EVELYN GLENNIE — Her Greatest Hits (1997) 2CD | APE (image+.cue) lossless

Her Greatest Hits is a double-disc collection that contains highlights from Evelyn Glennie's recordings for BMG Classics. Not only are her original compositions and interpretations of contemporary classical numbers featured, but so are her versions of pop songs, as well as "Osygen" and "My Spine," her two collaborations with Björk. The result is an excellent summation of Glennie's career and startling technique. Stephen Thomas Erlewine
Tracklist 1 :
1    Entrances    0:11
2    Halasana 6:50
Piano – Philip Smith
Written-By – Louis Cauberghs
3    Sorbet No.1 0:54
Written-By – Evelyn Glennie
4    Rhythm Song 8:57
Written-By – Paul Smadbeck
5    My Spine 2:38
Featuring [With] – Björk
Written-By – Björk, Evelyn Glennie
6    Slaughter On 10th Avenue 5:51
Conductor – Barry Wordsworth
Featuring [With] – The National Philharmonic Orchestra
Orchestrated By – Gordon Langford
Written-By – Richard Rogers
7    Sorbet No.5 2:12
Written-By – Evelyn Glennie
8    A Little Prayer 4:52
Written-By – Evelyn Glennie
9    Eldorado 4:04
Written-By – Ney Rosauro
10    Sorbet No.7 2:02
Written-By – Evelyn Glennie
11    Black Key Study 1:41
Arranged By [Solo Part Arr.] – Evelyn Glennie
Conductor – Barry Wordsworth
Featuring [With] – The National Philharmonic Orchestra
Orchestrated By, Arranged By – Christopher Palmer
Written-By – Frédéric Chopin
12    Divertimento 12:30
Alto Saxophone – John Harle
Written-By – Akira Yuyama
13    Taps In Tempo 2:10
Written-By – Jan Berenska
14    Born To Be Wild 2:20
Arranged By – David Lang
Written-By – Mars Bonfire
15    Michi 15:03
Written-By – Keiko Abe
Written-By [Improvisation] – Evelyn Glennie
Tracklist 2 :
1    Sorbet No.4 0:35
Written-By – Evelyn Glennie
2    Light In Darkness 4:54
Written-By – Evelyn Glennie
3    The Anvil Chorus 8:02
Written-By – David Lang
4    Rhapsody 9:44
Clarinet – Roy Jowitt
Double Bass – Chris Lawrence
Drums – Ralph Salmins
Flute – Edward Beckett
Written-By – Takayoshi Yoshioka
5    The Swan 2:58
Arranged By, Orchestrated By – Gordon Langford
Written-By – Camille Saint-Saëns
6    Sorbet No.3 1:58
Written-By – Evelyn Glennie
7    Concerto For Solo Percussion And Chamber Orchestra 1st Movement 7:44
Conductor – Paul Daniel
Featuring [With] – Scottish Chamber Orchestra
Written-By – Richard Rodney Bennett
8    The Flight Of The Bumble Bee 1:21
Arranged By – Christopher Palmer
Conductor – Barry Wordsworth
Featuring [With] – The National Philharmonic Orchestra
Written-By – Nikolai Rimsky-Korsakov
9    Sorbet No.6 2:12
Written-By – Evelyn Glennie
10    Marimba Spiritual (Excerpt) 9:01
Percussion – Gary Kettel, Greg Knowles, Stephen Henderson
Written-By – Minoru Miki
11    Hejre Kati 6:11
Arranged By – Evelyn Glennie
Arranged By, Orchestrated By – Gordon Langford
Conductor – Barry Wordsworth
Featuring [With] – The National Philharmonic Orchestra
Written-By – Jenö Hubay
12    Maple Leaf Rag 2:17
Arranged By, Conductor – Ray Russell
Featuring [With] – The National Philharmonic Orchestra
Written-By – Scott Joplin
13    Matre's Dance 9:25
Piano – Philip Smith
Written-By – John Psathas
14    Czardas 5:16
Arranged By [Solo Part Arr.] – Evelyn Glennie
Conductor – Barry Wordsworth
Featuring [With] – The National Philharmonic Orchestra
Orchestrated By, Arranged By – Christopher Palmer
Written-By – Vittorio Monti
15    Oxygen 3:52
Featuring [With] – Björk
Written-By – Björk, Evelyn Glennie

PAGANINI : 24 caprices (Mayuko Kamio) (2009) FLAC (image+.cue) lossless

Of all the virtuoso composers to emerge from the 19th century, the devilish image of Niccolò Paganini may be the most enduring. Not only did he single-handedly change audience perceptions as to the appeal of virtuosity for the sake of virtuosity, but inspired a generation of subsequent composer-performers and pushed forward technical demands of the violin. Of all his compositions, the 24 Caprices, Op. 1, remain as some of the most difficult works in the literature and test the mettle of violinists to this day. Despite their difficulty, there is no shortage of recordings available ranging in quality from the sublime to the completely abysmal. The challenge is not only to produce a technically brilliant performance (which is a must), but to also make real music out of what could be seen as little more than technical exercises. Violinist Mayuko Kamio, with her second album on the RCA/Sony label, seeks to do just that. Her performance of the caprices has all the technical superiority as Midori's youthful attempt. Though not quite as startlingly fast as Midori, Kamio adds something that some violinists fall short on when recording the Caprices: right arm control that matches the left hand. Kamio rarely crunches chords, buzzes strings, or pushes her violin (a Stradivarius once owned by Joseph Joachim) past its limits. This, coupled with her warm, focused sound even in the stratospheric ranges of her instrument, makes this recording one worthy of most any collection. RCA's liner notes are brief but informative, yet curiously lack a biography of their gifted artist. Mike D. Brownell
Tracklist & Credits :

SONNY ROLLINS — The Quartets Featuring Jim Hall (1962-1986) RM | APE (image+.cue) lossless

This double LP contains the six songs originally on The Bridge (his comeback album after three years of retirement) plus seven additional items from 1962 and 1964 that co-star guitarist Jim Hall. At first when Rollins reappeared his style was virtually unchanged from 1959 but gradually it loosened up and became freer. This attractive two-fer, which is highlighted by "Without a Song," "Don't Stop the Carnival" and "If Ever I Would Leave You," has important music that is essential for all Sonny Rollins collectors. Scott Yanow
Tracklist :
1    God Bless The Child    7:24
 Billie Holiday / Arthur Herzog, Jr.
2    John S.    7:31
 Sonny Rollins
3    You Do Something To Me    6:47
 Cole Porter
4    Where Are You    5:07
 Harold Adamson / Jimmy McHugh
5    Without A Song    7:24
 Edward Eliscu / Billy Rose / Vincent Youmans
6    The Bridge    5:55
 Sonny Rollins
7    If Ever I Would Leave You    11:59
 Alan Jay Lerner / Frederick Loewe
8    The Night Has A Thousand Eyes    9:07
 Buddy Bernier / Jerry Brainin
Credits :
Bass – Bob Cranshaw
Drums – Ben Riley (tracks: 2 to 8)
Guitar – Jim Hall
Performer – Mickey Roker
Tenor Saxophone – Sonny Rollins

PHIL WOODS | MICHEL LEGRAND AND ORCHESTRA — Images (1975- 2014) RM | Serie Jazz Collection 1000 | FLAC (tracks+.cue), lossless

For this orchestra date, Phil Woods is backed by strings, brass, woodwinds and a rhythm section arranged and conducted by Michel Legrand (who also contributed three pieces). Altoist Woods is showcased throughout on some then-current pop tunes (including "The Windmills of Your Mind," "A Song for You" and a nice version of "We've Only Just Begun"), plus Debussy's "Clair de Lune" and Legrand's lengthy "Images." The overall results are not as essential as Woods' typical combo dates, but the altoist's tone does sound quite passionate at times. Scott Yanow
Tracklist :
1    The Windmills Of Your Mind 4:15
Written-By – M. & A. Bergman, Legrand
2    A Song For You 4:01
Written-By – Russell
3    Nicole 3:30
Written-By – Woods
4    The Summer Knows 2:57
Written-By – M. & A. Bergman, Legrand
5    We've Only Just Begun 2:48
Written-By – Williams, Nichols
6    I Was Born In Love With You 3:23
Written-By – M. & A. Bergman, Legrand
7    Clair De Lune 4:47
Arranged By – Michel Legrand
Written-By – Debussy
8    Images 14:46
Written-By – Legrand
Credits :
Alto Saxophone, Liner Notes – Phil Woods
Arranged By, Conductor, Piano – Michel Legrand
Bass – Ron Mathewson
Bass Saxophone – Armand Migiani
Concertmaster – Jack Rothstein
Contractor [Orchestra Assembled By] – Nat Peck
Drums – Kenny Clarke
Lead Guitar – Jud Proctor
Trombone [Lead] – Don Lusher
Trumpet [Lead] – Derek Watkins
Woodwind [Principal Woodwinds] – Roy Willox

FREDDIE GREEN — Mr. Rhythm (1955-2007) RM | MONO | BMG Prime Jazz Series | FLAC (tracks+.cue), lossless

Freddie Green seldom led sessions and seldom played lead. Instead, he formed part of the classic rhythm section that gave the Count Basie band its steady pulse. This rare date finds Green with tenor Al Cohn, trumpeter Joe Newman, trombonist Henry Coker, pianist Nat Pierce, bassist Milt Hinton, and either Jo Jones or Osie Johnson on drums. Mr. Rhythm, in fact, will remind many of a good Basie set. The steady drums, bass, and guitar on "Back and Forth" and "Something's Gotta Give" push the music forward, swinging ever so lightly. Nat Pierce's minimalist piano work also owes something to Basie. He adds small flourishes to the rhythm of pieces like "Easy Does It," and only a scattering of tastefully chosen notes on his solo. Coker and Cohn deliver nice solos on "When You Wish Upon a Star," with the trombone's lovely tone and the tenor's deep, mellow pitch complimenting the romanticism of the piece. Newman offers a concise, discerning solos on "Free and Easy" and "Learnin' the Blues." He uses a mute for both solos, perfectly capturing a calm, bluesy mood. Of course Green doesn't solo, and while his guitar is often barely audible, his presence is always felt. This album shows him to be a fine leader who is happy to remain in his role as rhythm guitarist. For fans of Green, and for those who enjoy swinging jazz with great soloists, Mr. Rhythm is a fine release. Ronnie D. Lankford, Jr.
Tracklist :
1    Up In The Blues    2:34
 Freddie Green
2    Down For Double    3:58
 Freddie Green
3    Back And Forth    2:17
 Freddie Green
4    Free And Easy    3:25
 Freddie Green
5    Learnin The Blues    3:28
 Freddie Green / Delores Vicki Silvers
6    Feed Bag    2:58
 Freddie Green
7    Something's Gotta Give    2:51
 Freddie Green
8    Easy Does It    3:42
 Freddie Green / Sy Oliver / Trummy Young
9    Little Red    2:08
 Freddie Green
10    Swinging Back     3:21
 Freddie Green
11    A Date With Ray    4:52
 Freddie Green
12    When You Wish Upon A Star    2:38
 Freddie Green / Leigh Harline
Credits
Bass – Milt Hinton
Drums – Jo Jones, Osie Johnson
Guitar – Freddie Green
Piano – Nat Pierce
Tenor Saxophone, Clarinet – Al Cohn
Trombone – Henry Coker
Trumpet – Joe Newman

PAUL DESMOND — Easy Living ft. JIM HALL (1966-2000) RM | Serie RCA Victor Gold Series | FLAC (image+.cue), lossless

As the Paul Desmond/Jim Hall quartet's recording activities gradually came to a halt by 1965, RCA Victor assembled the remains of a number of their later sessions into one last album. These are anything but leftovers, however -- indeed, they constitute the best Desmond/Hall album since Take Ten, more varied in texture and mood, and by and large more inspired in solo content, than Bossa Antigua and Glad to Be Unhappy. As a near-ideal example of this collaboration at its intuitive peak, "Polka Dots and Moonbeams" opens with Hall paraphrasing the tune, and Desmond comes in on the bridge with a perfectly timed rejoinder that sounds as if he's asking a question. "Here's That Rainy Day" is another apt match of a standard to Desmond's sophisticated personality; he is at his dry, jaunty best on the uptempo "That Old Feeling"; and both have a ball jamming on the blues in Desmond's wry, quick "Blues for Fun." [Some reissues add a pair of outtakes, plus "Rude Old Man."] Richard S. Ginell
Tracklist :
1    When Joanna Loved Me 5:45
Written-By – J. Segal, R. Wells
2    That Old Feeling 5:44
Written-By – L. Brown, S.Fain
3    Polka Dots And Moonbeams 5:49
Written-By – J. V. Heusen, J. Burke
4    Here's That Rainy Day 5:42
Written-By – J. V. Heusen, J. Burke
5    Easy Living 7:05
Written-By – L. Robin, R. Rainger
6    I've Grown Accustomed To Her Face 4:15
Written-By – A. J. Lerner, F. Loewe
7    Bewitched 6:22
Written-By – R. Rogers - L. Hart
8    Blues For Fun 6:22
Written-By – P. Desmond
9    Rude Old Man 5:39
Written-By – E.Wright
10    Polka Dots And Moonbeams (Alternate Take) 6:09
Written-By – J. V. Heusen, J. Burke
11    Bewitched (Alternate Take) 7:46
Written-By – R. Rogers - L. Hart
Credits :
Paul Desmond - Alto Sax
Jim Hall - Guitar
Eugene Wright - Bass (1, 2, 6, 11)
Eugene Cherico - Bass (3, 4, 10)
Percy Heath - Bass (5, 7, 8, 9)
Connie Kay - Drums

BARNEY KESSEL — Kessel's Kit (1969-2015) RM | Serie Jazz Collection 1000 | FLAC (tracks+.cue), lossless

Tracklist  :
1. B.J.'s Samba (Kessel) - 4:032. Meu Irmao (Pes) - 4:51
3. Malibu (Trovajoli) - 5:32

4. On the Riviera (Kessel) - 3:57
5. Lison (Pes) - 3:48
6. Freeway (Capuano-Capuano) - 2:58
7. From My Heart (Kessel) - 5:09
8. Swing Samba (Kessel) - 3:41
9. Amelia (De Natale-Coggio) - 3:20
Credits :
Drums – Vincenzo Restuccia
Electric Bass – Giovanni Tommaso
Electric Guitar – Carlo Pes
Electric Organ – Antonello Vannucchi
Percussion – Ciro Cicco

DELLA REESE — Swing, Slow & Cha Cha Cha (2001) RM | FLAC (tracks+.cue), lossless

This two-fer from BMG International features a pair of out of print Della Reese LPs: Swing Slow and Della Della Cha-Cha-Cha. Originally issued on RCA Victor in the early '60s, these 26 traditional pop songs include "Someday (You'll Want Me to Want You)," "Come on-A-My House," "Tea for Two," and "Diamonds Are a Girl's Best Friend." This is a nice sampler of familiar items that should satisfy the needs of casual fans. Al Campbell
Tracklist :
1     Come on-A-My House 2:51    
Ross Bagdasarian / William Saroyan
2     Why Don't You Do Right? 2:48
Kansas Joe McCoy
3     Diamonds Are a Girl's Best Friend 2:55
Leo Robin / Jule Styne
4     When a Woman Loves a Man 3:06
Bernie Hanighen / Gordon Jenkins / Johnny Mercer
5     Baby Won't You Please Come Home 3:09    
Charles Warfield / Clarence Williams
6     You're Driving Me Crazy 2:30 
Walter Donaldson
7     I'm Beginning to See the Light 2:25
Duke Ellington / Don George / Johnny Hodges / Harry James
8     You're Nobody 'Till Somebody Loves You 3:49
James Cavanaugh / Russ Morgan / Larry Stock
9     It's So Nice to Have a Man Around the House 2:40
Harold Spina
10     Tea for Two 2:12
Irving Caesar / Vincent Youmans
11     Call Me 2:46
Belford Hendricks / Clyde Otis
12     I Get the Blues When It Rains 3:22    
Bruce Klauber / Harry Stoddard
13     There's Nothing Like a Boy 2:05        
14     Whatever Lola Wants 3:16
Richard Adler / Jerry Ross
15     Three O'Clock in the Morning 3:06
Julián Robledo
16     Daddy (Hey Daddy) 2:42    
17     I'm Just a Lucky So and So 2:42
Mack David / Duke Ellington
18     Let's Get Away from It All 2:27
Tom Adair / Matt Dennis
19     I'll Get By (As Long as I Have You) 2:37
Fred E. Ahlert / Roy Turk
20     And Nown 2:40    
Luigi Creatore
21     How Did He Look? 4:23    
Gladys Shelley / Abner Silver
22     Someday (You'll Want Me to Want You) 5:16
Jimmie Hodges
23     Won' Cha Come Home, Bill Bailey 3:10
Della Reese
24     The Most Beautiful Words 2:42
Stanley Lebowsky
25     Don't You Know 2:35
Bobby Worth
26     Not One Minute More 2:38
Hal Blair / Lucille "Lou" Dinning / Don Robertson

LEON THOMAS WITH OLIVER NELSON — Live in Berlin (1971-2002) RCA Victor Gold Series | FLAC (tracks+.cue), lossless

Leon Thomas makes a soaring, impressive vocal contribution. Nelson's alto sax solos sizzle. Ron Wynn   Tracklist & Credits :

OLIVER NELSON — Skull Session (1975-2002) RM | RCA Victor Gold Series | FLAC (tracks+.cue), lossless

Skull Session is hardly up to snuff for the talented and overworked Nelson, who was busy scoring TV shows at the time. The title track is a fun little dabble in electronic funk, but the rest seems beneath Nelson's abilities, as it takes his signature sounds, adds disco, dumbs down the themes, and finishes it off with pedestrian solos from L.A. studio musicians. Douglas Payne  Tracklist & Credits :

GIL EVANS AND HIS ORCHESTRA – There Comes a Time (1976-2014) Serie Jazz Collection 1000 | FLAC (tracks+.cue), lossless

 This CD reissue of Gil Evans' There Comes a Time differs greatly from the original LP of the same name. Not only are there three previously unreleased performances ("Joy Spring," "So Long," and "Buzzard Variation"), but "The Meaning of the Blues" has been expanded from six minutes to 20, and two numbers, "Little Wing" and "Aftermath the Fourth Movement/Children of the Fire," have been dropped (the former was reissued on Evans' Jimi Hendrix tribute album) and the remaining four tracks were re-edited and remixed under Evans' direction. So in reality, this 1987 CD was really a "new" record when it came out. The remake of "King Porter Stomp," with altoist David Sanborn in Cannonball Adderley's spot, is a classic. The "new" version of "The Meaning of the Blues" is memorable, and overall the music (which also has solos by Billy Harper and George Adams on tenors, along with trumpeter Lew Soloff) is quite rewarding, it's a creative big band fusion that expertly mixes together acoustic and electric instruments. This was one of Gil Evans' last truly great sets. [This is the original issue without the bonus tracks.] Scott Yanow    Tracklist & Credits :

DIZZY GILLESPIE — The Complete RCA Victor Recordings (1995) 2CD | FLAC (tracks+.cue), lossless

Although the sheer scope of this double-CD roundup of all of Dizzy's Victor sessions places it most obviously within the evolution of bebop, it is absolutely essential to Latin jazz collections as well. Here listeners find the discographical launching pad of Afro-Cuban jazz on December 22, 1947, when Cuban conguero Chano Pozo added his galvanic congas and bongos to Gillespie's big band for the first time on record. One can feel the explosive effect of Pozo's subdivisions of the beat, rhythmic incantations, and grooves on the band's bebop charts. Though the musicians' styles aren't much affected, and Pozo does most of the adapting to bebop rather than vice versa, the foundation has clearly shifted. Alas, aside from recorded live gigs, Pozo only made eight tracks with the band -- four on December 22 and four more eight days later, just before the second Musicians Union recording ban kicked in. Yet even after Pozo's murder the following year, Gillespie continued to expand his Latin experiments, using two Latin percussionists who brought more rhythmic variety to the sound of tunes like "Guarachi Guaro" (later popularized by Cal Tjader as "Soul Sauce") and even commercial ballads like "That Old Black Magic." The reprocessing of these recordings from late in the 78 rpm era through the CEDAR process sounds a bit harsh, though less so than most of RCA's earlier desecrations of vault material using NoNOISE. Even so, this remains the best way to acquire these seminal Latin jazz tracks. Richard S. Ginell   Tracklist + Credits :

LEE KONITZ - Stereokonitz (1969-2014) RM | Jazz Collection 1000 Columbia-RCA Series | FLAC (tracks), lossless

Lee Konitz has had many opportunities to record with European artists over the decades, but this session is a bit unusual, in that all the compositions are by bassist Giovanni Tommaso and Konitz doesn't stick strictly to alto saxophone. Joining them are pianist Franco D'Andrea (with whom Konitz worked on a number of Philology CDs decades later), trumpeter Enrico Rava and drummer Gegé Munari. Tommaso's charts delve into bop and cool, with Konitz primarily playing the Varitone (a form of electronic saxophone that was experimented with briefly and abandoned by reed players in the late '60s), though he does play some alto sax and also makes a rare appearance on flute (doubling on it in "Take Seven"). While the music from this 1968 session is enjoyable, even though the sound quality of the Varitone pales when compared to a regular saxophone, this remains one of Lee Konitz's more obscure recordings from the '60s, even if this European LP was finally reissued on CD (again, only in Europe) three decades later. Ken Dryden  
Tracklist :
1    A Minor Blues    4:37
2    Five, Four And Three    3:32
3    Kominia    4:44
4    Midnight Mood    3:49
5    Terre Lontane    5:25
6    Take Seven    3:13
7    Giovanni D'Oggi    4:20
8    Tune Down    4:51
Credits :    
Alto Saxophone [Sax alto], Electronic Wind Instrument [Varitone], Flute [Flauto] – Lee Konitz
Contrabass [C. basso], Arranged By [Arrangiamenti di], Written-By – Giovanni Tommaso
Drums [Batteria] – Gegè Munari
Piano – Franco D'Andrea
Trumpet [Tromba] – Enrico Rava

ORNETTE COLEMAN - Friends and Neighbors : Ornette Live at Prince Street (1970-2001) RM | FLAC (tracks+.cue), lossless

This disc contains one of Ornette Coleman's lesser-known sessions. In addition to his own alto (and occasional trumpet and violin), Coleman is joined by Dewey Redman on tenor, bassist Charlie Haden, drummer Ed Blackwell, and (on one of the two versions of "Friends and Neighbors") a variety of friends who sing along as best they can. Actually, the most notable tracks are the two extended pieces, "Long Time No See" and "Tomorrow." The music is typically adventurous, melodic in its own way, yet still pretty futuristic, even if (compared with his other releases) the set as a whole is not all that essential. Scott Yanow
Tracklist :
1    Friends And Neighbors (Vocal)    4:13
2    Friends And Neighbors (Instrumental)    2:55
3    Long Time No See    10:53
4    Let's Play    3:23
5    Forgotten Songs    4:24
6    Tomorrow    12:07
Credits :
Performer [Personnel], Alto Saxophone, Trumpet, Violin – Ornette Coleman
Performer [Personnel], Bass – Charlie Haden
Performer [Personnel], Drums – Ed Blackwell
Performer [Personnel], Tenor Saxophone – Dewey Redman
Producer [Original Album Produced By], Written-By – Ornette Coleman

SAM RIVERS' RIVBEA ALL-STAR ORCHESTRA - Culmination (1999) FLAC (tracks+.cue), lossless

Sam Rivers' second recording with his Rivbea All-Star Orchestra for RCA is similar to his first one in that he uses an impressive 17-piece band full of top avant-gardists to interpret the dense arrangements of his originals. The music, which is frequently atonal, has so much going on at times that it will take several listens to comprehend everything; it certainly does not lose one's interest! The only fault to this stimulating set is that the soloists are not identified. Although one may recognize the various saxophonists (Steve Coleman, Greg Osby, Chico Freeman, Gary Thomas, and Hamiet Blueitt) and trombonist Ray Anderson, most of the brass players will be more difficult to determine. This very adventurous music is remarkable in ways and well worth acquiring by free jazz collectors. Scott Yanow
Tracklist :
1    Spectrum    7:22
2    Bubbles    8:27
3    Revelation    10:36
4    Culmination    8:12
5    Ripples    13:38
6    Neptune    5:53
7    Riffin'    6:26
Credits :
Alto Saxophone – Greg Osby, Steve Coleman
Baritone Horn – Joseph Daley
Baritone Saxophone – Hamiet Bluiett
Bass – Doug Mathews
Drums – Anthony Cole
Painting – Scramble Campbell
Soprano Saxophone, Tenor Saxophone, Flute, Written-By – Sam Rivers
Tenor Saxophone – Chico Freeman, Gary Thomas
Trombone – Art Baron, Joseph Bowie, Ray Anderson
Trumpet – Baikida Carroll, James Zollar, Ralph Alessi, Ravi Best
Tuba – Bob Stewart

AL COHN | ZOOT SIMS - From A to Z And Beyond (1956-1987) RM | FLAC (tracks+.cue), lossless

The very complementary tenors Al Cohn and Zoot Sims (whose similar styles often made them sound almost identical) teamed up many times through the years; this reissue brings back their first joint recording. Joined by either Dave McKenna or Hank Jones on piano, bassist Milt Hinton, drummer Osie Johnson, and (on some selections) the forgotten trumpeter Dick Sherman, Al and Zoot avoid obvious material ("Somebody Loves Me" and "East of the Sun" are the only standards) in favor of swinging "modern" originals by Cohn, Sherman, Osie Johnson, Ralph Burns, Manny Albam, Ernie Wilkins, and Milty Gold. Zoot contributed "Tenor for Two Please, Jack," his answer to the song "Dinner for One Please, James." [Some releases add four alternate takes to the original 12-song program, giving one a good example of the occasional Cohn-Sims musical partnership.] Scott Yanow
Tracklist :
1     Mediolistic 3:29
Osie Johnson    
2     Crimea River 3:08
Ralph Burns
3     A New Moan 3:52
Manny Albam    
4     A Moment's Notice 3:19
Ernie Wilkins    
5     My Blues 3:14
Al Cohn    
6     Sandy's Swing 3:23
Milt Gold    
7     Somebody Loves Me 2:51
Buddy DeSylva / George Gershwin / Ballard MacDonald
8     More Bread 3:05
Ernie Wilkins    
9     Sherm's Terms 2:57
Dick Sherman    
10     From A to Z 2:57
Al Cohn    
11     East of the Sun (And West of the Moon) 4:19
Brooks Bowman
12     Tenor for Two Please, Jack 4:25
Zoot Sims    
13     My Blues (Alternate Take) 4:17
Al Cohn   
14     More Bread (Alternate Take) 3:09
Ernie Wilkins   
15     Tenor for Two Please, Jack (Alternate Take) 4:17
Zoot Sims   
16     Somebody Loves Me (Alternate Take) 3:05
Buddy DeSylva / George Gershwin / Ballard MacDonald
Notas.
Recorded in New York City, January 23-24, 1956.

COLEMAN HAWKINS | MANNY ALBAM AND HIS ORCHESTRA - The Hawk in Paris (1957-1993) FLAC (tracks+.cue), lossless

This CD is a major surprise. Hawkins had always wanted to record with a large string section and he received his wish on the majority of these 12 romantic melodies, all of which have some association with Paris. The surprise is that he plays with a great deal of fire (his doubletiming on "My Man" is wondrous), and that Manny Albam's arrangements mostly avoid being muzaky and quite often are creative and witty. What could have been a novelty or an insipid affair is actually one of Coleman Hawkins's more memorable albums. Scott Yanow
Tracklist :
1     April in Paris 3:53
Vernon Duke / E.Y. "Yip" Harburg
2     Mon Homme (My Man) 3:19
Francis Salabert / Maurice Yain        
3     Under Paris Skies 2:46     
Jean Dréjac / Kim Gannon / Hubert Giraud
4     Mimi 3:08
Lorenz Hart / Richard Rodgers
5    La Chnouf 3:07
Marc Lanjean
6     La Vie en Rose 2:37
Mack David / Louis Louiguy / Marcel Louiguy / Édith Piaf
7     La Mer (Beyond the Sea) 3:33
Albert Lasry / Charles Trénet        
8     Paris in the Spring 3:15
Mack Gordon / Harry Revel        
9     I Love Paris 3:31
Cole Porter
10     Mademoiselle de Paris 3:19
Henri Contet / Paul Durand / Eric Maschwitz / Mitchell Parish
11     Chiens Perdus Sans Collier (The Little Lost Dog) 2:58
Edmond Bacri / Paul Misraki        
12     Tu N' Peux T' Figurer (Dawn over Paris) 3:22
Paul Misraki
Recorded at Webster Hall in New York City, on July 9 (3, 4, 9 & 10), 11 (1, 2, 6 & 7) and 13 (5, 8, 11 & 12), 1956
Credits :
Arranged By, Conductor – Manny Albam, Orchestra – Manny Albam And His Orchestra
Bass – Arnold Fishkin
Drums – Osie Johnson
Guitar – Barry Gailbreath
Harp – Janet Putnam
Percussion – Marity Wilson
Piano – Hank Jones
Reeds – Al Young, Ray Beckenstein, Romeo Penque
Tenor Saxophone – Coleman Hawkins
Tenor Saxophone, Alto Saxophone – Romeo Penque
Trombone – Urbie Green
Trumpet – Chauncey Welsch, Nick Travis

SONNY ROLLINS AND COLEMAN HAWKINS - Sonny Meets Hawk! (1963-1994) FLAC (tracks+.cue), lossless

Throughout a career that spanned more than 40 years, Coleman Hawkins consistently maintained a progressive attitude, operating at or near the cutting edge of developments in jazz. If Hawk's versatility came in handy when he backed Abbey Lincoln during Max Roach's 1960 We Insist! Freedom Now Suite, he took on an assignment of challenging dimensions when in 1963 he cut an entire album with Sonny Rollins in the company of pianist Paul Bley, bassists Bob Cranshaw and Henry Grimes, and drummer Roy McCurdy. Coleman Hawkins and Sonny Rollins each virtually defined the tenor saxophone for his respective generation. To hear the two of them interacting freely is a deliciously exciting experience. Hawkins is able to cut loose like never before. Sometimes the two collide, locking horns and wrestling happily without holding back. For this reason one might detect just a whiff of Albert Ayler's good-natured punchiness, particularly in the basement of both horns; such energies were very much in the air during the first half of the 1960s. Rather than comparing this date with the albums Hawkins shared with Ben Webster (1957), Henry "Red" Allen (1957), Pee Wee Russell (1961), or Duke Ellington (1962), one might refer instead to Hawk's wild adventures in Brussels during 1962 (see Stash 538, Dali) or Rollins' recordings from around this time period, particularly his Impulse! East Broadway Run Down album of 1965. Check out how the Hawk interacts with Rollins' drawn-out high-pitched squeaking during the last minute of "Lover Man." On Sonny Meets Hawk!, possibly more than at any other point in his long professional evolution, Hawkins was able to attain heights of unfettered creativity that must have felt bracing, even exhilarating. He obviously relished the opportunity to improvise intuitively in the company of a tenor saxophonist every bit as accomplished, resourceful, and inventive as he was. arwulf arwulf  
Tracklist :
1    Yesterdays 5'12
Written-By – J. Kern, O. Harbach
2    All The Things You Are 9'30
Written-By – J. Kern, O. Hammerstein II
3        Summertime
Written-By – D. Heyward, G. & I. Gershwin
4    Just Friends 4'37
Written-By – J. Klenner, S. Lewis
5    Lover Man 8'50
Written-By – J. Davis, J. Sherman, R. Ramirez
6    At McKies' 7'01
Written-By – S. Rollins
Credits :
Bass – Bob Cranshaw (pistas: 1, 2, 5), Henry Grimes (pistas: 3, 4, 6)
Drums – Roy McCurdy
Piano – Paul Bley
Tenor Saxophone – Coleman Hawkins, Sonny Rollins

EDDIE 'LOCKJAW' DAVIS WITH PAUL GONSALVES - Love Calls (1967) lp | 24bits-96hz | FLAC (tracks), lossless

Paul Gonsalves (ts) matches fours and spirit with Davis. Ron Wynn
Side A
A1    Love Is Here To Stay
A2    When Sunny Gets Blue
A3    If I Ruled The World
A4    Time After Time
A5    Just Friends
A6    Don't Blame Me
Side B
B1    I Should Care
B2    The Man With The Horn
B3    We'll Be Together Again
B4    A Weaver Of Dreams
B5    If I Should Lose You
Credits:
Double Bass – Ben Tucker
Drums – Grady Tate
Guitar – Everett Barksdale
Piano – Roland Hanna
Tenor Saxophone – Eddie "Lockjaw" Davis, Paul Gonsalves

GALE ROBBINS - I'm a Dreamer (1958-2001) Mp3

Sometimes the most refreshing updates of familiar standards come from the most unexpected sources, and that's certainly the case with I'm a Dreamer. Although Gale Robbins never earned the fame or renown awarded other pinups of the late 1950s, this pairing with the Eddie Cano Orchestra is an absolute delight. Though by no means a powerhouse vocalist, Robbins knows her way around a melody, and her torchy, after-hours approach lends new maturity and sophistication to familiar fare like "Them There Eyes," "They Can't Take That Away from Me," and "Ain't Misbehavin'." But the real star of the session is Cano, whose vivid arrangements frame the songs from appealing and unique perspectives. The record glows with energy and warmth.  by Jason Ankeny
Tracklist
1.  What Is This Thing Called Love
2.  Them There Eyes
3.  How Deep Is The Ocean
4.  Ain't Nothin' Wrong With That Baby
5.  Golden Earings
6.  The Nearness Of You
7.  They Can't Take That Away From Me
8.  Here I Go
9.  I'm A Dreamer, Aren't We All
10. Best Of All
11. Music, Maestro, Please
12. Ain't Misbehavin'
Recorded in Hollywood, 1957
Featuring: Eddie Cano and His Orchestra: Jimmy Salko (tp), Tony Terran (tp), John Audino (tp), Milt Bernhardt (tb), Francis Howard (tb), Lloyd Ulyate (tb), Herb Geller (as), Med Flory (as), Bob Cooper (ts), Dave Pell (ts), Marty Berman (bs), Lou Levy (p), Tommy Tede