Friedhelm Flamme, known for his seven successful releases in our Northern German Organ Baroque Edition, now takes a change of pace for cpo and on SACD with the complete organ works of Carl Nielsen and five organ pieces by Rued Langgaard. Of all the potential influences on Nielsen, the Danish offshoot of the German »organ movement« must have been the most important one; this pathbreaking return to old baroque principles left its imprint on organ design during the twentieth century, and its ideals met with great resonance in Nielsen, whose anti-romantic vein likewise made itself noticeable in his contributions to the National Symphony Orchestrang tradition and to the revival of the symphony. A little piece entitled »Melody, « first published in the complete edition of his piano and organ works in 2006, now has its place in his organ oeuvre and is presented here as a recording premiere. Flamme interprets these organ compositions of high art and imagination on the Mühleisen organ in the Bad Gandersheim Monastery Church. jpc
CARL NIELSEN (1865-1931) - Complete Organ Works
1. Festival Prelude To The New Century 1:28
2-30. 29 Short Preludes Op. 51 (29:56)
31-32. Two Posthumous Preludes
33. Melody 0:44
34. Commotio Op. 58 20:15
RUED LANGAARD (1893-1952) - Selected Organ Works
35. Kristi Himmelfartsdag 2:02
36. Begravet 2:40
37. Hostpraeludium 4:19
38. Ved Axel Gades 2:16
39. Bryllupsmarsch 1:49
Credits :
Organ [Mühleisen-Orgel] – Friedhelm Flamme
Cover artwork: Piccadilly Circus by George Hyde Pownall (1876-1932)
Recording: Stiftskirche zu Bad Gandersheim, May, 1 & 2, 2008.jpg)
22.1.26
CARL NIELSEN · RUED LANGAARD : Organ Works (Friedhelm Flamme) (2010) SACD | Two Version | FLAC (image+.tracks+.cue), lossless
8.1.26
VINCENT LÜBECK— Complete Organ Works (Friedhelm Flamme) (2006) Serie Organ Works of the North German Baroque – Vol. 2 | Two Version | FLAC (image+.tracks+.cue), lossless
VINCENT LÜBECK (1654-1740)
1. Praeludium C-dur 5:46
2. Präludium G-moll 9:15
3. Praeambulum F-dur 2:59
4. Lobt Gott Ihr Christen 1:32
5. Praeambulum E-dur 6:40
6. Praeludium D-moll 8:15
7. Nun Lasst Uns Gott 5:35
8. Praeambulum C-moll 5:00
9. Präludium G-dur 5:39
10. Ich Ruf Zu Dir 13:19
11. In Dulci Jubilo 2:58
Credits :
Organ [Christoph-Treutmann-Organ] – Friedhelm Flamme.jpg)
23.11.25
MORTON FELDMAN : Piano and Orchestra · Flute and Orchestra · Oboe and Orchestra · Cello and Orchestra (1997) 2CD-SET | Hans Zender Edition – 11 Series | Two Version | APE + FLAC (image+.tracks+.cue), lossless
MORTON FELDMAN (1926-1987)
1-1. Flute And Orchestra (1977/78) 32:35
1-2. Cello And Orchestra (1972) 18:52
2-1. Oboe And Orchestra (1976) 21:20
2-2. Piano And Orchestra (1975) 26:47
Credits :
Conductor – Hans Zender
Flute – Roswitha Staege (tracks: 1-1)
Oboe – Armin Aussem (tracks: 2-1)
Orchestra – Rundfunk-Sinfonieorchester Saarbrücken
Piano – Roger Woodward (tracks: 2-2)
Violoncello – Siegfried Palm (tracks: 1-2).jpg)
22.11.25
MORTON FELDMAN : Durations I-V · Coptic Light (Ensemble Avantgarde · Deutsches Symphonie-Orchester Berlin · Michael Morgan) (1996) FLAC (tracks+.cue), lossless
Performed by the Ensemble Avantgarde, and the Deutsches Symphonie-Orchester Berlin conducted by Michael Morgan, this is a very sensitive and fine performance of the new music classic "Durations I-V." In these five innovative pieces, the composer gave over control of the duration parameter entirely to the performers (there are only notes without stems, therefore no divided rhythm) -- the pulse (ictus) is slow, all is quiet, the tones have a minimum of attack. Thus, each performance is unique, and creates its own timbre combinations and exquisite beauty of a transparent sound texture. By contrast, "Coptic Light" for orchestra is of an extremely dense, polyrhythmic texture that shifts slowly by rhythmic staggering (phase shifting) within orchestral groups, creating the unique effect of a shimmering of sound analogous to the shimmering of light on water. The specific visual analog in Feldman's mind was the fine interweaving of ancient Coptic textiles he had seen in a museum. He was also attempting to create the effect of a piano's sustaining pedal for the orchestra, which allows tones to continue resonating and to blend together and overlap. "Blue" Gene Tyranny
MORTON FELDMAN (1926-1987)
Durations I-V
1. Durations I For Alto Flute, Piano, Violin, Violoncello 10:29
2. Durations II For Violoncello And Piano 4:10
3-6. Durations III For Violin, Tuba And Piano (10:47)
7. Durations IV For Violin, Violoncello And Vibraphon 3:29
8. Durations V, For Violin, Violoncello, Horn, Vibraphon, Harp And Piano/Celesta 8:58
9. Coptic Light For Orchestra 23:51
Credits :
Ensemble – Ensemble Avantgarde (tracks: 1 to 8)
Orchestra – Deutsches Symphonie-Orchester Berlin (tracks: 9)
Conductor – Michael Morgan (tracks: 9)
5.11.25
AUGUSTE FAUCHARD : Complete Organ Works (Friedhelm Flamme) 3CD (2021) SACD Hybrid | FLAC (tracks), lossless
AUGUSTE FAUCHARD (1881-1957)
Tracklist :
Cover Painting : Aguste Renoir (L'église d'Essoyes)
Organ – Friedhelm Flamme
Notes
Friedhelm Flamme plays the Schuke organ at Heilig-Kreuz-Kirche, Detmold, Germany.
28.10.25
MAX REGER — Organ Works Vol. 1 (Gerhard Weinberger) 2CD (2014) SACD Hybrid | FLAC (tracks), lossless
MAX REGER (1873-1916)
Tracklist :
CD1 recorded at Thomaskirche Leipzig, March 29-31, 2012.
CD2 recorded at Marienkirche Salzwedel, April 3-4, 2013.
Credits :
Organ – Gerhard Weinberger
Cover – Christiane Grimm, Design – Lothar Bruweleit
MAX REGER — Organ Works Vol. 2 (Gerhard Weinberger) 2CD (2015) SACD Hybrid | FLAC (tracks), lossless
MAX REGER (1873-1916)
Tracklist :
CD1 recorded Dom zu Verden a.d. Aller, September 3 & 4, 2010.
CD2 recorded at Eglise Saint Martin Dudelange, March 31-April 3, 2011.
Credits :
Organ – Gerhard Weinberger
Cover – Christiane Grimm, Design – Lothar Bruweleit
MAX REGER — Organ Works Vol. 3 (Gerhard Weinberger) 2CD (2016) SACD Hybrid | FLAC (tracks), lossless
Along with other chorale fantasias and chorale preludes, vol.3 of our edition of Max Reger’s organ works presents his Twelve Pieces op.59. These works inaugurated Reger’s series of composite works intended for practical use in religious services. These are the only works by Reger based on Gregorian melodies, which, however in no way evoke modal harmonic structures but are fully integrated into his complex harmonic structures. prestomusic
MAX REGER (1873-1916)
Tracklist :
CD1: Played on the Wilhelm Sauer Organ, Dom St. Petri Bremen (1894)
CD2: Played on the Wilhelm Sauer Organ, Stadtkirche Bad Salzungen (1909)
Credits :
Organ – Gerhard Weinberger
Cover – Christiane Grimm, Design – Lothar Bruweleit
MAX REGER — Organ Works Vol. 4 (Gerhard Weinberger) 2CD (2017) SACD Hybrid | FLAC (tracks), lossless
The Reger Edition continues, following three releases accompanied by rave reviews from the critics. klassik-heute wrote in 2015, ‘In this sumptuous music Gerhard Weinberger turns enthusing technical virtuosity into an audio event. We can eagerly look forward to the other volumes of this complete recording and already certify that this edition will do an outstanding job of initially introducing the Reger beginner to his organ cosmos.’ And Musik & Theater opined in 2016, ‘These discs rank with the best currently available recordings in the field of Reger’s organ music.’ Vol. 4 again features two CDs in the best Surround Sound. The focus is formed by Reger’s op. 57, to which he added the adjective ‘Symphonic’, thereby making it absolutely clear that this work would represent a high point not only in his own organ oeuvre but also in the whole of the organ literature. In his op. 145 collection published in early 1916 – first designated as the ‘Seven Organ Pieces’ in posthumous editions – all the pieces have in common the quotation of chorales corresponding in content to the particular work title. The Introduction and (above all) the Passacaglia in F minor are surely the most outstanding numbers among the twelve pieces constituting his Monologues op. 63. prestomusic
MAX REGER (1873-1916)
Tracklist 1 :
1-2. Symphonische Phantasie Und Fuge D-moll Op. 57 (20:35)
3-9. Sieben Orgelstücke Op. 145 (Sieben Fantasien Zu Den Hauptfesten Des Kirchenjahres) (51:42)
Tracklist 2 :
1-3. Aus Monologe Op. 63: Introduktion Und Passacaglia Nr. 5, 6; Ave Maria Nr. 7 (19:04)
4-9. Sechs Trios Op. 47 (18:08)
10-16. Suite Op. 92 (30:18)
Credits :
Organ – Gerhard Weinberger
Cover – Christiane Grimm, Design – Lothar Bruweleit
MAX REGER — Organ Works Vol. 5 (Gerhard Weinberger) 2CD (2018) SACD Hybrid | FLAC (tracks), lossless
MAX REGER (1873-1916)
Tracklist 1 :
1-2. Aus "Monologe" Op. 63, Heft 3. Toccata Und Fuge E-Moll (Nr. 9 Und 10) (12:18)
3-10. Aus "Zweiundfünfzig Leicht Ausführbare Vorspiele Zu Den Gebräuchlichsten Evangelischen Chorälen" Op. 67 (17:44)
11-15. Aus "Zwölf Stücke" Op. 65 (25:59)
16-17. Präludium Und Fuge Fis-Moll Ohne Opuszahl (6:12)
Tracklist 2 :
1-2. Präludium Und Fuge Gis-Moll Ohne Opuszahl (9:57)
3-8. Aus "Zehn Stücke" Op. 65 (26:07)
9-15. Aus "Zweiundfünfzig Leicht Ausführbare Vorspiele Zu Den Gebräuchlichsten Evangelischen Chorälen" Op. 67 (15:09)
16-17. Aus "Vier Präludien Und Fugen" Op. 85 (9:29)
Credits :
Organ – Gerhard Weinberger
Cover – Christiane Grimm, Design – Lothar Bruweleit
MAX REGER — Organ Works Vol. 6 (Gerhard Weinberger) 2CD (2019) SACD Hybrid | FLAC (tracks), lossless
MAX REGER (1873-1916)
Tracklist 1 :
1-3. Introduktion, Passacaglia Und Fuge E-Moll Op. 127 (31:18)
4-9. Aus "Zweiundfünzig Leicht Ausführbare Vorspiele Zu den Gebräuchlisten Evangelischen Chorälen" Op. 67 (1901/02): Heft 3 (15:12)
10-11. Aus Choralvorspiele Op. 79b (1904) (2:47)
12-14. Aus "Zwölf Stücke" Op. 80 (1902/04) (15:03)
Tracklist 2 :
1. Präludium C-Moll WoO VIII/6 (1900) 1:11
2. Fuge C-Moll WoO IV/8 (1901) 2:42
3-7. Dreißig Kleine Choralvorspiele Zu Den Gebräuchlichsten Chorälen Op. 135a (1914), Nr. 1-15 (23:26)
Credits :
Organ – Gerhard Weinberger
Cover – Christiane Grimm, Design – Lothar Bruweleit
MAX REGER — Organ Works Vol. 7 (Gerhard Weinberger) 2CD (2021) SACD Hybrid | FLAC (tracks), lossless
MAX REGER (1873-1916)
Tracklist 1 :
1-2. Variationen Und Fuge Über Ein Originalthema Fis-Moll Op. 73 (1903) (39:08)
3-6. Präludium Und Fuge G-Dur Nr. 3 (13:07)
Tracklist 2 :
1-2. Phantasie Und Fuge C-Moll Op. 29 (1898) (15:11)
3-4. Aus ''Fünf Leicht Ausführbare Präludien Und Fugen'' Op. 56 (1903)
Präludium Und Fuge D-Moll Nr. 2 (7:18)
5-9. Aus Kompositionen (Choralvorspiele) Op. 79b (16:02
10-11. Aus ''Fünf Leicht Ausführbare Präludien Und Fugen'' Op. 56 (1903) Präludium Und Fuge H-Moll Nr. 5 (12:39)
12-13. Phantasie Und Fuge D-Moll Op. 135b, Erstfassung (1915) (21:37)
Credits :
Organ [Dresden] – Gerhard Weinberger (tracks: 2-1 to 2-13)
Organ [Mannheim] – Gerhard Weinberger (tracks: 1-1 to 1-6)
Cover – Christiane Grimm, Design – Lothar Bruweleit
2.9.24
1.9.24
21.8.24
19.8.24
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ARILD ANDERSEN · PAOLO VINACCIA · TOMMY SMITH — In-House Science (2018) FLAC (tracks+.cue), lossless
Norwegian master bassist Arild Andersen’s trio with big-toned tenorist Tommy Smith and powerhouse drummer Paolo Vinaccia is one of the most ...

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