Mostrando postagens com marcador Porcupine Tree. Mostrar todas as postagens
Mostrando postagens com marcador Porcupine Tree. Mostrar todas as postagens

1.6.25

PORCUPINE TREE — The Sky Moves Sideways (1995) 2CD | RM | Three Version | FLAC (image+.tracks+.cue), lossless


Though Porcupine Tree's permanent lineup was in place by the time Sky Moves Sideways was complete, it was actually a combination of old and new, with a number of tracks once again done by Wilson on his own. Regardless of the provenance of one song or another, though, it was another fine release under the Porcupine Tree name, continuing the excellence of Up the Downstair while achieving a new liquid sense of drama and overall flow. Barbieri's keyboard skills alone made for a wonderful addition to the ranks, easily capturing the slow sense of unfolding atmosphere and elegance combined from earlier Porcupine Tree work while adding his own touches here and there, a touch of playfulness and improvisation. The Edwin/Maitland rhythm section sound like they were born to work together, able to both set slow, spacy moods and quick gallops and dance-skewed approaches both. Wilson, meanwhile, is still himself, calling to mind strange lyric images of rural collapse and romantic connection in his ever stronger, commanding but never straining vocals. As for guitar, there's subtle delicacy and headbanging overload and plenty of space in between for more. Overall, there's not much in the way of immediate sonic difference from Up the Downstair, more a sense of exploring and establishing styles, almost as if the bandmembers were getting used to working with each other. The tripped-out title track bookends the album (perhaps in a not so subtle nod to a similar sequence on Pink Floyd's Wish You Were Here with "Shine on You Crazy Diamond"). The real winners, though, are the jazz-touched acoustic/electric dreamscape of "Stars Die," with a great lead melody and overdubbed chorus from Wilson, and the immediately following "Moonloop," an instrumental calm then rocking jam that's credited to all four members. Ned Raggett
Tracklist 1 :
1. The Sky Moves Sideways Phase 1 (18:39)
2. Dislocated Day (5:24)
3. The Moon Touches Your Shoulder (5:41)

4. Prepare Yourself (1:59)
5. The Sky Moves Sideways Phase 2 (16:49)
 
Tracklist 2 :
1. The Sky Moves Sideways (Alternate Version) (34:43)
2. Stars Die (5:02)
3. Moonloop (Improvisation) (16:18)
4. Moonloop (Coda) (4:53)
Japanese Pressing
 Remastered by Steven Wilson 2003
Credits :
Steve Wilson - Guitars, Keyboards, Programming, Flute, Tapes and Vocals
Richard Barbieri - Synthesizers and Electronics (1,6)
Colin Edwin - Bass Guitar & Double Bass (1,5,6, Stars Die)
Chris Maitland - Drums & Percussion (1,5,6, Stars Die)
with
Rick Edwards - Percussion (5, Stars Die)
Suzanne Barbieri - Vocals (6)
Theo Travis - Flute (6)
Gavin Harrison - Drums (2,3)

5.5.25

PORCUPINE TREE — Fear of a Blank Planet (2007) Two Version | FLAC (image+.tracks+.cue), lossless


Porcupine Tree makes a triumphant return to experimental, non-linear style with 2007's Fear of a Blank Planet. Maybe Steve Wilson was afraid that the comparatively poppy Deadwing and In Absentia were edging too close to the mainstream, because he seems far less concerned with overtly accessible songwriting on Blank Planet. Even still, the cerebral, atmospheric sound on this album remains enormously compelling from almost the first moment. While there is no "radio single" on the disc -- certainly nothing with a conventional pop arc like Lightbulb Sun or "Trains" -- most songs transcend their complex structure and feel as provocative as any traditional rock tune. The aptly named "Sentimental," in particular, features Wilson's trademark lush arrangement with layers of vocals, piano, ambient synths, electric guitar, acoustic guitar, live drums and sampled drums -- but cutting through its tightly contained mosaic is an expertly constructed chord progression that evokes a desperate sense of tension and longing, developing incredible emotional momentum as the track progresses.

Blank Planet sounds like Wilson spent about half of his studio time on the guitar; it's full of buzzy, meticulously distorted solos that you can easily picture him folding into the prototypical Porcupine Tree amalgamation of drum machine, organ, and synthesizers during many long hours in front of the sound board. The quiet, English restraint with which Wilson croons seems to have saved his voice from the decay that so many male singers experience over a twenty year career, and lucky for us (and for him), the style still works perfectly with Porcupine Tree's sound. As a vocalist, he has an amazing capacity for juxtaposing cold, haunting moments against evisceratingly passionate ones, mostly thanks to the control he exerts over his instrument. Wilson's clear, boy's choir timbre sounds like a torrent of frenzy and hunger when he breaks free of it and explores the limits of his vox on tracks like "Sleep Together." His sleepy, melodic approach also has the benefit of ensuring that his poetic lyrics, which run the gamut from acerbic social criticisms to wrenching personal narratives, are always perfectly discernible. Though it's only six tracks long, each of the songs on Blank Planet is exquisitely crafted, even the 17-minute long "Anesthetize." Wilson has a great sense of flow, leading mournful, ambient ballads into graceful crescendos, and over long interludes that sway blissfully throughout rises and falls, only occasionally losing themselves to moments of plodding or meandering. At roughly 51 minutes, Fear of a Blank Planet is short by Porcupine Tree standards, but by measure of quality rather than quantity, it's one of the most substantial prog albums to come out in years. Cammila Collar
Tracklist :
1.  Fear Of A Blank Planet 7:28
 Steven Wilson
2. My Ashes 5:07
 Richard Barbieri / Steven Wilson
3. Anesthetize 17:42
 Steven Wilson
Guest, Soloist [Guitar Solo] – Alex Lifeson

4. Sentimental 5:26
 Steven Wilson
5. Way Out Of Here 7:37
 Porcupine Tree / Steven Wilson
Guest, Sounds [Soundscapes] – Robert Fripp

6. Sleep Together 7:28
 Steven Wilson

Credits :
Arranged By [String Arrangements] – Dave Stewart, Steve Wilson
Backing Vocals – John Wesley
Bass Guitar [Bass Guitars] – Colin Edwin
Contractor [Strings Session Fixer] – Isobel Griffiths
Drums – Gavin Harrison
Keyboards, Synthesizer – Richard Barbieri
Leader [Strings] – Gavyn Wright
Lyrics By – Steven Wilson
Orchestrated By – Dave Stewart
Producer [Produced By], Arranged By – Porcupine Tree
Strings [Strings Performed By] – The London Session Orchestra
Vocals, Guitar [Guitars], Piano, Keyboards – Steven Wilson
Guest, Soloist [Guitar Solo] – Alex Lifeson (track #3)
Guest, Sounds [Soundscapes] – Robert Fripp (track #5)

27.2.24

PORCUPINE TREE — Coma Divine (1997-2007) RM | 2CD | FLAC (tracks+.cue), lossless

Coming off the triple whammy of the Signify, Insignificance and Stupid Dream era—an incredible achievement in its own right—Wilson and Company are soaring at the height of their powers on Coma Divine. There's a sense of relaxed mastery here, the musicians stretching out, fully inhabiting their parts. The songs benefit, slipping into a lush, mesmerizing daydream. Drummer Chris Maitland casually creates some of the most resonant, fascinating percussion around. Colin Edwin's bass flirts between funk and jazz yet never gets buried in the mix—the fate of too many great bass players. Wilson's command of atmospheric guitar periodically stabbed by flashes of incendiary brilliance is front and centre. Barbieri's keyboard mastery provides the lift that takes the songs airborne. Somehow Wilson manages to make an already existing song appear as if it were brand-new again. It doesn't hurt that the set list hits all the high points at this stage of their career. All the more incredible this album is recorded live. Sean Arthur Joyce   Tracklist & Credits :

26.11.19

PORCUPINE TREE – In Absentia (2002-2006) FLAC (tracks+.cue), lossless

Continuing in the growing commercial vein of their previous releases, Porcupine Tree's In Absentia may be the most accessible release to ever spew forth from the group. Rolling electronic percussion blends with simple and solid live drumming to provide an understated backbeat as perennial Tree leader Steven Wilson pastes his complicated pop over the proceedings. Wilson's ability to bury his layered vocals in mountains of spacy electric guitar without drowning out his fragile lyrics is still a valued feature of the music, and the rare moments of clarity that
his vocals display are breathtaking in their power. A reliance on a somewhat gothic heavy metal sound makes for some bizarre moments, especially when held up against his gentler material. The best example of this is the chugging "Wedding Nails," which recalls Dream Theater in its grandiose scope without utilizing the same sort of technical wizardry. But Wilson manages to bridge the gap between the various genres he utilizes, creating an environment where his haunting melodies could take a drastic turn at any minute. Porcupine Tree also continue their Radiohead fascination, although the influence is much less direct than on their last few efforts. Instead, it comes through at odd intervals, like the moments of sparse instrumentation on the otherwise lush "Heartattack in a Lay By." Sonically gorgeous and deceivingly complex, In Absentia has the most immediate appeal of anything Wilson has released under this moniker up to this point. By keeping the songs at manageable lengths and avoiding the avant-garde electronica flourishes of the band's early days, Porcupine Tree has grown into a fully realized pop group without cutting any of the elements that also make them an important force in the neo-prog movement. Bradley Torreano
Tracklist + Credits :

18.6.19

PORCUPINE TREE - Stupid Dream (1999) FLAC (tracks+.cue), lossless

Porcupine Tree's first album for K-Scope/Snapper starts out with a definite bang – "Even Less," with some of the quartet's biggest, blasting rock epic music yet, yet also shot through with the gentler, acoustic side that makes Porcupine Tree so intimate and lovely. The net result easily calls Yes to mind, but Steven Wilson's not so high-pitched as Jon Anderson and Richard Barbieri completely avoids Rick Wakeman's extreme idiocies – prog that knows when less is more. With that as a fine signal for the album as a whole, Stupid Dream takes it from there – Wilson as a songwriter and singer both sounds recharged and more ambitious, while the group collectively pours it on. The loud passages feel truly sky-smashing, the calmer ones perfectly close, and the overall sense of build and drama – "A Smart Kid" is a fine example – spot-on. Strings from the East of England Orchestra and guest work on Wilson's sometime Bass Communion partner Theo Travis add even lusher atmospheres without swamping the tunes. As always, the group isn't afraid to experiment where others merely re-create – check out the funky breaks Colin Edwin and Chris Maitland lay down on "Slave Called Shiver," not to mention Wilson's catchy piano figure and Barbieri's Hammond organ fills. Lyrically, Wilson comes up with some of his best work yet. "Piano Lessons" looks back on past musical learning and a doubtful teacher as a spur to trying harder, while "Pure Narcotic" offers up a romantic scenario and tip of the hat to Radiohead all at once: "You keep me hating/You keep me listening to The Bends." There's actually a musical hint or two of the Oxford quintet as well – the acoustic guitar/drum intro to "This Is No Rehearsal" is a good example – but leave it to Porcupine Tree to drop in some fully plugged in thrash metal, as well. by Ned Raggett, AMG
Tracklist:
1. Even Less (7:11)
2. Piano Lessons (4:21)
3. Stupid Dream (0:28)
4. Pure Narcotic (5:03)
5. Slave Called Shiver (4:41)
6. Don't Hate Me (8:30)
7. This Is No Rehearsal (3:27)
8. Baby Dream in Cellophane (3:16)
9. Stranger by the Minute (4:31)
10. A Smart Kid (5:22)
11. Tinto Brass (6:17)
12. Stop Swimming (6:53)
Credits:
Steven WilsonComposer, Guitar, Orchestral Arrangements, Piano, Producer, Sampling, Vocals
Richard Barbieri - Analogue Synthesizer, Mellotron, Organ, Organ (Hammond), Synthesizerd  
Colin Edwin - Bass, Guitar (Bass
Chris Maitland - Drums, Percussion
Theo Travis - Flute, Saxophone
PORCUPINE TREE - Stupid Dream
 (1999) KScope / FLAC (tracks+.cue), lossless

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