 All too often, jazz critics have promoted the myth that Lester Young's 
playing went way downhill after World War II -- that the seminal tenor 
man was so emotionally wounded by the racism he suffered in the military
 in 1944-1945 that he could no longer play as well as he had in the '30s
 and early '40s. To be sure, Young went through hell in the military, 
and his painful experiences took their toll in the form of alcohol 
abuse, severe depression, and various health problems. But despite 
Young's mental decline, he was still a fantastic soloist. This eight-CD 
set, which gathers most of the studio recordings that he made for Norman
 Granz's Clef, Norgran, and Verve labels from 1946-1959, underscores the
 fact that much of his postwar output was superb. At its worst, this 
collection is at least decent, but the Pres truly excels on sessions 
with Nat "King" Cole and Buddy Rich in 1946, Oscar Peterson and Barney 
Kessel in 1952, Roy Eldridge and Teddy Wilson in 1956, and Harry 
"Sweets" Edison in 1957. Disc 8 contains two recorded interviews with 
the saxman -- one conducted by Chris Albertson in 1958 for WCAU radio in
 Philadelphia, the other by French jazz enthusiast Francois Postif in 
Paris on February 6, 1959 (only five or six weeks before Young's death 
on March 15 of that year). The contrast between the fascinating 
interviews is striking; in Philly, Young is polite and soft-spoken, 
whereas in Paris, the effects of the alcohol are hard to miss. Sounding 
intoxicated and using profanity liberally, Young candidly tells Postif 
about everything from his experiences with racism to his associations 
with Billie Holiday and Count Basie. But as much as the set has going 
for it, The Complete Lester Young Studio Sessions on Verve isn't for 
novices, casual listeners, or those who are budget-minded (Verve's 
suggested retail price in the U.S. was $144). Collectors are the ones 
who will find this CD to be a musical feast. Alex Henderson   Tracklist & Credits :
All too often, jazz critics have promoted the myth that Lester Young's 
playing went way downhill after World War II -- that the seminal tenor 
man was so emotionally wounded by the racism he suffered in the military
 in 1944-1945 that he could no longer play as well as he had in the '30s
 and early '40s. To be sure, Young went through hell in the military, 
and his painful experiences took their toll in the form of alcohol 
abuse, severe depression, and various health problems. But despite 
Young's mental decline, he was still a fantastic soloist. This eight-CD 
set, which gathers most of the studio recordings that he made for Norman
 Granz's Clef, Norgran, and Verve labels from 1946-1959, underscores the
 fact that much of his postwar output was superb. At its worst, this 
collection is at least decent, but the Pres truly excels on sessions 
with Nat "King" Cole and Buddy Rich in 1946, Oscar Peterson and Barney 
Kessel in 1952, Roy Eldridge and Teddy Wilson in 1956, and Harry 
"Sweets" Edison in 1957. Disc 8 contains two recorded interviews with 
the saxman -- one conducted by Chris Albertson in 1958 for WCAU radio in
 Philadelphia, the other by French jazz enthusiast Francois Postif in 
Paris on February 6, 1959 (only five or six weeks before Young's death 
on March 15 of that year). The contrast between the fascinating 
interviews is striking; in Philly, Young is polite and soft-spoken, 
whereas in Paris, the effects of the alcohol are hard to miss. Sounding 
intoxicated and using profanity liberally, Young candidly tells Postif 
about everything from his experiences with racism to his associations 
with Billie Holiday and Count Basie. But as much as the set has going 
for it, The Complete Lester Young Studio Sessions on Verve isn't for 
novices, casual listeners, or those who are budget-minded (Verve's 
suggested retail price in the U.S. was $144). Collectors are the ones 
who will find this CD to be a musical feast. Alex Henderson   Tracklist & Credits :
24.11.23
LESTER YOUNG — The Complete Lester Young Studio Sessions on Verve (2006) RM | 8xCD BOX-SET | FLAC (tracks+.cue), lossless
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Amazing, thank you!
ResponderExcluirVery cool, thanks Lakhavinor
ResponderExcluir