COW COW DAVENPORT — Complete Recorded Works In Chronological Order ★ Volume 2 • 1929 to 1945 | DOCD- 5142 (1994) RM | FLAC (tracks+.cue), lossless

The second half of the Cow Cow Davenport story (the two Document CDs in this series have all of his recordings as a leader) features Davenport in a variety of settings: solo in 1929; sharing vocal duets with Sam Tarpley and Ivy Smith during 1929-30; sticking to vocalizing on a lone date from 1938; and performing eight selections (six of which are piano solos) in 1945 for what would be his final recordings. Although Cow Cow Davenport ended up quite destitute and forgotten, his music was generally quite joyous, and he was certainly a fine, underrated pianist. Among the more memorable selections on this recommended disc are "Mama Don't Allow No Easy Riders," "Everybody Likes That Thing," "The Mess Is Here," "Jeep Boogie" and "Hobson City Stomp." Scott Yanow

Abridged from this album’s original booklet notes. 1928 and ’29 were the good years for Cow Cow Davenport. He was on the staff of Vocalion Records, paid $ 85 a week as a composer, owned a large apartment at 35th & Wabash and had money in the bank. Further he claimed he was even owed $ 3000 royalties on his Paramount sessions. The road beckoned again and with Iva (possibly her correct name?) Smith he put together “Cow Cow’s Chicago Steppers” review. Sinking all his money into it but charging the bus to Paramount, against the owed royalties. He hired musicians, acrobats, comedians and showgirls and, on the eve of the Depression, took to the road. Kansas City was a successful first stop but when they moved down South to Dallas, “things began to break bad”. With no money left the show broke up in Mobile and Cow Cow, who’d pawned the bus several times, ended up in jail and with pneumonia. On release, six months later, arthritis set in and he lost the use of his right arm. Still trying, he joined up with Haeg’s Circus in Florida as a minstrel and eventually made his way to his sister’s in Cleveland. Gradually, he started to play again and when he met Peggy Taylor, a performer who did a dance with snakes and had a show in the city, Cow Cow couldn’t resist. “When you see shows, you always want to join them” he said. He introduced himself as a comedian and he was off on the road again. There was still trouble – this time with the snakes, police and, not surprisingly, landladies. Back in Cleveland, Peggy went to work for the city and Cow Cow kept writing Mayo Williams, now at Decca, who set up the 1938 session. With Sam Price and a bunch of New York musicians he recorded two earlier songs he’d written for Sam Theard; I Ain’t No Ice Man and That’ll Get It and, of course, the vocal version of Cow Cow Blues. (Incidentally the original “Iceman” was the precursor of Bo Carter‘s All Around Man.) Despite the good songs it was not a happy session. Cow Cow only sang (Teddy Bunn remembered Don’t You Loudmouth Me, and Davenport as a loudmouth too) and one can imagine Cow Cow Davenport the old-fashioned, once famous entertainer down on his luck, and desperate for a comeback but his brilliant piano-playing just a memory, trying to impress a slick New York house-band. Cow Cow Davenport was to play piano again, from time to time, in small clubs and jobs engineered by collectors, while working as a washroom attendant and on record for J. H. Alderton Jr‘s Comet label in 1945. A vocal session with Peggy for Rudi Blesh‘s Circle label remains unissued. His last years of poverty on Scoville Avenue in the heart of the Cleveland ghetto have a depressing familiar ring to them. Local jazz enthusiasts had persuaded A.S.C.A.R to admit Cow Cow as a member and there was a small royalty cheque each month – but not from “Cow Cow Boogie”, a pop song he’d signed away to Leeds Music for $500 in 1942. DOCD-5134
Tracklist :
1    Cow Cow Davenport–    We Gonna Rub It 3:12
Piano [Solo], Speech – Cow Cow Davenport
2    Cow Cow Davenport–    Texas Shout 3:10
Piano [Solo] – Cow Cow Davenport
3    Cow Cow Davenport–    Mama Don't Allow No Easy Riders 3:03
Piano [Solo] – Cow Cow Davenport
4    Cow Cow Davenport–    Slum Gullion Stomp 3:09
Piano [Solo] – Cow Cow Davenport
5    Memphis Sam And John–    It's Just All Right 3:00
Piano – Cow Cow Davenport
Vocals [Duet] – Cow Cow Davenport, Sam Tarpley
6    Memphis Sam And John–    Everybody Likes That Thing 3:04
Piano – Cow Cow Davenport
Vocals [Duet] – Ivy Smith, Sam Tarpley
7    Charlie Davenport And Ivy Smith–    He Don't Mean Me No Harm 3:02
Piano – Cow Cow Davenport
Vocals [Duet] – Cow Cow Davenport, Ivy Smith
8    Charlie Davenport And Ivy Smith–    You Got Another Thought Coming To You 2:45
Piano – Cow Cow Davenport
Vocals [Duet] – Cow Cow Davenport, Ivy Smith
9    Charlie Davenport And Ivy Smith–    Now She Gives It Away 2:52
Piano – Cow Cow Davenport
Vocals [Duet] – Cow Cow Davenport, Ivy Smith
10    Cow Cow Davenport–    Don't You Loud Mouth Me 2:33
Double Bass [Stand Up Bass] – Richard Fullbright
Flugelhorn – Joe Bishop
Piano – Sammy Price
Vocals – Cow Cow Davenport
11    Cow Cow Davenport–    I Ain't No Ice Man 2:43
Double Bass [Stand Up Bass] – Richard Fullbright
Flugelhorn – Joe Bishop
Piano – Sammy Price
Vocals – Cow Cow Davenport
12    Cow Cow Davenport–    The Mess Is Here 2:43
Double Bass [Stand Up Bass] – Richard Fullbright
Flugelhorn – Joe Bishop
Piano – Sammy Price
Vocals – Cow Cow Davenport
13    Cow Cow Davenport–    Railroad Blues 2:40
Double Bass [Stand Up Bass] – Richard Fullbright
Flugelhorn – Joe Bishop
Piano – Sammy Price
Vocals – Cow Cow Davenport
14    Cow Cow Davenport–    That'll Get It 2:35
Double Bass [Stand Up Bass] – Richard Fullbright
Flugelhorn – Joe Bishop
Piano – Sammy Price
Vocals – Cow Cow Davenport
15    Cow Cow Davenport–    Jump Little Jitterbug 2:54
Piano, Vocals – Cow Cow Davenport
16    Cow Cow Davenport–    Gotta Girl For Every Day Of The Week 3:06
Piano, Vocals – Cow Cow Davenport
17    Cow Cow Davenport–    Jeep Boogie 2:55
Piano – Cow Cow Davenport
18    Cow Cow Davenport–    Chimin' Away 2:52
Piano – Cow Cow Davenport
19    Cow Cow Davenport–    Hobson City Stomp 2:54
Piano – Cow Cow Davenport
20    Cow Cow Davenport–    Run Into Me 2:58
Piano – Cow Cow Davenport
21    Cow Cow Davenport–    "Cow Cow's" Stomp 3:03
Piano – Cow Cow Davenport
22    Cow Cow Davenport–    Gin Mill Stomp 2:52
Piano – Cow Cow Davenport

CLARENCE WILLIAMS – 1934 | The Classics Chronological Series – 891 (1996) FLAC (tracks+.cue), lossless

In 1997, the Classics label released a twelfth volume in their unprecedented series devoted to the complete chronological recordings of Clarence Williams. Eighteen selections dating from a three-month segment of the year 1934 collectively feature Harlem stride pianists James P. Johnson and Willie "The Lion" Smith, cornetist Ed Allen, clarinetist Cecil Scott, guitarist Roy Smeck, banjoist Ikey Robinson, bassist Richard Fullbright, tuba technician Cyrus St. Clair, and drummer/washboard handler Floyd Casey. Vocals are by Williams, his wife Eva Taylor, Ed Allen, Ikey Robinson, and composer/comedian Clarence Todd. Tracks 11-18 are by the Alabama Jug Band, with Williams delivering substantial basslines using that old-time staple of down-home musical entertainment, a ceramic whiskey jug. Williams has been posthumously ridiculed for his vaudevillian sensibilities and hokum recordings, but the truth about this man is that he was one of the great publishers and producers of African-American music during the 1920s and '30s. Disparaging comments about his pianistic prowess are directly traceable to Willie "The Lion" Smith, one of the toughest critics who ever passed judgment upon his fellow musicians. Williams was a perfectly capable pianist and a rather shrewd and at times opportunistic businessman who produced Bessie Smith's earliest recording sessions and served as her accompanist, published Fats Waller's first important compositions, recorded comedic piano duets with James P. Johnson, and led a series of recording ensembles that included cornetists King Oliver and Louis Armstrong as well as powerhouse reedman Sidney Bechet. The recordings that Williams presided over between July 6 and October 3, 1934 are among his most sanguine and substantial, particularly the outrageous tale of "Jerry the Junker" and the gutsy "Jazz It Blues," which has a vocal refrain by the Ham and Cabbage Trio. arwulf arwulf
Tracklist :
1    Clarence Williams And His Orchestra–    Jerry The Junker 3:04
Vocals – Clarence Williams
Written-By – Clarence Stout
2    Clarence Williams And His Orchestra–    Organ Grinder Blues 3:07
Vocals – Clarence Williams, Eva Taylor
Written-By – Clarence Williams
3    Clarence Williams And His Orchestra–    I'm Gettin' My Bonus In Love 2:42
Vocals – Clarence Williams
Written-By – Williams, Grainger
4    Clarence Williams And His Orchestra–    Chizzlin' Sam 2:52
Vocals – Clarence Williams, Eva Taylor
Written-By – Clarence Williams
5    Clarence Williams And His Orchestra–    Big Fat Mama 2:45
Vocals – Eva Taylor
Written-By – Williams, Calaway, Roland
6    Clarence Williams And His Orchestra–    Ain’t Gonna Give You None Of My Jelly Roll 2:32
Vocals – Clarence Williams
Written-By – Williams, Williams
7    Clarence Williams And His Orchestra–    I Saw Stars 3:09
Vocals – Clarence Williams
Written-By – Goodhart, Hoffman, Sigler
8    Eva Taylor And Her Boy Friends–    Crazy Blues 2:23
Vocals – Clarence Williams
Written-By – Bradford
9    Eva Taylor And Her Boy Friends–    The Stuff Is Here And It’s Mellow 2:33
Written-By – Williams, Bishop, Smith
10    Clarence Williams And His Orchestra–    Rhapsody In Love 2:52
Vocals – Clarence Williams
Written-By – Williams, Trent
11    Alabama Jug Band–    "Ida" Sweet As Apple Cider 2:42
Vocals – Ikey Robinson
Written-By – Eddie Leonard
12    Alabama Jug Band–    My Gal Sal 2:48
Vocals – Ikey Robinson
Written-By – Paul Dresser
13    Alabama Jug Band–    Gulf Coast Blues 3:04
Vocals – Ikey Robinson
Written-By – Clarence Williams
14    Alabama Jug Band–    I Wish I Could Shimmy Like My Sister Kate 2:36
Vocals – Ikey Robinson
Written-By – Armand Piron
15    Alabama Jug Band–    Jazz It Blues 2:50
Vocals – Ham and Cabbage Trio
Written-By – Tom Delaney
16    Alabama Jug Band–    Somebody Stole My Gal 2:51
Written-By – Leo Wood
17    Alabama Jug Band–    Crazy Blues 3:14
Vocals – Clarence Williams
Written-By – Perry Bradford
18    Alabama Jug Band–    Sugar Blues 2:34
Vocals – Clarence Williams
Written-By – Williams, Fletcher
Credits :    
Banjo – Ikey Robinson (tracks: 11 to 18)
Brass Bass – Cyrus St. Clair (tracks: 15 to 18)
Clarinet – Cecil Scott
Cornet – Ed Allen
Double Bass [String Bass ?] – Richard Fullbright (tracks: 11 to 14)
Double Bass [String Bass] – Richard Fullbright (tracks: 5 to 10)
Drums – Floyd Casey (tracks: 5 to 10)
Guitar – Roy Smeck (tracks: 7 to 10)
Guitar [?] – Roy Smeck (tracks: 5, 6)
Kazoo – Clarence Todd (tracks: 15 to 18)
Piano – Clarence Williams (tracks: 5, 6), James P. Johnson (tracks: 1 to 4), Willie "The Lion" Smith (tracks: 7 to 10)
Trombone [?] – Dicky Wells (tracks: 7 to 10)
Washboard – Floyd Casey (tracks: 1 to 4, 11 to 14)

CLARENCE WILLIAMS – 1934-1937 | The Classics Chronological Series – 918 (1996) FLAC (tracks+.cue), lossless

Classics' 13th Clarence Williams CD has his final studio recordings with the exception of five slightly later numbers. Although not quite on the same level as Williams' earlier sides, there are some spirited performances to be heard on these five sessions. Cornetist Ed Allen, Cecil Scott (on clarinet and tenor) and clarinetist Buster Bailey (on the six selections from 1937) are the key soloists; most numbers have a washboard in the ensembles, and vocals are taken by Chick Bullock (forgettable in his three appearances), Eva Taylor, William Cooley and Williams himself. Classics deserves congratulations for persevering with this important series, for Clarence Williams led some of the hottest small groups dates of the '20s and '30s; all of the discs are recommended to pre-bop collectors. Scott Yanow  
Tracklist :
1    Clarence Williams And His Orchestra–    'Tain't Nobody's Biz-Ness If I Do 2:23
Vocals – Chick Bullock
Written-By – Robbins, Grainger
2    Clarence Williams And His Orchestra–    I Can't Think Of Anything But You 2:44
Vocals – Chick Bullock
Written-By – Williams
3    Clarence Williams And His Orchestra–    Sugar Blues 2:32
Vocals – Chick Bullock
Written-By – Williams, Fletcher
4    Clarence Williams And His Orchestra–    Jungle Crawl 2:27
Written-By – Williams, Williams
5    Clarence Williams And His Orchestra–    I Can See You All Over The Place 2:43
Vocals – Clarence Williams
Written-By – Williams
6    Clarence Williams And His Orchestra–    Savin' Up My Baby 2:38
Vocals – Clarence Williams
Written-By – Golden
7    Clarence Williams And His Orchestra–    Milk Cow Blues 2:55
Written-By – Arnold
8    Clarence Williams And His Orchestra–    Black Gal 2:43
Written-By – Washington
9    Clarence Williams And His Orchestra–    A Foolish Little Girl Like You 2:53
Vocals – Clarence Williams
Written-By – Amshel, Little, Bibo
10    Clarence Williams And His Orchestra–    There's Gonna Be The Devil To Pay 2:44
Vocals – Clarence Williams
Written-By – Hueston, Emmerich
11    Clarence Williams And His Orchestra–    This Is My Sunday Off 2:48
Written-By – Brooks Jr.
12    Clarence Williams And His Orchestra–    Yama Yama Blues 2:56
Written-By – Williams, Williams
13    Clarence Williams And His Orchestra–    Let Every Day Be Mother's Day 2:57
Written-By – Williams, Hammed, Smith
14    Clarence Williams And His Orchestra–    Lady Luck Blues 2:55
Written-By – Williams, Weber
15    Clarence Williams And His Washboard Band–    Cryin' Blues 2:16
Vocals – Williams Cooley
Written-By – Razaf, Webb
16    Clarence Williams And His Washboard Band–    Top Of The Town 2:47
Vocals – Eva Taylor
Written-By – Adamson, McHugh
17    Clarence Williams And His Washboard Band–    Turn Off The Moon 2:52
Vocals – Williams Cooley
Written-By – Coslow
18    Clarence Williams And His Washboard Band–    More Than That 2:53
Vocals – Eva Taylor
Written-By – Barnett, Williams
19    Clarence Williams And His Washboard Band–    Jammin' 2:49
Vocals – Williams Cooley
Written-By – Coslow
20    Clarence Williams And His Washboard Band–    Wanted 2:24
Vocals – Eva Taylor
Written-By – Lawrence, Tinturin
Credits :    
Alto Saxophone [?] – Louis Jordan (tracks: 1 to 4)
Alto Saxophone [Second] – Unknown Artist (tracks: 1 to 4)
Banjo – Unknown Artist (tracks: 1 to 4)
Bass [Stringbass] – Richard Fullbright* (tracks: 1 to 4)
Brass Bass – Cyrus St. Clair (tracks: 11 to 20), Unknown Artist (tracks: 7 to 10)
Brass Bass [?] – Cyrus St. Clair (tracks: 5, 6)
Clarinet – Buster Bailey (tracks: 15 to 20), Cecil Scott (tracks: 1 to 14)
Cornet – Ed Allen
Drums – Floyd Casey (tracks: 1 to 4)
Guitar [?] – Jimmy McLin (tracks: 11 to 14), Roy Smeck (tracks: 5 to 10)
Piano – Clarence Williams (tracks: 5 to 20)
Tenor Saxophone – Cecil Scott (tracks: 1 to 4, 7 to 14), Prince Robinson (tracks: 15 to 20)
Trombone [?] – Wilbur De Paris (tracks: 7 to 9)
Trumpet – Unknown Artist (tracks: 7 to 10)
Washboard – Floyd Casey (tracks: 15 to 20)
Washboard [?] – Bruce Johnson (tracks: 7 to 10), Willie Williams (tracks: 11 to 14)