Though Porcupine Tree's permanent lineup was in place by the time Sky Moves Sideways was complete, it was actually a combination of old and new, with a number of tracks once again done by Wilson on his own. Regardless of the provenance of one song or another, though, it was another fine release under the Porcupine Tree name, continuing the excellence of Up the Downstair while achieving a new liquid sense of drama and overall flow. Barbieri's keyboard skills alone made for a wonderful addition to the ranks, easily capturing the slow sense of unfolding atmosphere and elegance combined from earlier Porcupine Tree work while adding his own touches here and there, a touch of playfulness and improvisation. The Edwin/Maitland rhythm section sound like they were born to work together, able to both set slow, spacy moods and quick gallops and dance-skewed approaches both. Wilson, meanwhile, is still himself, calling to mind strange lyric images of rural collapse and romantic connection in his ever stronger, commanding but never straining vocals. As for guitar, there's subtle delicacy and headbanging overload and plenty of space in between for more. Overall, there's not much in the way of immediate sonic difference from Up the Downstair, more a sense of exploring and establishing styles, almost as if the bandmembers were getting used to working with each other. The tripped-out title track bookends the album (perhaps in a not so subtle nod to a similar sequence on Pink Floyd's Wish You Were Here with "Shine on You Crazy Diamond"). The real winners, though, are the jazz-touched acoustic/electric dreamscape of "Stars Die," with a great lead melody and overdubbed chorus from Wilson, and the immediately following "Moonloop," an instrumental calm then rocking jam that's credited to all four members. Ned Raggett
Tracklist 1 :
1. The Sky Moves Sideways Phase 1 (18:39)
2. Dislocated Day (5:24)
3. The Moon Touches Your Shoulder (5:41)
4. Prepare Yourself (1:59)
5. The Sky Moves Sideways Phase 2 (16:49)
Tracklist 2 :
1. The Sky Moves Sideways (Alternate Version) (34:43)
2. Stars Die (5:02)
3. Moonloop (Improvisation) (16:18)
4. Moonloop (Coda) (4:53)
Japanese Pressing
Remastered by Steven Wilson 2003
Credits :
Steve Wilson - Guitars, Keyboards, Programming, Flute, Tapes and Vocals
Richard Barbieri - Synthesizers and Electronics (1,6)
Colin Edwin - Bass Guitar & Double Bass (1,5,6, Stars Die)
Chris Maitland - Drums & Percussion (1,5,6, Stars Die)
with
Rick Edwards - Percussion (5, Stars Die)
Suzanne Barbieri - Vocals (6)
Theo Travis - Flute (6)
Gavin Harrison - Drums (2,3)
1.6.25
PORCUPINE TREE — The Sky Moves Sideways (1995) 2CD | RM | Three Version | FLAC (image+.tracks+.cue), lossless
27.2.24
PORCUPINE TREE — Coma Divine (1997-2007) RM | 2CD | FLAC (tracks+.cue), lossless
Coming off the triple whammy of the Signify, Insignificance and Stupid Dream era—an incredible achievement in its own right—Wilson and Company are soaring at the height of their powers on Coma Divine. There's a sense of relaxed mastery here, the musicians stretching out, fully inhabiting their parts. The songs benefit, slipping into a lush, mesmerizing daydream. Drummer Chris Maitland casually creates some of the most resonant, fascinating percussion around. Colin Edwin's bass flirts between funk and jazz yet never gets buried in the mix—the fate of too many great bass players. Wilson's command of atmospheric guitar periodically stabbed by flashes of incendiary brilliance is front and centre. Barbieri's keyboard mastery provides the lift that takes the songs airborne. Somehow Wilson manages to make an already existing song appear as if it were brand-new again. It doesn't hurt that the set list hits all the high points at this stage of their career. All the more incredible this album is recorded live. Sean Arthur Joyce Tracklist & Credits :
26.11.19
PORCUPINE TREE – In Absentia (2002-2006) FLAC (tracks+.cue), lossless


his vocals display are breathtaking in their power. A reliance on a somewhat gothic heavy metal sound makes for some bizarre moments, especially when held up against his gentler material. The best example of this is the chugging "Wedding Nails," which recalls Dream Theater in its grandiose scope without utilizing the same sort of technical wizardry. But Wilson manages to bridge the gap between the various genres he utilizes, creating an environment where his haunting melodies could take a drastic turn at any minute. Porcupine Tree also continue their Radiohead fascination, although the influence is much less direct than on their last few efforts. Instead, it comes through at odd intervals, like the moments of sparse instrumentation on the otherwise lush "Heartattack in a Lay By." Sonically gorgeous and deceivingly complex, In Absentia has the most immediate appeal of anything Wilson has released under this moniker up to this point. By keeping the songs at manageable lengths and avoiding the avant-garde electronica flourishes of the band's early days, Porcupine Tree has grown into a fully realized pop group without cutting any of the elements that also make them an important force in the neo-prog movement. Bradley Torreano
Tracklist + Credits :
18.6.19
PORCUPINE TREE - Stupid Dream (1999) FLAC (tracks+.cue), lossless
+ last month
GERRY MULLIGAN QUARTET — Reunion with Chet Baker (1958-1988) Pacific Jazz Series | FLAC (tracks+.cue), lossless
The Gerry Mulligan Quartet of 1952-53 was one of the best-loved jazz groups of the decade and it made stars out of both the leader and trump...
.jpg)