:59
9 Jazz I 2:51
10 Horror Organ 1:06
11 Mexico 1:56
12 Mood 3:17
13 Rockabilly 2:01
14 Slow 2:47
15 Jazz Oboes 2:33
16 The Golden Boat (Turntable Mix) 2:58
Mixed By – David Shea
17 End Titles 2:53
The Good, The Bad And The Ugly
18 The Good, The Bad And The Ugly 1:04
Composed By – Ennio Morricone
She Must Be Seeing Things
19 Main Title 1:04
20 Swirling Shot 1:20
21 Homecoming 3:22
22 Catalina Flash 0:28
23 Seduction 4:54
24 Sex Shop Boogaloo 2:47
25 Catalina Escapes 1:11
26 Worms 1:04
27 Death Waltz Fantasy 1:24
28 Following Sequence 3:03
29 Movie Set 1:20
30 Climax 2:55
31 Going To Dinner 2:38
32 End Titles 3:27
Credits :
Alto Saxophone – John Zorn (pistas: 7 to 17, 19 to 32)
Arranged By, Producer, Executive-Producer, Liner Notes – John Zorn
Bass – David Hofstra (pistas: 19 to 32), Fred Frith (pistas: 18), Mark Dresser (pistas: 7 to 17), Melvin Gibbs (pistas: 1 to 6)
Bass Clarinet – Ned Rothenberg (pistas: 1 to 6)
Composed By – John Zorn (pistas: 1 to 15, 17, 19 to 32)
Drums – Anton Fier (pistas: 1 to 6), Bobby Previte (pistas: 7 to 32)
French Horn – Tom Varner (pistas: 19 to 32)
Guitar – Bill Frisell (pistas: 18 to 32), Robert Quine (pistas: 1 to 18)
Guitar, Vocals – Arto Lindsay (pistas: 1 to 6)
Harp – Carol Emanuel
Keyboards – Anthony Coleman (pistas: 7 to 17), David Weinstein (pistas: 1 to 6, 18 to 32)
Marimba – Bobby Previte (pistas: 7 to 17)
Oboe – Vicki Bodner (pistas: 7 to 17)
Organ [Hammond] – Wayne Horvitz (pistas: 18 to 32)
Percussion – Cyro Baptista (pistas: 7 to 17), Naná Vasconcelos (pistas: 19 to 32)
Percussion, Vibraphone, Timpani, Bells [Orchestra] – Bobby Previte (pistas: 19 to 32)
Piano – Wayne Horvitz (pistas: 19 to 32)
Piano, Organ, Celesta, Harpsichord – Anthony Coleman (pistas: 19 to 32)
Tenor Saxophone, Clarinet – Marty Ehrlich (pistas: 19 to 32)
Trombone – Jim Staley (pistas: 19 to 32)
Vocals – Bobby Previte (pistas: 18), Shelley Hirsch (pistas: 19 to 32)
Vocals, Turntables – David Shea (pistas: 7 to 17)
From the lyrical sensuality of Hu-Die (for 2 guitars), the aggressive fireworks of Hwang Chin-Ee (for two drummers) and the mystical ambience of Que Tran (for two keyboards), this album shows yet another side of Zorn's genius for the dramatic and the unexpected. Using the spoken languages of Chinese, Korean and Vietnamese as pure melody, this suite of 3 pieces of twin instruments and narrators is perhaps Zorn's most beautiful creation to date.
Ten years in the making, these epic compositions, Zorn's most universally misunderstood pieces, are finally made available on an album. Original texts by Arto Lindsay, My-ung Mi-Kim, and Lin Hejinian. Performed by an all-star collection of the world's most creative improvising instrumentalists. TZADIK
Tracklist :
1 Hu Die 25'09
Guitar – Bill Frisell, Fred Frith
Narrator – Zhang Jinglin
Recorded By [1986] – Kramer
Recorded By, Mixed By – Seigen Ono
Text By [Text] – Arto Lindsay
Translated By – Ruby Chang
2 Hwang Chin-ee 16'41
Drums – Joey Baron, Samm Bennett
Narrator – Jung Hee Shin
Recorded By [1988] – Oz Fritz
Recorded By, Mixed By – Jim Anderson
Text By [Text] – Myung Mi Kim
3 Quề Trân 30'46
Keyboards – Anthony Coleman, Wayne Horvitz
Narrator – Ánh Trần
Recorded By – Steve Rosenthal
Text By [Text] – Lyn Hejinian
Translated By – Tú Vū
Credits :
Written-By, Producer – John Zorn
Not since the early days of Naked City has there been a CD as remarkably varied and at the same time as enjoyable as Taboo and Exile. Running the gamut of styles from moody exotica, hardcore punk, classical, jazz, surf, world music and more, this second volume of this new Music Romance Series features twelve new Zorn compositions performed by the very best of today’s musical visionaries: guitar heroes Marc Ribot, Fred Frith and Robert Quine, bass renegade Bill Laswell, percussion masters Joey Baron, Dave Lombardo and Cyro Baptista, the Masada String Trio and vocalists Mike Patton and Miho Hatori, among others. For lovers of music in all its various mutations. TZADIK
Tracklist :
1 In The Temple Of Hadjarim 5'12
Bass – Greg Cohen
Cello – Erik Friedlander
Percussion – Cyro Baptista
Piano, Organ – Jamie Saft
Violin – Mark Feldman
2 Sacrifist 4'50
Bass – Bill Laswell
Drums – Dave Lombardo
Guitar – Fred Frith, Marc Ribot
3 Mayim 3'27
Bass – Greg Cohen
Cello – Erik Friedlander
Violin – Mark Feldman
4 Koryojang 6'21
Percussion – Cyro Baptista, Joey Baron
5 Bulls-Eye 1'08
Bass – Chris Wood
Drums – Sim Cain
Lead Guitar – Robert Quine
Rhythm Guitar – Marc Ribot
Voice – Mike Patton
6 Zeraim 6'19
Bass – Greg Cohen
Cello – Erik Friedlander
Percussion – Cyro Baptista
Piano – Jamie Saft
Violin – Mark Feldman
7 Thaalapalassi 10'21
Bass – Bill Laswell
Drums – Dave Lombardo
Guitar – Fred Frith, Marc Ribot
8 Makkot 2'59
Bass – Greg Cohen
Cello – Erik Friedlander
Violin – Mark Feldman
9 A Tiki For Blue 6'59
Bass – Greg Cohen
Guitar – Mark Ribot
Organ – Jamie Saft
Percussion – Roberto Rodriguez
10 The Possessed 6'17
Bass – Bill Laswell
Drums – Dave Lombardo
Guitar – Fred Frith
Saxophone – John Zorn
11 Oracle 4'24
Cello – Erik Friedlander
Organ – Jamie Saft
Percussion – Cyro Baptista
Voice – Miho Hatori
12 Koryojang (End Credits) 2'25
Percussion – Cyro Baptista, Joey Baron
Credits :
Composed, Arranged, Producer By – John Zorn
Working together since 1978, the partnership of Zorn and Frith is one of the most enduring musical partnerships in the downtown scene. Their periodic duo concerts have always been special events in themselves, but when it happens in celebration of Zorn's 50th Birthday, it takes on even greater meaning. Two masters of improvisation meet head to head in the redhot crucible of Tonic for an hour of telepathic communication and exploration, and you are there. TZADIK
Tracklist :
1 Off Topic 7:29
2 Alecto 3:57
3 Sowers Of Discord 3:55
4 Four Corners 8:14
5 Level Six Jumping 4:34
6 Cruel Abstraction 6:26
7 Eumenides Outside The Window 6:55
8 Nine-Part Invention 4:37
9 Cord Trouble And Tuning 1:38
10 Astrologers And Magicians 6:32
Credits :
Alto Saxophone, Producer – John Zorn
Guitar – Fred Frith
Fred Frith and John Zorn have a close working relationship that's has been fruitful since they first met in 1978. Close friends and cohorts, veterans of many ensembles and bands, they are two of the downtown scene’s founding fathers. Sharing a love for improvisation, composition and music from all over the map, they have developed a unique duo language that jumps from moment to moment with lightening speed and a near-endless imagination. Their yearly sold-out duo performances are some of the most anticipated events in New Music and while their previous releases have all been documents of these exciting concerts, here they enter the studio for
the first time in a beautiful recording of improvisation at its very best. Two of the world's greatest experimental instrumentalists in wild telepathic interplay! TZADIK
Tracklist :
1 Foetid Ceremony 5:34
2 Mosquito Slats 2:09
3 Horse Rehab 5:43
4 Legend Of The Small 2:17
5 Baffled Hats 3:20
6 Movement Of Harried Angels 7:29
7 The Fouth Mind 9:40
8 Creature Comforts 3:11
9 Slow Lattice 5:58
10 Ankle Time 5:03
Credits :
Alto Saxophone – John Zorn
Electric Guitar – Fred Frith
The first album from Dagmar Krause, Chris Cutler, and Fred Frith's post-Henry Cow project is one of the art rock masterpieces of the 1970s. It's as politically potent as Henry Cow's more strident work, but couched in more poetic and provocative terms. Opening with Bertolt Brecht's "On Suicide," with Krause declaiming the playwright's bitter lyrics in her semi-operatic style to the wheezing accompaniment of Frith's harmonium, the album continues in that uncompromising vein. Although most of the other members of Henry Cow guest, with reeds player Lindsay Cooper and keyboardist Tim Hodgkinson playing on a majority of the 13 songs, Hopes and Fears is considerably more focused and powerful than that group's often scattershot albums. The songs are built on Cutler's impressively varied drumming (often on electronically modified instruments), and the amazing variety of sounds Frith is able to coax out of a battery of electric and acoustic guitars, but there's enough space in the music for Krause's unique vocals to shine. Highlights include the epic, multi-part "In Two Minds," parts of which are as close as the Art Bears ever come to conventional rock music (which is to say, not very close at all, but there's an electric guitar solo), and the puckish instrumental, "Moeris Dancing." by Stewart Mason
Tracklist :
1 On Suicide 1:26
Written-By – Brecht, Eisler
2 The Dividing Line 4:11
Written-By – Cutler, Frith, Cooper
3 Joan 3:05
Written-By – Cutler, Frith
4 Maze 5:05
Voice [2nd Voice] – Georgie Born
Written-By – Cutler, Frith
5 In Two Minds 8:45
Written-By – Cutler, Frith
6 Terrain 3:49
Bass – Fred Frith
Written-By – Frith
7 The Tube 3:05
Bass – Fred Frith
Written-By – Cutler, Frith
8 The Dance 5:09
Written-By – Cutler, Frith
9 Pirate Song 1:28
Piano – Tim Hodgkinson
Written-By – Cutler, Hodgkinson
10 Labyrinth 2:15
Written-By – Cutler, Hodgkinson
11 Riddle 2:49
Written-By – Cutler, Frith
12 Moeris, Dancing 8:08
Written-By – Frith
13 Piers 2:10
Written-By – Cutler, Frith
14 Silence 1:00
15 The Riddle 2:21
16 First Things First 1:55
17 March From The Dance 1:05
18 The Hermit 2:47
Credits :
Bass, Cello – Georgie Born
Bassoon, Oboe, Soprano Saxophone, Recorder – Lindsay Cooper
Drums, Drums [Electrified Drums], Percussion [Percussions], Noises [Noise], Artwork [Centre] – Chris Cutler
Guitar [Guitars], Violin, Viola, Piano, Harmonium, Xylophone – Fred Frith
Organ, Clarinet – Tim Hodgkinson
Voice – Dagmar Krause
The Art Bears' second album consists of 12 songs of various tensions: rest vs. speed, improv vs. pulse, space vs. density, Dagmar Kraus's vocals vs. everyone else. As usual, Chris Cutler's lyrics tell political allegories through medieval-tinged stories: slaves, castles, and wheels of fortune (and industry) dominate. Fred Frith explores discordance through his guitar, and European folk figures through his always enjoyable violin. Though not as confrontational as their other work, the centerpiece has to be the frantic "Rats and Monkeys" with three minutes of teeth-gritting, out-of-control insanity as all three players are plugged into a wall outlet and let rip. A guaranteed lease breaker if played often enough. by Ted Mills
Tracklist :
1 The Bath of Stars 1:45
Chris Cutler / Fred Frith
2 First Things First 2:50
Chris Cutler / Fred Frith
3 Gold 1:41
Chris Cutler / Fred Frith
4 The Summer Wheel 2:47
Chris Cutler / Fred Frith
5 The Slave 3:38
Chris Cutler / Fred Frith
6 The Hermit 2:59
Chris Cutler / Fred Frith
7 Rats and Monkeys 3:24
Chris Cutler / Fred Frith
8 The Skeleton 3:11
Chris Cutler / Fred Frith
9 The Winter Wheel 3:06
Chris Cutler / Fred Frith
10 Man and Boy 3:21
Chris Cutler / Fred Frith
11 Winter/War/Force/Three Figures 3:05
Chris Cutler / Fred Frith
12 Force 0:54
Chris Cutler / Fred Frith
13 Three Figures 1:51
Chris Cutler / Fred Frith
14 Three Wheels 3:35
Chris Cutler / Fred Frith
Credits :
Drums, Percussion, Written-By, Arranged By, Text By [Texts] – Chris Cutler
Guitar [Guitars], Violin, Keyboards, Xylophone, Written-By, Arranged By, Composed By [Compositions] – Fred Frith
Voice – Dagmar Krause
If you thought Henry Cow was a pretty political band to start with, you may be even more taken aback by the Art Bears, which was put together following Henry Cow's demise by former Cows Chris Cutler (percussion), Fred Frith (guitar, violin), and Dagmar Krause (voice). On The World As It Is Today and its predecessor, Winter Songs, the Art Bears move away from the long-form art rock of Henry Cow and get much, much more politically explicit: song titles like "The Song of the Dignity of Labour Under Capital" and "The Song of Investment Capital Overseas" almost sound like Monty Python gags today, but if any humor was intended it was clearly meant to be mordant. Frankly, the lyrics are so overwrought and portentous that it's hard to take them seriously. But the music is something else again. Cutler and Frith are natural collaborators; Cutler's drumming always rides a very fine line between the scattershot and the funky, while Frith bounces his horror-show guitar noise and carnival piano off of Cutler's grooves with manic abandon and fearsome inventiveness. And Krause's singing is just as inventive; she whoops, croons and screams her way through the density of Cutler's lyrics without a hesitation or misstep. Easy listening it isn't, but it's sure worth hearing. Frith fans, in particular, should consider this album a must-own. by Rick Anderson
Tracklist :
1 The Song of Investment Capital Overseas 2:38
Chris Cutler / Fred Frith
2 Truth 2:56
Chris Cutler / Fred Frith
3 Freedom (Armed) Peace 3:25
Chris Cutler / Fred Frith
4 (Armed) Peace 2:30
Chris Cutler / Fred Frith
5 Civilisation 4:52
Chris Cutler / Fred Frith
6 Democracy 2:22
Chris Cutler / Fred Frith
7 The Song of the Martyrs 4:09
Chris Cutler / Fred Frith
8 Law 0:51
Chris Cutler / Fred Frith
9 The Song of the Monopolists 1:48
Chris Cutler / Fred Frith
10 The Song of the Dignity of Labour Under Capital 2:27
Chris Cutler / Fred Frith
11 Albion, Awake! 4:08
Chris Cutler / Fred Frith
12 Silent Track 1:00
13 Code To Man And Boy 7:18
14 All Hail 4:08
15 Duck And Cover: The Song Of Investment Capital Overseas 3:43
Credits :
Drums, Electronic Drums [Electric Drums], Percussion, Lyrics By [Texts], Artwork [Booklet] – Chris Cutler
Guitar, Keyboards, Violin, Viola, Composed By [Compositions] – Fred Frith
Songwriter [All Songs Written By], Arranged By – Chris Cutler, Fred Frith
Vocals – Dagmar Krause 
Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...
