25.6.22

JOHN ZORN - Filmworks I : 1986-1990 (1997) FLAC (tracks+.cue), lossless

For Zorn, filmscores have always been a place to experiment and the Filmworks Series is in many ways a microcosm of his output. This original installment of the Filmworks Series presents three scores ranging from punk-rockabilly (featuring the nasty guitars of Bob Quine, Marc Ribot and Arto Lindsay); a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. Out of print for several years, these classic recordings are made available here with the original cover art intact. This is the place where it all began. TZADIK
White And Lazy    
1    Main Title    0:55
2    Homecoming    1:15
3    The Heist    3:20
4    Meat Dream    1:15
5    Phone Call    0:50
6    End Title    1:59
The Golden Boat    
7    Fanfare    0:30
8    Theme    2:59
9    Jazz I    2:51
10    Horror Organ    1:06
11    Mexico    1:56
12    Mood    3:17
13    Rockabilly    2:01
14    Slow    2:47
15    Jazz Oboes    2:33
16    The Golden Boat (Turntable Mix) 2:58
Mixed By – David Shea
17    End Titles    2:53
The Good, The Bad And The Ugly    
18    The Good, The Bad And The Ugly 1:04
Composed By – Ennio Morricone
She Must Be Seeing Things    
19    Main Title    1:04
20    Swirling Shot    1:20
21    Homecoming    3:22
22    Catalina Flash    0:28
23    Seduction    4:54
24    Sex Shop Boogaloo    2:47
25    Catalina Escapes    1:11
26    Worms    1:04
27    Death Waltz Fantasy    1:24
28    Following Sequence    3:03
29    Movie Set    1:20
30    Climax    2:55
31    Going To Dinner    2:38
32    End Titles    3:27
Credits :
Alto Saxophone – John Zorn (pistas: 7 to 17, 19 to 32)
Arranged By, Producer, Executive-Producer, Liner Notes – John Zorn
Bass – David Hofstra (pistas: 19 to 32), Fred Frith (pistas: 18), Mark Dresser (pistas: 7 to 17), Melvin Gibbs (pistas: 1 to 6)
Bass Clarinet – Ned Rothenberg (pistas: 1 to 6)
Composed By – John Zorn (pistas: 1 to 15, 17, 19 to 32)
Drums – Anton Fier (pistas: 1 to 6), Bobby Previte (pistas: 7 to 32)
French Horn – Tom Varner (pistas: 19 to 32)
Guitar – Bill Frisell (pistas: 18 to 32), Robert Quine (pistas: 1 to 18)
Guitar, Vocals – Arto Lindsay (pistas: 1 to 6)
Harp – Carol Emanuel
Keyboards – Anthony Coleman (pistas: 7 to 17), David Weinstein (pistas: 1 to 6, 18 to 32)
Marimba – Bobby Previte (pistas: 7 to 17)
Oboe – Vicki Bodner (pistas: 7 to 17)
Organ [Hammond] – Wayne Horvitz (pistas: 18 to 32)
Percussion – Cyro Baptista (pistas: 7 to 17), Naná Vasconcelos (pistas: 19 to 32)
Percussion, Vibraphone, Timpani, Bells [Orchestra] – Bobby Previte (pistas: 19 to 32)
Piano – Wayne Horvitz (pistas: 19 to 32)
Piano, Organ, Celesta, Harpsichord – Anthony Coleman (pistas: 19 to 32)
Tenor Saxophone, Clarinet – Marty Ehrlich (pistas: 19 to 32)
Trombone – Jim Staley (pistas: 19 to 32)
Vocals – Bobby Previte (pistas: 18), Shelley Hirsch (pistas: 19 to 32)
Vocals, Turntables – David Shea (pistas: 7 to 17)

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