Mostrando postagens com marcador Ed Bickert. Mostrar todas as postagens
Mostrando postagens com marcador Ed Bickert. Mostrar todas as postagens

27.4.25

PAUL DESMOND QUARTET — Like Someone in Love (1975-1992) RM | Two Version | FLAC (image+.tracks+.cue), lossless

In 1992, Telarc unveiled a series of performances from the vault on a short-lived label punningly entitled "Telarchive," beginning with this long-delayed encore to the original releases from Paul Desmond's "Canadian" quartet. Recorded live in Toronto's Bourbon Street Jazz Club several months before the live dates released on Horizon and Artists House, it finds Desmond growing comfortable with his new Toronto friends but not quite settled into their laid-back ways quite yet. There are passages in this session where Desmond sounds a bit uncharacteristically scattered and unfocused, where guitarist Ed Bickert becomes the more fluid and stable solo partner, and bassist (and engineer) Don Thompson takes a lengthy solo on every track. Desmond seems to produce his best work in the material that he seems most familiar with. The title track is the one that catches fire most brightly (with a wry assist from "We're in the Money") and "Things Ain't What They Used to Be" finds him working in some clever asides from, yes, Ravel's "Daphnis et Chloe." The wistful European melancholy of Django Reinhardt's "Nuages" suits him perfectly and Jobim's "Meditation" makes its first appearance on a Desmond recording. The boxy, confined live sound doesn't suit the late saxophonist -- nor, obviously, the perfectionist standards at Telarc -- but every precious unreleased note from Desmond is definitely worth sampling at whatever sonic level. Richard S. Ginell
Tracklist :
1. Just Squeeze Me 8:45
 Duke Ellington / Lee Gaines / Fats Waller / Clarence Williams
2. Tangerine 9:46
 Johnny Mercer / Victor Schertzinger
3. Meditation 10:59
 Norman Gimbel / Antônio Carlos Jobim / Newton Mendonça
4. Nuages 10:37
 Jacques Larue / Django Reinhardt
5. Like Someone in Love 9:50
 Johnny Burke / James Van Heusen
6. Things Ain't What They Used to Be 11:11
 Mercer Ellington / Ted Persons
Credits :
Paul Desmond - Alto Saxophone
Ed Bickert - Guitar
Don Thompson - Double Bass
Jerry Fuller - Drums

14.8.20

KEN PEPLOWSKI - Double Exposure (1987) FLAC (image+.cue), lossless

Ken Peplowski's debut as a leader has plenty of brilliant playing. Peplowski, doubling on clarinet and tenor, is joined by guitarist Ed Bickert, pianist John Bunch, bassist John Goldsby and drummer Terry Clarke. Although the repertoire includes Charlie Parker's "Segment" and Hank Mobley's obscure "High and Flighty," Peplowski comes across as a superior swing specialist, particularly on such numbers as "I Would Do Anything for You," "Jubilee" and "Careless Love." A superb start to an important career. by Scott Yanow
Tracklist:
1    (I Would Do) Anything for You 3:49
Ken Peplowski
2    There's No You 4:19
Tom Adair / Hal Hopper
3    Lava 3:40   
Ken Peplowski
4    Blame It on My Youth 4:57
Edward Heyman / Oscar Levant
5    Segment 4:35   
6    High and Flighty 4:57   
7    Don't You Know I Care (Or Don't You Care to Know) 3:44   
Mack David / Duke Ellington
8    Jubilee 5:08   
Stanley Adams / Hoagy Carmichael
9    Careless Love 3:50   
W.C. Handy / Martha E. Koenig / Spencer Williams
10    Imagination 6:56
Johnny Burke / James Van Heusen
11    Love Letters 4:31
Edward Heyman / Victor Young
Credits:
Bass – John Goldsby
Clarinet, Tenor Saxophone – Ken Peplowski
Drums – Terry Clarke
Guitar – Ed Bickert
Piano – John Bunch 

 

30.5.19

SHIRLEY EIKHARD - Going Home (1998) WV (tracks), lossless

Shirley Eikhard reinvented herself as a torchy jazz singer on the surprisingly successful Going Home. Performing a mixture of originals and covers, Eikhard illustrates that she has grown into a lush, rich vocalist. Her phrasing may not be particularly original, but it is assured and confident, in the style of such classic crooners as Peggy Lee. While her songs are strong, by and large, it's her alluring voice that makes Going Home a strong jazz debut. by Rodney Batdorf
Tracklist:
1 Desperately 4:15
Shirley Eikhard
2 Nothin' Like Love 3:07
Shirley Eikhard
3 About Last Night 4:22
Shirley Eikhard
4 Easy Sailin' 4:48
Shirley Eikhard
5 Crazy from the Heat 3:59
Shirley Eikhard
6 Emily Remembers 3:02
Shirley Eikhard
7 Disciples of Cain 4:10
Shirley Eikhard
8 A Little Fun 2:44
Shirley Eikhard
9 If We Had Never Met 3:39
Shirley Eikhard
10 There But for Love Go I  5:16
 Shirley Eikhard
11 I Live for Then 3:33  
 Shirley Eikhard
12 Going Home 5:05
 Shirley Eikhard
Credits
Bass – George Koller
Drums, Percussion – Mark Kelso
Guitar – Ed Bickert
Piano – Bob Eriendson
Producer, Mixed By – Shirley Eikhard
Saxophone – Mike Murley
Trumpet – Marcus Printup
Vocals – Shirley Eikhard
SHIRLEY EIKHARD - Going Home
(1998) BN / Artisan Music / WV (tracks), lossless
O Púbis da Rosa

6.5.19

ED BICKERT — Ed Bickert (1976-2013) Mini LP | SHM-CD | FLAC (tracks+.cue), lossless

42 at the time, guitarist Ed Bickert (who had been a top Canadian studio musicians since the late '50s) finally had an opportunity to lead his own record date in 1975; fortunately, there would be many more. The cool-toned guitarist sounds fine on six sophisticated standards (including "Come Rain or Come Shine," "When Sunny Gets Blue" and "It Might as Well Be Spring") with two other versatile Canadian players, bassist Don Thompson and drummer Terry Clarke. Subtle and lightly swinging music. Scott Yanow
Tracklist :
1 Come Rain Or Come Shine 9:46
Written-By – Harold Arlen, Johnny Mercer
2 Where Are You 4:38
Written-By – Harold Adamson, Jimmy McHugh3 When Sonny Gets Blue 5:59
Written-By – Jack Segal, Marvin Fisher
4 It Might As Well Be Spring 5:50
Written-By – Oscar Hammerstein II, Richard Rodgers
5 Nancy With The Laughing Face 4:43
Written-By – Jimmy Van Heusen, Phil Silvers
6 Manha De Carnaval  9:48
Written-By – George Weiss, Hugo Peretti, Luigi Creatore, Luiz Bonfá
Credits :
Bass – Don Thompson
Drums – Terry Clarke
Guitar – Ed Bickert


DeJOHNETTE · GRENADIER · MEDESKI · SCOFIELD — Hudson (2017) FLAC (tracks+.cue), lossless

Too often, musicians of this caliber who come together under the particular umbrella of a "project" find the end result muddied by...