A comprehensive collection of the great blues pioneer's final work, recorded between 1945 and 1947. (This is the Sonny Boy Williamson who was murdered in 1948, not the one who toured with the Yardbirds in England in 1963).
Most of the tracks here include electric guitar (check out Willie Lacey's Charlie Christian licks on "Sugar Gal" and "Alcohol Blues") and drums. The overall sound is eerily prescient of Chicago blues (the great Willie Dixon is present on bass on several of the songs), the jump blues style of Louis Jordan ("Apple Tree Swing"), and rock & roll. AllMusic
Abridged from this ablums original booklet notes. Between 1944 and the end of his career (and life) in 1948, Sonny Boy Williamson had gone from strength to strength. He had already made reference in song to his appreciation of artists like Fats Waller and he seemed determinedly updating his sound. More and more of Sonny Boy‘s recordings featured a solid up tempo beat, often provided by drummers such as Jump Jackson or Judge Riley, and the guitarists and the pianists that he favoured (Willie Lacy, big Bill Broonzy and Blind John Davis – even Big Maceo and the ever adaptable Tampa Red for one session) were also capable of moving with the times, providing jazzier accompaniments to show off Sonny Boy‘s ever increasing skills on the harmonica. For his last sessions Sonny Boy continued the mix as before but now the performances had more punch and a marked, deliberate swing. He still returned to his roots, recording such tracks as Bring Another Half Pint. The term ‘swing’ seems to have replaced the previous ‘jump’ in a couple of tracks like Rub A Dub, Polly Put The Kettle On and Mellow Chick Swing. Having weathered the recording bans and the war years with his popularity unimpaired, Sonny Boy was the undisputed leader and trend setter for blues harmonica players all over the country. Sadly Sonny Boy Williamson would not go onto explore his musical range further. He was murdered on his way from a gig at the Plantation Club on the early morning of 1st June 1948. Attacked and robbed, Sonny Boy managed to get back to his flat. When his wife Lacey Belle opened the door she was confronted by the awful sight of Sonny Boy covered in blood, swaying on his feet. “Lord have mercy” were his final words before slipping into unconsciousness from which he never awoke. As the five volumes presented on Document of his entire output attest, the legacy and influence of Sonny Boy Williamson 1st, has been pivotal both upon fellow and future blues harmonica players. DOCD-5059
Tracklist :
1 Early In The Morning 3:02
Drums – Charles Saunders
Guitar – Tampa Red
Piano – Big Maceo
Vocals, Harmonica – Sonny Boy Williamson
2 The Big Boat 2:59
Drums – Charles Saunders
Guitar – Tampa Red
Piano – Big Maceo
Vocals, Harmonica – Sonny Boy Williamson
3 Stop Breaking Down 2:57
Drums – Charles Saunders
Guitar – Tampa Red
Piano – Big Maceo
Vocals, Harmonica – Sonny Boy Williamson
4 You're An Old Lady 3:12
Drums – Charles Saunders
Guitar – Tampa Red
Piano – Big Maceo
Vocals, Harmonica – Sonny Boy Williamson
5 Sonny Boy's Cold Chills 3:06
Double Bass – Ransom Knowling
Guitar – Willie Lacey
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
6 Mean Old Highway 3:25
Double Bass – Ransom Knowling
Guitar – Willie Lacey
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
7 Hoodoo Hoodoo 2:55
Double Bass – Ransom Knowling
Guitar – Willie Lacey
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
8 Shake The Boogie 2:47
Double Bass – Ransom Knowling
Guitar – Willie Lacey
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
9 Mellow Chick Swing 2:36
Double Bass – Willie Dixon
Drums – Charles Saunders
Guitar – Big Bill Broonzy
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
10 Polly, Put The Kettle On 2:30
Double Bass – Willie Dixon
Drums – Charles Saunders
Guitar – Big Bill Broonzy
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
11 Lacey Belle 2:52
Double Bass – Willie Dixon
Drums – Charles Saunders
Guitar – Big Bill Broonzy
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
12 Apple Tree Swing 2:26
Double Bass – Willie Dixon
Drums – Charles Saunders
Guitar – Big Bill Broonzy
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
13 Wonderful Time 3:04
Double Bass – Ransom Knowling
Drums – Judge Riley
Guitar – Willie Lacey
Piano – Eddie Boyd
Vocals, Harmonica – Sonny Boy Williamson
14 Sugar Gal 3:01
Double Bass – Ransom Knowling
Drums – Judge Riley
Guitar – Willie Lacey
Piano – Eddie Boyd
Vocals, Harmonica – Sonny Boy Williamson
15 Willow Tree Gal 3:13
Double Bass – Ransom Knowling
Drums – Judge Riley
Guitar – Willie Lacey
Piano – Eddie Boyd
Vocals, Harmonica – Sonny Boy Williamson
16 Alcohol Blues 2:50
Double Bass – Ransom Knowling
Drums – Judge Riley
Guitar – Willie Lacey
Piano – Eddie Boyd
Vocals, Harmonica – Sonny Boy Williamson
17 Little Girl 2:54
Double Bass – Ransom Knowling
Drums – Judge Riley
Guitar – Big Bill Broonzy
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
18 Blues About My Baby 2:59
Double Bass – Ransom Knowling
Drums – Judge Riley
Guitar – Big Bill Broonzy
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
19 No Friend Blues 2:52
Double Bass – Ransom Knowling
Drums – Judge Riley
Guitar – Big Bill Broonzy
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
20 I Love You For Myself 3:02
Double Bass – Ransom Knowling
Drums – Judge Riley
Guitar – Big Bill Broonzy
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
21 Bring Another Half A Pint 3:05
Double Bass – Ransom Knowling
Drums – Judge Riley
Guitar – Big Bill Broonzy
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
22 Southern Dream 2:47
Double Bass – Ransom Knowling
Drums – Judge Riley
Guitar – Big Bill Broonzy
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
23 Rub A Dub 2:41
Double Bass – Ransom Knowling
Drums – Judge Riley
Guitar – Big Bill Broonzy
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
24 Better Cut That Out 2:59
Double Bass – Ransom Knowling
Drums – Judge Riley
Guitar – Big Bill Broonzy
Piano – Blind John Davis
Vocals, Harmonica – Sonny Boy Williamson
3.1.25
SONNY BOY WILLIAMSON — Complete Recorded Works In Chronological Order ★ Volume 5 • 1945-1947 | DOCD-5059 (1991) RM | FLAC (image+.cue), lossless
5.6.21
MEMPHIS SLIM / WILLIE DIXON - Aux Trois Mailletz (1962-2000) Jazz In Paris 36 / RM / FLAC (tracks+.cue), lossless
Although this CD by pianist Memphis Slim and bassist Willie Dixon is marketed as a part of Verve's Jazz in Paris reissue series, it is, of course, a blues date, with a fair amount of boogie-woogie. The two veterans, who had worked together previously, are joined by drummer Phillipe Combelle during the two 1962 sessions recorded at Les Trois Mailletz, complete with a typically out of tune piano and a fair amount of noise from the audience at times. The pianist's gruff voice dominates a fair amount of the performances, although most of the songs are Dixon's. The bassist steals the show during the opener, "Rocking and Rolling the House," with a fine solo. In fact, the only standard not written by either man is a campy miniature take of Big Bill Broonzy's "All by Myself." Blues fans will want up to pick up this live recording by two legendary musicians. by Ken Dryden
Tracklist :
1 Rock & Rolling the House 3:59
Peter Chatman
2 Baby Please Come Home 2:42
Peter Chatman
3 How Come You Do Me Like You Do? 4:52
Gene Austin / Roy Bergere
4 The Way She Loves a Man 3:16
Willie Dixon
5 New Way to Love 5:29
Willie Dixon
6 African Hunch With a Boogie Beat 3:37
Willie Dixon
7 Shame Pretty Girls 3:22
Willie Dixon
8 Baby, Baby, Baby 3:07
Willie Dixon
9 Do de Do 2:40
Willie Dixon
10 Cold Blooded 5:35
Willie Dixon
11 Just You and I 2:56
Willie Dixon
12 Pigalle Love 4:00
Peter Chatman
13 All by Myself 1:41
Big Bill Broonzy
Credits :
Double Bass – Willie Dixon
Drums – Philippe Combelle
Piano – Memphis Slim
Vocals – Memphis Slim (faixas: 1 to 3, 12, 13)
Vocals, Written-By – Willie Dixon (faixas: 4 to 11)
Nota :
Recorded November 15 and 16, 1962 at "Les Trois Mailletz", Paris.
Reissue of the Polydor LP 46 131.
+ last month
PAPA CHARLIE JACKSON — Complete Recorded Works In Chronological Order ★ Volume 1 ∙ 1924-1926 | DOCD-5087 (1991) RM | FLAC (image+.cue), lossless
The first 27 of Papa Charlie Jackson's recorded works is, on about ten counts, one of the most important blues documents you can find, d...