Mostrando postagens com marcador Lizzie Miles. Mostrar todas as postagens
Mostrando postagens com marcador Lizzie Miles. Mostrar todas as postagens

14.6.25

LIZZIE MILES — Complete Recorded Works In Chronological Order • 1 (1922-1923) DOCD-5458 (1996) FLAC (tracks), lossless

 Lizzie Miles is better-known than most of the classic blues singers of the '20s because she made a comeback in the '50s when she emerged still in prime form. Actually her earliest recordings are quite obscure, making this first of three Document CDs a valuable acquisition for vintage blues collectors. Miles' initial 22 recordings feature her during 1922-23, mostly backed by unknown musicians in combos ranging from five to seven pieces on such numbers as "She Walked Right Up and Took My Man Away," "He May Be Your Man, But He Comes to See Me Sometimes," "Hot Lips," "The Yellow Dog Blues," "Aggravatin' Papa" and "You've Gotta Come and See Mama Every Night." Miles sounds quite comfortable both on vaudeville-type numbers and blues. The last three selections find her backed only by pianist Clarence Johnson, and on "Haitian Blues" she takes a kazoo solo that is surprisingly advanced for March 1923, a period of time when there were few horn solos on record. Recommended. Scott Yanow

Tracklist :
1 Muscle Shoals Blues 3:12
Lizzie Miles
2 She Walked Right up and Took My Man Away 3:16
Lizzie Miles
3 Virginia Blues 3:00
Lizzie Miles
4 State Street Blues 3:17
Lizzie Miles
5 Wicked Blues 2:55
Lizzie Miles
6 He May Be Your Man, But He Comes to See Me Sometimes 3:02
Lizzie Miles
7 Lonesome Monday Morning Blues 3:09
Lizzie Miles
8 Please, Don't Tickle Me, Babe 3:09
Lizzie Miles 
9 Hot Lips 2:58
Lizzie Miles
10 Take It, 'Cause It's All Yours 3:03
Lizzie Miles
11 The Yellow Dog Gal Blues 3:08
Lizzie Miles
12 The Black Bottom Blues 2:53
Lizzie Miles
13 He Used to Be Your Man (But He's My Man Now) 3:06
Lizzie Miles
14 Sweet Smellin' Mama 3:00
Lizzie Miles
15 The Trixie Blues 3:00
Lizzie Miles
16 Four O'Clock Blues 3:15
Lizzie Miles
17 Aggravatin' Papa 2:45
Lizzie Miles
18 Tell Me Gypsy 3:10
Lizzie Miles
19 You've Gotta Come See Mama Every Night 2:52
Lizzie Miles
20 Your Time Now 3:10
Lizzie Miles
21 Haitian Blues 2:59
Lizzie Miles
22 Sweet Smellin' Mama 2:34
Lizzie Miles
Credits :
Clarence Johnson - Kazoo, Piano
Lizzie Miles - Composer, Vocals
Bob Ricketts - Sax (Alto) 

LIZZIE MILES — Complete Recorded Works In Chronological Order • 2 (1923-1928) DOCD-5459 (1996) FLAC (tracks), lossless

The second of three CDs that reissue all of Lizzie Miles' recordings from the 1922-39 period features the versatile singer in 1923 (being accompanied by either Clarence Johnson or J. Russell Robinson on piano), and during 1927-28, after a successful period spent as a cabaret singer in Paris. For the latter recordings, Miles is assisted by Clarence Johnson, Louis Hooper or Porter Grainger on piano, cornetist Louis Metcalf on two fine numbers and the dated gaspipe clarinet of Bob Fuller on the final four selections (which include two versions of "A Good Man Is Hard to Find"). One of the finer singers of the '20s, Miles' delivery was quite accessible and one can always understand the words she sings. Highlights of this excellent set include "You're Always Messin' Round with My Man," "Cotton Belt Blues," "Lonesome Ghost Blues" and "If You Can't Control Your Man." Virtually all of the material on this 1996 CD was formerly very rare. Scott Yanow

Tracklist :
1 Haitian Blues (A Wild Weepin' Moan) 3:14
Piano – Clarence Johnson  
Written-By – Lizzie Miles, Spencer Williams  
2 You're Always Messin' Round With My Man 3:24
Piano – Clarence Johnson
Written-By – Spencer Williams
3 Family Trouble Blues 3:22
Piano – Clarence Johnson
4 Triflin' Man 3:00
Piano – Clarence Johnson 
5 My Pillow And Me 3:08
Piano – Russel Robinson
Written-By – Chris Smith, Clarence Williams, Tim Brymn
6 Black Man (Be On Yo' Way) 3:17
Kazoo – Lizzie Miles
Piano – Russel Robinson
Written-By – Spencer Williams 
7 Keep Yourself Together Sweet Papa (Mama's Got Her Eyes On You) 2:57
Piano – Clarence Johnson 
8 Cotton Belt Blues 3:06
Piano – Clarence Johnson 
9 Slow Up Papa 2:57
Cornet – Louis Metcalf
Piano – Louis Hooper
10 Grievin' Mama Blues 2:49
Cornet – Louis Metcalf
Piano – Louis Hooper
11 Mean Old Bedbug Blues 3:00
Clarinet – Unknown Artist
Piano – Unknown Artist
Written-By – Jack Wood 
12 You Can't Have It Unless I Give It To You 2:53
Clarinet – Unknown Artist
Piano – Unknown Artist
Written-By – Andy Razaf
13 When You Get Tired Of Your New Sweetie 2:49
Piano – Clarence Johnson 
14 Police Blues 3:01
Piano – Clarence Johnson 
15 Don't Let Your Love Control Your Man 2:54
Piano – Clarence Johnson
16 Shootin' Star Blues 2:50
Piano, Written-By – Porter Grainger
17 Lonesome Ghost Blues 2:51
Piano – Porter Grainger
Written-By – Andy Razaf
18 If You Can't Control Your Man 2:55
Piano – Porter Grainger
19 Nobody Shows What My Baby Shows 2:53
Clarinet – Bob Fuller
Piano – Louis Hooper
Written-By – Andy Razaf
20 Second Hand Daddy 2:55
Clarinet – Bob Fuller
Piano – Louis Hooper
21 A Good Man Is Hard To Find (Take 2) 2:55
Clarinet – Bob Fuller
Piano – Louis Hooper
Written-By – Eddie Green  
22 A Good Man Is Hard To Find (Take 3) 2:50
Clarinet – Bob Fuller
Piano – Louis Hooper
Written-By – Eddie Green  
Credits :
Bob Fuller - Clarinet
Porter Grainger, Louis Hooper - Piano
Louis Metcalf - Cornet
Lizzie Miles - Kazoo, Vocals 

LIZZIE MILES — Complete Recorded Works In Chronological Order • 3 (1928-1939) DOCD-5460 (1996) FLAC (tracks), lossless

The third of three Document Lizzie Miles CDs has some of the finest recordings of the singer's career, particularly on the first half of this disc. After three numbers with a trio not helped by the presence of clarinetist Bob Fuller, Miles performs two superior songs ("You're Such a Cruel Papa to Me" and "My Dif'rent Kind of Man") while joined by cornetist King Oliver, Albert Socarras (doubling on flute and alto) and pianist Clarence Williams. Miles fits right in with a hot combo led by the unknown Jasper Davis (probably a pseudonym) that includes cornetist Louis Metcalf, altoist Charlie Holmes and pianist Cliff Jackson. She is also featured on two songs in duet with the great pianist Jelly Roll Morton, three tunes with pianist Harvey Brooks (including "My Man O' War" and "Electrician Blues") and joined by the trio of pianist Porter Grainger, guitarist Teddy Bunn and bassist Pops Foster (highlighted by "Yellow Dog Gal Blues") in 1930. Nine years passed before Lizzie Miles had an opportunity to record again. At the age of 44 she sounds fine on seven numbers with the Melrose Stompers (a Chicago swing septet whose personnel is long lost) from 1939; the band is also heard taking "Mellow Rhythm" as an instrumental. Highly recommended, particularly for the 1928-30 recordings, this CD has Lizzie Miles' last recordings before she began her comeback in 1952. Scott Yanow  

Tracklist :
1 –Lizzie Miles
         Shake It Down 2:40
Banjo – Unknown Artist
Clarinet – Bob Fuller
Piano – Louis Hooper
Written-By – Spencer Williams  
2 –Lizzie Miles
          Banjo Papa (Stop Pickin' On Me) 2:48
Banjo – Unknown Artist
Clarinet – Bob Fuller
Piano – Louis Hooper
Written-By – Andy Razaf
3 –Lizzie Miles
 Your Worries Ain't Like Mine 2:49
Banjo – Unknown Artist
Clarinet – Bob Fuller
Piano – Louis Hooper
Written-By – Andy Razaf
4 –Lizzie Miles
         You're Such A Cruel Papa To Me 3:10
Cornet – King Oliver
Flute, Alto Saxophone – Albert Socarras
Piano – Clarence Williams
5 –Lizzie Miles
          My Dif'rent Kind O' Man 3:03
Cornet – King Oliver
Flute, Alto Saxophone – Albert Socarras 
Piano – Clarence Williams
Written-By – Jack Palmer 
6 –Lizzie Miles
Georgia Gigolo 2:54
Alto Saxophone – Charlie Grimes
Banjo – Elmer Snowden
Clarinet, Alto Saxophone – Charlie Holmes
Cornet – Louis Metcalf, Unknown Artist
Leader – Jasper Davis
Orchestra – Jasper Davis And His Orchestra
Piano [Poss.] – Cliff Jackson
Sousaphone [Bb] – Bass Moore
Trombone – Henry Hicks
Written-By – Spencer Williams 
7 –Lizzie Miles
          It Feels So Good 3:01
Alto Saxophone – Charlie Grimes 
Banjo – Elmer Snowden
Clarinet, Alto Saxophone – Charlie Holmes
Cornet – Louis Metcalf, Unknown Artist
Leader – Jasper Davis
Orchestra – Jasper Davis And His Orchestra
Piano [Poss.] – Cliff Jackson
Sousaphone [Bb] – Bass Moore
Trombone – Henry Hicks
Written-By – Spencer Williams 
8 –Lizzie Miles
I Hate A Man Like You 3:22
Piano, Written-By – Jelly Roll Morton
9 –Lizzie Miles
Don't Tell Me Nothin' 'Bout My Man 2:57
Piano, Written-By – Jelly Roll Morton
10 –Lizzie Miles My Man O' War 3:28
Piano – Harvey Brooks  
Written-By – Andy Razaf, Spencer Williams  
11 –Lizzie Miles
Electrician Blues 3:12
Piano – Harvey Brooks 
12 –Lizzie Miles
Good Time Papa 3:36
Piano – Harvey Brooks 
Written-By – Lizzie Miles
13 –Lizzie Miles
The Man I Got Ain't The Man I Want 2:54
Bass – Pops Foster
Guitar – Teddy Bunn
Piano – Porter Grainger
14 –Lizzie Miles
Yellow Dog Gal Blues 2:55
Bass – Pops Foster
Guitar – Teddy Bunn
Piano – Porter Grainger
15 –Lizzie Miles And The Melrose Stompers
Mellow Rhythm 2:34
Alto Saxophone – Unknown Artist
Bass – Unknown Artist
Clarinet – Unknown Artist
Drums – Unknown Artist
Piano – Unknown Artist
Tenor Saxophone – Unknown Artist
Trumpet – Unknown Artist
16 –Lizzie Miles And The Melrose Stompers
He's My Man  2:49
Alto Saxophone – Unknown Artist
Bass – Unknown Artist
Clarinet – Unknown Artist
Drums – Unknown Artist
Piano – Unknown Artist
Tenor Saxophone – Unknown Artist
Trumpet – Unknown Artist
17 –Lizzie Miles And The Melrose Stompers
That's All Right Daddy 2:56
Alto Saxophone – Unknown Artist
Bass – Unknown Artist
Clarinet – Unknown Artist
Drums – Unknown Artist
Piano – Unknown Artist
Tenor Saxophone – Unknown Artist
Trumpet – Unknown Artist
18 –Lizzie Miles And The Melrose Stompers
Hold Me, Parson 2:46
Alto Saxophone – Unknown Artist
Bass – Unknown Artist
Clarinet – Unknown Artist
Drums – Unknown Artist
Piano – Unknown Artist
Tenor Saxophone – Unknown Artist
Trumpet – Unknown Artist
19 –Lizzie Miles And The Melrose Stompers
         Keep Knockin' No. 2 (But You Can't Come On) 2:50
Alto Saxophone – Unknown Artist
Bass – Unknown Artist
Clarinet – Unknown Artist
Drums – Unknown Artist
Piano – Unknown Artist
Tenor Saxophone – Unknown Artist
Trumpet – Unknown Artist
20 –Lizzie Miles And The Melrose Stompers
          Stranger Blues 3:00
Alto Saxophone – Unknown Artist
Bass – Unknown Artist
Clarinet – Unknown Artist
Drums – Unknown Artist
Piano – Unknown Artist
Tenor Saxophone – Unknown Artist
Trumpet – Unknown Artist
21 –Lizzie Miles And The Melrose Stompers
Twenty Grand Blues 2:49
Alto Saxophone – Unknown Artist
Bass – Unknown Artist
Clarinet – Unknown Artist
Drums – Unknown Artist
Piano – Unknown Artist
Tenor Saxophone – Unknown Artist
Trumpet – Unknown Artist
22 –Lizzie Miles And The Melrose Stompers
          He's Red Hot To Me 2:49
Alto Saxophone – Unknown Artist
Bass – Unknown Artist
Clarinet – Unknown Artist
Drums – Unknown Artist
Piano – Unknown Artist
Tenor Saxophone – Unknown Artist
Trumpet – Unknown Artist
Credits :
Teddy Bunn - Guitar
Pops Foster - Sax (Baritone)
Bob Fuller - Clarinet
Porter Grainger, Louis Hooper - Piano
Charlie Grimes - Sax (Alto)
Henry Hicks - Trombone
Charlie Holmes - Clarinet, Sax (Alto)
King Oliver - Conductor
Lizzie Miles - Composer, Vocals (tracks: 1 to 14, 16 to 22) 
Jelly Roll Morton - Composer, Piano
Albert Socarras - Flute, Sax (Alto)
Clarence Williams - Composer, Piano

19.8.23

JELLY-ROLL MORTON – 1929-1930 | The Chronogical Classics – 642 (1992) FLAC (tracks), lossless

With the exception of two dates as a leader and the remainder of the Wilton Crawley set that closes this album, this disc has the final Jelly Roll Morton recordings before the Great Depression temporarily halted his recording career. The pianist-composer is heard backing singers Lizzie Miles and Billie Young on two songs apiece and interacting with the wild vaudevillian clarinetist Wilton Crawley on "Big Time Woman" and "I'm Her Papa, She's My Mama." The best all-round session has four numbers performed by the trio of Morton, clarinetist Barney Bigard, and drummer Zutty Singleton. Of the band sides (some of which are a bit undisciplined), highlights include "Little Lawrence," "Load of Coal" (with Cozy Cole on drums), and "Fussy Mabel," which has a classic solo from trumpeter Bubber Miley. Whether acquired in this series or on a five-CD Bluebird set, this music is highly enjoyable and often quite essential in appreciating 1920s jazz and the musical genius Jelly Roll Morton Scott Yanow  
Tracklist + Credits :


FREDDIE HUBBARD — Hub Cap (1961) RM | Three Version | SACD, Hybrid | RVG Edition | The Blue Note Reissues Series | APE + FLAC (image+.tracks+.cue), lossless

On Hub Cap, his third effort as a leader, Freddie Hubbard sticks to the tried-and-true hard bop formula, which is something of a mixed bles...