Mostrando postagens com marcador Eddie Costa. Mostrar todas as postagens
Mostrando postagens com marcador Eddie Costa. Mostrar todas as postagens

19.7.24

EDDIE COSTA TRIO — The House Of Blue Lights (1959- 2003) Serie Essence Of Jazz | FLAC (image+.cue), lossless

Eddie Costa was probably better known for his work as a vibraphonist than as a pianist during his all too brief career, which ended suddenly after a fatal car crash in 1962. He sticks exclusively to piano on his final album as a leader, joined by bassist Wendell Marshall and drummer Paul Motian. His interpretation of Gigi Gryce's "The House of Blue Lights" has a dark tone overall, very percussive at times and often incorporating fast runs. Likewise, his take of "My Funny Valentine" is rather moody, as if a breakup between lovers is imminent. "Diane" finally lightens the mood with some mid-tempo breezy bop. Costa's two originals include the upbeat cooker "Annabelle" and the rambling, almost avant-gardish "What's It to Ya." Marshall and Motian provide great support for Costa throughout these experimental sessions. It is a pity that Eddie Costa died at such a young age before he had an opportunity to expand upon the work heard in this valuable date. Ken Dryden
Tracklist :
1. The House Of Blue Lights (10:04)
Composed By – Gigi Gryce
2. My Funny Valentine (7:00)
Composed By – Lorenz Hart, Richard Rodgers
3. Diane (4:30)
Composed By – Erno Rapee, Lew Pollack
4. Annabelle (4:10)
Composed By – Eddie Costa
5. When I Fall In Love (5:02)
Composed By – Edward Heyman, Victor Young
6. What's To Ya (9:27)
Composed By – Eddie Costa
Credits :
Eddie Costa (Piano)
Wendell Marshall (Bass)
Paul Motian (Drums)

19.2.24

CURTIS FULLER — Soul Trombone + Cabin in the Sky (2011) RM | Serie Impulse! 2-On-1 | FLAC (tracks+.cue), lossless

This budget two-fer in Impulse's 2011 reissue series offers trombonist Curtis Fuller's first two releases for the label, both recorded in 1961; they are his 18th and 19th overall. The first, Soul Trombone, recorded in November, is aptly titled and places Fuller as the leader of a stellar band that includes pianist Cedar Walton, trumpeter Freddie Hubbard, tenor saxophonist Jimmy Heath, Granville T. Hogan on drums, and either Jimmy Cobb or Jymie Merritt on bass. Of the six track on the set, three are originals, and they include the stellar hard bop offering "The Clan," the swinging "Newdles," and the breezy "Ladies Night." Two standard ballads here, "In the Wee Small Hours of the Morning," and Stan Getz's arrangement of "Dear Old Stockholm," are also beautifully delivered. On this date, Fuller allowed all of his sidemen to stretch out and engage with one another generously. Cabin in the Sky is an entirely different kind of outing, and almost experimental -- though not in the avant-garde sense -- with Fuller leading a pair of different large bands that include a full string section arranged by Harry Lookofsky and conducted by Manny Albam. This date relies heavily (but not exclusively) on the tunes of Vernon Duke and John Latouche. The emphasis here is on texture, color, and harmony, but as a result, some of Fuller's authority is overshadowed by the elaborate and restrictive arrangements. That said, this set is far from uninteresting, and given the price tag, irresistible. Some of the players on this date include Bob Brookmeyer, Kai Winding, Hank Jones, Milt Hinton, and Osie Johnson. Standouts include non string-arranged tracks such as "Honey in the Honeycomb" and "Savannah."
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist & Credits :

16.12.23

THE GIL EVANS ORCHESTRA — Into the Hot (1962-1988) FLAC (image+.cue), lossless

Although this album (reissued on CD) proudly states that it is by the Gil Evans Orchestra and has Evans' picture on the cover, the arranger actually had nothing to do with the music. Three songs have the nucleus of his big band performing numbers composed, arranged, and conducted by John Carisi (who also plays one of the trumpets). Those selections by the composer of "Israel" are disappointingly forgettable. The other three performances are even further away from Evans for they are actually selections by avant-garde pianist Cecil Taylor's septet! Taylor's music features trumpeter Ted Curson, trombonist Roswell Rudd, altoist Jimmy Lyons, tenor saxophonist Archie Shepp, bassist Henry Grimes, and drummer Sunny Murray and is quite adventurous and exciting, the main reason to acquire this somewhat misleading set. Scott Yanow    Tracklist & Credits :

1.12.23

TAL FARLOW – The Swinging Guitar Of Tal Farlow (1957-1999) RM | Serie Verve By Request | FLAC (tracks+.cue), lossless

In the mid-'50s, guitarist Tal Farlow led one of his finest groups, a drumless trio with pianist Eddie Costa and bassist Vinnie Burke. The same band would record the album Tal a week or two later. With Burke contributing a constant walking bass, the interplay between Farlow and Costa is always exciting, whether they are playing unisons or trading off. This 1999 CD reissue not only has the original seven selections but "Gone With the Wind" (which was left off of the original LP due to lack of space) plus three full-length alternate takes that are basically on the same level as the masters. Among the highpoints are "Taking a Chance on Love," "Yardbird Suite," "Like Someone in Love," and Farlow's lone original, "Meteor," which utilizes the chord changes of "Confirmation." Hot bebop that is easily recommended. Scott Yanow
Tracklist :
1 Taking A Chance On Love 4:47
Written-By – Latouche, Fetter, Duke
2 Yardbird Suite 5:19
Written-By – Parker
3 You Stepped Out Of A Dream 5:43
Written-By – Kahn, Brown
4 They Can't Take That Away From Me 5:46
Written-By – George & Ira Gershwin
5 Like Someone In Love 6:42
Written-By – Jimmy Van Heusen And Johnny Burke
6 Meteor 6:39
Written-By – Farlow
7 I Love You 5:48
Written-By – Porter
8 Gone With Wind 6:48
Written-By – Allie Wrubel, Herbert Magidson
9 Taking A Chance On Love (Alternative Take) 5:10
Written-By – John Latouche, Ted Fetter, Vernon Duke
10 Yardbird Suite (Alternative Take) 5:04
Written-By – Charlie Parker
11 Gone With Wind (Alternative Take) 5:26
Written-By – Allie Wrubel, Herbert Magidson
Credits:
Bass – Vinnie Burke
Guitar – Tal Farlow
Piano – Eddie Costa

10.10.22

AL COHN - Jazz Mission to Moscow (1962-2010) RM | Jazz名盤 999 Best & More | FLAC (tracks), lossless

In 1962 Benny Goodman had a historic visit to the Soviet Union, touring with a big band full of young all-stars. After the orchestra returned to the U.S., tenor saxophonist Al Cohn (who had not made the trip but did write some of Goodman's charts) put together an album (also released by Colpix) using many of the sidemen and paying tribute to the event. Strangely enough none of the six numbers are Cohn originals and he does not play on the record although he arranged all of the music. Of the six songs, "Mission to Moscow," "Let's Dance" and "Russian Lullaby" were part of Goodman's repertoire. Altoist Phil Woods effectively doubles on clarinet and other soloists include tenor saxophonist Zoot Sims, trumpeter Marky Markowitz and trombonist Willie Dennis. An interesting set of modern swing but this LP has been unfortunately long out-of-print. Scott Yanow
Tracklist :
1    Mission To Moscow 4:20
Written-By – Mel Powell
2    The Sochi Boatman 5:17
Adapted By – A. Gilbert
Arranged By – Al Cohn

3    Midnight In Moscow 5:59
Written-By – Ball, Soloviev-Sedoy, Matusovsky
4    Let's Dance 4:32
Written-By – Baldridge, Stone, Bonime
5    Russian Lullaby 5:39
Written-By – Irving Berlin
6    Red, White And Blue Eyes 4:53
Adapted By – A. Gilbert
Arranged By – Al Cohn

Credits :
Alto Saxophone, Clarinet – Phil Woods
Alto Saxophone, Flute – Jerry Dodgion
Baritone Saxophone – Gene Allen
Bass – Bill Crow
Drums – Mel Lewis
Piano – Eddie Costa
Tenor Saxophone – Zoot Sims
Trombone – Willie Dennis
Trumpet – Jimmy Maxwell, Markie Markowitz

14.8.22

TUBBY HAYES WITH CLARK TERRY - "The New York Sessions" (1961-1990) RM | Columbia Jazz Masterpieces | FLAC (tracks), lossless

Tubby Hayes was a superior tenor saxophonist from England who played in the tradition of Zoot Sims and Al Cohn, with just a dash of Johnny Griffin and early John Coltrane. This CD finds Tubby holding his own with a top-notch swinging rhythm section (pianist Horace Parlan, bassist George Duvivier, and Dave Bailey) along with guests Clark Terry (on four of the ten selections) and vibraphonist Eddie Costa (on three songs). Whether it be an up-tempo rendition of "Airegin" or a tender "You're My Everything," Tubby Hayes shows that he is an underrated legend. The original six selections are joined by four equally rewarding unreleased performances. Scott Yanow
Tracklist:
1    You For Me 4:38
Written-By – B. Haymes
2    A Pint Of Bitter    7:00
Written-By – C. Terry
3    Airegin    8:53
Written-By – S. Rollins
4    Opus Ocean    7:31
Written-By – C. Terry
5    Soon 7:33
Written-By – G. Gershwin, I. Gershwin
6    Doxy    9:11
Written-By – S. Rollins
7    Soho Soul    8:02
Written-By – T. Hayes
8    The Simple Waltz    8:57
Written-By – C. Terry
9    Half A Sawbuck    7:13
Written-By – T. Hayes
10    You're My Everything 5'06
Written-By – H. Warren, J. Young, M. Dixon
Credits  
Bass – George Duvivier
Drums – Dave Bailey
Piano – Horace Parlan
Tenor Saxophone – Tubby Hayes
Trumpet – Clark Terry
Vibraphone – Eddie Costa

CLARK TERRY - Mellow Moods (1962-1994) RM | FLAC (tracks), lossless

This LP combines together two former LPs by flugelhornist Clark Terry: Everything's Mellow and All American. Since those two sessions were cut for the Moodsville label (where all of the sets were supposed to be emphasizing quiet ballads) and the second date has songs from a forgotten musical, this release wouldn't seem to have much potential. However, Terry is highly expressive on the former date (a quartet outing with pianist Junior Mance, bassist Joe Benjamin, and drummer Charlie Persip) and does not stick only to ballads, throwing in some blues and obscure melodies. As for the All American score, Oliver Nelson was enlisted to write arrangements for Terry's septet (which is comprised of Budd Johnson on tenor, trombonist Lester Robertson, baritonist George Barrow, pianist Eddie Costa in one of his final recordings, bassist Art Davis, and drummer Ed Shaughnessy) and, except for a couple of purposely corny moments, the music is greatly uplifted; in fact, a few of the songs deserve to be revived. Terry and Johnson are in great form throughout. Scott Yanow
Tracklist :
1     Out in the Cold Again 4'29
Bobby Bloom / Rube Bloom / Ted Koehler
2     The Simple Waltz 5'10
Bob Brookmeyer / Clark Terry
3     This Is Always 4'53
Mack Gordon / Harry Warren
4     Lullaby 3'40
Johannes Brahms
5     Among My Souvenirs 4'48
Edgar Leslie / Horatio Nicholls
6     In the Alley 3'46
Clark Terry
7     Michelle 4'33
John Lennon / Paul McCartney / Clark Terry
8     As You Desire Me 3'26
Allie Wrubel
9     What a Country 4'22
Lee Adams / Charles Strouse
10     Same Language 4'05
Lee Adams / Charles Strouse
11     If I Were You 5'00
Lee Adams / Charles Strouse
12     I've Just Seen Her 3'50
Lee Adams / Charles Strouse
13     Once upon a Time 2'20
Lee Adams / Benny Carter / Charles Strouse
14     Nightlife 4'34
Lee Adams / Lou Gramm / Mick Jones / Charles Strouse
15     It's Fun to Think 5'06
Lee Adams / Charles Strouse
16     The Fight Song 3'45
Lee Adams / Charles Strouse
Credits :
Arranged By – Oliver Nelson (pistas: 9 to 16)
Baritone Saxophone – George Barrow (pistas: 9 to 16)
Bass – Art Davis (pistas: 9 to 16), Joe Benjamin (pistas: 1 to 8)
Drums – Charlie Persip (pistas: 1 to 8), Ed Shaughnessy (pistas: 9 to 16)
Engineer [Recording] – Rudy Van Gelder
Piano – Junior Mance (pistas: 1 to 8)
Piano, Vibraphone – Eddie Costa (pistas: 9 to 16)
Remastered By [Digital Remastering, 1993] – Phil De Lancie
Tenor Saxophone – Budd Johnson (pistas: 9 to 16)
Trombone – Lester Robertson (pistas: 9 to 16)
Trumpet, Flugelhorn – Clark Terry

7.7.21

BETTY ROCHÉ - Take the "A" Train (1956-1994) Bethlehem Classic Jazz Series / RM / APE (image+.cue), lossless

This CD (put out by Evidence) brings back singer Betty Roché's definitive session. Although she had sung briefly with Duke Ellington on two occasions in 1943 and the early '50s, fame had eluded Roché. After this album she would record two more records (available in the Original Jazz Classics series) over the next few years and then disappear back into obscurity. Assisted by vibraphonist Eddie Costa, trumpeter Conte Candoli, pianist Donn Trenner, bassist Whitey Mitchell, and drummer Davey Williams, Roché is heard at her best on this set of standards. Highlights include a remake of "Take the 'A' Train" (she had previously recorded a classic version with Ellington), "Something to Live For," "Route 66," and "September in the Rain." Two additional versions of "Go Away Blues" round out the excellent release. by Scott Yanow
Tracklist :
1. Take the "A" Train 3:13
Billy Strayhorn
2. Something to Live For 4:04
Duke Ellington / Billy Strayhorn
3. In a Mellow Tone 2:29
Duke Ellington / Milt Gabler
4. Time After Time 3:05
Sammy Cahn / Jule Styne
5. Go Away Blues 3:18
Duke Ellington
6. Can't Help Lovin' Dat Man 3:42
Oscar Hammerstein II / Jerome Kern
7. Route 66 4:34
Bobby Troup
8. All My Life 3:48
Harry Akst / Benny Davis
9. I Just Got the Message, Baby 2:39
Carr
10. All Too Soon 4:07
Duke Ellington / Carl Sigman
11. You Don't Love Me No More 3:17
Duke Ellington
12. September in the Rain 3:50
Al Dubin / Harry Warren
13. Go Away Blues 3:51
Duke Ellington
14. Go Away Blues 3:00
Duke Ellington
Credits :
Bass – Whitey Mitchell
Piano – Donn Trenner
Trumpet – Conte Candoli
Vibraphone – Eddie Costa
Vocals – Betty Roché

11.4.21

CHARLIE BYRD ft. THE WOODY HERMAN BIG BAND - Bamba-Samba Bossa Nova (1959-2005) RM / APE (image+.cue), lossless

For this unusual set, guitarist Charlie Byrd is accompanied by what is billed as the Woody Herman Big Band, although it is mostly a studio orchestra sprinkled with a few of Herman's associates. The first four selections are Byrd originals that almost sound like bossa nova in spots, even though the style had not solidified and been named yet. Byrd's classical training and interest in Brazilian music are very much in evidence. The final selections are a re-creation of Ralph Burns' four-part "Summer Sequence," which at the time was over a decade old. The main difference between this and the original Herman recording is that Byrd is the main soloist throughout much of the extensive work. Although not quite essential, Bamba-Samba Bossa Nova (which has often been reissued under Woody Herman's name) has its moments of interest and shows how Charlie Byrd sounded before bossa nova took off. by Scott Yanow
Tracklist
1    Bamba Samba (Bossa Nova) 3:08
Charlie Byrd
2    Original #2 3:05
Charlie Byrd
3    Love Song Ballad 4:05
Charlie Byrd
4    Prelude a La Cha Cha 4:00
Charlie Byrd
5    Summer Sequence, Pt. 1 3:55
Ralph Burns
6    Summer Sequence, Pt. 2 2:11
Ralph Burns
7    Summer Sequence, Pt. 3 3:44
Ralph Burns
8    Summer Sequence, Pt. 4 4:08
Ralph Burns
Credits:
Acoustic Guitar – Charlie Byrd
Alto Saxophone – Sam Marowitz (faixas: 1 to 4)
Alto Saxophone, Tenor Saxophone – Joe Soldo (faixas: 1 to 4)
Arranged By – Ralph Burns (faixas: 5 to 8), Sid Feller (faixas: 1 to 4)
Baritone Saxophone – Bill Slapin
Bass – Bill Betts
Clarinet, Alto Saxophone – Woody Herman
Drums – Jimmy Campbell
Mastered By – Rick Pantoja
Piano, Vibraphone – Eddie Costa
Tenor Saxophone – Dick Hafer (faixas: 5 to 8), Jerry Sanfino (faixas: 5 to 8), Harold Feldman (faixas: 1 to 4), Mike Tinnes (faixas: 1 to 4)
Trombone – Billy Byers (faixas: 5 to 8), Dick Lieb (faixas: 5 to 8), Ed Price (faixas: 1 to 4), Frank Rehak, Jim Dahl (faixas: 1 to 4)
Trumpet – Al Derisi (faixas: 5 to 8), Charlie Shavers (faixas: 1 to 4), Ernie Royal, Jimmy Maxwell (faixas: 5 to 8), Irving Markowitz (faixas: 5 to 8), Nat Adderley, Nick Travis (faixas: 1 to 4), Paul Cohen (faixas: 1 to 4)

23.8.18

THE GEORGE SHEARING QUINTET WITH NANCY WILSON - The Swingin's Mutual! (1961) FLAC (tracks+.cue), lossless

The music on The Swingin's Mutual!, a dozen selections featuring the George Shearing Quintet, includes six that have vocals by a young Nancy Wilson. This was one of Wilson's most jazz-oriented dates (even if she was never a jazz singer) and is highlighted by her vocals on "The Nearness of You" and "The Things We Did Last Summer," along with instrumental versions of "Oh! Look at Me Now," "Blue Lou," and "Lullaby of Birdland."   by Scott Yanow
Tracklist 
1 The Things We Did Last Summer 2:41  
Sammy Cahn / Jule Styne
2 All Night Long 3:06
Curtis Lewis
3 Gentleman Friend 2:03
Arnold B. Horwitt / Richard Lewine
4 Born to Be Blue 2:14
Mel Tormé / Robert Wells
5 I Remember Clifford 2:35
Benny Golson
6 On Green Dolphin Street  2:22
Bronislaw Kaper / Ned Washington
7 Let's Love Again  2:21
8 Whisper Not 2:50
Benny Golson
9 The Nearness of You  2:58
Hoagy Carmichael / Ned Washington
10 Evansville 2:03
Marjorie Ericsson
11 Don't Call Me 2:46
Marjorie Ericsson
12 Inspiration 2:14
George Shearing
13 You Are There 2:08
Karin Rybar
14 Wait Till You See Her  2:49
Lorenz Hart / Richard Rodgers
15 Blue Lou 2:16
Irving Mills / Edgar Sampson
16 Oh! Look at Me Now 2:11
Joe Bushkin / John DeVries
17 Lullaby of Birdland  2:22
George Shearing / George David Weiss
Credits
Bass – George Duvivier
Drums – Walter Bolden
Guitar – Dick Garcia
Piano – George Shearing
Vibraphone – Eddie Costa
Vocals – Nancy Wilson
THE GEORGE SHEARING QUINTET WITH NANCY WILSON 
 The Swingin's Mutual! (1961)
1992 / Capitol / FLAC (tracks+.cue), lossless
O Púbis da Rosa

SUE & RALPH SHARON - Mr & Mrs Jazz [1956] Bethlehem

Tracklist
1 It Don't Mean A Thing 4:08
2 A Nightingale Can Sing The Blues 5:33
3 A Fine Romance 3:02
4 Hugette Waltz 2:09
5 I Could Have Told You 4:19
6 A Trout No Doubt 3:10
7 Mynah Lament 5:55
8 With The Wind And The Rain In Your Hair 2:55
9 Just You, Just Me 5:03
10 Nothing At All 4:43
11 That Goldblatt Magic 4:45
Credits
Bass – Milt Hinton
Drums – Jo Jones
Guitar – Joe Puma
Piano – Ralph Sharon
Tenor Saxophone – J.R. Monterose
Vibraphone – Eddie Costa
Vocals – Sue Sharon
SUE & RALPH SHARON - Mr & Mrs Jazz [1956]
[1999] Bethlehem Records ‎– TOCJ-62009
 Remastered, Mono / CBR320 / scans
O Púbis da Rosa

1.1.18

HERBIE MANN / BOBBY JASPAR - Flute Flight (1957-2002) RM / Mp3

Over the years, jazz has had its share of famous two-tenor, two-alto, and two-trumpet gatherings -- some of which could be highly competitive (such as Gene Ammons and Sonny Stitt, Dexter Gordon and Wardell Gray, or Phil Woods and Gene Quill). But two-flute front lines have been a rarity in the jazz world. The flute isn't nearly as prominent a jazz instrument as the trumpet, the tenor sax, or the alto sax, and for every jazz flutist who became famous (Herbie Mann, Hubert Laws, and Bobbi Humphrey, among others), there were countless others who made their mark as saxophonists or trumpeters. Recorded in 1957 and reissued on CD in 2002, Flute Flight gives listeners a rare chance to hear Mann and fellow flutist Bobby Jaspar (who was also known for his Lester Young-influenced tenor playing) together as a two-flute front line. There are no saxophonists, trumpeters, or trombonists onboard -- just one or two flutes and a rhythm section that includes Tommy Flanagan on piano, Joe Puma on guitar, Eddie Costa on vibes, Wendell Marshall or Doug Watkins on bass, and Bobby Donaldson on drums. Actually, Puma's "Bo-Do" and Mann's ten-minute "Tuttie Flutie" are the only tracks that find Mann and Jaspar teaming up; the rest of the time, Jaspar is the only flutist. Nonetheless, Mann's hardcore fans will enjoy this melodic, sometimes restrained bop session, and those who appreciate the lyrical nature of Jaspar's flute playing won't be disappointed by his solos on Flanagan's wistful "Solacium" or Watkins' clever "Flute Bass Blues." Anyone who complains that jazz hasn't had enough flute playing over the years will want to add Flute Flight to his/her collection. by Alex Henderson   
Tracklist 
1 Tuttie Flutie 10:05
Written-By – Mann
2 Bo Do 5:53
Written-By – Puma
3 Flute Bass Blues 7:19
Written-By – Watkins
4 Flute Bob 6:57
Written-By – Jaspar
5 Solacium 5:50
Written-By – Flanagan
Credits
Bass – Doug Watkins (tracks: 3 to 5), Wendell Marshall (tracks: 1, 2)
Drums – Bobby Donaldson
Flute – Bobby Jaspar
Flute, Alto Flute – Herbie Mann (tracks: 1, 2)
Guitar – Joe Puma (tracks: 1, 2)
Piano – Tommy Flanagan
Vibraphone [Vibes] – Eddie Costa (tracks: 3 to 5)

25.10.17

BARRY GALBRAITH - Guitar And The Wind [1958]

Guitarist Barry Galbraith played with Babe Russin, Art Tatum, Red Norvo, Hal McIntyre and Teddy Powell after moving to New York from Vermont in the early '40s. He was in Claude Thornhill's band from 1941 to 1942, and again from 1946 to 1949 following army service. Galbraith was a busy studio musician in the '50s and '60s, playing with Benny Goodman, Ella Fitzgerald, Tony Bennett, Tal Farlow, and Gil Evans among others. He toured with Stan Kenton in 1953, and was prominently involved with the film "After Hours" in 1961. Galbraith became a teacher in the '70s, and devoted most of his time to that role. He published the "Barry Galbraith Guitar Study Series" in 1982."  by Ron Wynn
Tracklist:
1. Bull Market 2:47
2. Portrait of Jennie 3:12
3. Judy's Jaunt 2:31
4. Nina Never Knew 2:51
5. Walking 3:15
6. A Gal in Calico 3:13
7. I Like to Recognize the Tune 2:59
8. Any Place I Hang My Hat 3:10
9. Love is for the Very Young 2:51
10. Holiday 2:54
11. Ya Gotta Have Rhythm 3:14
12. What am I Here For 2:35
Credits
Bass – Milt Hinton (tracks: All)
Drums – Osie Johnson (tracks: All)
Flute – Bobby Jaspar (tracks: All)
Flute, Clarinet – Spencer Sinatra (tracks: 2, 6, 7, 10)
Flute, Clarinet, Bass Clarinet – Phil Bodner (tracks: 2, 6, 7, 10)
Flute, Oboe, Clarinet – Romeo Penque (tracks: 2, 6, 7, 10)
Guitar – Barry Galbraith (tracks: All)
Piano – Eddie Costa (tracks: All)
Trombone – Chauncey Welsch (tracks: 1, 4, 8, 12),
Frank Rehak (tracks: 1, 4, 8, 12),
Richard Hixson (tracks: 1, 4, 8, 12),
Urbie Green (tracks: 1, 4, 8, 12)

BARRY GALBRAITH 
Guitar And The Wind [1958]
DECCA / CBR320 / scan

TAMPA RED — Complete Recorded Works In Chronological Order ★ Volume 9 • 1938-1939 | DOCD-5209 (1993) RM | FLAC (tracks+.cue), lossless

One of the greatest slide guitarists of the early blues era, and a man with an odd fascination with the kazoo, Tampa Red also fancied himsel...