By the year 2000, the golden oldie rotation of "Band of Gold" was the main thing keeping the memory of this singer alive. Yet, deep in the catalog of this classic jazz label lies this ambitious, largely successful recording which shows just how diverse and indeed brilliant Freda Payne can be. The album is divided half into big band tracks, half into small combo. The main presence in both cases is alto saxophonist Phil Woods, and this is one of the few recordings he doesn't turn into a football scrimmage for bebop yardage. There is an incredible wealth of material here, and it is definitely impressive to consider that Duke Ellington wrote a song specifically for the session. It is the singer's confidence and marvelous vocal abilities that steal the show at every turn, but that is not to demean the contributions of top-drawer jazz musicians such as pianist Walter Perkins and guitarist Jim Hall. The record is dominated by Tin Pan Alley material, to be sure, but on the second side some serious jazz is attempted, including a beautiful "Round Midnight" and a version of "Lonely Woman" by Ornette Coleman. When it comes to the latter tune, the author of the liner note seems to be straining to hide his contempt, referring to the song as a "composition" in italics, as if it was too touchy to print such a thing in a regular font. It is hoped that an Impulse re-issue will see the light of day in this case so that the line "all that's left is a band of gold" will no longer be true in the case of this virtuoso songstress. by Eugene Chadbourne
Tracklist :
1. After the Lights Go Down Low 3:23
L.C. Lovett / A. White
2. Sweet Pumpkin 2:56
Ronnell Bright
3. Blue Piano 2:48
Duke Ellington / Bill Katz / Ruth Roberts / Bob Thiele
4. The Things We Love To Do 2:32
Stanley Clayton / Clara Ward
5. Awaken My Lonely One 2:07
Philip Moody / Doris Pony Sherrell
6. Sweet September 2:33
Bill McGuffie
7. I Cried for You 3:58
Gus Arnheim / Arthur Freed / Abe Lyman
8. 'Round Midnight 4:20
Bernie Hanighen / Thelonious Monk / Cootie Williams
9. Out of This World 3:10
Harold Arlen / Johnny Mercer
10. Lonely Woman 3:53
Ornette Coleman / Margo Guryan
11. I Wish I Knew 3:50
Mack Gordon / Harry Warren
12. It's Time 1:53
Pauline Rivelli / Ruth Roberts
Credits :
Freda Payne - Vocals
Al DeRisi - Trumpet
Jimmy Nottingham - Trumpet
Ernie Royal - Trumpet
Nick Travis - Trumpet
Quentin Jackson - Trombone
Alan Raph - Trombone
Bob Brookmeyer - Valve Trombone
Phil Woods - Alto Saxophone
Seldon Powell - Tenor Saxphone
Zoot Sims - Tenor Saxphone
Sol Schlinger - Baritone Saxophone
Hank Jones - Piano
Art Davis - Bass
Gus Johnson - Drums
Manny Albam - Arranger, Conductor
Recorded September 1963
at RCA Studios, New York City
Tracks 1 and 2 on September 17
Tracks 3-6 on September 18
Tracks 7-12
Phil Woods - Alto Saxophone
Hank Jones - Piano
Jim Hall - Guitar
Art Davis - Bass
Walter Perkins - Drums
5.7.21
FREDA PAYNE - After The Lights Go Down Low (1963-2005) RM / FLAC (tracks+.cue), lossless
FREDA PAYNE – How Do You Say I Don't Love You Anymore (1966-2009) FLAC (tracks+.cue), lossless
In 1966, when Freda Payne recorded How Do You Say I Don't Love You
Anymore for MGM, she had already recorded a jazz LP for Impulse! but was
still a few years away from Invictus and her commercial peak with the
polished '70s soul of "Band of Gold." Although the LP was arranged by
Benny Golson, one of the finest arranger/composers in jazz, it was
closer to a pop date than vocal jazz. Payne sang "Yesterday" and "Let It
Be Me" and "You've Lost That Lovin' Feelin'," while the studio charts
of Golson (and production by Tom Wilson) looked to the contemporary pop
burgeoning across the pond from Petula Clark and Tony Hatch. (Think
punchy but compressed brass, perfect for mono speakers in car radios and
department stores.) Despite her early jazz leanings, Payne proves
herself a far better pop-soul singer, sounding great on the two songs
with the most hit potential, the title track and "You Never Should Have
Loved Me." By comparison, her interpretations of the standards are
clumsy; she holds notes a beat too long and wrings every last note of
melodrama from "Yesterday" and "Let It Be Me." Overall, not a bad dry
run for her Invictus recordings, which would begin in just a few years. John Bush
Tracklist :
1 (How Do You Say) I Don't Love You Anymore 2:35
Written-By – Kooper, Levine
2 Yesterday 2:58
Written-By – Lennon-McCartney
3 San Juan 2:26
Written-By – Raleigh, Zacharias
4 You Never Should Have Loved Me 2:38
Written By – Thomas Wilson
5 Let It Be Me 3:11
Written-By – Bécaud, Curtis, Delanoë
6 On Easy Street 2:01
Written-By – Anisfield, Weiss
7 You've Lost That Lovin' Feelin' 3:14
Written-By – Weil - Mann, Spector
8 It's Here For You 2:55
Written-By – Daryll
9 Feeling Good 3:09
Written-By – Newley, Bricusse
10 Sad Sad September 1:52
Written-By – Frank Owens
11 If You Love Me 2:32
Written-By – Piaf, Parsons, Monnot
12 Too Late 2:10
Written By – Maxwell
Credits :
Arranged By, Conductor – Benny Golson
Freda Payne - Vocals
FREDA PAYNE - Come Back To Me Love (2014) FLAC (tracks), lossless
Tracklist:
1 You'd Be So Nice To Come Home To 4:23
Cole Porter
2 Haven't We Met 3:54
Ruth Batchelor / Kenny Rankin
3 Lately 3:53
Gretchen Valade
4 Come Back To Me Love 5:23
Gretchen Valade
5 Whatever Happened To Me 3:23
Gretchen Valade
6 You Don't Know 3:48
Tom Robinson / Gretchen Valade
7 Save Your Love For Me 5:21
Buddy Johnson
8 Guess I'll Hang My Tears Out To Dry 3:55
Sammy Cahn / Jule Styne
9 The Island 6:10
Alan Bergman / Marilyn Bergman / Ivan Lins / Victor Martins
10 I Should Have Told Him 3:31
Tom Robinson / Gretchen Valade
11 I Just Have To Know 4:25
Tom Robinson / Gretchen Valade
12 Midnight Sun 5:38
Sonny Burke / Lionel Hampton / Johnny Mercer
13 Spring Can Really Hang You Up the Most 4:46
Thomas J. Wolf Jr. / Fran Landesman
14 I'd Rather Drink Muddy Water 4:23
Eddie Miller
Credits:
Producer, Arranged By, Conductor – Bill Cunliffe
vocals – Freda Payne
20.4.19
FREDA PAYNE - Contact (1971-2018) FLAC (tracks+.cue), lossless
Tracklist:
1 I'm Not Getting Any Better 6:45
Written-By – Holland - Dozier
2 Suddenly It's Yesterday 4:24
Written-By – Holland - Dozier
3 You Brought The Joy 3:00
Written-By – Holland - Dozier
4 Bring The Boys Home 3:22
Written-By – R. Miner, W. Weatherspoon
6 Prelude 0:53
Written-By – Holland - Dozier
7 The Road We Didn't Take 4:17
Written-By – Holland - Dozier
8 Odds And Ends 3:50
Written-By – G. Johnson, G. Perry
9 Cherish What Is Dear To You (While It's Near To You) 3:56
Written-By – A. Bond, Holland - Dozier
10 I Shall Not Be Moved 2:43
Written-By – Holland - Dozier
11 Mama's Gone 3:23
Written-By – G. Johnson, G. Perry, R. Dunbar
+ last month
ESBJÖRN SVENSSON TRIO — Winter In Venice (1997) FLAC (tracks+.cue), lossless
Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...