Mostrando postagens com marcador Dennis Chambers. Mostrar todas as postagens
Mostrando postagens com marcador Dennis Chambers. Mostrar todas as postagens

20.3.24

VICTOR WOOTEN — Palmystery (2008) APE (image+.cue), lossless

Victor Wooten makes it clear in the first few seconds of Palmystery that he's the man in charge. His spellbinding, acrobatic basslines take the lead, literally, and even when he's fulfilling the traditional role of the bassist (not that there's much about his virtuosic playing that's traditional) and shining the spotlight on his collaborators, he remains the focal point. Yet Wooten, the veteran bassist of Béla Fleck & the Flecktones, is no showoff. Through mostly original compositions (the sole cover is Horace Silver's "Song for My Father") that glide easily between jazz fusion, world music, R&B, gospel, rock, and funk, through instrumental and vocal sections, improvisations and structured pieces, Wooten holds it all together -- it's nearly impossible not to listen to what he's doing with his instrument. Still, although the musicianship is never less than stellar throughout and always takes a front seat, this is not an indulgent record -- Wooten and his crew serve the songs, not vice versa, and they do so with panache. The leadoff track, "2 Timers," serves notice that this is going to be a fun listen, not a difficult one, despite the complexity often inherent: with one drummer playing in 3/4 time and the other in 4/4 (hence the title), Wooten alternately hands the reins over to violinist Eric Silver, a three-man horn section, harmonica ace Howard Levy, and brother Joseph Wooten on keyboards. Continual shifts of tempo, mood, and texture keep things lively and then, just in case it seems like this is how it might stay, the second track, the Arabian-flavored "Cambo," puts an entirely different spin on things. With lead and choired vocals by co-writer Amir Ali and Saundra Williams, Wooten lays down a solid rhythm over which brothers Joseph and guitarist Regi Wooten work out, along with Ali on violin, lute, and darbouka (an African hand drum). Each successive track expands the album's colorings: on "I Saw God," which features Richard Bona among its vocalists, Victor Wooten offers a non-religious person's impressions of his confrontation with a unisexual, philosophical, word-playing deity, while the flamenco-esque "The Lesson" pares down the cast to just Victor on bass and another Flecktone brother, Roy Wooten, supplying percussion. And so on throughout: "The Gospel" doubles up Wooten's fretted and fretless basses with ghostly vocals from the Woodard Family and a team of horns, and the Silver interpretation is spirited and swinging, with Karl Denson's tenor saxophone among the more notable solos on the record. "Us 2," the closing track, is also the quietest, Wooten laying low on basses and drum programming while Keb' Mo' peels off sleek slide guitar licks and Joseph Wooten lays down a bed of keyboards. "Sifu" utilizes Mike Stern's guitar. "Miss U," which features the Lee Boys on vocals, Roosevelt "The Doctor" Collier on pedal steel, and Alvin Lee (presumably not the Ten Years After guitarist) on guitar, is a gospelized, bluesy, soul-fried rave-up that gives Wooten a chance to show off his boogie power. Palmystery solidifies Victor Wooten's rep not only as one of the most skillful, inventive bassists on the planet but a heck of a diversified songwriter and bandleader, too. Jeff Tamarkin

Tracklist :
1    2 Timers 4:51
Harmonica – Howard Levy
Piano – Joseph Wooten
Written-By – Victor L. Wooten

2    Cambo 5:25
Bass [Low] – Anthony Wellington
Written-By – Amir Ali, Victor L. Wooten

3    I Saw God 4:20
Vocals, Percussion – Richard Bona
Written-By – Victor L. Wooten

4    The Lesson 5:55
Written-By – Victor L. Wooten
5    Left, Right, & Center 7:11
Written-By – Victor L. Wooten
6    Sifu 7:36
Bass – Regi Wooten
Written-By – Victor L. Wooten

7    Miss U 4:33
Bass – Alvin "Lil' Al" Cordy
Written-By – Victor L. Wooten

8    Flex 6:37
Bass [Thumb Solo] – Anthony "Flex" Wellington
Written-By – Victor L. Wooten

9    The Gospel 6:40
Vocals – The Woodard Family
Written-By – Joseph Wooten, Victor L. Wooten

10    Song For My Father 5:10
Written-By – Horace Silver
11    Happy Song 4:23
Written-By – Victor L. Wooten
12    Us 2 2:58
Written-By – Victor L. Wooten
Personnel:
Alto Saxophone – Rudy Wooten (tracks: 9, 11), Shawn "Thunder" Wallace (tracks: 6)
Baritone Saxophone – Jeff Coffin (tracks: 9), Karl Denson (tracks: 10)
Bass – Victor Wooten
Drums – Dennis Chambers (tracks: 5), Derico Watson (tracks: 1 to 3, 8, 10), Earl "Big E" Walker (tracks: 7), JD Blair (tracks: 1, 5, 6), Raymond Massey (tracks: 11), Will Kennedy (tracks: 5, 9)
Guitar – Alvin Lee (tracks: 7), Mike Stern (tracks: 5, 6), Regi Wooten (tracks: 2, 8, 10, 11)
Keyboards – Joseph Wooten (tracks: 1 to 3, 6 to 9, 11, 12)
Tenor Saxophone – Jeff Coffin (tracks: 1, 9)
Trombone – Barry Green (tracks: 1, 9)
Trumpet – Rod McGaha (tracks: 1, 9)
Violin – Amir Ali (tracks: 2, 8)
Violin, Mandolin – Eric Silver (tracks: 1)
Vocals – Amir Ali (tracks: 2, 6), Saundra Williams (tracks: 2, 7)
Vocals [Low] – Alvin Chea (tracks: 6)

7.7.21

ETHEL ENNIS - If Women Ruled the World (1998) FLAC (tracks+.cue), lossless

This is a historic release on two levels. It was one of the first recordings of new jazz for Savoy in a couple decades (unfortunately the label's venture into recording new music did not last long) and it was singer Ethel Ennis' first recording in quite some time. For this project, she interprets a dozen songs written by women, ranging from "God Bless the Child" and "Willow Weep for Me" to more recent songs by Joan Osborne, Joan Armatrading, Joni Mitchell, Tracy Chapman, Carole King, and herself ("Hey You"). The performances range from swinging pieces to folk music with Ennis assisted by pianist Marc Copland, trumpeter Ingrid Jensen, guitarist John Abercrombie, soprano saxophonist Jane Ira Bloom, and a couple different rhythm sections. This is a fine effort, making one wish that Ethel Ennis would record much more often. by Scott Yanow
Tracklist:
1  Spider Web 5:07
    Written-By – Chris Palmaro, Gary Michael Lucas, Joan Osborne, Richard E. Chertoff, Sammy Merendino
2  If Women Ruled The World 5:00
    Written-By – Joan Armatrading
3  God Bless The Child  5:55
    Written-By – Arthur Herzog, Jr., Billie Holiday
4  You Gotta Be 4:44
    Written-By – Ashley Ingram, Des'ree
5  For Free 5:33
    Written-By – Joni Mitchell
6  Sometimes I Don't Wanna Go Home 4:43
    Written-By – Joan Armatrading
7  Tell It Like It Is  6:32
    Written-By – Tracy Chapman
8  So Far Away 4:08
    Written-By – Carole King
9  When I Need You 3:14
   Written-By – Albert Louis Hammond, Carole Bayer Sager
10  Willow Weep For Me  5:45
    Written-By – Ann Ronell
11  Nick Of Time  4:08
    Written-By – Bonnie Raitt
12  Hey You  4:48
Written-By – Ethel Ennis
Credits :
Arranged By – Ethel Ennis (faixas: 12), Marc Copland (faixas: 1 to 11)
Bass – Drew Gress (faixas: 1, 2, 4, 5, 7, 8), Ron McClure (faixas: 3, 6, 9 to 12)
Drums – Billy Hart (faixas: 3, 6, 9 to 12), Dennis Chambers (faixas: 1, 2, 4, 5, 7, 8)
Guitar – Gene Bertoncini (faixas: 6, 10, 11), John Abercrombie (faixas: 4, 6, 7)
Piano – Marc Copland (faixas: 1 to 12)
Soprano Saxophone – Jane Ira Bloom (faixas: 5, 8)
Trumpet – Ingrid Jensen (faixas: 1, 2, 4, 7)
Vocals – Ethel Ennis (faixas: 1 to 12) 

27.4.21

MIKE STERN - Jigsaw (1989) FLAC (image+.cue), lossless

This is a fairly typical Mike Stern fusion date, featuring his rocking guitar on seven of his pieces. Stern is joined by his usual sidemen -- tenor saxophonist Bob Berg, keyboardist Jim Beard, electric bassist Jeff Andrews, either Peter Erskine or Dennis Chambers on drums and percussionist Manolo Badrena -- and plays with plenty of fire, yet a good amount of restraint. Michael Brecker is a guest on "Chief," jamming on his fairly anonymous-sounding EWI. A decent effort, easily recommended to fans of the more adventurous rock guitarists. by Scott Yanow
Tracklist:
1. Another Way Around 6:25
Mike Stern
2. Loose Ends 6:11
Mike Stern
3. To Let You Know 6:30
Mike Stern
4. Jigsaw 7:06
Mike Stern
5. Chief  7:45
Mike Stern
6. Rhyme or Reason 5:46
Mike Stern
7. Kwirk 6:58
Mike Stern
Credits :
Mike Stern – Guitar
Jim Beard – Keyboard, Synthesizer
Peter Erskine – Drums (except tracks 1, 4, 5)
Dennis Chambers – Drums (tracks 1, 4, 5)
Manolo Badrena – Bongo, Shaker
Don Alias – Percussion
Jeff Andrews – Bass
Bob Berg – Saxophone
Michael Brecker – Saxophone

MIKE STERN - Odds or Evens (1991) FLAC (tracks+.cue), lossless

This is a powerhouse date of high-powered fusion, mixing together the sound of rock with the musicianship and improvising of jazz. With the assistance of tenor saxophonist Bob Berg, keyboardist Jim Beard and a rhythm section, guitarist Stern jams through a set of originals that serve as jumping-off devices for fairly long solos. The musicians really stretch themselves within the idiom and even the quieter numbers are full of intensity. by Scott Yanow
Tracklist:
1    Keys    7:28
Mike Stern
2    D.C.    7:40
Mike Stern
3    Common Ground    6:05
Mike Stern
4    Odds Or Evens    7:08
Mike Stern
5    Seven Thirty    6:26
Mike Stern
6    If You Say So    7:36
Mike Stern
7    Sandbox 3:59
Leni Stern
8    Walkie Talkie 6:57
Mike Stern
Credits:
Bass – Anthony Jackson (tracks: 2, 4, 6), Lincoln Goines (tracks: 1, 3, 5, 8)
Drums – Ben Perowsky (tracks: 1, 5, 8), Dennis Chambers (tracks: 2, 3, 4, 6)
Percussion – Don Alias
Piano, Synthesizer, Producer – Jim Beard
Saxophone – Bob Berg

MIKE STERN - Is What It Is (1994) FLAC (tracks+.cue), lossless

Mike Stern is one of the more creative fusion guitarists, playing with the power of rock but often taking sophisticated improvisations. On this passionate set (which consists of nine of his originals), Stern is joined by the keyboards of Jim Beard, bassist Will Lee, Dennis Chambers or Ben Perowsky on drums and (on three songs apiece) the tenors of Michael Brecker and Bob Malach. Overall this is one of Mike Stern's better recordings. by Scott Yanow
Tracklist :
1. Swunk - 7:53
Mike Stern
2. A Little Luck - 6:36
Mike Stern   
3. What I Meant To Say - 6:20  
Mike Stern   
4. Showbiz - 5:43
Mike Stern
5. Believe It  - 4:32  
Mike Stern
6. Wherever You Are - 5:32
Mike Stern
7. Ha Ha Hotel - 6:10  
Mike Stern  
8. Signs - 7:48
Mike Stern
9. 55 Dive - 5:44
Mike Stern
Credits :
Mike Stern - Guitar
Michael Brecker - Saxophone
Jim Beard - Synthesizers, Piano, Hammond Organ,
Wurlitzer Piano, Production, Additional Engineering
Will Lee - Bass
Dennis Chambers - Drums
Ben Perowsky - Drums
Harvie Swartz - Acoustic Bass
Bob Malach - Saxophone

MIKE STERN - Between the Lines (1996) FLAC (tracks+.cue), lossless

 Mike Stern does what he does very, very well. He has carved out a unique niche for himself among modern fusion guitarists, a vision that combines funk and R&B bass/drum grooves with skittish melodies often involving extended chord fragments. Stern's lead voice is one of the most distinctive in the genre as well, as his chorused and sometimes distorted tone is always prominently displayed. Stern is joined on this 1996 offering by frequent collaborator Bob Malach, a tenor player with a particular talent for laying screaming lines on top of smoking drum grooves as well as ably doubling and bringing to life Stern's often bookish and theoretical melodies. Completing the band are twin rhythm sections, consisting either of Dave Weckl and Jeff Andrews or Lincoln Goines and Dennis Chambers. Like many of Stern's recordings, the problems lie generally in the sameness of the arrangements and the relatively forgettable nature of some of these songs. Although they are all thoughtfully composed, they sometimes tend to run together a bit in the mind of the listener. Jim Beard's keyboard textures also could be done without, as they add a distracting sheen to the compositions. But there has always been this sort of tension in Stern's work between the obvious and the unexpected. Take, for example, "Lose the Suit," which features an extremely funky intro and a great Stern solo, as well as an extremely predictable bridge that almost sounds as if it could be the theme song to a long-running soap opera. Any lingering sense of treacle is dispelled once Stern kicks in the fuzz, however, and lays into the track. Not the best thing he's ever done, but quite good, and sure to please fans. by Daniel Gioffre
Tracklist:
1    Sunnyside    7:27
Mike Stern
2    The Vine    6:27
Mike Stern
3    Wing And A Prayer    6:37
Mike Stern
4    Lose The Suit    8:43
Mike Stern
5    You Never Know    7:13
Mike Stern
6    Tell Me    6:01
Mike Stern
7    With A Twist    6:37
Mike Stern
8    True Enough    6:43
Mike Stern
9    Pages    6:43
Mike Stern
10    Bait Tone Blues    7:37
Mike Stern
Credits:
Bass – Jeff Andrews, Lincoln Goines (tracks: 6, 7)
Drums – Dave Weckl, Dennis Chambers (tracks: 6, 7)
Guitar – Mike Stern
Keyboards, Producer – Jim Beard
Tenor Saxophone – Bob Malach

MIKE STERN - Play (1999) APE (image+.cue), lossless

 Mike Stern is a preeminent guitarist for two key reasons: One, he can play all styles very well and with equal command; and two, he plays very well with all other players. He always shows great respect for those with whom he is playing and gives them each the time and space to develop their musical ideas. Stern displays these two qualities in abundance on Play. Several notable guests join Stern and his core band for this release. Guitarists John Scofield and Bill Frisell and drummer Dennis Chambers each team with Stern on several tracks. If you enjoy straight-ahead jazz, listen to Stern and Scofield on the title track, or mix in Bob Malach's tenor sax on "Outta Town." If you like your guitar music slightly more spacious and lyrical, try Stern and Frisell on the hypnotic "Blue Tone" or the pensive "All Heart." Finally, if you want to turn up the heat and move into some rock/funk-influenced fusion, then check out the groovy "Tipatina's," the bold rocker "Link," or the intensely funky "Big Kids." It is no surprise, based on his other work, that Chambers, in particular, gives the band a kick in the musical pants inspiring bassist Lincoln Goines to enjoy the ride. Play is an outstanding guitar album from the highly accomplished and incredibly versatile Mike Stern. It is highly recommended. by Brian Bartolini  
Tracklist:
1    Play    7:15
 Mike Stern
2    Small World    5:23
 Mike Stern
3    Outta Town    6:09
 Mike Stern
4    Blue Tone    6:43
 Mike Stern
5    Tipatina's    6:35
 Mike Stern
6    All Heart    6:22
 Mike Stern
7    Frizz    5:41
 Mike Stern
8    Link    6:50
 Mike Stern
9    Goin' Under    4:10
 Mike Stern
10    Big Kids    7:29
 Mike Stern
Credits:
Bass – Lincoln Goines
Drums [Pearl], Cymbal [Zildjian] – Dennis Chambers (tracks: 5, 8, 9)
Drums, Cymbal [Zildjian] – Ben Perowsky (tracks: 1 to 4, 6, 7, 10)
Guitar – Bill Frisell (tracks: 4, 6, 7, 10), John Scofield (tracks: 1 to 3)
Guitar [Yamaha] – Mike Stern
Keyboards – Jim Beard (tracks: 1 to 3, 5, 6, 8, 9)
Tenor Saxophone – Bob Malach (tracks: 3, 5, 6, 8, 9)

MIKE STERN - These Times (2004) FLAC (image+.cue), lossless

Combine the innovative guitar energy of legendary fusion master Mike Stern with old friends (bassist Richard Bona, drummer Vinnie Colaiuta) and new (saxman Kenny Garrett), and anything is bound to happen. But fans expecting raucous swinging and jamming the whole time may be surprised at the subtle lyricism and exotic explorations that define these times for their hero. Yes, his electric is crackling on the hypnotic opener, "Chatter," but it's in the crazy, exotic context of a Middle Eastern vibe inspired by Pakistani great Nusrat Fateh Ali Khan (look out, Eddie Vedder!). Jim Beard's jumpy piano, Colaiuta's wild, New Orleans groove, and Garrett's swirling lines provide great support. Once Stern and company have the listener's attention, they can become seductive with more intimate affairs like the Joe Zawinul-influenced "Silver Lining," which features an exotic falsetto vocal by Bona, a former Zawinul Syndicate member who also propels the tune with his increasingly muscular basslines. Bona adds the same touch in a gentler way to the lush romance of "I Know You," featuring a soft-spoken harmony line by guest star banjo great Béla Fleck. This sequence of tunes sets the tone of the rest of the disc, which mixes more Khan-flavored gems (the colorful singalong "Mirage," featuring vocals by Elisabeth Kontomanou), soft ballads, and a sexy midtempo funk number that (gasp!) might translate to the smooth jazz format. Another highlight is the punchy bebop number "Remember," dedicated to Stern's longtime collaborator the late Bob Berg. Perhaps the only drawback is having Garrett on hand but only featuring him on three numbers. by Jonathan Widran
Tracklist:
1    Chatter    6:10
Mike Stern
2    Silver Lining    6:34
Mike Stern
3    I Know You    5:06
Mike Stern
4    Mirage    6:44
Mike Stern
5    If Only    5:31
Mike Stern
6    Street Rhyme    6:36
Mike Stern
7    Avenue B    6:13
Mike Stern
8    Remember (For Bob Berg)    6:02
Mike Stern
9    These Times    8:12
Mike Stern
10    What You Believe    6:45
Mike Stern
11    Last One Down    5:30
Mike Stern
Credits:
Lyrics By – Richard Bona (tracks: 5)
Musician – Arto Tuncboyaciyan, Bob Franceschini, Bob Malach, Béla Fleck, Dennis Chambers, Don Alias, Elisabeth Kontomanou, Jim Beard, Jon Herington, Kenny Garrett, Richard Bona, Victor Wooten, Vinnie Colaiuta, Will Lee
Producer – Jim Beard 

2.2.20

THE BRECKER BROTHERS - Return Of The Brecker Brothers (1992) FLAC (tracks+.cue), lossless


By the 1990s, smooth jazz had become such a commercial powerhouse that some established jazz artists were tripping over themselves to get in on the action. It had its own format on the radio, and records were selling briskly. Spyro Gyra, Grover Washington, Jr., George Howard, Gerald Albright, Jeff Lorber, and countless others were knocking out near platinum discs almost without trying. As a band, the Brecker Brothers were part of the initial contemporary jazz flowering in the late '70s and early '80s, with their seamless, driving mélange of jazz, funk, pop, soul, and fusion. Saxophonist Michael and trumpeter Randy had issued a slew of records between 1975 and 1982 as the Brecker Brothers, but studio and touring commitments with other units and individuals kept them from recording as a band again for 12 years. Return of the Brecker Brothers was released in 1992 on Dave Grusin's GRP imprint. Michael on saxophones and the Akai EWI (Electronic Wind Instrument) and Randy on trumpet and flügelhorn were supported by a rhythm section that included drummer Dennis Chambers, George Whitty on keyboards, and bassist James Genus. The set's guests include guitarists Dean Brown and Michael Stern, percussionist Don Alias, saxophonist David Sanborn, and bassist Will Lee. This star-studded affair delivers an excellent jazz-funk record that has far more teeth than other smooth jazz efforts of the period.
While some of the big, programmed beats soon sounded a bit dated, Chambers' drums and tough horn work more than compensate, and the quality of these compositions -- written by the Breckers either singly or together -- is almost timeless. These guys understood the value of employing a catchy melody as a jumping-off point for improvisational excursions. Check "Song for Barry," the opener, where Armand Sabal-Lecco's piccolo bass begins a pattern to be further unfolded by Michael's EWI and then layered with a polyrhythmic entrance by the rest of the band, before he takes off with Whitty on a Caribbean-touched melody that resembles the work Weather Report were doing in the mid-'70s. The production is clean, and each instrument has its own voice in this meld. The solos are tough, big, and quite tasty. By contrast, the big drum funk in "King of the Lobby," with its samples, clashing synth programs, and three-horn front line (with Sanborn) teamed with a pair of electric guitars, delivers a groove so infectious that it's almost impossible to resist. The sheer imagination on this set reflects the Breckers' immersion in all schools of popular music, but they retain their identity as jazz musicians. The rhythmic palette on this disc is rich, varied, and inventive. Rather than simply blow melodic solos over fixed rhythms, these cats get into the knottiness they established a reputation for -- Randy's adventurous hard bop voicings and phraseology are especially attractive, even though Michael was at one of his creative peaks in 1992. Other standouts include "On the Backside," with its roiling piano groove; the labyrinthine "Spherical"; and the elaborate fusion tune "Above and Below." This set marked a fitting return for the Breckers, who never let the fashionable tenets of the smooth jazz '90s totally appropriate their creativity or their sound. by Thom Jurek  
Tracklist:
1 Song For Barry 5:07
2 King Of The Lobby 5:20 (Alto Saxophone – David Sanborn)
3 Big Idea 4:20
4 Above & Below 7:05 (Percussion – Bashiri Johnson)
5 That's All There Is To Do 5:26 (Voice – Malcolm Pollack, Will Lee)
6 Wakaria (What's Up?) 5:26
7 On The Backside 6:25
8 Sozinho (Alone) 7:36
9 Spherical 5:58 (Bass – Will Lee)
10 Good Gracious 5:13
11 Roppongi 4:56
Credits:
Acoustic Bass, Electric Bass – James Genus (tracks: 4, 7, 8, 10, 11)
Bass, Bass [Piccolo], Vocals, Percussion, Drums – Armand Sabal-Lecco (tracks: 1, 5, 6)
Drums – Dennis Chambers (tracks: 4 to 6, 8 to 11)
Drums, Bass, Synthesizer, Drum Programming, Percussion [Cymbals] – Max Risenhoover (tracks: 1, 2, 6, 8)
Guitar – Dean Brown (tracks: 2, 5, 11), Mike Stern (tracks: 1, 2, 4, 8 to 11)
Keyboards, Piano [Rhodes] – George Whitty
Percussion – Don Alias (tracks: 1, 8, 9, 11)
Piano, Electric Piano [Rhodes], Bass, Synthesizer – Robbie Kilgore (tracks: 3, 7)
Tenor Saxophone, Soprano Saxophone, Keyboards, Synthesizer – Michael Brecker
Trumpet, Flugelhorn, Vocals – Randy Brecker
Voice – Veera (tracks: 2, 3)

28.11.17

JOHN SCOFIELD - Blue Matter (1987) APE (image+.cue), lossless

 One of the top jazz guitarists from the mid-1980s on, John Scofield has always had a very recognizable sound and the ability to combine together R&B/funk with advanced jazz. He is the lead voice throughout most of this release, performing eight of his originals with a group also including keyboardist Mitchel Forman, electric bassist Gary Grainger, drummer Dennis Chambers, percussionist Don Alias and (on three of the numbers) Hiram Bullock on rhythm guitar. Although not for jazz purists, who should get his slightly later Blue Note releases instead, this set should interest guitar freaks.  by Scott Yanow
Tracklist
1 Blue Matter 5:47
2 Trim 7:33
3 Heaven Hill 4:28
4 So You Say 4:34
5 Now She's Blonde 5:32
6 Make Me 2:53
7 The Nag 4:18
8 Time Marches On 7:32
Credits
Bass – Gary Grainger
Drums – Dennis Chambers
Guitar – John Scofield
Keyboards – Mitchell Forman
Percussion – Don Alias
Rhythm Guitar – Hiram Bullock (tracks: 1, 5, 6)
Written-By – John Scofield


15.4.17

Dennis Chambers - Planet Earth [2005] FLAC

A formidable and ultra-funky presence behind the kit, from Santana to Brecker Brothers, from George Clinton to John Scofield Dennis Chambers is everyone s choice for all-world drummer. On "PLANET EARTH" his third outing as a leader, he s supported by producer Jim Beard. The remarkably versatile drummer says This is the best one yet! 
Among others this album features Kenny Garrett, Adam Rogers, Will Lee, Dean Brown, Anthony Jackson, Bob Malach, the Borneo Horns and Jim Beard.
 Songs / Tracks Listing 
1.Planet Earth (4:40) 
2.Dance Music For Borneo Horns # 13 (2:24) 
3.Amos Ignored (4:40) 
4.Elroy (6:05) 
5.El Is The Sound Of Joy (5:03) 
6.Camel Hump (6:08) 
7.Dance Music For Borneo Horns #6 (4:19) 
8.Overtones Of China (10:14) 
9.Giphini's Song (2:32) 
10.Ant (4:34) 
11.Loose Bloose (6:20) 
12.Dance Music For Borneo Horns #4 (3:13)
Total Time 58:52
Line-up / Musicians 
- Dennis Chambers / drums
- Jim Beard / keyboards
- Dean Brown / guitar(1/3/5/6/8/9)
- Adam Rogers / guitar(4/10/11)
- Anthony Jackson / bass(4/10/11)
- Will Lee / bass(1/3/5/6/8/9)
- Kenny Garrett / alto sax(3/8/11)
- Bob Malach / tenor sax, alto sax, baritone sax, flute(1/3/5/6/8/9)
- Jim Hynes / trumpet(3/5)
- Mike Davis / trombone(3/5)
The Borneo Horns: 
- Lenny Pickett / tenor sax(2/7/12)
- Stan Harrison / alto sax(2/7/12)
- Steve Elson / baritone sax(2/7/12)
O Púbis da Rosa

DENNIS CHAMBERS - Outbreak [2002] FLAC

Drummer Dennis Chambers is a first-call session ace who is comfortable within a variety of settings and/or genres. He has also evolved into one of the most admired drummers on the globe due to his high-powered polyrhythmic funk beats and supercharged sense of swing. In short, he's a dynamo! With his second solo release, he enlists his former boss, guitarist John Scofield, amid jazz superstars such as brothers Michael (sax) and Randy (trumpet) Brecker among others. Here, Chambers drives it all home via his now infamous attack, consisting of complexly woven tom fills and snappy, funk-drenched rhythms. Much of the credit should be directed towards arranger/producer/keyboardist Jim Beard, who once again demonstrates his prowess for achieving the desired effects. On the piece titled "Otay," fusion bassist extraordinaire Gary Willis leads the way via his impossibly fast lines in concert with Scofield's sinewy plucking and Chambers' sweeping funk pulses. Some of these works are marked by the Brecker Brothers' chirpy unison choruses and the ensemble's morphing of gospel, fusion, and jazz-based grooves. Through it all, Chambers' presence is undeniably felt, while this outing also benefits from strong material and the soloists' zestful endeavors.
Gary Willis is a breath of fresh air, particularly his wild, doinky sounds on "Baltimore, DC" and his infectiously burbling "Otay" intro. Jim Beard's keys are the real catalyst behind many tracks, and his "Roll Call" is one of the best selections. Bobby Malach's bass sax is a surprise on the closing James Brown tune, as is the humorous, choppy solo by John Scofield that follows. Chambers himself is in best form on "Otay," the slow and gripping "Paris On Mine," and Sly Stone's "In Time." Though it often seems the bandleader's spotlight has been commandeered by the sidemen, Chambers and friends have still turned in a highly entertaining show that's worth the price.
Tracks Listing 
1.Roll Call (05:21) 
2.Otay (07:03) 
3.Groovus Interruptus (05:19)
4.Paris on Mine (06:08) 
5.In Time (06:08) 
6.Plan B (04:31) 
7.Outbreak (10:59) 
8.Baltimore, D.C. (05:46) 
9.Talkin' Loud and Sayin' Nothin' (06:01) 
Total Time 56:36
Line-up / Musicians 
- Dennis Chambers / drums
- Jim Beard / keyboards
- John Scofield / guitar
- Michael Brecker / tenor sax
- Randy Brecker / trumpet
- Bobby Marach / baritone sax, tenor sax
- Jon Herington / guitar
- Nick Moroch / guitar
- Dean Brown / guitar, bass
- Will Lee / bass
- Gary Willis / bass
- Rodney "Skeet" Curtis / bass
- Matthew Garrison / bass
- Danny Sadownick / percussion
- Arto Tuncboyaciyan / percussion
- Michael Davis / trombone
- Jim Hynes, Aaron Heick / alto sax
O Púbis da Rosa

ESBJÖRN SVENSSON TRIO — Winter In Venice (1997) FLAC (tracks+.cue), lossless

Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...