JIMMY HEATH — Triple Threat (1962-1998) RM | Original Jazz Classics Limited Edition Series | FLAC (tracks+.cue), lossless

Jimmy Heath has long been at least a triple threat as a musician (tenor, flute and soprano), arranger and composer. On this 1998 CD reissue, Heath sticks to tenor, performing "Make Someone Happy" and "The More I See You' while joined by pianist Cedar Walton and his two brothers, bassist Percy Heath and drummer Albert "Tootie" Heath. The other five numbers consist of four of his originals (best-known is "Gemini") plus a reworking of the ballad "Goodbye." For these selections, the quartet is augmented by young trumpeter Freddie Hubbard (who takes a few fiery solos) and Julius Watkins on French horn. The arrangements of Heath uplift the straightahead music and make each selection seem a bit special. Scott Yanow
Tracklist :
1     Gemini 6'09
Jimmy Heath
2     Bruh Slim 5'16
Jimmy Heath
3     Goodbye 7'04
Gordon Jenkins
4     Dew and Mud 5'01
Jimmy Heath
5     Make Someone Happy 3'41
Betty Comden / Adolph Green / Jule Styne
6     The More I See You 4'18
Mack Gordon / Harry Warren
7     Prospecting 5'40
Jimmy Heath
Credits :
Bass – Percy Heath
Drums – Albert Heath
French Horn – Julius Watkins (pistas: 1 to 4, 7)
Piano – Cedar Walton
Producer – Orrin Keepnews
Remastered By – Phil De Lancie
Tenor Saxophone – Jimmy Heath
Trumpet – Freddie Hubbard (pistas: 1 to 4, 7)

CURTIS FULLER — Soul Trombone + Cabin in the Sky (2011) RM | Serie Impulse! 2-On-1 | FLAC (tracks+.cue), lossless

This budget two-fer in Impulse's 2011 reissue series offers trombonist Curtis Fuller's first two releases for the label, both recorded in 1961; they are his 18th and 19th overall. The first, Soul Trombone, recorded in November, is aptly titled and places Fuller as the leader of a stellar band that includes pianist Cedar Walton, trumpeter Freddie Hubbard, tenor saxophonist Jimmy Heath, Granville T. Hogan on drums, and either Jimmy Cobb or Jymie Merritt on bass. Of the six track on the set, three are originals, and they include the stellar hard bop offering "The Clan," the swinging "Newdles," and the breezy "Ladies Night." Two standard ballads here, "In the Wee Small Hours of the Morning," and Stan Getz's arrangement of "Dear Old Stockholm," are also beautifully delivered. On this date, Fuller allowed all of his sidemen to stretch out and engage with one another generously. Cabin in the Sky is an entirely different kind of outing, and almost experimental -- though not in the avant-garde sense -- with Fuller leading a pair of different large bands that include a full string section arranged by Harry Lookofsky and conducted by Manny Albam. This date relies heavily (but not exclusively) on the tunes of Vernon Duke and John Latouche. The emphasis here is on texture, color, and harmony, but as a result, some of Fuller's authority is overshadowed by the elaborate and restrictive arrangements. That said, this set is far from uninteresting, and given the price tag, irresistible. Some of the players on this date include Bob Brookmeyer, Kai Winding, Hank Jones, Milt Hinton, and Osie Johnson. Standouts include non string-arranged tracks such as "Honey in the Honeycomb" and "Savannah."
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist & Credits :

CURTIS FULLER — Smokin' (1972-2017) RM | Serie Mainstream Records Master Collection – 70 | FLAC (tracks+.cue), lossless

Trombonist Curtis Fuller's second Mainstream album has
some dated electronics and funk rhythms, although there are some worthwhile solos from the leader, trumpeter Bill Hardman, and Jimmy Heath on tenor and soprano. The rhythm section (guitarist Earl Dunbar, Cedar Walton on electric piano, electric bassist Mickey Bass and drummer Billy Higgins) weighs down the music a bit despite their obvious talents. The band stretches out on four Fuller originals (best is the 11-minute "Smokin'") and "Stella by Starlight," but the results are not too essential. Scott Yanow   Tracklist & Credits : 

RAY BROWN — Something for Lester (1978-1989) RM | FLAC (tracks+.cue), lossless

This excellent trio session forms a sort of transition between bassist Ray Brown's work with the Oscar Peterson Trio and his own small-group sessions of the '80s and '90s. With pianist Cedar Walton and drummer Elvin Jones, Brown explores seven strong melodies (four standards, two by Walton, and the bassist's "Slippery") in typically swinging and bluish fashion. Scott Yanow
Tracklist & Credits :

RAY BROWN AND HIS WEST COAST ALL-STAR GIANTS — I'm Walking (1998) Serie XRCD | FLAC (tracks+.cue), lossless

Tracklist & Credits :

ART BLAKEY & THE JAZZ MESSENGERS — Free For All (1964-2014) RM | Serie Blue Note The Masterworks | SHM-CD | FLAC (tracks+.cue), lossless

Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Hardly a free for all at all – as the album's a masterpiece of focus and direction, and a classic set from the sextet lineup of the Jazz Messengers! The album's a real feather in the mid-60s cap of Art Blakey –and features an expanded sound from the quintet era of his group – with a sublime horn lineup that features Wayne Shorter on tenor, Freddie Hubbard on trumpet, and Curtis Fuller on trombone – all gliding along these soaring piano lines from Cedar Walton! Reggie Workman works some real magic on bass, too – and the tracks are all very long – with titles that include "Free For All" and "Hammer Head" – both written by Shorter – plus "The Core", by Hubbard, and a beautiful version of Clare Fischer's "Pensativa".

Free for All is a high point in drummer Art Blakey's enormous catalog. This edition of the Jazz Messengers had been together since 1961 with a lineup that would be hard to beat: Freddie Hubbard on trumpet (his last session with the Messengers), Wayne Shorter on tenor sax, Curtis Fuller on trombone, Cedar Walton on piano, and Reggie Workman on bass. Shorter's title track is one of the finest moments in the Jazz Messengers' history. In the eight minutes of "Free for All," an emotional apex is reached that skirts the edge of free bop without losing Blakey's rhythmic glue. Another Shorter composition, "Hammer Head," is a mid-tempo soul-blues groove, with Shorter, Hubbard, and Fuller taking exceptional solos while Blakey keeps the mid-tempo vigorously swinging. Hubbard's "The Core," dedicated to the Congress of Racial Equality, comes close to capturing the heat of the title cut, as it contains similar fiery interplay. The session's closer, Clare Fischer's "Pensativa" (brought to the Messengers songbook by Hubbard), would remain a favorite with Blakey for years. A passionate Jazz Messengers workout that proves essential. Al Campbell

Tracklist :

1 - Free For All

2 - Hammer Head

3 - The Core

4 - Pensativa

5 - Free For All (alt. take) (bonus track)

Personnel :

Art Blakey - Drums

Cedar Walton - Piano

Wayne Shorter - Tenor saxophone

Freddie Hubbard - Trumpet

Curtis Fuller - Trombone

Reggie Workman - Bass

ORNETTE COLEMAN - Broken Shadows (1982) LP | Contemporary Masters Series | 24bits-192Hz | FLAC (image+.cue), lossless

This LP contains eight selections taken from Ornette Coleman's three-year period with Columbia that were previously unreleased. Cut prior to Coleman's formation of Prime Time, these performances serve as an unintentional retrospective of his career up to that point. Not that any of the original compositions (all by Coleman) had ever been recorded before but such alumni as trumpeters Don Cherry and Bobby Bradford, tenor saxophonist Dewey Redman, bassist Charlie Haden, and drummers Ed Blackwell and Billy Higgins appear on most of the selections in one combination or another (and all of them are on two septet selections). In addition, a pair of numbers ("Good Girl Blues" and "Is It Forever") have Coleman, Redman, Haden and Blackwell joined by guitarist Jim Hall, pianist Cedar Walton, a singer and a woodwind section; these look back a bit at Ornette's guest appearances on a John Lewis/Gunther Schuller album. Scott Yanow
SIDE A
A1     Happy House 9'50
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Billy Higgins, Ed Blackwell
Tenor Saxophone – Dewey Redman
Trumpet – Bobby Bradford
Trumpet [Pocket] – Don Cherry
A2     Elizabeth 10'30
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Billy Higgins, Ed Blackwell
Tenor Saxophone – Dewey Redman
Trumpet – Bobby Bradford
Trumpet [Pocket] – Don Cherry
A3     School Work 5'40
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Ed Blackwell
Tenor Saxophone – Dewey Redman
Trumpet – Bobby Bradford
SIDE B
B1     Country Town Blues 6'27
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Billy Higgins
Trumpet [Pocket] – Don Cherry
B2     Broken Shadows 6'45
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Billy Higgins, Ed Blackwell
Tenor Saxophone – Dewey Redman
Trumpet – Bobby Bradford
Trumpet [Pocket] – Don Cherry
B3     Rubber Gloves 3'26
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Ed Blackwell
Tenor Saxophone – Dewey Redman
B4     Good Girl Blues 3'07
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Ed Blackwell
Electric Guitar – Jim Hall
Piano [Acoustic] – Cedar Walton
Tenor Saxophone – Dewey Redman
Vocals – Webster Armstrong
B5     Is It Forever 4'52
(Ornette Coleman)
Acoustic Bass – Charlie Haden
Alto Saxophone – Ornette Coleman
Drums – Ed Blackwell
Electric Guitar – Jim Hall
Piano [Acoustic] – Cedar Walton
Tenor Saxophone – Dewey Redman
Vocals – Webster Armstrong
Notas.
Uncredited woodwind section on B4 and B5.
Original Contemporary Masters Series. Red and black label. "Columbia NY" on run-out groove.
A1 to B2 are previously unreleased sessions from the recording of Science Fiction in September 1971. Tracks B3 to B5 previously unreleased sessions recorded in September 1972.

ARCHIE SHEPP - For Losers + Kwanza (2011) RM | Impulse! 2-On-1 | FLAC (tracks+.cue), lossless

Though the two titles featured on this Impulse two-fer were originally issued four years apart, they were recorded pretty much at the same time. For Losers, released in 1970, reflects Archie Shepp's deep fascination with rhythm & blues and soul, as well as showing how vanguard jazz drew directly from the tradition. Produced by Ed Michel, this album (and Kwanza) features Shepp in the company of Grachan Moncur III, Jimmy Owens, Woody Shaw, Charles Davis, Dave Burrell, Cedar Walton, Andy Bey, Robin Kenyatta, Cecil Payne, James Spaulding, Wilbur Ware, Beaver Harris, Bernard Purdie, Joe Chambers, Leon Thomas, and Doris Troy, to name a few. It ranges from the funky stomp of "Stick 'Em Up" with Thomas up front and which draws equally on James Brown and Rufus Thomas, through to an avant version of Duke Ellington's "I Got It Bad (And That Ain't Good)," with Troy's vocal atop a warm but angular and elastic harmonic arrangement, to a nearly straight version of Cal Massey's classic ballad "What Would It Be Without You," with beautiful interplay between Shepp's tenor and Payne's flute. The entire second side is taken up by "Un Croque Monsieur (Poem: For Losers)," an outside jazz jam of epic proportions. Kwanza, though it was recorded at nearly the same time, was not released until 1974. Its cuts display the same lineups as those on For Losers. While on the surface it would seem to be a collection of outtakes and leftovers from the earlier album, it doesn't doesn't play like one. With Michel producing only one track, and the balance by Bob Thiele, it sounds more like a direct follow-up. Shepp composed three tunes here; two of which ("Back Back" and "Slow Drag," with killer trumpet work by Shaw) reflect the tough, nasty soul and rhythm & blues foundations of the earlier album, while the other, "Spoo Pee Doo," while brief, is a curiously strange midtempo jazz ballad sung by Thomas. Moncur's modally based free workout "New Africa" appears as the set's longest and most satisfying number, with another Massey number, "Makai," which has its repetitive, labyrinthine counterpoint played to the hilt by Shepp and bassist Walter Booker. Together, For Losers and Kwanza are hotly debated but essential parts of the Shepp Impulse discography; they embody not merely the paradoxes of his vision, but the enormity of it.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
For Losers    
1    Stick 'Em Up 2:05
Alto Saxophone – Robin Kenyatta
Bass [Fender] – Albert Winston, Wilton Felder
Drums – Beaver Harris
Guitar – Bert Payne
Organ, Guitar – Mel Brown
Piano – Andrew Bey
Trombone – Grachan Moncur III
Trumpet, Flugelhorn – Martin Banks
Vocals – Doris Troy, Leon Thomas, Tasha Thomas
2    Abstract 4:20
Alto Saxophone – James Spaulding
Baritone Saxophone – Charles Davis
Bass [Fender] – Bob Bushnell
Drums – Bernard Purdie
Guitar – Wally Richardson
Organ – Dave Burrell
Trombone – Grachan Moncur III
Trumpet, Flugelhorn – Jimmy Owens
3    I Got It Bad (And That Ain't Good) 5:16
Alto Saxophone – Clarence Sharpe
Bass – Wilbur Ware
Drums – Joe Chambers
Piano – Cedar Walton
Soprano Saxophone – Archie Shepp
Vocals – Chinalin Sharpe
4    What Would It Be Without You 4:05
Baritone Saxophone, Flute – Cecil Payne
Bass – Wilbur Ware
Drums – Joe Chambers
Piano – Cedar Walton
Soprano Saxophone – Archie Shepp
5    Un Croque Monsieur (Poem: For Losers) 21:49
Alto Saxophone – Clarence Sharpe
Baritone Saxophone – Cecil Payne
Bass – Wilbur Ware
Drums – Joe Chambers
Piano – Cedar Walton
Soprano Saxophone – Archie Shepp
Trombone – Matthew Gee
Trumpet – Woody Shaw
Vocals – Chinalin Sharpe
Kwanza    
6    Back Back 5:45
Alto Saxophone – James Spaulding
Baritone Saxophone – Charles Davis
Bass [Fender] – Bob Bushnell
Drums – Bernard 'Pretty' Purdie
Guitar – Wally Richardson
Organ – Dave Burrell
Trombone – Grachan Moncur III
Trumpet – Jimmy Owens
7    Spoo Pee Doo 2:37
Bass – Albert Winston
Drums – Beaver Harris
Guitar – Bert Payne
Piano – Andrew Bey
Trumpet – Martin Banks
Vocals – Doris Troy, Leon Thomas, Tasha Thomas
8    New Africa 12:47
Baritone Saxophone – Charles Davis
Bass – Walter Booker
Drums – Beaver Harris
Piano – Dave Burrell
Trombone – Grachan Moncur III
Trumpet – Jimmy Owens
Vocals – Archie Shepp
9    Slow Drag 10:08
Bass – Wilbur Ware
Drums – Joe Chambers
Piano – Cedar Walton
Soprano Saxophone – Archie Shepp
Trumpet – Woody Shaw
10    Bakai 9:57
Baritone Saxophone – Charles Davis
Bass – Walter Booker
Drums – Beaver Harris
Piano – Dave Burrell
Trombone – Grachan Moncur III
Trumpet – Jimmy Owens

ARCHIE SHEPP - Kwanza (1974-2006) RM | Serie : Impulse! Originals | FLAC (tracks+.cue), lossless

Kwanza is a curious Archie Shepp recording. Released in 1969 on Impulse, it features cuts recorded between September 1968 and August 1969 with an assortment of lineups. Four of the album's five cuts were produced by Bob Thiele, and one, "Slow Drag," by Ed Michel. Shepp composed three tunes here, and he is in the company of musicians such as Grachan Moncur III (who composed "New Africa"), Jimmy Owens, Dave Burrell, Wally Richardson, Bob Bushnell, Bernard Purdie and Beaver Harris, Leon Thomas, Charles Davis, Woody Shaw, Cedar Walton, Wilbur Ware, Joe Chambers, Cecil Payne, and others. As the title might suggest, Kwanza is a joyful record, full of celebration in blues and jazz. "Back Back" opens the set with a colossal funky blues that feels like an out version of the JB's with Burrell kicking it on B-3. The all-too-brief "Spoo Dee Doo," showcases Thomas' unique, and truly awesome vocal stylings along with Tasha Thomas and Doris Troy providing a swinging backing R&B chorus. "New Africa" is the most vanguard track here, with a different rhythm section than on "Back Back," and no guitar, Burrell returns to his piano. It begins in a manner that suggests anger, but not rage. It becomes an edgeless, rounded meditation on joy and gratitude, a statement of purpose at realization and transcendence with Shepp, Owens. and Davis playing alongside Moncur as a monumental choral line in timbres; textures, big harmonic reaches and ultimately resolution. "Slow Drag," is a funky blues tune, it struts a minor key line that feels like a mutated "Wade in the Water," but its Latin rhythms and the killer bass work of Wilbur Ware make the cut a standout. The set closes with Cal Massey's "Bakai," a tune that walks a fringed line on the inside and swings like mad. Kwanza may not be one of Shepp's better known recordings, but it is certainly one of his fine ones.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1     Back Back 5'45
Alto Saxophone – James Spaulding
Baritone Saxophone – Charles Davis
Bass – Bob Bushnell
Composed By – Archie Shepp
Drums – Bernard Purdie
Guitar – Wally Richardson
Organ – Dave Burrell
Tenor Saxophone – Archie Shepp
Trombone – Grachan Moncur III
Trumpet – Jimmy Owens    
2     Spoo Dee Doo 2'38
Bass – Albert Winston
Composed By – Archie Shepp
Drums – Beaver Harris
Flute – Robin Kenyatta
Guitar – Bert Payne
Piano – Andrew Bey
Tenor Saxophone – Archie Shepp
Trumpet – Martin Banks
Vocals – Doris Troy, Leon Thomas, Tasha Thomas
3     New Africa 12'50
Baritone Saxophone – Charles Davis
Bass – Walter Booker
Composed By – Grachan Moncur III
Drums – Beaver Harris
Piano – Dave Burrell
Tenor Saxophone, Vocals – Archie Shepp
Trombone – Grachan Moncur III
Trumpet – Jimmy Owens
4     Slow Drag 10'09
Alto Saxophone – Clarence Sharpe
Baritone Saxophone – Cecil Payne
Bass – Wilbur Ware
Composed By – Archie Shepp
Drums – Joe Chambers
Piano – Cedar Walton
Tenor Saxophone – Archie Shepp
Trombone – Matthew Gee
Trumpet – Woody Shaw
5     Bakai 9'59
Baritone Saxophone – Charles Davis
Bass – Walter Booker
Composed By – Cal Massey
Drums – Beaver Harris
Piano – Dave Burrell
Tenor Saxophone, Vocals – Archie Shepp
Trombone – Grachan Moncur III
Trumpet – Jimmy Owens

CHARLES LLOYD - Acoustic Masters I (1994-2005) FLAC (tracks+.cue), lossless

Tracklist :
1    Blues For Bill    9:46
 Charles Lloyd
2    Clandestine    9:07
 Cedar Walton
3    Sweet Georgia Bright    5:51
 Charles Lloyd
4    Lady Day    7:11
 Charles Lloyd
5    Green Chimneys    5:50
 Thelonious Monk
6    Strivers Jewels    5:20
 Buster Williams
7    Hommage    10:03
 Charles Lloyd
8    To C.L.    6:06
 Billy Higgins
Credits :
Bass – Anders Jormin
Bass – Buster Williams
Drums – Billy Higgins
Piano – Cedar Walton
Producer – Lenny White
Tenor Saxophone – Charles Lloyd

HANK MOBLEY - Third Season (1967-1998) RM | FLAC (tracks+.cue), lossless

Tenor saxophonist Hank Mobley recorded frequently for Blue Note in the 1960s (six albums from 1967-1970) and, although overshadowed by the flashier and more avant-garde players, Mobley's output was consistently rewarding. For this overlooked session, which was not issued until 1980 and then finally reissued on CD in 1988, a regular contingent of top Blue Note artists (Mobley, trumpeter Lee Morgan, altoist James Spaulding, pianist Cedar Walton, bassist Walter Booker, and drummer Billy Higgins) are joined by a wild card, guitarist Sonny Greenwich. The music is mostly in the hard bop vein, with hints of modality and the gospel-ish piece "Give Me That Feelin'," but Greenwich's three solos are a bonus and the performances of five Mobley originals and one by Morgan are up to the usual caliber of Blue Note's releases. Pity that this one has been lost in the shuffle. Scott Yanow
Tracklist :
1     An Aperitif 6'52
Hank Mobley    
2     Don't Cry, Just Sigh 6'51
Hank Mobley    
3     The Steppin' Stone 5'36
Lee Morgan    
4     Third Season 6'44
Hank Mobley    
5     Boss Bossa 5'11
Hank Mobley    
6     Give Me That Feelin' 6'33
Hank Mobley
Credits :
Alto Saxophone, Flute – James Spaulding
Bass – Walter Booker
Drums – Billy Higgins
Engineer [Recording] – Rudy Van Gelder
Guitar – Sonny Greenwich
Piano – Cedar Walton
Tenor Saxophone – Hank Mobley
Trumpet – Lee Morgan

HANK MOBLEY - Far Away Lands (1967-1984) FLAC (tracks+.cue), lossless

Of all the Blue Note artists of the 1960s, tenor saxophonist Hank Mobley may very well be the most underrated. A consistent player whose style evolved throughout the decade, Mobley wrote a series of inventive and challenging compositions that inspired the all-stars he used on his recordings while remaining in the genre of hard bop. For this lesser-known outing, Mobley teams up with trumpeter Donald Byrd, pianist Cedar Walton, bassist Ron Carter, and drummer Billy Higgins for four of his songs (given such colorful titles as "A Dab of This and That," "No Argument," "The Hippity Hop," and "Bossa for Baby"), along with a song apiece from Byrd and Jimmy Heath. An excellent outing, fairly late in the productive career of Hank Mobley. Scott Yanow
Tracklist :
1     A Dab of This and That 5:14
Hank Mobley    
2     Far Away Lands 5:34
Jimmy Heath    
3     No Argument 6:33
Hank Mobley    
4     The Hippity Hop 5:42
Hank Mobley    
5     Bossa for Baby 6:08
Hank Mobley    
6     Soul Time 6:47
Donald Byrd
Credits :
Bass – Ron Carter
Drums – Billy Higgins
Piano – Cedar Walton
Recorded By – Rudy Van Gelder
Tenor Saxophone – Hank Mobley
Trumpet – Donald Byrd

HANK MOBLEY - Thinking of Home (1970-2002) RM | FLAC (tracks+.cue), lossless

For what would be his final of over 20 Blue Note albums, tenor saxophonist Hank Mobley uses a sextet that also includes trumpeter Woody Shaw, the obscure guitarist Eddie Diehl, pianist Cedar Walton, bassist Mickey Bass, and drummer Leroy Williams for a typically challenging set of advanced hard bop music. For the first and only time in his career, Mobley recorded a "Suite" (consisting of "Thinking of Home," "The Flight," and "Home at Last"); the remainder of the set has three of his other attractive originals plus Mickey Bass' "Gayle's Groove." This music was not released for the first time until 1980. It is only fitting that Hank Mobley would record one of the last worthwhile Blue Note albums before its artistic collapse (it would not be revived until the 1980s) for his consistent output helped define the label's sound in the 1960s. Mobley's excellent playing and the adventurous solos of Woody Shaw make this hard-to-find LP (his last as a leader) one to hunt for. Scott Yanow
Tracklist :
1     Suite: Thinking of Home/The Flight/Home at Last 10:06
Hank Mobley    
2     Justine 13:04
Hank Mobley    
3     You Gotta Hit It 5:34
Hank Mobley    
4    Gayle's Groove 5:33
Mickey Bass    
5     Talk About Gittin'  8:38
Hank Mobley    
Credits :
Bass – Mickey Bass
Drums – Leroy Williams
Guitar – Eddie Diehl
Piano – Cedar Walton
Tenor Saxophone – Hank Mobley
Trumpet – Woody Shaw

THE CEDAR WALTON | HANK MOBLEY QUINTET - Breakthrough! (1972-1999) FLAC (tracks), lossless

As strong as pianist Cedar Walton plays on his session, the main honors are taken by two of his sidemen. Tenor-saxophonist Hank Mobley, whose career was about to go into a complete eclipse, is in brilliant form, showing how much he had grown since his earlier days. Baritonist Charles Davis, who too often through the years has been used as merely a section player, keeps up with Mobley and engages in a particularly memorable tradeoff on the lengthy title cut. Mobley is well-showcased on "Summertime," Davis switches successfully to soprano on "Early Morning Stroll," and Walton (with the trio) somehow turns the "Theme From Love Story" into jazz. Highly recommended. Scott Yanow
Tracklist :
1     Break Through 10:38
Hank Mobley    
2     Sabiá 4:15
Chico Buarque / Antônio Carlos Jobim
3     House on Maple Street 6:42
Cedar Walton
4     (Where Do I Begin) Love Story 6:13
Francis Lai / Carl Sigman    
5     Summertime 7:41
George Gershwin / Ira Gershwin / DuBose Heyward
6     Early Morning Stroll 8:07
Hank Mobley    
Credits :
Baritone Saxophone, Soprano Saxophone – Charles Davis
Bass – Sam Jones
Drums – Billy Higgins
Piano – Cedar Walton
Tenor Saxophone – Hank Mobley

BENNY CARTER - Elegy in Blue (1994) APE (image+.cue), lossless

Benny Carter, 87 at the time of this recording, could pass musically for 57. His alto playing is as flawless as ever but 79-year-old trumpeter Harry "Sweets" Edison very much sounds his age and falters constantly throughout the date. Pianist Cedar Walton (who sounds for probably the only time in his career like Oscar Peterson), guitarist Mundell Lowe, bassst Ray Brown and drummer Jeff Hamilton make up a strong rhythm section but Edison and the so-so material cause this session to fall far short of its potential. Scott Yanow
Tracklist :
1    Did You Call Her Today? 6:24
Written-By – Ben Webster
2    Ceora 7:53
Written-By – Lee Morgan
3    Good Queen Bess 6:46
Written-By – Johnny Hodges
4    Prelude To A Kiss 6:25
Written-By – Ellington, Gordon, Mills
5    Little Jazz 6:18
Written-By – Roy Eldridge
6    Blue Monk 6:02
Written-By – Thelonious Monk
7    Someday You'll Be Sorry 4:54
Vocals – Harry "Sweets" Edison
Written-By – Louis Armstrong
8    Nuages 8:35
Written By – Day / Reinhardt / Ageron
9    Undecided 6:30
Written-By – Shavers, Robin
10    Elegy In Blue 9:11
Written-By – Benny Carter
Credits :
Alto Saxophone – Benny Carter
Bass – Ray Brown
Drums – Jeff Hamilton
Guitar – Mundell Lowe
Piano – Cedar Walton
Trumpet, Vocal, Percussion (pistas: 7) – Harry "Sweets" Edison

THE JIMMY HEATH ORCHESTRA - Really Big! (1960-1992) RM | Original Jazz Classics Limited Edition Series | FLAC (tracks+.cue), lossless

Jimmy Heath's first chance to lead a fairly large group, an all-star ten-piece, found him well featured both on tenor and as an arranger/composer. With such colorful players as cornetist Nat Adderley, flugelhornist Clark Terry, altoist Cannonball Adderley, and either Cedar Walton or Tommy Flanagan on piano, Heath introduces a few originals (including "Big 'P'" and "A Picture of Heath") and uplifts "Green Dolphin Street," "Dat Dere," and "My Ideal," among others. A well-conceived set. Scott Yanow
Tracklist :
1     Big "P" 3'53
Jimmy Heath
2     Old Fashioned Fun 4'34
Jimmy Heath
3     Mona's Mood 4'53
Jimmy Heath
4     Dat Dere 4'24
Oscar Brown, Jr. / Bobby Timmons
5     Nails 4'47
Jimmy Heath
6     On Green Dolphin Street 4'42
Bronislaw Kaper / Ned Washington
7     My Ideal 4'10
Newell Chase / Leo Robin / Richard A. Whiting
8     Picture of Heath 4'30
Jimmy Heath
Credits :
Alto Saxophone – Julian "Cannonball" Adderley
Baritone Saxophone – Pat Patrick
Bass – Percy Heath
Cornet – Nat Adderley
Drums – Albert Heath
French Horn – Dick Berg
Piano – Cedar Walton (3 to 5, 7, 8), Tommy Flanagan (1, 2, 6)
Producer – Orrin Keepnews
Remastered By [Digital Remastering, 1992] – Phil De Lancie
Tenor Saxophone – Jimmy Heath
Trombone – Tom McIntosh
Trumpet – Clark Terry

JIMMY HEATH - The Quota (1965-1995) RM | Original Jazz Classics Limited Edition Series | FLAC (tracks), lossless

Jimmy Heath's considerable talents are very evident on this fine hard bop title. His supple, Dexter Gordon-inspired tenor work shines throughout the album's seven tracks, which range from the challenging yet fleet originals "Funny Time" and "The Quota" to attractive covers like "When Sunny Gets Blue" and Milt Jackson's "Bells and Horns." Heath also mixes it up stylistically with elements of both East Coast jazz (Philly native, vigorous ensemble work) and West Coast jazz (spry, vaporous arrangements), showing his flexibility amidst the music's healthy, bi-coastal rivalry of the late-'50s and early-'60s California stars Art Pepper and Chet Baker would cover several Heath numbers on their excellent 1956 collaboration Playboys. The Quota also benefits from stellar solo contributions by trumpeter Freddie Hubbard, French horn player Julius Watkins, and pianist Cedar Walton; brothers Percy and Albert Heath handle the bass and drums chores admirably, and they make a family reunion of it. The Quota's strong material, tight arrangements, and thoughtful solos help make this Heath title one of the better hard bop releases available and a must for any jazz collection. Stephen Cook  
Tracklist :
1     The Quota 5'08
Jimmy Heath
2     Lowland Lullaby 4'38
Jimmy Heath
3     Thinking of You 5'08
Bert Kalmar / Harry Ruby
4     Bells and Horns 4'55
Milt Jackson / Milton Jackson, Jr.
5     Down Shift 5'47
Jimmy Heath
6     When Sunny Gets Blue 6'29
Marvin Fisher / Jack Segal
7     Funny Time 6'23
Jimmy Heath
Credits :
Bass – Percy Heath
Drums – Albert "Tootie" Heath
French Horn – Julius Watkins
Piano – Cedar Walton
Producer – Orrin Keepnews
Remastered By – Phil De Lancie
Tenor Saxophone, Arranged By – Jimmy Heath
Trumpet – Freddie Hubbard   

JOHNNY GRIFFIN - Bush Dance (1983) FLAC (tracks), lossless

Johnny Griffin has (at least since the mid-'50s) been one of the masters of the tenor sax although consistently underrated. This studio session is one of his great achievements, particularly a fascinating (and cleverly constructed) 17-minute version of "A Night in Tunisia." Whether it be his own "The Jams Are Coming" or a lyrical version of the veteran ballad "Since I Fell for You," Griffin (joined here by guitarist George Freeman, bassist Sam Jones, drummer Albert Heath and percussionist Kenneth Nash) is inspired and quite creative throughout this highly recommended gem. Scott Yanow
Tracklist :
1     A Night in Tunisia 17'07
Dizzy Gillespie / Frank Paparelli
2     Bush Dance 4'59
Johnny Griffin
3     The Jamfs Are Coming 7'06
Johnny Griffin
4     Since I Fell for You 7'21
Buddy Johnson
5     Knucklebean 7'19
Eddie Marshall
6     I Mean You 8'43
Thelonious Monk
7     Lover Man 11'35
Jimmy Davis / Roger "Ram" Ramirez / Jimmy Sherman
8    Call It Whachawana 6'34
Johnny Griffin
9     A Waltz With Sweetie 6'36
Johnny Griffin
Credits :
Bass – Sam Jones
Drums – Albert Heath
Guitar – George Freeman
Percussion, Congas – Kenneth Nash
Piano – Cedar Walton
Saxophone – Johnny Griffin

THE JAZZTETT AND JOHN LEWIS - The Jazztet and John Lewis ft. Art Farmer & Benny Golson (1953-2013) RM | FLAC (tracks+.cue), lossless

The Jazztet had been in existence for two years when they recorded what would be their final LPs, Here and Now and Another Git Together. The personnel, other than the two co-leaders, flugelhornist Art Farmer and tenor-saxophonist Benny Golson, had completely changed since 1960 but the group sound was the same. The 1962 version of the Jazztet included trombonist Grachan Moncur III, pianist Harold Mabern, bassist Herbie Lewis, and drummer Roy McCurdy. It is remarkable to think that this talent-filled group wasn't, for some reason, snapped up to record even more albums together. Highlights of their excellent out-of-print LP include Ray Bryant's "Tonk," "Whisper Not," "Just in Time," and Thelonious Monk's "Ruby My Dear." A classic if short-lived hard bop group. [This is the original issue and does not include bonus tracks.] Scott Yanow
Tracklist :
1    Bel 4'05
Composed By – John Lewis
2    Milano 4'49
Composed By – John Lewis
3    Django 4'50
Composed By – John Lewis
4    New York 19 7'04
Composed By – John Lewis
5    2 Degrees East, 3 Degrees West 8'40
Composed By – John Lewis
6    Odds Against Tomorrow 12'27
Composed By – John Lewis
Credits :
Bass – Thomas Williams
Drums – Albert Heath
Piano – Cedar Walton
Tenor Saxophone – Benny Golson
Trombone – Thomas McIntosh
Trumpet – Art Farmer
Written-By, Conductor – John Lewis

ART FARMER - Homecoming (1971-1998) FLAC (tracks+.cue), lossless

This Art Farmer studio session from 1971 has a slight contemporary flavor to it, due to the addition of conga player James "Mtume" Forman and percussionist Warren Smith, Jr. to a core group of collaborators including Jimmy Heath, Cedar Walton, Sam Jones, and Billy Higgins. Unfortunately, the additional percussionists are too prominent in the mix, greatly distracting from the driving arrangements of Farmer's "Homecoming" and Kenny Dorham's "Blue Bossa" as well as a peppy bossa nova, "Cascavelo." Far better are the quintet tracks, including the laid-back and mellow interpretation of Leonard Bernstein's ballad "Some Other Time," featuring the leader's matchless flügelhorn and Heath's soprano sax, and an upbeat chart of "Here's That Rainy Day." Another annoying problem is the seemingly out of tune piano, though Walton makes the best of a bad instrument. Not an essential album in the vast Farmer discography, but worth acquiring if found at a reasonable price, though it will be difficult. Ken Dryden
Tracklist :
1     Homecoming 4'04
Art Farmer
2     Cascavelo 8'39
Horst Muhlbradt
3     Some Other Time 5'53
Leonard Bernstein / Betty Comden / Adolph Green
4     Blue Bossa 6'47
Kenny Dorham
5     Here's That Rainy Day 6'26
Johnny Burke / James Van Heusen
Credits :
Bass – Samuel Jones
Congas – James Forman-Mtume
Drums – Billy Higgins
Flugelhorn – Art Farmer
Percussion – Warren Smith, Jr.
Piano – Cedar Walton
Flute, Soprano Saxophone, Tenor Saxophone – James Heath