 Reissue. Features the high-fidelity SHM-CD format (compatible with 
standard CD player) and the latest 24bit 192kHz remastering. Hardly a 
free for all at all – as the album's a masterpiece of focus and 
direction, and a classic set from the sextet lineup of the Jazz 
Messengers! The album's a real feather in the mid-60s cap of Art Blakey 
–and features an expanded sound from the quintet era of his group – with
 a sublime horn lineup that features Wayne Shorter on tenor, Freddie 
Hubbard on trumpet, and Curtis Fuller on trombone – all gliding along 
these soaring piano lines from Cedar Walton! Reggie Workman works some 
real magic on bass, too – and the tracks are all very long – with titles
 that include "Free For All" and "Hammer Head" – both written by Shorter
 – plus "The Core", by Hubbard, and a beautiful version of Clare 
Fischer's "Pensativa".
 Reissue. Features the high-fidelity SHM-CD format (compatible with 
standard CD player) and the latest 24bit 192kHz remastering. Hardly a 
free for all at all – as the album's a masterpiece of focus and 
direction, and a classic set from the sextet lineup of the Jazz 
Messengers! The album's a real feather in the mid-60s cap of Art Blakey 
–and features an expanded sound from the quintet era of his group – with
 a sublime horn lineup that features Wayne Shorter on tenor, Freddie 
Hubbard on trumpet, and Curtis Fuller on trombone – all gliding along 
these soaring piano lines from Cedar Walton! Reggie Workman works some 
real magic on bass, too – and the tracks are all very long – with titles
 that include "Free For All" and "Hammer Head" – both written by Shorter
 – plus "The Core", by Hubbard, and a beautiful version of Clare 
Fischer's "Pensativa".
 trumpet (his last 
session with the Messengers), Wayne Shorter on tenor sax, Curtis Fuller 
on trombone, Cedar Walton on piano, and Reggie Workman on bass. 
Shorter's title track is one of the finest moments in the Jazz 
Messengers' history. In the eight minutes of "Free for All," an 
emotional apex is reached that skirts the edge of free bop without 
losing Blakey's rhythmic glue. Another Shorter composition, "Hammer 
Head," is a mid-tempo soul-blues groove, with Shorter, Hubbard, and 
Fuller taking exceptional solos while Blakey keeps the mid-tempo 
vigorously swinging. Hubbard's "The Core," dedicated to the Congress of 
Racial Equality, comes close to capturing the heat of the title cut, as 
it contains similar fiery interplay. The session's closer, Clare 
Fischer's "Pensativa" (brought to the Messengers songbook by Hubbard), 
would remain a favorite with Blakey for years. A passionate Jazz 
Messengers workout that proves essential. Al Campbell
trumpet (his last 
session with the Messengers), Wayne Shorter on tenor sax, Curtis Fuller 
on trombone, Cedar Walton on piano, and Reggie Workman on bass. 
Shorter's title track is one of the finest moments in the Jazz 
Messengers' history. In the eight minutes of "Free for All," an 
emotional apex is reached that skirts the edge of free bop without 
losing Blakey's rhythmic glue. Another Shorter composition, "Hammer 
Head," is a mid-tempo soul-blues groove, with Shorter, Hubbard, and 
Fuller taking exceptional solos while Blakey keeps the mid-tempo 
vigorously swinging. Hubbard's "The Core," dedicated to the Congress of 
Racial Equality, comes close to capturing the heat of the title cut, as 
it contains similar fiery interplay. The session's closer, Clare 
Fischer's "Pensativa" (brought to the Messengers songbook by Hubbard), 
would remain a favorite with Blakey for years. A passionate Jazz 
Messengers workout that proves essential. Al Campbell
 
 
 
 
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