STAN GETZ / JOAO GILBERTO ft. ANTONIO CARLOS JOBIM - Getz/-Giberto (1963-2018) RM / UHQCD / FLAC (tracks+.cue), lossless

One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova's greatest innovators -- guitarist/singer João Gilberto and composer/pianist Antonio Carlos Jobim -- to New York to record with Stan Getz. The results were magic. Ever since Jazz Samba, the jazz marketplace had been flooded with bossa nova albums, and the overexposure was beginning to make the music seem like a fad. Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beauty, but with one of the biggest smash hit singles in jazz history -- "The Girl From Ipanema," a Jobim classic sung by João's wife, Astrud Gilberto, who had never performed outside of her own home prior to the recording session. Beyond that, most of the Jobim songs recorded here also became standards of the genre -- "Corcovado" (which featured another vocal by Astrud), "So Danço Samba," "O Grande Amor," a new version of "Desafinado." With such uniformly brilliant material, it's no wonder the album was such a success but, even apart from that, the musicians all play with an effortless grace that's arguably the fullest expression of bossa nova's dreamy romanticism ever brought to American listeners. Getz himself has never been more lyrical, and Gilberto and Jobim pull off the harmonic and rhythmic sophistication of the songs with a warm, relaxed charm. This music has nearly universal appeal; it's one of those rare jazz records about which the purist elite and the buying public are in total agreement. Beyond essential. by Steve Huey
Tracklist:
1. Girl From Ipanema 5:17
Norman Gimbel / Antônio Carlos Jobim / Vinícius de Moraes
2. Doralice 2:48
Antonio Almeida
3. Para Machuchar Meu Coracão 5:09
Ary Barroso
4. Desafinado 4:09
Antônio Carlos Jobim
5. Corcovado (Quiet Nights Of Quiet Stars) 4:18
Antônio Carlos Jobim / Gene Lees
6. So Danço Samba 3:34
Antônio Carlos Jobim / Vinícius de Moraes
7. O Grande Amor 5:30
Antônio Carlos Jobim / Vinícius de Moraes
8. Vivo Soñando (Dreamer).2:54
Antônio Carlos Jobim  
Credits:
Antonio Carlos Jobim - Piano
Astrud Gilberto - Vocals
Joao Gilberto - Vocals, Guitar
Milton Banana - Drums
Stan Getz - Tenor Saxophone
Tommy Williams - Bass

JOÃO GILBERTO - Chega de Saudade (1959) FLAC (image+.cue), lossless

João Gilberto's debut LP, 1959's Chega de Saudade, was one of the most important bossa nova recordings, and credited by many as the album that, more than any other, launched bossa nova as a major popular music genre. The dozen songs add up to a surprisingly short playing time of about 23 minutes, but introduce several of bossa nova's most beloved trademarks: breezy, soothing melodies and vocals; tight arrangements with seamless blends of clipped guitar strokes and light orchestration, and, of course, the bossa nova rhythm. The most popular of these songs ("Chega de Saudade" and "Desafinado") had already been released as singles in 1958, but though they might be the most memorable tracks, the album maintains a consistently high standard (if a fairly similar mood throughout). [The 2010 U.K. CD reissue on El adds a lot of bonus material, starting with three 1959 Gilberto recordings used in the film Orfeo do Carnaval, among them another classic, "Manha de Carnaval." Also included are no less than eleven 1957-1959 Brazilian recordings by artists other than Gilberto that are tightly or loosely aligned with the early bossa nova movement Bola Sete and Walter Wanderley being the most well known of those. Gilberto was involved in most, but not all, of these as a songwriter or guitarist, and the rationale for their inclusion is not spelled out in the CD's annotation (which, for that matter, has only basic details about these non-Gilberto tracks). It's churlish to complain about abundant extra material on a reissue CD that does include everything from the album it's based upon, but the 12-page booklet had room for such information. Packaging criticism aside, those 11 tracks by performers other than Gilberto are enjoyable and show different slants on the early bossa nova sound, sometimes instrumental, sometimes with shades of exotica (on Wanderley's organ-dominated cuts), sometimes with women singers, and sometimes poppier in approach than Gilberto's own work. Three consecutive versions of Gilberto's "Ho-Ba-La-La" (one of the songs from Chega de Saudade) seem like a programming lapse, but Norma Bengell's vocal version of that song is a highlight, as is Alaide Costa's jazzy rendering of Gilberto's "Minha Saudade."'  by Richie Unterberger  
João Gilberto é um baino, 'bossa-nova' de vinte e sete anos.
Em pouquíssimo tempo influenciou tôda uma geração de arranjadores, guitarristas, músicos e cantores. Nossa maior preocupacão, neste 'long-playing'  foi que Joãozinho no fosse atrapalhado por arranjos que tirassem sua liberdade, sua natutal agilidade, sua maneira pessoal e instransferível de ser, em suma, sua espontaneidade. Nos arranjos contidos neste 'long-playing' Joãozinho participou ativamente; seus palpites, suas idéias, estão todas aí. Quando João Gilberto se acompanha, o violão é êle . João Gilberto não subestima a sensibilidade do povo. Êle acredita que há sempre lugar para uma coisa nova, diferente e pura que - embora à primeira vista não pareça - pode se tornar, como dizem na linguagem especializa : altamente comercial. Porque o povo comprende o Amor, as notas, a simplicidade e a sinceridade. Eu acredito em João Gilberto, porque êle é simples, sincero e extraordináriamente musical.
P.S. - Caymmi também acha. (Antonio Carlos Jobim)

Tracklist  
1 – Chega De Saudade 2:03
Lyrics By – Vinicius De Moraes
Music By – Antonio Carlos Jobim
2 – Lobo Bobo 1:21
Lyrics By – Ronaldo Boscoli
Music By – Carlos Lyra
3 – Brigas, Nunca Mais 2:07
Lyrics By – Vinicius De Moraes
Music By – Antonio Carlos Jobim
4 – Hô-bá-lá-lá 2:17
Music By, Lyrics By – João Gilberto
5 – Saudade Fêz Um Samba 1:47
Lyrics By – Ronaldo Boscoli
Music By – Carlos Lyra
6 – Maria Ninguém 2:23
Music By, Lyrics By – Carlos Lyra
7 – Desafinado 1:58
Lyrics By – Newton Mendonça
Music By – Antonio Carlos Jobim
8 – Rosa Morena 2:06
Music By, Lyrics By – Dori Caymmi
9 – Morena Boca De Ouro 2:01
Music By, Lyrics By – Ary Barroso
10 – Bim Bom 1:17
Music By, Lyrics By – João Gilberto
11 – Aos Pés Da Cruz 1:35
Lyrics By – Zé Da Zilda
Music By – Marino Pinto
12 – E Luxo Só 1:59
Music By, Lyrics By – Ary Barroso
Credits
Choir – Garotos da Lua (tracks: 4)
Drums – Milton Banana (tracks: 1 to 12)
Flute – Copinha (tracks: 1 to 12)
Guitar, Vocals – João Gilberto (tracks: 1 to 12)
Percussion – Rubens Bassini (tracks: 1 to 12)
Producer, Arranged By, Piano – Antonio Carlos Jobim (tracks: 1 to 12)
Trombone – Edmundo Maciel (tracks: 1 to 12)

TENÓRIO JR. - Embalo (1964-2006) RM | APE (image+.cue), lossless

Tracklist:
1    Embalo 3:09
(Tenório Júnior)
2    Inútil Paisagem 2:25
(Tom Jobim/Aloysio de Oliveira)
3    Nebulosa 1:53
(Tenório Júnior)
4    Samadhi 3:07
(Tenório Júnior)
5    Sambinha 2:44
(Bud Shank)
6    Fim de Semana Em Eldorado 4:09
(Johnny Alf)
7    Nectar 2:34
(Tenório Júnior)
8    Clouds 3:05
(Durval Ferreira/Maurício Einhorn)
9    Consolação 2:25
(Baden Powell/Vinicius de Moraes)
10    Estou Nessa Agora 1:35
(Tenório Júnior)
11    Carnaval Sem Assunto 2:01
(Zezinho Alves)
Credits:
Acoustic Guitar – Celso Brando, Neco
Alto Saxophone – Paulo Moura
Arranged By – Zézinho (faixas: 11), Paulo Moura (faixas: 1, 9), Tenorio Jr.
Bass – José Antonio Alves, Sergio Barroso Netto
Drums – Milton Banana
Percussion [Atabaque] – Rubens Bassini
Piano – Tenorio Jr.
Tenor Saxophone – Hector Costita, Meirelles
Trombone – Edson Maciel, Raul De Souza
Trumpet – Maurilio, Pedro Paulo