Mostrando postagens com marcador Remember Shakti. Mostrar todas as postagens
Mostrando postagens com marcador Remember Shakti. Mostrar todas as postagens

30.5.20

REMEMBER SHAKTI - Remember Shakti (1999) 2CD / FLAC (tracks+.cue), lossless


On Remember Shakti, jazz guitarist John McLaughlin returns to one of his chief inspirations -- classical Indian music -- by re-forming his '70s group Shakti. Original members Zakir Hussain (tabla) and Vikku Vinayakram (ghatam) return, joined by Hariprasad Chaurasia on the bansuri (Indian flute). Remember Shakti has a more meditative, fluid feel than the percussive work of the original group, but McLaughlin's subtle, hypnotic guitar work bridges Shakti's past and present. Remember Shakti's double-disc length gives the group ample time to explore the intricacies of compositions like "The Wish," "Chandrakauns," and the hour-plus "Mukti." An emotionally rich, musically accomplished album, Remember Shakti reunites a unique group of players. by Heather Phares
Tracklist:
1-1 Chandrakauns 33:35
1-2 The Wish 18:40
1-3 Lotus Feet 7:33
2-1 Mukti 63:30
2-2 Zakir 9:10
Credits:
Bansuri – Hariprasad Chaurasia (tracks: 1-1, 1-3 to 2-2)
Ghatam – T.H. "Vikku" Vinayakram (tracks: 1-2 to 2-1)
Guitar – John McLaughlin (tracks: 1-2 to 2-2)
Tabla – Zakir Hussain (tracks: 1-1 to 2-1)
Tambura [Tanpura] – Uma Metha (tracks: 1-1, 1-3)
Written-By – Hariprasad Chaurasia (tracks: 1-1, 2-1), John McLaughlin (tracks: 1-2, 1-3, 2-2)

REMEMBER SHAKTI - The Believer (2000) APE (image+.cue), lossless


When Eastern classical musicians and Western jazz or pop musicians get together to jam, the result are always heartwarming; two wildly disparate traditions coming together to make music is such an irresistible gesture of human unity and cross-cultural cooperation. What's not to love? Frankly, what's not to love is often the music itself, which all too frequently is long on multicultural good intentions and short on things like coherence, interest, and hooks. The intermittently mystical jazz guitarist John McLaughlin, who has been nursing an India jones for decades now, is hardly innocent of such offenses. But on The Believer, a live set featuring McLaughlin, electric mandolinist U. Shrinivas, kanjira and ghatam player V. Slevaganesh, and legendary tabla player Zakir Hussain, he delivers a gloriously tight, rhythmically thrilling program of original compositions (as well as one contribution each from Shrinivas and Hussain). The group is called Remember Shakti in reference to Shakti, the similarly configured band that McLaughlin co-led in the mid-'70s. If anything, his playing has grown more exciting than it was then; listening to him negotiate the thorny rhythmic changes of this music in unison with Shrinivas and to both of them bouncing off the complexly woven rhythmic patterns laid out by Hussain and Slevaganesh is not only impressive, but uplifting as well. Highlights include the downright funky "Anna" and Shrinivas' composition "Maya.". by Rick Anderson  
Tracklist:
1 5 In The Morning, 6 In The Afternoon 18:13
Written-By – John McLaughlin
2 Ma No Pa 14:56
Written-By – Zakir Hussain
3 Lotus Feet 7:06
Written-By – John McLaughlin
4 Maya 13:40
Written-By – U. Shrinivas
5 Anna 10:34
Written-By – John McLaughlin
6 Finding The Way 12:40
Written-By – John McLaughlin

REMEMBER SHAKTI - Saturday Night In Bombay (2001) APE (image+.cue), lossless


John McLaughlin brought his revived Indo-jazz project Shakti to Bombay (Mumbai) in late 2000, and the result is this live disc, which features only four compositions but runs over an hour in length. (The title is a deliberate play on 1980's Friday Night in San Francisco.) McLaughlin's electric guitar and Zakir Hussain's tabla remain at the core of the group's sound. U. Shrinivas (on mandolin) and V. Selvaganesh (on kanjira, ghatam, and mridangam, all Indian percussion instruments) remain from the previous album, but there are also a number of Indian guest musicians, giving the music many added dimensions. The most remarkable guests are Debashish Bhattacharya on Hindustani slide guitar, Shankar Mahadevan on vocals, and Shiv Kumar Sharma on santur, an Indian hammered dulcimer. Sharma composed the second track, "Shringar"; nearly half an hour long, it consists almost entirely of a hypnotic dialogue between santur and guitar. Mahadevan's vocal performance on the opening "Luki" resounds with spiritual power, while Shrinivas's "Giriraj Sudha" gives a sunny, optimistic lift to the somewhat mournful set. by David R. Adler
Tracklist:
1 Luki 5:39
2 Shringar 26:38
3 Giriraj Sudha 10:45
4 Bell'Alla 18:48
Personnel:
Guitar – John McLaughlin
Kanjira – V. Selvaganesh
Mandolin – U. Shrinivas (tracks: 1, 3, 4)
Tabla – Zakir Hussain
Vocals – Shankar Mahadevan (tracks: 1, 3, 4)

PAPA CHARLIE JACKSON — Complete Recorded Works In Chronological Order ★ Volume 1 ∙ 1924-1926 | DOCD-5087 (1991) RM | FLAC (image+.cue), lossless

The first 27 of Papa Charlie Jackson's recorded works is, on about ten counts, one of the most important blues documents you can find, d...